Relevant bibliographies by topics / Air art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Air art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Air art"

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Doyle, S. "Awareness through art [city air pollution]." Engineering & Technology 14, no. 5 (June 1, 2019): 48–49. http://dx.doi.org/10.1049/et.2019.0504.

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Eden, J. A. "THE ART OF TAKING AIR PHOTOGRAPHS." Photogrammetric Record 4, no. 23 (August 26, 2006): 367–78. http://dx.doi.org/10.1111/j.1477-9730.1964.tb00368.x.

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Chetverikova, I. V. "Technology of crushed wood floating in containers with air buoyancy aid." Resources and Technology, no. 8 (2010): 163–65. http://dx.doi.org/10.15393/j2.art.2010.1795.

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Faxneld, Per. "‘Mirages and visions in the air’." Approaching Religion 11, no. 1 (March 20, 2021): 63–76. http://dx.doi.org/10.30664/ar.98199.

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Around the year 1900, European discourse on art was becoming increasingly ‘esotericized’. The 1890s saw esoteric art salons create a sensation in Paris, and art critics and theorists painted a picture of the true artist and the esotericist as overlapping figures. There was also at the time a conflict regarding mediumistic art, a phenomenon initially made popular through Spiritualist mediums. This debate, as we shall see, had interesting gendered dimensions. In what follows, I will discuss how the Swedish female esotericist and artist Tyra Kleen (1874–1951) attempted to situate herself in connection to the concept of the artist as a magus, and the tensions between the positive view of mediumism in Spiritualism and the more negative or cautious approach to it in Theosophy, as well as in relation to the attendant gender issues.
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Mitnik, Margarita Andreevna. "The art of exhibiting chandeliers as art objects in the open air." Человек и культура, no. 4 (April 2021): 151–59. http://dx.doi.org/10.25136/2409-8744.2021.4.36483.

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This article examines the exhibition of chandeliers in the open air. The subject of this research is the projects that display the actual texture and functionality of the historical models of chandeliers, as well as their modern interpretations within the independent art projects that use structural and stylistic elements of chandeliers as part of the topic or material for the viewers’ reflection. For more in-depth analysis of the chandelier as the object of exposition in the open air, the author explored the websites and exhibition catalogues, methodological textbooks, articles and books that demonstrate methods of presenting the objects of decorative and applied art. Similar projects were found. Based on the extensive sampling, the author conducted typological analysis of such projects was carried out, considering the environmental effects and concepts, namely ecological, which underlie the particular solutions. The conclusion is made that open space of the city and garden allow displaying classical chandeliers and various interpretations of ceiling lighting to wide audience, emphasize the texture of the material, and demonstrate the aesthetics of lighting devices not as a historically reserved or subordinate to some household concept, but as aesthetics that expands the customary concepts associated with space.
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Jones, Andrew Meirion. "The Art of Assemblage: Styling Neolithic Art." Cambridge Archaeological Journal 27, no. 1 (January 11, 2017): 85–94. http://dx.doi.org/10.1017/s0959774316000561.

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The art of Neolithic Britain and Ireland consists of a variety of curvilinear and geometric motifs pecked into stone (in open-air rock art or passage tombs) or carved into portable artefacts of chalk, stone or antler. Because of its abstract nature the art has proved problematic for archaeologists. Initially archaeologists assumed the art was representational; now most scholars have abandoned this view, and simply approach the art stylistically. Here I argue that stylistic analysis is insufficient to understand this art: instead the process of making provides a fuller understanding of this art. It is argued that the practice of assemblage is a key aspect of the process of making.
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Sarkar, Abhijeet, Ashmita Saha, Bhaskar Bhattacharjee, Bishnupada Sahoo, Rounak Bakshi, and Soumik Podder. "Nanozymes Induced Air Purification- A State of the Art Review." Recent Research Reviews Journal 2, no. 1 (March 2023): 11–26. http://dx.doi.org/10.36548/rrrj.2023.1.02.

