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Dissertations / Theses on the topic 'Akutagawa'

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Published: 4 June 2021

Last updated: 29 July 2024

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1

Ma, Qianli. "Individualism in Akutagawa Ryunosuke's Writings." Thesis, The University of Arizona, 2005. http://hdl.handle.net/10150/560775.

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2

Beauvieux, Marie-Noëlle. "Akutagawa Ryūnosuke : une écriture du fragment." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE3047.

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L’écriture fragmentaire est le lieu d’un flou théorique. Elle est tout d’abord le fruit d’une appréhension intuitive, pragmatique : est fragmentaire tout texte perçu comme tel. D’Héraclite aux surréalistes en passant par Montaigne ou les frères Schlegel, l’écriture fragmentaire est protéiforme. Cependant, dans le champ de la théorie littéraire française, elle n’est généralement envisagée que dans son versant aphoristique et définie à partir d’un corpus composé de textes au statut littéraire à la limite d’un autre champ disciplinaire (la critique, la philosophie), majoritairement en langues occ

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3

Peverada, Benedetta <1991&gt. "Hankechi di Akutagawa Ryūnosuke: la rivoluzione spirituale del Giappone moderno." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10856.

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Akutagawa Ryūnosuke aveva da poco esordito nel mondo letterario quando pubblicò, nel 1916, il breve racconto intitolato Hankechi (Il fazzoletto). Non più ambientato in un’epoca passata, tragica e violenta come le opere precedenti, il racconto si articola in un periodo cronologicamente – e ideologicamente – molto più vicino, in un Giappone che già da tempo aveva iniziato la sua modernizzazione e imitazione dell’Occidente. Il protagonista, il professor Hasegawa, si è adattato perfettamente al nuovo stile di vita occidentale, come si evince dagli elementi scenici del racconto; egli lamenta, tutta

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4

Hitchcock, Lori Dianne. "The works of Akutagawa Ryunosuke lectures on Poe and their applications." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1318862304.

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5

Gildenhard, Bettina. "Zum Spannungsfeld von Literatur, Politik und Massenmedien in Japan vor dem Zweiten Weltkrieg die Begriffe "reine Literatur" und "Massenliteratur" und ihre Institutionalisierung im Akutagawa- und Naoki-Preis im Jahre 1935." München Iudicium, 2003. http://d-nb.info/983775230/04.

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Zugl.: Heidelberg, Univ., Diss., 2003 u.d.T.: Gildenhard, Bettina: Im Spannungsfeld von Literatur, Politik und Massenmedien - die Errichtung des Akutagawa-Preises für reine Literatur und des Naoki-Preises für Massenliteratur im Jahre 1935

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6

楊詠賢 and Wing-yin Virginia Yeung. "A study of the Chinese influence on Akutagawa Ryūnosuke as reflected in his "Chūgoku-mono"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211070.

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7

Bassoe, Pedro, and Pedro Bassoe. "Akutagawa and the Kirishitanmono: The Exoticization of a Barbarian Religion and the Acclamation of Martyrdom." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12402.

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Akutagawa Ryūnosuke, one of the most widely read and translated authors of the Taishō period, wrote some two dozen short stories centered on the theme of Christianity during his brief career. In this paper, I examine these works, known as kirishitanmono, both in the context of the author’s oeuvre and the intellectual environment of his day. The kirishitanmono are examined for a pervasive use of obscure language and textual density which serves to exoticize Christianity and frame it as an essentially foreign religion. This religion becomes a metaphor for European ideology, which is criticized f

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8

Casati, Cristina <1991&gt. "Folli in Cristo e poeti dell'ascesi. Temi religiosi e secolari nei kirishitanmono di Akutagawa Ryūnosuke." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9506.

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L’interesse per la cristianità non svanisce mai del tutto dall’opera di Akutagawa Ryūnosuke (1892-1927): degli oltre centocinquanta racconti pubblicati nel corso della sua breve carriera letteraria, almeno venticinque possiedono un nucleo tematico cristiano. Comunemente noti con il nome di kirishitanmono, essi si distribuiscono lungo l’intero arco della sua produzione, adottando una molteplicità di sguardi e spaziando tra diverse tematiche, sia spirituali che secolari. Di questi, la maggior parte è situata nel contesto del cosiddetto “secolo cristiano” (1549-1650), il quale vide la propagazion

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9

El-Khoury, Masumi Abe. "Editors' intentions and authors' desires : how junbungaku affects the Akutagawa Prize and Japan's commercial literary world." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/39835.

