Relevant bibliographies by topics / Ajmer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ajmer'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Ajmer"

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Pingale, Santosh, Jan Adamowski, Mahesh Jat, and Deepak Khare. "Implications of spatial scale on climate change assessments." Journal of Water and Land Development 26, no. 1 (September 1, 2015): 37–55. http://dx.doi.org/10.1515/jwld-2015-0015.

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Abstract While assessing the effects of climate change at global or regional scales, local factors responsible for climate change are generalized, which results in the averaging of effects. However, climate change assessment is required at a micro-scale to determine the severity of climate change. To ascertain the impact of spatial scales on climate change assessments, trends and shifts in annual and seasonal (monsoon and non-monsoon), rainfall and temperature (minimum, average and maximum) were determined at three different spatial resolutions in India (Ajmer city, Ajmer District and Rajasthan State). The Mann–Kendall (MK), MK test with pre-whitening of series (MK–PW), and Modified Mann–Kendall (MMK) test, along with other statistical techniques were used for the trend analysis. The Pettitt–Mann–Whitney (PMW) test was applied to detect the temporal shift in climatic parameters. The Sen’s slope and % change in rainfall and temperature were also estimated over the study period (35 years). The annual and seasonal average temperature indicates significant warming trends, when assessed at a fine spatial resolution (Ajmer city) compared to a coarser spatial resolution (Ajmer District and Rajasthan State resolutions). Increasing trend was observed in minimum, mean and maximum temperature at all spatial scales; however, trends were more pronounced at a finer spatial resolution (Ajmer city). The PMW test indicates only the significant shift in non-monsoon season rainfall, which shows an increase in rainfall after 1995 in Ajmer city. The Kurtosis and coefficient of variation also revealed significant climate change, when assessed at a finer spatial resolution (Ajmer city) compared to a coarser resolution. This shows the contribution of land use/land cover change and several other local anthropogenic activities on climate change. The results of this study can be useful for the identification of optimum climate change adaptation and mitigation strategies based on the severity of climate change at different spatial scales.
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Bisht, Devendra Singh, Rajendra Gokhroo, Deepak Padmanabhan, and Sajal Gupta. "CORONARY SINUS ANATOMY: AJMER WORKING GROUP CLASSIFICATION." Journal of the American College of Cardiology 61, no. 10 (March 2013): E655. http://dx.doi.org/10.1016/s0735-1097(13)60655-5.

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Pachori, Geeta, Ravi Sunaria, Dinesh Beelwal, Rashmi Sharma, Nanik Jethani, and Saroj Pachori. "Malignant tumors of testis in Ajmer region." International Journal of Medical Science and Public Health 5, no. 7 (2016): 1340. http://dx.doi.org/10.5455/ijmsph.2016.25092015198.

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Gokhroo, Rajendra, Devendra Bisht, Sajal Gupta, Deepak Padmanabhan, Kamal Kishor, and Bhanwar Ranwa. "PALMAR ARCH ANATOMY: AJMER WORKING GROUP CLASSIFICATION." Journal of the American College of Cardiology 63, no. 12 (April 2014): A2110. http://dx.doi.org/10.1016/s0735-1097(14)62113-6.

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Gokhroo, Rajendra, Devendra Bisht, Sajal Gupta, Kamal Kishor, and Bhanwar Ranwa. "Palmar arch anatomy: Ajmer Working Group classification." Vascular 24, no. 1 (March 9, 2015): 31–36. http://dx.doi.org/10.1177/1708538115576428.