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Air decontamination is always a prime concern to society as the air to be inhaled should be free of contaminants so that living beings can get ample amount of energy to wheel their lives. Rapid urbanization causes drastic contamination in air that can create several life-threatening disorders. In this scenario, ultrahigh detection along with quick estimation of air pollutants has become an urgent need to the society. Nanotechnology enabled enzyme mimicking materials known as nanozymes, demonstrates elevated purification efficiency, sterilizability and low wind resistance. These materials when used in air-filter can work as a soldier to combat with air pollution. Incorporation of latest technology viz. Internet of Things (IoT), cloud computing, etc., brings a new flavor in air refinement. In this present work, several nanozymes are surveyed with high efficiency in air filtration. Single atom nanozymes have established themselves as proficient candidates in air decontamination. The implication in air refinement is attributed to the birth of pro-active superoxide ions and successive formaldehyde oxidation. Corona virus and microbes afflicted air may be purified by the redox commotion of nanozymes. Fiber centric air filter provides enhanced filtration efficiency in real time monitoring process with the aid of IoT conjugation. The present review aids in understanding the mechanisms and potentiality of nanozymes as air purifiers, and also optimizes the design of air purifier.
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Sansão Fontes, Adriana, Fernando Espósito, and Sergi Arbusà. "Ar-quiteturas. Os infláveis como estratégia de reinterpretação do lugar." Revista Prumo 4, no. 7 (November 15, 2019): 138–51. http://dx.doi.org/10.24168/revistaprumo.v4i7.1131.

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Architecture, a discipline called to design the living places, usually operates within a logic that has as main objective welcoming human acts. Its status as a built object requires an adequate response not only material, structural, spatial and environmental, but also in meeting the most vital demands of these acts. Art, on the other hand, can respond with almost absolute freedom, uncompromising with the proper habits of living, in which the act of dwelling can be questioned, freeing itself from its responsibilities related to life. This paper presents a clipping of the work of the artistic collective Penique Productios - the inflatables - their references and methodology, highlighting two interventions in Rio de Janeiro, carried out in a partnership between Penique, DAU PUC-Rio and FAU/UFRJ. The common denominator is to establish a connection between architecture, city and art, through large, ephemeral and habitable collective works that dialogue with the existing place, stimulating its reinterpretation. Key-Words: Inflatables, ephemeral interventions, site-specific interventions, contemporary art
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Goldhill, Judy. "Visual Art: Memories of Air, Light, and Matter." Shofar: An Interdisciplinary Journal of Jewish Studies 39, no. 1 (2021): 60–65. http://dx.doi.org/10.1353/sho.2021.0005.

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SARNIÇ, Kamuran Özlem. "THE EXPERIENCE OF "ART ZHYZHAL" CERAMIC PLEIN AIR." Journal of International Social Research 11, no. 58 (August 30, 2018): 919–25. http://dx.doi.org/10.17719/jisr.2018.2605.

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Dissertations / Theses on the topic "Air art"

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Moyer, Matthew E. Clarke Bede. "Monuments to water and air systems." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6576.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on November 19, 2009). Thesis advisor: Bede Clarke. Vita. Includes bibliographical references.
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Li, Ting. "Art Center." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/53954.

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For any artist, imagination is a powerful and necessary instrument for everyday creation. It is like a magical engine that drives the artist forward. But what is imagination? How do we keep this engine running nonstop? According to the Italian philosopher Giovan Battista Vico, imagination is nothing but extended or compounded memory, imagination is nothing but the springing up of reminiscences, and ingenuity or invention is nothing but the working over of what is remembered.So we can easily understand that people create or invent things out of what they have seen, what they have experienced, and what they have engaged with their own bodies. In my thesis, I'm not competing with the artists in imagination or creation, but I'm trying to offer them this architectural environment that would be transfigured into memory through senses. The artists living and working in this tower building are encouraged to move vertically through stairways and vertically aligned public spaces. By engaging the body and senses in this vertical movement, the artists would find their way out of the urban canyon to the sky of imagination. They would also be able to live lightly above the bustling world of reality.
Master of Architecture
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Warren, Lindsay Elizabeth. "In the air." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/621.