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In this thesis I explore the current literary culture of Japan by examining the commercialization and politicization of junbungaku, “pure” literature. In particular, I focus on the most prominent award for new authors, the Akutagawa Prize, which is widely acknowledged as authoritative. My intention is to shed some useful light on the role of publishing company editors as the masterminds of the publishing industry. Chapter One provides an overview of issues surrounding junbungaku and taishū bungaku (“mass-oriented literature”). At present, junbungaku is defined in opposition to taishū b

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10

Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.

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The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize<p><p>\<br>Doctorat en sciences sociales, Orientation sociologie<br>info:eu-repo/semantics/nonPublished

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11

Danielsson, Alma. "Natur i gatlampans sken : En ekokritisk analys av fyra historiska storstadsnoveller." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403215.

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Uppsatsen är en komparativ närläsning av fyra storstadsnoveller publicerade av förlaget Novellix år 2019. Uppsatsen undersöker den fysiska, upplevda och psykologiska naturnärvaron i Honoré de Balzacs, Charles Dickens, Edith Whartons och Ryunosuke Akutagawas noveller. Verken som till synes framställer urbana narrativ blir med hjälp av en ekokritisk närläsning "öppna" naturens närvaro. Uppsatsen vill visa att stad och natur inte delar ett antitetiskt förhållande till varandra. Staden är snarare en plattform för både kultur och natur. Syftet är således att se på vilka nivåer som storstadsnoveller

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12

Lúcio, Sobrinho Alexandre [UNESP]. "O sonho de um idiota: ensaio sobre algumas adaptações cinematográficas de obras literárias, feitas por Akira Kurosawa." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/94103.

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Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-11-20Bitstream added on 2014-06-13T19:55:18Z : No. of bitstreams: 1 luciosobrinho_a_me_assis.pdf: 1799076 bytes, checksum: 4ecdc97c4449c94e1fc85112e51b8c36 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Enquanto um ser sobrenatural fia numa roca uma linha transparente e frágil, um poderoso samurai, com um punho cerrado sobre sua espada, percebe que seu destino está sendo desenrolado e partir-se-á como os fios de uma teia de aranha. Outro samurai, não tão jov

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13

Goyet, Florence. "La nouvelle au tournant du siècle en France, Italie, Japon, Russie et pays anglo-saxons : Maupassant, Verga, Mori Ogai, Akutagawa Ryonosuke, Tcheckhov et James." Paris 4, 1990. http://www.theses.fr/1990PA040004.

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L'étude de nouvelles extrêmement différentes montre une conception identique de la structure, des conditions matérielles de publication, et du rapport lecteur-personnage. I-structure : personnages exemplaires, rendus presque abstraits par un traitement qui en fait des prodiges dans leur catégorie (ch. 1), et les oppose violemment dans une structure antithétique (ch. 2). La "pointe" est la traduction dynamique de cette antithèse (ch. 4). Pour permettre l'adhésion immédiate du lecteur, la nouvelle s'appuie sur des représentations préexistantes (ch. 3). Nouvelles longues et non-narratives échappe

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14

Lúcio, Sobrinho Alexandre. "O sonho de um idiota : ensaio sobre algumas adaptações cinematográficas de obras literárias, feitas por Akira Kurosawa /." Assis : [s.n.], 2006. http://hdl.handle.net/11449/94103.

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Orientador: José Carlos Zamboni<br>Banca: Maria Lídia Lichtscheidl Maretti<br>Banca: Madalena Natsuko Hashimoto Cordaro<br>Resumo: Enquanto um ser sobrenatural fia numa roca uma linha transparente e frágil, um poderoso samurai, com um punho cerrado sobre sua espada, percebe que seu destino está sendo desenrolado e partir-se-á como os fios de uma teia de aranha. Outro samurai, não tão jovem, mas com a espada em riste, derrama seu sangue em terra familiar. Um menino e uma menina vestem máscaras demoníacas para sobreviver em um mundo que não admite doçura. São esses alguns dos personagens e dos t

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15

Iles, Timothy J. F. "Akutagawa Ryunosuke : three themes." Thesis, 1992. http://hdl.handle.net/2429/3190.

