Relevant bibliographies by topics / Akiyoshia

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  2. Dissertations / Theses
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Academic literature on the topic 'Akiyoshia'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Akiyoshia"

1

Gittenberger, Edmund, Sherub Sherub, and Björn Stelbrink. "Erhaia Davis & Kuo (Gastropoda, Rissooidea, Amnicolidae) also in Bhutan." ZooKeys 679 (June 8, 2017): 21–28. https://doi.org/10.3897/zookeys.679.13326.

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The occurrence of at least one species of Erhaia in Bhutan, viz. Erhaia wangchuki sp. n., is confirmed by DNA sequencing. A second unnamed species from Bhutan, that might be congeneric, is known from only a single shell. According to the molecular analysis, E. wangchuki is most closely related to a still undescribed Erhaia species from China. These two species together with E. jianouensis and Akiyoshia kobayashii, both also from China, form a well supported clade. Awaiting additional molecular data, the apparent inconsistency regarding Erhaia versus Akiyoshia is not dealt with here. The extant
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Wakita, Koji, Hokuto Obara, Nozomu Oyama, and Takashi Murakami. "Reassessing the Global Significance of Geological Heritage in the Miné-Akiyoshidai Karst Plateau Aspiring UNESCO Global Geopark." Geosciences 15, no. 2 (2025): 56. https://doi.org/10.3390/geosciences15020056.

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The Miné-Akiyoshidai Karst Plateau aspiring UNESCO Global Geopark (aUGGp) in western Japan hosts several geologically significant heritage sites, including the Late Paleozoic Akiyoshi Limestone, the Late Triassic Mine Group, the Late Cretaceous Naganobori copper deposits, and the Akiyoshido Cave and karst plateau. The Akiyoshi Limestone at the Kaerimizu site originated as an atoll reef atop a seamount on an oceanic plate. It preserves approximately 80 million years of ancient marine environments and subduction-related tectonic histories. The Mine Group at the Momonoki site, with its coal-beari
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Kobayashi, Fumio. "Early Permian (Sakmarian, Artinskian, Kungurian) foraminifers and Biostratigraphy of the Akiyoshi Limestone (Japan)." Revue de Paléobiologie 39, no. 2 (2020): 501–63. https://doi.org/10.5281/zenodo.4460706.

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Carboniferous and Permian carbonate sequences in Japan are most completely preserved in the Akiyoshi Limestone in the Akiyoshi Terrane (Permian accretionary complex), Southwest Japan. The studied Sakmarian to lower Kungurian sequence is biostratigraphically divided into six zones: Globifusulina nux Zone and Globifusulina krotowi Zone (Sakmarian), Chalaroschwagerina vulgaris Zone (lower to middle Artinskian), Paraleeina magna Zone (upper Artinskian), Pamirina leveni Zone (uppermost Artinskian), and Miselllina dyhrenfurthi Zone (lower Kungurian) based on stratigraphic distribution and species co
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Ishida, Mari, Yoshinobu Sakamoto, Asuka Hashimoto, and Sumiko Matsumura. "Population dynamics and long-term survival of Hilgendorf's tube-nosed bat Murina hilgendorfi in the Akiyoshi-dai karst area, Yamaguchi, Japan." Mammal Study 37, no. 3 (2012): 249–53. https://doi.org/10.5281/zenodo.13449434.

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(Uploaded by Plazi for the Bat Literature Project) Kuramoto, T., Uchida, T. A., Shimoizumi, J. and Nakamura, H. 1969. A survey of bat-banding on the Akiyoshi-dai plateau. I Results in 1966. Bulletin of the Akiyoshi-dai Science Museum 6: 1–26 (in Japanese with English abstract).
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Ishida, Mari, Yoshinobu Sakamoto, Asuka Hashimoto, and Sumiko Matsumura. "Population dynamics and long-term survival of Hilgendorf's tube-nosed bat Murina hilgendorfi in the Akiyoshi-dai karst area, Yamaguchi, Japan." Mammal Study 37, no. 3 (2012): 249–53. https://doi.org/10.5281/zenodo.13449434.

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(Uploaded by Plazi for the Bat Literature Project) Kuramoto, T., Uchida, T. A., Shimoizumi, J. and Nakamura, H. 1969. A survey of bat-banding on the Akiyoshi-dai plateau. I Results in 1966. Bulletin of the Akiyoshi-dai Science Museum 6: 1–26 (in Japanese with English abstract).
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Ishida, Mari, Yoshinobu Sakamoto, Asuka Hashimoto, and Sumiko Matsumura. "Population dynamics and long-term survival of Hilgendorf's tube-nosed bat Murina hilgendorfi in the Akiyoshi-dai karst area, Yamaguchi, Japan." Mammal Study 37, no. 3 (2012): 249–53. https://doi.org/10.5281/zenodo.13449434.