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Martin, Ronald Javier. "Air tight : polemics at the intersection of art, technology and the public domain." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111490.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2017.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 74-75).
The author's methodological framework is used to position his art practice in relation to an ecology of thinkers, artists, and activists engaged with defending democratically governed un-privatized public space. Historically, there is a legacy of artists working with techniques of dispersion, sequestering, and the visualization of otherwise imperceptible components of air to create meaning. Starting in the mid- 1960s, a number of artists and engineers worked together to create pneumatic projects such as airborne inflatables released in the urban environment and mist machines capable of enveloping an entire building in a cloud of fog. However, as this thesis argues, the early 1970s marks the moment when a radical rupture happened in the artistic use of air as a medium. Air became a space to fill with toxicity as a sign of public protest. It was also the time of a motivational shift in how artists began working with air. This era also marked the beginning of a political activation of air space as an environmentalist tactic of critique. Forty years later, thanks to nano technology and capitalist regimes, society's relationship to air space is changing drastically. Innovation in air quality sensors is allowing for the most precise readings of one's immediate air space ever. This comes from breakthroughs in carbon nanotube air composition sensing, a technology finding a wide range of applications in various military and health related industries simultaneously. What is at stake socially in the widespread proliferation of such technology? The author will unfold his interest in this emerging site of inquiry by recounting the principle objectives in his art practice and his use of air as a medium.
by Ronald Javier Martin.
S.M. in Art, Culture and Technology
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Greening, Daniel John. "Art, landscape and material : subject into media." Thesis, University of Wolverhampton, 2010. http://hdl.handle.net/2436/299209.

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A research investigation that illustrates the development of the European landscape tradition as an unbroken interactive and material movement, through discussion of artists from Annibale Carracci (1560-1609) to Richard Long (1945 –). The contribution of each artist within their respective epoch will be used to propose that the subject of landscape has become an actual creative medium, integral to and consistent with the external Plein-Air technique. Thus, presenting a ‘creative narrative’ from the observed into the articulated that will demonstrate how the examination and representation of actual landscapes have become physically used within creative presentations. The study uses key artworks that have been inspired by landscape to show the shift from documentation into interaction with the reality of the natural world. This entails the chronology of the investigation and commences with the concept of Ideal Landscape, established by Carracci, within the late 16th century, through the development of the Plein-Air tradition and culminating with particular emphasis on European landscape artists’ and movements since 1945 that have interacted with actual sites and natural materials: from the ideal to the actual. Furthermore, the European transfer and diffusion of interactive and material based landscape methods, including drawing and painting outside, the collection of organic items and photography, passed and developed from one generation to the next, informs a body of personal creative work. This is a 50/50 co-dependent strand used to illustrate the practical and creative discourses between practitioner and landscape, involving the articulation of actual land materials, found objects and Plein-Air excursions to the drawing locations of previous practitioners’, sketchbooks and journals. The insights provided, by the personal practice and associated theoretical position, aid the evaluation, analysis and description of the evolution of the creative methods inherent in the development of subject into media, but not presently described in historical accounts, therefore, presenting a Material Chronology and thus the original contribution of knowledge for this investigation.
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Polli, Andrea. "Communicating air : alternative pathways to environmental knowing through computational ecomedia." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/889.

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This dissertation, Communicating Air: Alternative Pathways to Environmental Knowing through Computational Ecomedia, is the culmination of an art practice-led investigation into ways in which the production of ecomedia may open alternative pathways to environmental knowing in a time of urgent climate crisis. This thesis traces the author’s artistic, personal and political development across the period of study and presents an extended argument for greater public engagement with weather and climate science, greater public and private support for long-term collaborations between media art and climate science, and increased public open access to global weather and climate monitoring and computationally modelled data.
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Mitchell, Joanne. "Precision air entrapment through applied digital and kiln technologies : a new technique in glass art." Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/8548/.