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The aim of this study is to examine the workings of three themes within the fiction of Akutagawa Ryunosuke(1892-1927), to explore how these themes interrelate to forma portrait of their author's alienation from the world and from himself. These are: nature's hostility to the artist and his efforts to combat that; woman and her association with nature, disease, and death; and the Double as a mockery of the authored self by the authoring self. Each theme is discussed in a separate chapter; a concluding chapter explores the way in which the three themes merge in one specific short story, "Hagurum

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16

Wang, ShuJung, and 王淑容. "Akutagawa Ryunosuke And The Western Music." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/83527555356848155017.

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碩士<br>國立高雄第一科技大學<br>應用日語所<br>95<br>Literature and music has been tightly connected since ancient times. Mr. Akutagawa Ryunosuke is the one of few writers in recent decades who has integrated Japanese traditional culture with Western culture in his work. Based on the understanding of Japanese influence on Western music during the Meiji and the Taishou eras, the thesis analyzes the correspondence illustrating his great attainments in Western music. He has very similar background in career and art development with Schubert, Beethoven and Mozart. The study aims to understand the influence of Weste

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17

Beauvieux, Marie-Noelle. "Akutagawa Ryūnosuke : une écriture du fragment." Thesis, 2016. http://www.theses.fr/2016LYSE3047.

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L’écriture fragmentaire est le lieu d’un flou théorique. Elle est tout d’abord le fruit d’une appréhension intuitive, pragmatique : est fragmentaire tout texte perçu comme tel. D’Héraclite aux surréalistes en passant par Montaigne ou les frères Schlegel, l’écriture fragmentaire est protéiforme. Cependant, dans le champ de la théorie littéraire française, elle n’est généralement envisagée que dans son versant aphoristique et définie à partir d’un corpus composé de textes au statut littéraire à la limite d’un autre champ disciplinaire (la critique, la philosophie), majoritairement en langues occ

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18

Chen, Wen-Jey, and 陳文傑. "The Research of Toshishun of Akutagawa Ryuunosuke." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/26742224661208961112.

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19

Bedáňová, Veronika. "Akutagawa Rjúnosuke a jeho úvahy o literatuře." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-321977.

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The thesis is focused on a literary theoretical debate between two outstanding Japanese writers: Akutagawa Ryunosuke and Tanizaki Junichiro. As a reaction to this debate, Akutagawa wrote a literary critical essay Bungeitekina, amarini bungeitekina (Literary, All Too Literary) which contains Akutagawa's considerations on literature and which is analyzed in this thesis. I have also devoted my thesis to other literary theoretical essays written by Akutagawa. The goal of this thesis is to follow the influence of Akutagawa's literary considerations of his works and also to set his work into the wid

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20

Mei-Yen, Kuan, and 管美燕. "Narratives on Chinese Cities in AKUTAGAWA RYUNOSUKE'S Works." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/90787394945028767817.

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21

Yeh, Shang-Lin, and 葉尚霖. "Akutagawa''s works presented in the "Alien"." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/s6xyph.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>101<br>This paper aims to discuss the Taisho period, the new realist writer Akutagawa’s works, which are presented in a non-realistic image. In this thesis,is called "Alien." Akutagawa prefers to use the non-existed , or the image of a non-human things to present the so-called "reality" in his eyes. For example,old lady and the Rashomon-like savage beast servant image, also, or Hell, inthe description of the protagonist shows the view of art, as demonstrate by the unimagined horror image. Akutagawa, who likes touseclassical, antiquity to create the back ground of hi

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22

YEH, KE-CHUAN, and 葉可全. "Space in Akutagawa Ryunosuke's Literature: Concerning Illusion and Reality." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/j9kn3n.

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碩士<br>輔仁大學<br>日本語文學系碩士班<br>103<br>Based on observation on Akutagawa Ryunosuke’s description of space and the mental status of the characters in his works, this study discusses the messages that Akuta Ryonosuke wants to deliver. The present studies on Akutagawa Ryunosuke are almost complete, but discussion on space description is still rare. Therefore this study explores three topics: China, mental hospital, and home, as well as to analyze the meanings the author gives to them. The main discussion is divided into three chapters, and the context analysis is conducted in each chapter to see how

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23

Lin, Sheng-Kai, and 林聖凱. "The Studies about Children''s Literature of Ryunosuke Akutagawa." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/51252166047931620728.

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碩士<br>淡江大學<br>日本語文學系碩士班<br>97<br>This thesis was aimed to investigate the features of Ryunosuke Akutagawa''s literatures for children. In order to found out the common features and differences between texts, firstly, the structural context and the characteristics of the main characters within each story was been identified under detailed analysis. Following the above steps, research then was carried out by examinations through binary opposition theory and trials that appeared within the text. This thesis was consists of six chapters. The introduction chapter includes the research motive, antec

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Hsiu-Hsien, Wang, and 王綉線. "The Body as Discourse in the Literature of Akutagawa Ryunosuke." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6539u9.