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Introduction Forearm arteries are frequently used as workhorse site for cardiac catheterization, bypass grafting and haemodialysis access. There is paucity of data on palmar circulation in live human being and only cadaveric data are available till date. We, therefore, made an attempt to look at the various patterns of sufficient or insufficient palmar arch circulation and various anomalies of forearm arteries, to discuss their clinical implications. Methods and results We obtained the forearm and hand arteriograms of patients (n = 302) through radial (n = 200) and ulnar routes (n = 102). Modified Allen’s test was normal in all of our patients. On the basis of predetermined parameters angiograms were analysed and findings were divided into three groups. These three groups were further classified as type A, type B, type C superficial palmar arch. Conclusion We concluded that type A superficial palmar arch is most suitable for providing adequate collateral circulation in case of harvesting of forearm vessel, whereas type C superficial palmar arch appears to be highly susceptible for digital ischemia in case of radial or ulnar artery occlusion. Modified Allen’s test alone is not justifiable for documenting good collateral circulation and it should be supplemented by other tests to document good collateral circulation before proceeding to any radical procedure.
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Sharma, Dr Rashmi. "Faunal Diversity of Ajmer Aravalis Lepidoptera Moths." IOSR Journal of Pharmacy and Biological Sciences 11, no. 05 (May 2016): 01–04. http://dx.doi.org/10.9790/3008-1105010104.

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Jakhu, Rajan, Rohit Mehra, and H. M. Mittal. "Exposure assessment of natural uranium from drinking water." Environmental Science: Processes & Impacts 18, no. 12 (2016): 1540–49. http://dx.doi.org/10.1039/c6em00514d.

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Upadhyay, Mriganka, Reena Vyas, Vivek Sharma, and Satya Prakash Mehra. "STUDIES OF THE AVIFAUNA IN URBAN LIMITS OF AJMER, RAJASTHAN, INDIA." International Journal of Research -GRANTHAALAYAH 8, no. 3 (May 26, 2020): 281–96. http://dx.doi.org/10.29121/granthaalayah.v8.i3.2020.159.

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The urban sprawls are common in the present age. The urban biodiversity conservation is a challenge for the urban planners. The habitats formed within the green and blue spaces are home for the wide variety of floral and faunal diversity. In the series of the conservation actions, the present investigation was undertaken in the urban areas of the central Rajasthan, i.e., Ajmer. It aimed to review and prepare comprehensive database through assessment of the avifaunal species of the municipal area of Ajmer. The seasonal surveys and periodic sampling observations were recorded for twenty-four months from February 2017 to January 2019. The urban area was classified into three regions namely, the Urban Green Patches (UGP), Urban Aquatic Area (UAA) and Human Settlement Area (HSA). The UGA & HSA harbored 104 species and 41 species respectively whereas the UAA harbored 95 species. The Relative Diversity Index of the various species was calculated. The present investigation recorded 167 species from 58 families. With the earlier studies with a reporting of 235 species from 62 families, there was addition of 13 new species and two families. Thus, the cumulative list of Ajmer District presented an account of 243 bird species from 64 families.
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Pachori, Geeta, Uday Meena, Ravi Sunaria, Pramendra Pachori, Nanik Jethani, and Tushar Bayla. "Histopathological study of ovarian tumors in Ajmer region." International Journal of Medical Science and Public Health 5, no. 7 (2016): 1400. http://dx.doi.org/10.5455/ijmsph.2016.19092015213.

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Bautze, Joachim. "The Ajmer Darbar of 1832 and Kota Painting." South Asian Studies 6, no. 1 (January 1990): 71–91. http://dx.doi.org/10.1080/02666030.1990.9628401.

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Dissertations / Theses on the topic "Ajmer"

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Olsen, Keri Dawn Wadley Susan Snow. "'We all eat pickles, don't we?': negotiating identity in the city of Ajmer (India)." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2003. http://wwwlib.umi.com/cr/syr/main.

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Abdoun, Fatiha. "Etude de la dynamique spatio-temporelle des populations de Cupressus dupreziana A. Camus au Tassili n'Ajjer, Algérie." Aix-Marseille 3, 2002. http://www.theses.fr/2002AIX30090.