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The motivation for the research was to expand on the creative possibilities of air bubbles in glass, through the application of digital and kiln technologies to formulate and control complex air entrapment, for new configurations in glass art. In comparison to glassblowing, air entrapment in kiln forming glass practice is under-developed and undocumented. This investigation has devised new, replicable techniques to position and manipulate air in kiln-formed glass, termed collectively as Kiln-controlled Precision Air Entrapment. As a result of the inquiry, complex assemblages of text and figurative imagery have been produced that allow the articulation of expressive ideas using air voids, which were not previously possible. The research establishes several new innovations for air-entrapment in glass, as well as forming a technical hypotheses and a practice-based methodology. The research focuses primarily on float glass and the application of CNC abrasive waterjet cutting technology; incorporating computer aided design and fabrication alongside more conventional glass-forming methods. The 3-axis CNC abrasive waterjet cutting process offers accuracy of cut and complexity of form and scale, across a flat plane of sheet glass. The new method of cleanly fusing layered, waterjet-cut float glass permits the fabrication of artwork containing air entrapment as multilayered, intricate groupings and composite three-dimensional void forms. Kiln-controlled air entrapment presents a number of significant advantages over conventional glassblowing techniques of air entrapment which are based around the decorative vessel or solid spheroid shaped on the blowing iron. The integration of digital and traditional technologies and the resulting technical glassmaking discoveries in this research advance potential new contexts for air entrapment, in sculptural and architectural glass applications. Contexts include solid sculptures which explore the internal space of glass, to flat-plane panels and hot glass roll-up processes which take air entrapment beyond the limitations of its previous incarnations. The creative potential of Kiln-controlled Precision Air Entrapment for glass art is demonstrated through the development of a body of artworks and their dissemination in the field of practice. Documentation of the findings in the thesis has resulted in a 3 significant body of knowledge which opens up new avenues of understanding for academics, creative practitioners and professionals working with glass.
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Goeke, Robert P., and Christopher M. VanZoest. "The art of the deal: how can the Air Force successfully execute renewable energy transactions?" Monterey, California. Naval Postgraduate School, 2010. http://hdl.handle.net/10945/10489.

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MBA Professional Report
The purpose of this paper is to explore the methods the Air Force uses to procure renewable energy. To comply with Executive Order 13423, agencies must ensure that at least half of all renewable energy required under Energy Policy Act of 2005 comes from new renewable sources (developed after January 1, 1999) (Department of Energy, n.d.b). The Air Force is currently on track to meet the requirements of this legislation and is also the Department of Defense (DoD) leader in total renewable energy procured. The contracting tools used to procure renewable energy are Power Purchase Agreements and Enhanced Use Leases. The processes involved with Power Purchase Agreements and Enhanced Use Leases are unique and challenging. Additionally, renewable energy procurement includes many other participants or interested parties, which is contrary to the standard contracting process. Working within this renewableenergy arena requires the use of public-private partnerships in order for these deals to be successful. This paper will describe and evaluate the entire process used to procure renewable energy including parties involved, tools to execute, examples of successful projects, and it will explain how the Air Force can better support the procurement of renewable energy.
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Searle, Rebecca K. "Art, propaganda and the experience of aerial warfare in Britain during the Second World War." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6919/.

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This thesis examines how artists working for the War Artists' Advisory Committee (WAAC) represented aerial warfare. In contrast to the scholarly attention lavished on wartime films and posters, official war art remains a much neglected aspect of the propaganda war. The few studies that do exist, most notably by Brian Foss, survey the collection as a whole and consider it from an art history perspective. By focusing on the single theme of aviation, a central and defining experience of the Second World War, I embed the WAAC within the economic, social, military and cultural histories of the period and locate it within a longer time frame. Through bringing these usually disparate fields of study into dialogue, I am able to use the art to enrich broader understandings of the period, in particular, the ways in which aerial warfare was represented, how this image evolved during the war and how these cultural products related to economic, military and social factors. This thesis highlights the different roles the WAAC was expected to fulfil. Housed within the Ministry of Information, the WAAC was expected to perform a propagandist function. The committee distanced itself from propaganda and insisted that its primary function was to record for posterity the experience of living through the war. I assess exactly what kind of record the WAAC bequeathed by looking thematically at the key aspects of aerial warfare: aircraft production; the Battle of Britain; the Blitz and the bombing of Germany. I argue that whilst there was broad correlation between war art and propaganda, these images registered aspects of experience that were incongruent with and therefore absent from wartime propaganda, such as the fear of aerial bombardment and the true nature of the bombing of Germany. Moreover, propagandist constructions were not entirely separate to lived experience, rather they both reflected experience and shaped the way that individuals understood and made sense of the world around them. Therefore, in producing images that accorded with propagandist portrayals, the WAAC artists were recording a fundamental part of the experience of living through the war.
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Zhang, Yangyang. "Modeling and Design of Photocatalytic reactors for Air Purification." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4621.