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Chang, Chinghui, and 張晉輝. "View Of Life On Akutagawa Ryunosuke''s Novels--From "Rasyomon""Hana""Haguruma"." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/53918100595271724153.

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26

Holeyšovská, Linda. "Prozaická tvorba současných japonských autorek." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-334376.

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In this thesis I present prose works of contemporary Japanese women writers, who made their debut at the beginning of the 21st century. For a better understanding of the transition that a position of Japanese women and women authors has gone through - and how it prepared the way for their successors, I provide a summary of women's literature of the last two decades. To make the context clear, I also included an outline of significant changes within the realm of women's rights and the image of the role of women in society. Presentation of themes, that contemporary women writers focus on in thei

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27

CHIA, HUANG PO, and 黃柏嘉. "The Studies about the Ouchoumono of Akutagawa Ryunosuke－From Rashomon Jigokuhenn Chuutou Yabunonaka." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/06964954123927018597.

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Yasuda, Anri. "Imaging the World: the Literature and Aesthetics of Mori Ogai, the Shirakaba School, and Akutagawa Ryunosuke." Thesis, 2011. https://doi.org/10.7916/D8NK4MVZ.

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This dissertation examines the role of aesthetics in Japanese literary discourse, with attention to the emergence of new cross-cultural perspectives, from the late 1880s through the 1920s. Modernity in Japan was marked by the rapid and often jarring juxtapositions of new techniques and ideas from Western sources against older Japanese traditions, and my project considers how literary authors envisioned and interpreted this cultural eclecticism. In particular, I focus on their reactions to Western paintings and sculptures. The visual arts seemed to offer viewers a direct access to `universal

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Ma, Shu Yuan, and 馬淑媛. "The Comparative Researches between Chinese Elements in the Materials of Akutagawa Ryuunosuke's Historical Fictions and Chinese Literature." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/wdwexh.

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Lo, Ya-Wei, and 羅雅徽. "Image elements of Akutagawa Ryunosuke ''s literature, focus on『Nankin no Kirisuto』、『Shonen』and『Mirage』." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/89893450796286854210.

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碩士<br>銘傳大學<br>應用日語學系碩士班<br>99<br>This study aims to explore one of the modern literature witers of Japan, Akutagawa Ryunosuke and the image elements presented in his works.He was born almost the same time as the existence of Japanese movies, from his works, 『tuioku』and 『fusyoudan』, we can feel his great concerns about moves clearly.During Akutagawa’s late years, he promoted the concept of「hanasirasiihanasinonaisyousetu」within his work, 『Bungeiteki na, amarini Bungeitekina』, 「enitikaisyousetu」was as if the images are shown individually from every space. The forms of 「keisiki」and 「sitekinaseisin

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Liu, Min-Yu, and 劉敏玉. "The Relationship between "Food" and Characterization in Akutagawa''s Literary Works――Hana, Shu-Chu, and Imogayu." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/54591243848517576396.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>105<br>The purpose of this paper is to discuss the way "food" is used in describing the characters created by Ryunosuke Akutagawa, a writer during the Taisho period. Akutagawa''s "Imogayu" is one of the commonly tackled subjects in studies about food and literature. However, there were more than one early literary work and at least seven related pieces from Akutagawa that used "food" as a source material. The term "food" in this paper refers not only to food per se, but to everything related to food, such as body language associated with eating, tableware,

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Lee, Yun, and 李韻. "The acceptance of Modern Japanese Writers in Songfen Guo’s Literature: With reference to Ryunosuke Akutagawa and Yasunari Kawabata." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jj36by.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>107<br>The purpose of this study is to explore the acceptance of modern Japanese writers’ works in Songfen Guo’s literary creations, as a writer who grew up in the end of the Japanese rule and exiled in the United States. After the failure of the Defend Diaoyutai Movement, Songfen Guo resumed his work as writer in 1983. Past research has repeatedly mentioned that Songfen Guo’s works should be deeply influenced by Japanese modern literature, and Songfen Guo himself has clearly pointed out that writers Akutagawa Ryunosuke, Kawabata Yasunari are his respected writers.