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Cupressus dupreziana A. Camus, arbre endémique du Tassili n'Ajjer (Sahara Central, Algérie), est considéré comme un vestige, sans pouvoir régénérateur, d'une forêt plus étendue à l'Holocène et constituée sous un climat humide. Les investigations menées de 1997 à 2001 montrent qu'il existe 233 arbres vivants. Un taux de dépérissement de 8 % dû à la dégradation anthropique, a été enregistré au cours des 30 dernières années. La découverte de jeunes arbres atteste d'une régénération spontanée in situ. L'étude de l'accroissement radial montre une bonne vigueur juvénile, malgré les conditions hyperarides. L'analyse pédoanthracologique a montré que le pistachier de l'Atlas disparu actuellement et l'olivier de Laperrine constituaient des formations arborées communes au Tassili. L'activité touristique qui s'est développée à la faveur de la découverte des fresques préhistoriques constitue une nouvelle cause de dégradation de la végétation alors qu'il n'existe aucune mesure effective de protection
Cupressus dupreziana A. Camus is a native tree of the Tassili n'Ajjer (Central Sahara). This conifer was regarded as a remnant, now lacking any regenerative capacity, of a forest that grew in wetter times. Investigations carried out between 1997 and 2001 show that there are 233 alive trees. A disappearance rate of 8% over the last thirty years has been recorded. The discovery of some very young trees testifies to this cypress' capacity for regeneration in situ. Determination of radial growth reveals a juvenile vigour in spite of arid climatic conditions. Pedonthracological analysis reveals the presence of Pistacia atlantica Desf. , its disappearance from the Tassili must be attributed to human over-exploitation ; this pistachio, and Laperrine's olive, must have formed quite widespread groves in the Tassili. The tourism which developed since 1953 is a new source of degradation of the environment, because there is no real measure of protection
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Ajmera, Ankur [Verfasser]. "Stable spray dried protein formulation and implementation in vaccine development / Ankur Ajmera." Kiel : Universitätsbibliothek Kiel, 2014. http://d-nb.info/1064906036/34.

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Mostefaï-Ithier, Amel. "Contribution à l'étude de l'art rupestre tassilien : à la recherche d'un sens à Ozan Ehéré (Tasîli-n-Ajjer, sahara central, Algérie)." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20035/document.

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En se basant sur le profil des figurations humaines et sur quelques présupposés particulièrement tenaces sur un monde des masques et un animisme considérés comme proprement noir-africains, nombre des auteurs ayant traité des images rupestres du Sahara central ont confondu «culture» et «identité raciale», canons artistiques et types anthropologiques, s'appliquant à écrire une Histoire culturelle hachée que rien ne justifie a priori. Ainsi, à Ozan Ehéré, de remarquables cas de rapports explicites illustrés par des scènes montrant un anthropomorphe touchant un zoomorphe invitent à suggérer un parallèle entre des figurations en style des Têtes Rondes et des images bovidiennes (styles de Séfar - Ozan Ehéré, d’Abañher, d’Iheren), alors que ces groupes sont généralement tenus pour indépendants l’un de l’autre et cloisonnés par souci typologique. Une première approche structurale de l’art rupestre de la zone permet aussi d’ouvrir quelques pistes stimulantes quant à la nature des êtres représentés sur les parois (qui ne sont peut-être pas des humains et des animaux ordinaires vaquant à quelque occupation banale), et conduit à s’interroger sur la fonction de ces images. À la lumière de leur possible dimension féminine, quelques peintures en style des Têtes Rondes pourraient sortir du dossier des représentations énigmatiques et l’on pourrait également — sans recours à des lectures littérales — faire quelque peu quitter aux images bovidiennes le monde de la peinture décorative et celui de la chronique historiée
Considering the face of human representations and evoking particularly firm presuppositions on a world of masks and animism considered as strictly black - African, number of the authors who studied the rupestral images of central Sahara mixed up "culture" and " racial identity ", artistic canons and anthropological kind, establishing a chopped cultural History, which is not argued. In Ozan Ehéré, remarkable cases of relationships illustrated by scenes showing an anthropomorphic touching a zoomorphic invite to suggest a parallel between representations in style of the Round Heads and the bovidians images (styles of Séfar - Ozan Ehéré, of Abañher, Iheren), while these groups are considered generally independent one of the other one and divided up by typological concern. A first structural approach of the rock art of the zone finally allows us to open stimulating ways, for example about the nature of beings represented on walls (who may not be human beings and ordinary animals attending to some commonplace occupation), and drives us to wonder about the function of these images. According to their possible feminine dimension, some Round Heads paintings could be taken out from the file of enigmatic representations. We could also get bovidians images out from the world of ornamental paintings, or of the chronicle - without appeal to literal readings
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Tauveron, Michel. "Les peintures rupestres des têtes rondes au Tassili n'Ajjer (Sahara central) : approche globale de la question." Paris 1, 1992. http://www.theses.fr/1992PA010611.