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Photocatalysis is a promising technique for the remediation of indoor air pollution. Photocatalysis utilizes semiconductor photocatalysts (such as TiO2 or ZnO) and appropriate light to produce strong oxidizing agents (OH*) that are able to break down organic compounds and inactivate bacteria and viruses. The overall goal of the research is to develop an efficient photocatalytic reactor based on mass transfer for indoor air purification. This study has focused on the enhancement of the effectiveness of the photocatalytic process by the introduction of artificial roughness on the reactor catalyst surface. The major effect of artificial roughness elements on the catalytic surface is to create local wall turbulence and enhance the convective mass transfer of the contaminants to the catalyst surface and thus lead to an increase in the effectiveness of photocatalysis. Air flow properties in a model photoreactor channel with various roughness patterns on the interior wall surface were theoretically investigated. The optimum shapes, sizes, and arrangements of roughness were determined for the maximum enhancement of turbulence intensity in the channel. The possible order of photocatalytic reactor performance for various roughness patterns was also determined. In order to verify the theoretical analysis results, experimental studies were carried out. A plate type photocatalytic reactor was designed and fabricated on the basis of the theoretical results. It was determined that the photocatalytic reactor performance is greatly improved with various rough catalyst surfaces. The experimental results verified the theoretical results. The relationship between the overall reaction rate constant (k) of the reactor and the magnitude of the turbulence intensity was found out. An empirical correlation expression was also proposed. This is the first study of the effect mass transfer in a rough catalytic surface for photocatalytic reactor. Photocatalyst development has also been studied. Zinc oxide (ZnO) and iron doped zinc oxide (ZnO/Fe) nanowires were synthesized on glass substrates through a conventional hydrothermal method. The photocatalytic activities under ultraviolet (UV) light and white light irradiation were separately investigated. The ZnO/Fe nanowires exhibited an enhanced photocatalytic activity as compared to ZnO nanowires regardless of the type of contaminants and light sources.
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Books on the topic "Air art"

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Mestre, Marie-Ève, and Stéphane Magnin. Air-air: Celebrating inflatables. Monaco: Grimaldi Forum, 2000.

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James, Turrell. Air mass. Edited by Holborn Mark 1949- and Hayward Gallery. London: South Bank Centre, 1993.

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Gallery, Hillwood Art, ed. Air Lines. Brookville, NY: the gallery, 1989.

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Cross, David. Air Supplied. Earth, Milky Way: punctum books, 2018.

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Devonshire, Hilary. Air. New York: F. Watts, 1991.

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Gascoigne, Rosalie. Rosalie Gascoigne: Plain air. Wellington, Aotearoa, N.Z: City Gallery/Victoria University Press, 2004.

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Bernd, Schulz, and Stadtgalerie Saarbrücken, eds. Felix Hess: Light as air. Heidelberg: Kehrer, 2001.

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Charrière, François. Môtiers 2003: Art en plein air. [Switzerland]: Môtiers, 2003.

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Hickey, Dave. Air guitar: Essays on art & democracy. Los Angeles: Art issues. Press, 1997.

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Berg, Nanda van den, Christopher Stephens, and Ayako Yoshimura. Netting air: From the low land. Edited by Gülbeyaz Abrurrahman author. Tokyo, Japan: HeHe, 2018.

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Book chapters on the topic "Air art"

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Wensveen, John. "#Mastering the Art of Airline Social Media." In Air Transportation, 366–88. 9th ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429346156-14.

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Ranald, Lawrence. "Into clean air." In The Victorian Art School, 120–52. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003020288-5.

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Boylan, Jessie. "Capturing the air." In Care Ethics and Art, 257–67. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003167556-25.

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Preez, Amanda du. "Up in the Air." In Art, the Sublime, and Movement, 87–111. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367501624-7.

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Liu, Lihong. "The Global Air." In The Routledge Companion to Global Renaissance Art, 431–48. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003294986-34.

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Allegrini, Ivo. "Urban atmospheric pollution: review of the state-of-the-art." In Urban Air Pollution, 1–19. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/978-3-642-61120-9_1.

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Delahaye, Daniel, and Stéphane Puechmorel. "Optimization: State of the Art." In Modeling and Optimization of Air Traffic, 1–35. Hoboken, NJ USA: John Wiley & Sons, Inc., 2013. http://dx.doi.org/10.1002/9781118743805.ch1.