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(Uploaded by Plazi for the Bat Literature Project) Kuramoto, T., Uchida, T. A., Shimoizumi, J. and Nakamura, H. 1969. A survey of bat-banding on the Akiyoshi-dai plateau. I Results in 1966. Bulletin of the Akiyoshi-dai Science Museum 6: 1–26 (in Japanese with English abstract).
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Ishida, Mari, Yoshinobu Sakamoto, Asuka Hashimoto, and Sumiko Matsumura. "Population dynamics and long-term survival of Hilgendorf's tube-nosed bat Murina hilgendorfi in the Akiyoshi-dai karst area, Yamaguchi, Japan." Mammal Study 37, no. 3 (2012): 249–53. https://doi.org/10.5281/zenodo.13449434.

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(Uploaded by Plazi for the Bat Literature Project) Kuramoto, T., Uchida, T. A., Shimoizumi, J. and Nakamura, H. 1969. A survey of bat-banding on the Akiyoshi-dai plateau. I Results in 1966. Bulletin of the Akiyoshi-dai Science Museum 6: 1–26 (in Japanese with English abstract).
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8

Ishida, Mari, Yoshinobu Sakamoto, Asuka Hashimoto, and Sumiko Matsumura. "Population dynamics and long-term survival of Hilgendorf's tube-nosed bat Murina hilgendorfi in the Akiyoshi-dai karst area, Yamaguchi, Japan." Mammal Study 37, no. 3 (2012): 249–53. https://doi.org/10.5281/zenodo.13449434.

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(Uploaded by Plazi for the Bat Literature Project) Kuramoto, T., Uchida, T. A., Shimoizumi, J. and Nakamura, H. 1969. A survey of bat-banding on the Akiyoshi-dai plateau. I Results in 1966. Bulletin of the Akiyoshi-dai Science Museum 6: 1–26 (in Japanese with English abstract).
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9

Kobayashi, Fumio. "Late Early to Middle Permian foraminifers of the Akiyoshi Limestone (Japan)." Revue de Paléobiologie 38, no. 1 (2019): 39–123. https://doi.org/10.5281/zenodo.3265239.

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The late Early to Middle Permian fusuline faunas of the Akiyoshi Terrane (Permian accretionary complex) are represented by those of the Akiyoshi Limestone, Southwest Japan. They are faunistically heterogenous from those of the coeval limestone blocks in the Jurassic terranes of Japan. The upper Artinskian to Wordian of the Akiyoshi Limestone in the Kaerimizu area is biostratigraphically subdivided into nine zones in ascending order: Paraleeina magana, Pamirina leveni, Misellina dyhrenfurthi, Misellina claudiae, Cancellina pamirica, Parafusulina kaerimizensis, Neoschwagerina craticulifera, Afgh
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Prasetiyo, Bagus Fajar, and Fenny Febrianty. "PENGARUH STRUKTUR KEPRIBADIAN PADA TOKOH REIKA DALAM NOVEL ZETTAI SEIGI." MAHADAYA: Jurnal Bahasa, Sastra, dan Budaya 2, no. 1 (2022): 75–82. http://dx.doi.org/10.34010/mhd.v2i1.7066.

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Penelitian ini bertujuan untuk mendeskripsikan pengaruh struktur kepribadian tokoh Reika dalam novel Zettai Seigi karya Akiyoshi Rikako. Metode yang digunakan dalam penelitian ini adalah deskriptif analisis, sedangkan pendekatan yang digunakan adalah pendekatan psikologi sastra, teori struktur kepribadian Sigmund Freud yang meliputi id, ego, superego. data penlitian ini berupa kata-kata dan tindakan serta kutipan yang berkaitan dengan struktur kepribadian tokoh Reika. Sumber data diperoleh dari novel Zettai Seigi Karya Akiyoshi Rikako. Instrumen utama penelitian ini adalah peneliti sendiri ser
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Dissertations / Theses on the topic "Akiyoshia"

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Peterson, Rachel Marilyn. "TOSHIKO AKIYOSHI'S DEVELOPMENT OF A NEW JAZZ FUSION." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/193410.