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Spécifique des Tassili N'Ajjer et Acacus (Sahara central), généralement vu comme intercalé entre les périodes bubaline et bovidienne, l'art des têtes rondes a connu un regain d'intérêt récent de la part de divers auteurs, certains remettant en cause la totalité de la chronologie habituellement reconnue par l'art rupestre saharien. A partir d'un corpus de 1659 figures, une approche méthodologique fondée sur une typologie descriptive et l'usage de techniques statistiques aboutit à définir 5 phases successives au sein des têtes rondes et autorise à en envisager une sixième, plus ancienne. L'évolution de la faune permet d'établir que ces cinq phases recouvrent une séquence climatique interaride complète et, en corrélation avec des données paléoclimatiques et archéologiques disponibles, conduit à placer les têtes rondes avant le premier aride holocène. Des comparaisons avec d'autres phases rupestre mettent en évidence des éléments culturels communs avec le groupe bovidien dit Iherentahilahi, mais peu de relations avec les autres groupes bovidiens, l'art bubalin et l'univers des chasseurs défini par Leclan et Huard. L'analyse de l'évolution des éléments constitutifs de l'art des têtes rondes permet de constater que cette société est en cours de néolithisation et qu'elle manifeste des comportements intellectuels évolués, liés à la perception, non seulement d'un environnement naturel, social et mythique, mais aussi du temps : l'art des têtes rondes apparait comme une véritable narration de leur évolution telle qu'ils pouvaient eux-mêmes la concevoir.
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Vaudour, Catherine. "L'évolution des pratiques matrimoniales chez les Kel-Ajjer (Sud-Est de l'Algérie) : étude ethnolinguistique d'une alchimie entre tradition et modernité." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0610.