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Lin, Jie, and Kian Jon Chua. "State-of-the-Art Air-Conditioning Technologies." In Indirect Dew-Point Evaporative Cooling: Principles and Applications, 1–14. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30758-4_1.

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Sillars, Stuart. "The War in the Air." In Art and Survival in First World War Britain, 90–115. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-19084-3_6.

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McKnight, Claudia Mandler. "Coming Up for Air." In The International Handbook of Art Therapy in Palliative and Bereavement Care, 199–214. New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315110530-21.

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Conference papers on the topic "Air art"

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Gedzelman, Stanley David. "The Sky in Science and Art." In Light and Color in the Open Air. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.the1.

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The present sharp division lines drawn between the arts and sciences represent an historical anomaly. For centuries, artists were among the premier observers of nature and, as in the case of Leonardo da Vinci, were sometimes also scientists or engineers themselves. The range of artists' observations is impressive and includes the overall climatic environment, the colors of the sky, many of the atmospheric optical phenomena, cloud forms, and even indications of changing weather situations (Gedzelman, 1989). There are numerous cases in which artists depicted atmospheric phenomena long before they were identified by scientists.
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SALIMBENE, ORNELLA, SALVATORE MORREALE, and FRANCESCO PILLA. "HEALTH RISK ASSESSMENT AND BLACK CARBON: STATE OF ART AND NEW PROSPECTIVES." In AIR POLLUTION 2021. Southampton UK: WIT Press, 2021. http://dx.doi.org/10.2495/air210141.

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McCord, Walker, Aleksander Clark, and Zhili Zhang. "1D Temperature Measurements by Air REMPI Thermometry (ART)." In AIAA SCITECH 2022 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2022. http://dx.doi.org/10.2514/6.2022-1797.

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Sassen, Kenneth. "Rainbows in The Indian Rock Art of Desert Western America." In Light and Color in the Open Air. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.the2.

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Scattered throughout the Great Basin and the drainages of the upper Colorado and Rio Grande Rivers is a legacy of prehistoric and historic (i.e., post-Spanish contact) Indian rock art that represents a several-thousand year old tradition of creating culturally meaningful images on stone. Depending on the nature of the stone surface, and also on the intent of the "artist", the images were either pecked, scratched or abraded into the stone, or painted on suitably smooth and protected cliff walls. The terms petroglyph and pictograph are respectively applied to these two basic techniques. Petroglyphs typically were pecked through the dark patina coating, which slowly develops on many rock surfaces in the desert environment, to disclose the lighter colored rock beneath, whereas mineral-based pigments were employed in making pictographs. Among the inventory of images are human-like (anthropomorphic) and animal (zoomorphic) forms, as well as a large variety of abstract elements and more esoteric designs that are subject to various interpretations. With time, the rock art of the Great Basin area generally evolved from the abstract to the more representational, although many abstract designs remained popular (i.e., meaningful) throughout the area's long history.
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Singh, Aradhana Kumari, and Deepika Koundal. "A State-of-Art in Mid-Air Handwriting Recognition techniques." In 2023 Seventh International Conference on Image Information Processing (ICIIP). IEEE, 2023. http://dx.doi.org/10.1109/iciip61524.2023.10537774.

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Cai, Wei, Danjun Wang, Xiaodong Wen, and Xubo Yu. "Indoor Air Quality Assessment in an Art Gallery with an HVAC System." In 2010 4th International Conference on Bioinformatics and Biomedical Engineering (iCBBE). IEEE, 2010. http://dx.doi.org/10.1109/icbbe.2010.5515126.

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Blunier, Benjamin, and Abdellatif Miraoui. "Air management in PEM fuel cells: State-of-the-art and prospectives." In 2007 International Aegean Conference on Electrical Machines and Power Electronics (ACEMP) and Electromotion '07. IEEE, 2007. http://dx.doi.org/10.1109/acemp.2007.4510510.

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Larrieux, Eric, and Mélia Roger. "The Air Listening Station: Bridging the gap between Sound Art and Sonification." In AM '23: Audio Mostly 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3616195.3616203.

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"Superplasticizers and Air Entraining Agents: State of the Art and Future Needs." In "SP-144: Concrete Technology: Past, Present, and Future". American Concrete Institute, 1994. http://dx.doi.org/10.14359/4414.

