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Dissertations / Theses on the topic 'Al Jazeera (Television network)'

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Published: 4 June 2021

Last updated: 30 July 2024

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1

Maalouf, Anthony A. "The influence of Al-Jazeera in the Arab world & the response of Arab governments." Click here for download, 2008. http://proquest.umi.com/pqdweb?did=1500103091&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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2

Saraj, Amel Hussein. "One war, two different perspectives identifying the main news sources in the coverage of the 2003 war in Iraq by Al-Jazeera and CNN : a thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts (Communication Studies), Auckland University of Technology 2004." Full thesis. Abstract, 2004.

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Thesis (MA--Communication Studies) -- Auckland University of Technology, 2004.<br>Appendices not included in e-thesis. Also held in print (150 leaves, 30 cm.) in Wellesley Theses Collection. (T 070.44995670443 SAR)

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3

Greenbaum, Rebecca L. "The impact of television news coverage on al-Qaeda's operations." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FGreenbaum.pdf.

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Thesis (M.S. in Systems Technology (Command, Control, And Communications))--Naval Postgraduate School, June 2007.<br>Thesis Advisor(s): Steven J. Iatrou. "June 2007." Includes bibliographical references (p. 69-75). Also available in print.

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4

Benjamin, Adrenna. "A comparison of TV news coverage of the American medium (CNN) and the Middle East medium (Al-Jazeera) on the Iraq War." Scholarly Commons, 2004. https://scholarlycommons.pacific.edu/uop_etds/600.

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5

Awwad, Julian M. "Al-Jazeera's discourse of 'Arabness' : an examination of the discursive construction of identity in talk show programming." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100315.

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Al-Jazeera asserted itself in the global media scene shortly after the attacks of September 11th, 2001 in the United States. The station's regional prominence had already been entrenched in the new Arab media environment before it was overshadowed by the station's newfound global fame. Subsequently, al-Jazeera was considered an Arab media ambassador and the "voice of the Arab world." This dissertation provides an analysis of al-Jazeera's programming in Arabic that is lacking in the burgeoning English language academic literature. The dissertation furthermore highlights the way treatment of global current affairs informs a sense of Arab identification on a regional level. Moreover, it argues that, apart from competitive broadcast journalists, al-Jazeera offers an oppositional discourse of identification that does not necessarily challenge the hegemony of Western media discourses. By employing an oppositional stance expressed in typical anti-colonialist and anti-imperialist terms, it constructs an overarching notion of "Arabness" that is predominately discursive.<br>The dissertation analyzes three live talk shows: al-Ittijah al-Mu'akis (The Opposite Direction), Bila Hudoud (Without Boundaries), and Li-Nisa' Faqat (For Women Only). These talk shows are ideal sites for examining this oppositional discourse because they constitute important forums in which perceptions of identity are cultivated in the discussion of current affairs. In my analysis, each episode is treated as a media "text" that contributes to the formation of a discourse of "Arabness." The objective of the analysis is to identify the recurrent discursive patterns and strategies in providing the basis for this discursive category of identification across Arab state borders. In constructing an oppositional discourse, the United States and Israel are employed as necessary rhetorical references; Islam is infused into "Arabness" as a homogenizing constituent in identity formation; and finally, a culturally-threatened "Arabness" converges upon a context in which the world is marked by globalization. The dissertation concludes by indicating that al-Jazeera offers merely a representation of "Arabness" that, despite its power to influence, remains one way of perceiving Arab identity.

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6

Cruikshank, Sally Ann. "U.S. Presidential Election Coverage on the Global Stage: A Content Analysis of 2008 Election Coverage on Al Jazeera, the BBC, and Russia Today." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1257343199.

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7

Ammar, Taoufik Ben. "The language of terrorism Al-Jazeera and the framing of terrorism discourse /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/642199599/viewonline.

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8

Abdel, Rahim Yasser. "Imaging identity : a study of Aljazeera's online news and its representation of Arabness with particular attention to "Arabs in diaspora&quot." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100306.