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Gerow, Aaron Andrew. "Writing cinema film and literature in prewar Japan /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/30874228.html.

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Thesis (M.A.)--University of Iowa, 1992.<br>Typescript (photocopy). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 112-117).

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Puente-Aguilera, Ana Deyanira. "Translating Hiromi Kawakami’s “Tread on a snake”." Thesis, 2014. http://hdl.handle.net/2152/26219.

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This report includes my translation of the short story “Tread on a Snake” (Hebi o Fumu) by Kawakami Hiromi, which is presented here as a significant contribution to modern Japanese literature in translation. The story received the prestigious Akutagawa Prize in 1996, although support for it was not unanimous as seen in my translation of the judges’ comments offered here as well. Following the translation of the story itself is an essay that discusses my personal experiences translating the story. I discuss elements that may be unique to the experience of translating Kawakami’s works, but also

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Lin, Ren-huey, and 林仁惠. "Expressions of Unselfish Love in Ryunosuke Akutagawa's Kirishitan Stories－Focus on Ryunosuke Akutagawa's Understanding of Christianity." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/44749038226319603628.

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碩士<br>東吳大學<br>日本語文學系<br>97<br>Ryunosuke Akutagawa has been deeply appreciated the darker side of human nature since he was disappointed in a love affair in the beginning of the year 1915. At the same time, he was also concerned about Unselfish Love and explored it in his stort stories that treat the theme of Christianity, namely the Kirishitan. Akutagawa was not a Christian, but he was deeply interested in Christianity. While he was a student in the First High School, he had alreadly begun to read "Holy Bible", and until he took his own life at the age of 35, he still tried to find the salvati

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Chi-Hao, Kao, and 高啟豪. "A study of Ryunosuke Akutagawa’s “YASUKICHIMONO”." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/43547271153057511628.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>95<br>“YASUKICHIMONO” means a series of novel that “Horikawa Yasukichi” plays the leading role written by Ryunosuke Akutagawa. Furthermore, these novels are mainly referring to his experience of being an English drillmaster in Japanese navy organ school in Yokosuka from 1916 to 1919. Comparing with Ryunosuke Akutagawa’s well-known historical novel "RASHOMON" (1915),"HANA (the nose)" (1916) and so on, although this series didn’t receive high attention as them, we can recognize Ryunosuke Akutagawa’s opinion about the expansion of Japanese navy’s armament during World

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Hsiu-Hsien, Wang, and 王綉線. "Research on Ryunosuke Akutagawa’s Children''s Literature." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/2ua44p.

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碩士<br>輔仁大學<br>日本語文學系<br>92<br>The research purpose of this study is mainly focused on the features of Ryunosuke Akutagawa''s literature for children. I first make a comparison with the original text to elicit the points that are different from the original text. Then I base the study on the three main topics to explore the features of Ryunosuke Akutagawa''s literature for children. I also include Ryunosuke Akutagawa''s personal, writing, and social background to explore his mind; finally I incorporate the viewpoint of chind''s mind in Ryunosuke Akutagawa''s personal mind to explore the conn

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Lo, Li-wen, and 羅莉汶. "Human Image In Ryunosuke Akutagawa's Early Adaptation Literature." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/19332420984173329925.

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碩士<br>東吳大學<br>日本語文學系<br>100<br>Ryunosuke Akutagawa was a Japanese writer active in the Taisho period in Japan. He was interested in both classical Chinese and Japanese literatures, and he was fluent in Chinese from an early age. After primary school, the introduction of European literature had a strong influence on him; he started to immerse himself in Western literature. Therefore, many adaptations of Ryunosuke’s works from early stage were adapted from multiple literatures (“hon ann” in Japanese). The themes in his early adaptations are reflected on the focus of 2 or 3 main characters.

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Lee, Hsiao-Yun, and 李曉昀. "The Research of Ryunosuke Akutagawa’s works：Female Lifestyles in Different Times." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/8eah8w.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>107<br>This thesis focuses on Ryunosuke Akutagawa’s(1892-1927) works from the perspective of the femininity. The selected works in this thesis: “Kaikanoryoujinn,” “Kikainasaikai,” “Aki,” “Konannoougi” have common in describing women in fluctuate generations. Consequently, I would like to base on this aspect to explore females’ lifestyle in different time backgrounds. In chapter 1, I will put the attention to a woman called Katsumi whose husband Miura deeply influenced by Western culture in Meiji era in the story of “Kaikanoryoujinn.” In chapter 2, I aim to explore

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