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Pegemanyfar, Nima, and Michael Pfitzner. "State-of-the-Art Combustor Design Utilizing the Preliminary Combustor Design System PRECODES." In ASME Turbo Expo 2008: Power for Land, Sea, and Air. ASMEDC, 2008. http://dx.doi.org/10.1115/gt2008-50577.

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Advanced state-of-the-art gas turbine combustion chamber design requires a multitude of design rules and parameters using a large number of empirical correlations. In order to allow for a more effective use of this knowledge, the preliminary combustor design system PRECODES was developed in the framework of the European research project INTELLECT D.M. (INTEgrated Lean Low Emission CombusTor Design Methodology). The development of PRECODES has already been described by the authors in previous ASME papers [1], [2]. This paper is focused on the results achieved by the application of the system and the demonstration of its potential regarding an automated combustion chamber design. Since the preliminary design of the combustor is performed and optimized fully automatically by the system, the evaluation and comparison of a much higher number of combustor configurations is possible compared to using a manual design process. Moreover detailed CFD analysis is no more limited to the final design phase, but can now be performed early during the preliminary design phase. The CFD results allow for a detailed postprocessing, to check whether all requirements, as derived from the design rules by correlations are satisfied by the configuration (e.g. zonal air/fuel ratios, residence times). The iterative combustor design process loop, as described by the authors in the previous papers [1], [2] has been closed. New, improved combustor design rules have been derived providing a sophisticated combustor design. Different preliminary combustor configurations are produced by the system on the basis of varying performance parameters and geometric requirements, resulting in a variation of the combustor volume, mixing holes sizes and application of different types of mixing holes required to meet the zonal stoichiometries. Some of the configurations have been analysed and compared more specifically using the detailed post-processing capability. An overview of this detailed post-processing analysis and of the data comparison is given in the paper. A promising configuration has been obtained with respect to NOx and CO emissions, at the same time ensuring sufficient residence times for both relight and combustion efficiency requirements.
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Reports on the topic "Air art"

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Phillips, Mark D. Deception, Surprise and Attack: Operational Art for Air Superiority. Fort Belvoir, VA: Defense Technical Information Center, May 2006. http://dx.doi.org/10.21236/ada463928.

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Walker, Iain S. State-of-the-Art in Residential and Small Commercial Air HandlerPerformance. Office of Scientific and Technical Information (OSTI), March 2005. http://dx.doi.org/10.2172/859734.

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Converse, Bradley D. Cyber Power and Operational Art: A Comparative Analysis with Air Power. Fort Belvoir, VA: Defense Technical Information Center, May 2013. http://dx.doi.org/10.21236/ada583351.

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Johra, Hicham. Air permeameter for porous building materials: Aalborg University prototype 2023. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau545266824.

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The aim of this lecture note is to present the first prototype of an air permeameter for porous building material built at Aalborg University, Department of the Built Environment. This air permeameter setup is primarily intended for porous insulation materials but could be used for all types of materials fitting the sample frame. This lecture note also provides guidelines to operate this air permeameter and perform a state-of-the-art measurement of the effective air permeability.
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NAVAL POSTGRADUATE SCHOOL MONTEREY CA. The Art of the Deal: How Can the Air Force Successfully Execute Renewable Energy Transactions. Fort Belvoir, VA: Defense Technical Information Center, December 2010. http://dx.doi.org/10.21236/ada536325.

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Fleury, Wayne, and Jan Ove Toskedal. PR-535-143745-R01 ART Scan Qualification Study. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), November 2015. http://dx.doi.org/10.55274/r0010879.