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This thesis studies the relations between media image, online news design, and the framing of identity. It scrutinizes current images of Arab identity and their representation in Aljazeera Net in order to examine how Aljazeera Net constructs the 'reality' of Arabs. The dissertation begins by defining Arabness in terms of ethnic, cultural and postcolonial identities. It proposes and assesses the sources of Arab identity and examines Arab identity as a source of meanings for Arabs. Likewise, it evaluates the sources of Arab identity in the Arab diaspora. Through the lens of a remediation approach, the study explores newly emerging practices in the representation of news, and investigates how the design of Aljazeera Net alters the construction of meaning in news representation. The frames that govern the representation of Arab identity determine the complexity of the image of Arabness, and reveal the differences between the acknowledged perspectives and evolving identity of Aljazeera. The study conceives Aljazeera Net as a space for the reciprocal relationship between Aljazeera and Arabs in diaspora, and as a site for the overlapping between the local and the global in media representations. Finally, it considers how Arabs in the North American diaspora, particularly Arab media experts, academics and community leaders, perceive their identity, and how they evaluate Aljazeera as a Pan Arab media.

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9

Abunajela, Mohammed-Ali M. A. "Al-Jazeera (Arabic) satellite television : a platform for the Muslim Brotherhood in Egypt." Thesis, University of Bedfordshire, 2015. http://hdl.handle.net/10547/601085.

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The Qatari-funded channel, Al-Jazeera Arabic (AJA) has been subject to criticism as being in favour of the Muslim Brotherhood (MB) in Egypt. The approach taken by AJA Satellite Television to represent the MB, the Mubarak regime and other political actors in Egypt, during its coverage of four key electoral moments - before and after the 2011‘revolution’- is reviewed in this research. Critical Discourse Analysis (CDA) is applied to study the constructive effects of AJA’s language in an interpretive way (Parker & Burman, 1993). The effect of the language used by two predominant AJA TV programmes, Without Borders بلا حدود and Opposite Direction الاتجاه المعاكس has been investigated and a number of current and former AJA journalists have been interviewed. Van Dijk’s Ideological Square and Pier Robinson’s Framing Model, in conjunction with Chouliaraki’s Three Rhetorical Strategies (Verbal Mode, Agency and Time Space) have been used as analysis tools to study the process of AJA’s representation of different political ideologies: the MB’s Islamic ideology and the Mubarak regime’s secular ideology. Van Dijk’s Ideological Square helps to identify the boundaries between ‘us’ (the good) and ‘them’ (the bad), and to classify people according to their support of specific ideology against another - the ‘in-group’ or the ‘outgroup’. AJA positively framed the Islamic MB movement on the basis that the group and its members were democratic, Islamic and victims, whereas it negatively framed the Mubarak regime and the Military Council in Egypt as repressive, secular and villains. The assigned role of different actors (including; the Egyptian people and opposition parties) in AJA TV programmes changed from one electoral moment to another. While the Mubarak regime, its supporters and the Military Council were represented as the ‘out-group’ at all times, the role allocated to the Egyptian people and the opposition shifted between the ‘in-group’ and the ‘out-group’, depending on the political mood they held towards the MB.

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10

Wiessner, Greta Ann. "Television News and Social Protest in a Comparative Perspective." Thesis, Boston College, 2013. http://hdl.handle.net/2345/2991.

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Thesis advisor: William Stanwood<br>Television news provides information to audiences that help them create meaning from the world around them. This paper explores the relationship between television news and social protest, specifically how television news frames might shape audience perception of social protest as a form of democratic participation. This study utilizes a textual analysis of news stories from NBC, CBS, and Al-Jazeera English in order to compare coverage of social protest in the United States and internationally. Two separate protest issues were studied: Occupy Wall Street and the Arab Spring protests in Tahrir Square in Egypt. Using framing as a theoretical framework, I utilized the three codes of the protest paradigm – narrative structure, official sources, and invocation of public opinion – to analyze thirty news stories about Occupy Wall Street and the Arab Spring. Two codes – the circus and disorganization – emerged during the research. With support from other relevant scholarship, this study concludes that United States network television news acts as a voice of hegemony in the coverage of social protest, framing protest in ways that benefit elites and uphold the status quo. Protest is often delegitimized by news frames that portray protest as a violent activity and protestors as counter-cultural, social outsiders. Al-Jazeera English, in contrast, provides a counter-hegemonic perspective that legitimizes protest as a form of democratic participation used by a diverse cross-section of citizens<br>Thesis (BA) — Boston College, 2013<br>Submitted to: Boston College. College of Arts and Sciences<br>Discipline: Communication Honors Program<br>Discipline: Communication

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11

Lian, Gabriela Santos. "A rede de televisão árabe al jazeera: crescimento e relevância no contexto local e internacional." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-16082013-105157/.