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This thesis examines the life and work of Japanese jazz composer, pianist and band-leader Toshiko Akiyoshi (b. 1929), one of the most successful women in modern jazz. Over the course of her career, Akiyoshi performed and traveled extensively with musicians in Japan and in the United States, courting two audiences through and earning respect and success in both countries. Analysis of three pieces, from three albums representing different stages of her career, and a live performance from June 2010 are used to illustrate the maturation of Akiyoshi's work and how she combined American and Japanes
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Duras, Julia [Verfasser], Ralf [Akademischer Betreuer] Schneider, and Akiyoshi [Gutachter] Hatayama. "Kinetic Simulation of Ion Propulsion Systems / Julia Duras ; Gutachter: Akiyoshi Hatayama ; Betreuer: Ralf Schneider." Greifswald : Ernst-Moritz-Arndt-Universität, 2018. http://d-nb.info/1166315231/34.

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Laitila, Ekelund Marcus. "TRAUMA : Visuella illusioner inom spelmekanik." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3122.

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<p>Denna reflekterande rapport behandlar implementerandet av visuella illusioner till dataspel och dess spelmekanik. Arbetet har skett på experimentell nivå där fyra olika illusioner har analyserats utifrån sin förmåga att lura det mänskliga ögat och sedan implementerats i fyra olika spel, där illusionerna står för en del i utmaningen.</p><p>De fyra olika spelens förmåga att dra nytta av sina respektive illusioner är varierande, men fungerande. Alla spelen lyckas lura ögat i någon form, till den grad att det ökar på själva utmaningen i spelen.</p><p>Framtiden för visuella illusioner i spel lig
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4

Lejeune, Löffler Marie-Raymonde. "Impact, fonction et rôle des "Internationale Ferienkurse für Neue Musik, Darmstadt" pour la musique et le rapport mots et musique de la deuxième moitié du XXe siècle." Paris 4, 2008. http://www.theses.fr/2008PA040005.

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La recherche est focalisée sur le phénomène de l'"intercontinentalité", sur quelques intersections entre la musique des Etats-Unis et les internationales Ferienkurse fur neue Musik, Darmstadt et sur le phénomène "Darmstadt japonais". Elle présente des résultats fondés sur oppositions contrapunctiques telles mots et musique, "Darmstadt historique" et "Darmstadt actuel", sources auditives et sources éditoriales, macrocosme et microcosme des internationales Ferienkurse fur Neue Musik, Darmstadt et degrés épidermique et profond d’analyse de l'œuvre. Elle repère les prémisses de la dichotomie géogr
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Praisankul, Suragrai, and 林正大. "Managing Cultural Differences Between Japanese Managers and Thai Subordinates in Akiyoshi." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/12546650989565726826.

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碩士<br>國立臺灣大學<br>企業管理碩士專班<br>99<br>The purpose of this study was to investigate the similarities and differences between Japanese and Thai cultures in order to solve management problems arising from conflicts in values, beliefs, and working attitudes of Japanese manager and Thai employees in Akiyoshi restaurant. Another aim was to also find out how to apply management theories and cultural dimensions to create effective working process in the organization. In order to learn about Japanese and Thai cultures, both quantitative and qualitative research methods were applied. Questionnaires examined
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Books on the topic "Akiyoshia"

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Nihon Daigaku. Kyōiku Seido Kenkyūjo. and Nihon Daigaku. Seishin Bunka Kenkyūjo., eds. Yamada Akiyoshi kankei shiryō. Nihon Daigaku Seishin Bunka Kenkyūjo, 1985.

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2

Nihon Daigaku. Seishin Bunka Kenkyūjo. Yamada Akiyoshi kankei shiryō. Nihon Daigaku Seishin Bunka Kenkyūjo, 1985.

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3

Yamada, Akiyoshi. Yamada Akiyoshi no Kenpō shian. Nihon Daigaku Seishin Bunka Kenkyūjo, 1993.

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Tanaka, Yoshio. Yamada Akiyoshi to Meiji Ishin. Hakuyōsha, 1994.

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Natsui, Mitsuru. Nihon daigaku gakuso Yamada Akiyoshi: Sono hito to shisō oyobi gyōseki. Pana Shuppan Kikaku, 1994.

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6

Matsubara, Masaru. Akiyoshidai no fuzurina kaseki: 1-okunenkan no shinka o sagutte. Ryokuchisha, 1985.

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7

Atkins, E. Taylor. Toshiko Akiyoshi-Lew Tabackin Big Band's Kogun. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765109045.

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A study of the 1974 albumKogunby the Toshiko Akiyoshi-Lew Tabackin Big Band, this book assesses not just its importance in jazz history but also its part in public remembrance of World War II in Japan. In 1974 a Japanese soldier emerged from the Philippine jungle where he had hidden for three decades, unconvinced that World War II had ended. Later that year, the Toshiko Akiyoshi-Lew Tabackin Big Band released its first album,Kogun(“solitary soldier”), the title track of which adopted music from medieval Japanesenotheater for the first time in a jazz context as aural commemoration of his experi
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Yamada Akiyoshi: Hito to shisō. Nihon Daigaku Sōgō Kagaku Kenkyūjo, 1992.