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Les rites du mariage sont un moment privilégié du temps social que cette étude ethnolinguistique prend comme objet d’enquête chez les Touaregs de l’Ajjer du Sud Est de l’Algérie. Les cérémonies du mariage sont l’occasion d’un grand nombre de rituels dont l’observation et la description permettent d’étudier le groupe de l’intérieur, témoignant en particulier de la place qu’y occupent les femmes. Le mariage dans la culture touarègue est traditionnellement très onéreux pour le marié et sa famille. Cette situation produit une nouvelle pratique : l'instauration de mariages collectifs initiés et soutenus financièrement à la fois par l'État, les associations ainsi que les dons des commerçants. Cependant, on observe que le mariage collectif n'a pas fait disparaître certaines traditions. La position actuelle des femmes touarègues dans cette région, dont la religion musulmane a bouleversé le statut, témoigne d'un réel changement des valeurs traditionnelles. La présentation des mutations sociétales permet d'une part, de montrer comment une culture s'adapte à de nouvelles données, et d'autre part, de signaler les points de résistance qui maintiennent la tradition. Le statut particulier de la femme qui après avoir été une épouse se retrouve seule : veuve ou répudiée voire, mais plus rarement, séparée montre que dans la culture touarègue la liberté de la femme, si elle a clairement été attestée dans le passé, est de nos jours contrainte par le droit et la religion qui ont cours dans la société algérienne
The rites of marriage are a privileged social time that the ethnolinguist's study takes as a subject of investigation among Tuaregs from ajjer in south east of Algeria. Marriage ceremonies involve a great number of rituals which allows close study of social groupings, in particular the status/position of women. In the Tuareg's culture, a traditional wedding is very expensive for the bridegroom and his family. This situation has produced a new custom; the institution of collective weddings initiated and supported financially by the stae, associations and also by gifts from shopkeepers. However, we observe some traditions remain even with the collective weddings. In this area, muslim religion disrupts the position of women, showing a real change in traditional values. The presentation of social changes allows the showing on the one hand of how a culture adapts to new circumstances, and on the other how some traditions are preserved. The paerticular status of woman who after marriage find themselves alone - widowed or repudiated, or more rarely separated - shows that in Tuareg culture the liberty of woman, usually vouched for in the past, is actually constrained by law and religion in Algerian society
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Duquesnoy, Frédérique. "Apport des outils numériques et informatiques à l'étude des images rupestres du Sahara central : exemple d’application aux peintures de Séfar (Tasīli-n-Ăjjer, Algérie)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3122.

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Les répertoires iconographiques rupestres du Sahara central ont pâti du contexte historique et humain de leur découverte, puis de leur gestion tant scientifique que patrimoniale. Leur profusion et les difficultés du terrain saharien ont été et sont toujours des facteurs pénalisants, mais la méconnaissance dont souffrent encore ces productions des cultures préhistoriques, plus d’un siècle et demi après leur révélation, incombe clairement aux acteurs passés et présents de leur étude. Même si nous admirons ces images pour leurs qualités esthétiques, ce sont des vestiges archéologiques à part entière, devant être étudiés comme tels. De nos jours, les outils numériques et informatiques permettent, d’une part, d’améliorer quantitativement et qualitativement leur documentation grâce aux logiciels d’amélioration d’image utilisés pour l’enregistrement et le relevé ; d’autre part, d’interroger plus objectivement ces œuvres par le biais d’autres outils et de méthodes performantes d’analyse des données, au travers desquels leur différenciation stylistique peut être mise en évidence. L’application des démarches développées dans cette recherche à quelques parois ornées du site de Séfar, lieu emblématique de la Tasīli-n-Ăjjer (Algérie), montre que l’usage de ces outils, sous-tendu par des bases théoriques et méthodologiques rigoureuses, permet de proposer une nouvelle approche de ces images rupestres, plus conforme à leur nature de données scientifiques
The rock images of the central Sahara have suffered from the historical and human context of their discovery and then from both their scientific management and their heritage management. Their abundance and the difficulties of the Saharan field have been and are still negative factors, but the lack of knowledge from which these productions of prehistoric cultures are still suffering more than a century and a half after their discovery, clearly falls to those studying them in the past and present. Even if we admire these images for their aesthetic qualities, these form an integral part of the archaeological remains and should be studied as such. Nowadays, the digital and computerised tools enable us, firstly, to quantitatively and qualitatively improve their documentation thanks to image enhancement software used for the recording and the tracing; secondly, to more objectively investigate these artefacts by using other effective data-analysis tools and methods thanks to which their stylistic differences can be highlighted. The application of the processes developed in this research to several adorned walls at the Sefar site, an emblematic area of the Tasīli-n-Ăjjer (Algeria), shows that the use of these tools, supported by rigorous theoretical and methodological basis, allows us to offer a new approach to these rock images, more appropriate to their characteristic of being scientific data
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Books on the topic "Ajmer"

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Ajmer Sharif: Khwaja Gharib Nawaz and Ajmer. Gurgaon: Shubhi Publications, 2009.