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This qualification study is based on the need for a new technology in the asset integrity lifecycle of pipelines including Subsea infrastructure. As of today it is challenging to identify a technology that combines adequate measurement accuracy combined with the ability to operate in gaseous atmosphere found inside natural gas pipelines. Halfwave�s inspection method developed over the last two decades is based on Acoustic Reso-nance Technology (ART), which utilizes the natural frequencies of the pipe wall to determine the remaining wall thickness. The most prominent advantages of ART comprise (i) direct measure-ments of wall thickness with a accuracy within 0.2 mm (95% c.l.), (ii) the broad-band frequency range enables measurements in pressurized gas, avoiding a liquid couplant, and (iii) the transducer matrix with (a flexible) stand-off to the wall enables high-resolution internal geometry mapping of the pipeline to a resolution within 50 �m (95% c.l.). Additional benefits include the ability to detect disbondmant of external coating and delamination in the pipe wall material. ART is a well-known inspection technology dating back to the 1940s in e.g. the aviation industry, scanning air craft wings, and has also been extensively used in connection with integrity measure-ment of down-hole casings (cf. e.g. the USIT tool, by Schlumberger). However, the last decade�s development of broad-band transducers combined with a surge in storage technology has moved the operational envelope and accuracy of ART a quantum leap ahead, offering much more relia-bility in the integrity evaluations of natural gas pipelines. In turn this gives significantly enhanced decision confidence for the pipeline operator. This document will provide a description of ART and also Halfwave�s application of ART within the Oil and Gas industry.
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Liu, Cheng-Hsin, Ha L. Nguyen, and Omar M. Yaghi. Reticular Chemistry and Harvesting Water from Desert Air. AsiaChem Magazine, November 2020. http://dx.doi.org/10.51167/acm00007.

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Although chemists, in general, are concerned with the art and science of constructing molecules and understanding their behavior, for a long time the idea that such molecules can be linked together by strong bonds to make infinite, extended structures were fraught with failure. The notion of using molecular building blocks to make such structures invariably led to chaotic, ill-defined materials and therefore not only defying the chemists’ need to exert their will on the design of matter but also preventing them from deciphering the atomic arrangement of such products. The field remained undeveloped for most of the twentieth century, and it was taken as an article of faith that linking molecules by strong bonds to make extended structures is a “waste of time” because “it doesn’t work.”
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Johra, Hicham. Measurement Capabilities and Equipment at the Building Material Characterization Laboratory of Aalborg University (2024). Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau580248093.

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The aim of this short communication report is to provide synthetic information concerning the measurement capabilities and equipment of the Building Material Characterization Laboratory of Aalborg University - Department of the Built Environment. This laboratory uses state-of-the-art equipment to determine the thermophysical properties and the heat-air-moisture transport characteristics of materials, especially construction materials.
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Butler, Paul, Phil DiPietro, Laura Johnson, Joseph Philip, Kim Reichart, and Paula Taylor. A Summary of the State of the Art of Superconducting Magnetic Energy Storage Systems, Flywheel Energy Storage Systems, and Compressed Air Energy Storage Systems. Office of Scientific and Technical Information (OSTI), July 1999. http://dx.doi.org/10.2172/9724.

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Lawson. L51597 Feasibility Study of New Technology for Intake Air Filtration. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), June 1989. http://dx.doi.org/10.55274/r0010105.

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Inlet air filters are widely used to remove solids and liquid droplets from the ambient air before it enters the compressor of a gas turbine. Clean inlet air provides many advantages: Less corrosion of the compressor and of gas-path hot parts, such as the turbine, decreased compressor fouling, less erosion of the compressor bladeThese in turn prevent deterioration of output and heat rate, and reduce maintenance costs. Compressor fouling is caused by the ingestion of substances that deposit and adhere to blade surfaces, resulting in reduced aerodynamic efficiency and decreased available output. Air contamination could be significantly reduced by the use of more efficient air filtration systems, especially through the reduction of the quantity of smaller particles ingested. The consequent lower loss of output power and decreased cleaning efforts provide lower costs of operation and increased shaft power. This work was composed of three major efforts: 1) A literature search was performed to establish the state of the art for particle removal from gases, particularly by electrostatic precipitation, and to identify the leading vendors of the equipment-considering both experience and technical expertise. 2) Two chosen companies were visited to determine their technical capabilities as they apply to gas turbine inlet air filtration. 3) A representative gas turbine was specified by PRCI as being the equivalent of a GE Model 3002J turbine, with airflow of 91,200 acfm. A specification based upon that airflow was prepared and submitted to the two vendors. Each vendor prepared a proposal for a filter system compliant with the specification. The proposed air filtration equipment is sufficiently different from existing products that it was judged not beneficial to visit manufacturing facilities. Both vendors are reputable suppliers of air filtration equipment. This study is intended to provide definitive information relative to the use of new technology for air inlet filtration on gas turbines in gas pipeline pumping applications.
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