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9

Nomura, Akiyoshi. Nomura Akiyoshi sakuhinshu, 1964-1991. Libro, 1993.

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Toshiko Akiyoshi-Lew Tabackin Big Band's Kogun. Bloomsbury Publishing Plc, 2024.

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Book chapters on the topic "Akiyoshia"

1

Feather, Leonard, and Ira Gitler. "t." In The Biographical Encyclopedia of Jazz. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195074185.003.0020.

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Abstract Tabackin, lew (lewis barry), tnr sax, fl; b. Philadelphia, PA, 3/26/40. Began pl. in hs 1955. Flute major at Phila. Cons. ’58–62 (B. Mus. ’62). In army ’62–5, pl. in N.J. w. Tal Farlow, Don Friedman. Moved to NYC ’65; freelanced w. Maynard Ferguson; Cab Calloway; Urbie Green; Bobby Rosengarden; Buddy Morrow; Clark Terry; Duke Pearson; Thad Jones–Mel Lewis; Joe Henderson; Chuck Israels; Doc Severinsen; also small gp. gigs w. Donald Byrd; Elvin Jones; Attila Zoller; D. Friedman; Roland Hanna; Toshiko Akiyoshi. Led trio at La Boheme in ’68–9. Pl. w. Dick Cavett show band ’69; also in Eur
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"NE apartment. Nakae Architects, Akiyoshi Takagi, Ohno Japan | Tokio 2007." In Future Living. Birkhäuser, 2013. http://dx.doi.org/10.1515/9783038210207.84.

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"NE apartment. Nakae Architects, Akiyoshi Takagi, Ohno Japan | Tokyo 2007." In Future Living. Birkhäuser, 2013. http://dx.doi.org/10.1515/9783038210221.84.

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Stowe, David W. "15 “Jazz That Eats Rice”: Toshiko Akiyoshi’s Roots Music." In AfroAsian Encounters. New York University Press, 2006. http://dx.doi.org/10.18574/nyu/9780814776902.003.0020.

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Stowe, David. "15 “Jazz That Eats Rice”: Toshiko Akiyoshi’s Roots Music." In AfroAsian Encounters. New York University Press, 2022. http://dx.doi.org/10.18574/nyu/9780814769270.003.0021.

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Feather, Leonard, and Ira Gitler. "x, y." In The Biographical Encyclopedia of Jazz. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195074185.003.0024.

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Abstract Xiques, edward f. jr., bari, other saxes, fl, cl; b. Staten Island, NY, 10/9/39. Began on sop. sax. Pl. w. Jaki Byard, Herb Pomeroy while at Bost. U. 1957–62. Moved to NYC, taught mus. in N.Y. and N.J. schs. ’62–8. Pl. w. Buddy Morrow, Les and Larry Elgart, Tex Beneke, Duke Pearson, Herbie Mann, Donald Byrd, Chris Swansen ’60s; Woody Herman ’70; Thad Jones–Mel Lewis Orch. ’72–9; Bill Watrous ’74–5; Frank Foster ’77; B’way show Best Little Whorehouse in Texas ’78–82; Toshiko Akiyoshi–Lew Tabackin bb ’84–5; Liza Minnelli fr. ’87. Xiques has also taught at City Coll.; U.. of Bridgeport;
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Sprotte, Maik Hendrik. "Zum Stellenwert der Geschichte im politischen Diskurs Ostasiens. Gedankensplitter zum Beitrag von Nishiyama Akiyoshi." In Jahrbuch historie: Besatzung. Budrich UniPress, 2014. http://dx.doi.org/10.3224/jbh.v7i1.18.

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Koyama, Kiyoshi. "Jazz in Japan." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0044.

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Abstract The history of jazz in Japan has an age of imitation in its beginning. The oldest jazz record in Japan, “Walla Walla” (Nitto/King), was recorded in 1925 by the Nitto Jazz Band, whose members are now unknown. From this incunabulum to “Blues Suite No. 3” (Victor), recorded in 1962 by the Hideo Shiraki Quintet, almost all of the jazz in Japan was more or less imitative of the jazz heard on records. The performance of the Nitto Jazz Band was clearly a copy of the idea heard in “Livery Stable Blues” by the Original Dixieland Jazz Band, featuring mimics of animal bleats. “Blues Suite No. 3”
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