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Wasi, J. Ajmer Sharif: Khwaja Gharib Nawaz and Ajmer. Gurgaon: Shubhi Publications, 2009.

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Wasi, J. Ajmer Sharif: Khwaja Gharib Nawaz and Ajmer. Gurgaon: Shubhi Publications, 2009.

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Wasi, J. Ajmer Sharif: Khwaja Gharib Nawaz and Ajmer. Gurgaon: Shubhi Publications, 2009.

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Chishti, M. A. Khawaja of Ajmer. Karachi: Academy Bazyaft, 2009.

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Chishti, M. A. Khawaja of Ajmer. Karachi: Academy Bazyaft, 2009.

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Dhaul, Laxmi. Sufi shrine of Ajmer. New Delhi: Rupa & Co, 2004.

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Lall, Mohan. Autobiography of Dewan Mohanlall (Ajmer). Ajmer: Madhusudan Chouhan, 1987.

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Ajmer and the Mughal emperors. Kota, Rajasthan: Neha Vikas Prakashan, 1999.

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Singh, Badnor Sanjay, ed. The Sufi saint of Ajmer. Mumbai: Thea Enterprises, 2001.

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Book chapters on the topic "Ajmer"

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"SÚBAH „ AJMER (AJMERE),." In The Ain I Akbari of Abul Fazl 'Allami, edited by H. S. Jarrett, 267–72. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218003-069.

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"Ajmer (Rājasthān, India)." In Asia and Oceania, 40–43. Routledge, 2012. http://dx.doi.org/10.4324/9780203059173-12.

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"THE OLD MAN OF AJMER." In Muslim Saints of South Asia, 71–92. Routledge, 2004. http://dx.doi.org/10.4324/9780203592717-5.

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"3. Pilgrimage to the Shrines in Ajmer." In Islam in South Asia in Practice, 77–86. Princeton University Press, 2010. http://dx.doi.org/10.1515/9781400831388-011.

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"Sarkár „ AJME'R,." In The Ain I Akbari of Abul Fazl 'Allami, edited by H. S. Jarrett, 272–76. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218003-070.

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"Tassili-n-Ajjer." In Encyclopedic Dictionary of Archaeology, 1357. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_200132.

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Conference papers on the topic "Ajmer"

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Lippert, Martin. "AJEER." In Companion to the 19th annual ACM SIGPLAN conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1028664.1028678.

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Lippert, Martin. "AJEER." In Companion to the 19th annual ACM SIGPLAN conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1028664.1028739.

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Martins, Pedro, and Julie A. McCann. "ajME." In the 3rd International Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1823818.1823823.

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Pedreirinho, José Manuel, Michel Toussaint, and Pancho Guedes. "The Porteguese Perspective." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.4.

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ose Manuel Pedreirinho was born and educated in Lisbon, and has operated his own practice there since 1984. In addition to teaching the history of modern architecture and the theory of architecture at the universities of Lisbon, Coimbra, and Porto, Prof: Pedreirinho is also completing a PhD at the University of Bath (UK). The author of several articles and two books on Portuguese architecture and the teaching process, Prof: Pedreirinho is currently preparing a guide on the architecture of Porto. Michel Toussaint is an architect and educator in Lisbon, where he teaches the theory of architecture at the Universidade Tecnica de Lisboa and the Universidade Lusiada. Prof: Toussaint has published several essays, articles, and books on architectural topics, and has practiced in Portugal, Angola, and Macau. Pancho Guedes is an architect currently working in Lisbon ajler an extensive career in Mozambique and South Africa. A graduate of the University of Witwatersrand (South Africa), Prof: Guedes’ work is noted for it sculptural and expressionistic quality, influenced heavily by African art and the work of Gaudi. In addition to his academic career in Lisbon, Prof: Guedes has also taught at the Architectural Association in London. [Editor’s note: The text of these presentations was not available at the time of publication.]
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