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O objetivo principal deste trabalho é analisar o crescimento da Al Jazeera, a rede de TV árabe que mudou a realidade da imprensa no Oriente Médio e em poucos anos se tornou uma das mais vistas no mundo. A rede de TV foi fundada em 1996 em Doha, Catar, durante um período de grandes mudanças no país. Até o ano anterior, um governo conservador limitava os avanços, mas um golpe de Estado levou ao poder o atual Emir, que começou a promover reformas liberais resultando assim em mudanças significativas ao país. A criação da Al Jazeera era parte de um plano de modernização. Em 2001, o canal árabe ganhou notoriedade quando transmitiu os vídeos de Osama Bin Laden. Desde então, o mundo voltou os olhos para o que estava sendo produzido lá. Em 2006, a emissora lançou um canal em inglês, a fim de mostrar as notícias de uma perspectiva árabe. A pesquisa foi baseada na bibliografia especializada e nos trabalhos teóricos de comunicação que complementam com observações in loco e entrevistas com a equipe da Al Jazeera em Doha. Nesta dissertação, analisam-se o contexto de surgimento da Al Jazerra, a cobertura de algumas guerras e transformações, o surgimento de outros veículos e a criação do canal em inglês com o intuito de compreender o processo de consolidação e expansão dessa rede.<br>The main purpose of this paper is to analyze the growth of Al Jazeera, the Arabic TV network that changed the reality of media in Middle East and in a couple of years became one of the world most watched station. The TV network was founded in 1996 in Doha, Qatar, during a great changing time in the country. Until last year, a conservative government restricted the progress, but a coup brought to power the current Emir, who began promoting liberal reforms resulting in significant changes to the country. The creation of Al Jazeera was part of a modernization plan. In 2001, the Arabic channel gained notoriety when broadcasted videos of Osama Bin Laden. Since then, the world turned its eyes to what was being produced there. In 2006, the station launched a channel in English, in order to show the news from an Arab perspective. The research was based on specialized literature review and theoretical works which complement with on ground observations and interviews given by Al Jazeeras staff in Doha. In this thesis, we analyze the context of the emergence of Al Jazerra, covering wars and some social transformations, the emergence of other media and creating the channel in English, in order to understand the process of consolidation and expansion of this network.

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12

Toupin, Jacqueline Jean. "The women's television network, a Canadian compromise." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ27031.pdf.

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Toupin, Jacqueline Jeanne Carleton University Dissertation Journalism and Communication. "The Women's television network: A Canadian compromise." Ottawa, 1997.

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14

Lin, Daniel. "Asset specificity and network control of television programs." Fairfax, VA : George Mason University, 2007. http://hdl.handle.net/1920/2955.

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Thesis (Ph. D.)--George Mason University, 2007.<br>Title from PDF t.p. (viewed Jan. 21, 2008). Thesis director: Donald J. Boudreaux. Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Economics. Vita: p. 134. Includes bibliographical references (p. 127-133). Also available in print.

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15

Sarmento, Mario R. "The NBA on network television a historical analysis /." [Florida] : State University System of Florida, 1998. http://etd.fcla.edu/etd/uf/1998/amd0039/thesis.pdf.

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16

Trupp, Brian K. "The religious sub-network alternatives to the electronic church /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1985. http://www.kutztown.edu/library/services/remote_access.asp.

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17

Lotz, Amanda Dyanne. "Televising feminist discourses : postfeminist discourse in the post-network era /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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18

Hatrisse, Xavier. "New components for passive optical network and cable television." Thesis, Georgia Institute of Technology, 1997. http://hdl.handle.net/1853/15002.

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19

Barbieri, Theresa Ann. "Gender stereotyping in prime time network dramatic television programming." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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20

Minnick, Susan L. "A shanda fur de Yehudim : Jewishness in network sitcom television /." Thesis, University of North Texas, 2004. http://wwwlib.umi.com/dissertations/fullcit/1422462.

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21

Miller, Wendi M. "An investigation of the relationship between gender roles and life situations as presented on prime time network television." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1994. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1994.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2896. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaf 29).

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22

Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.

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23

McNally, Donald F. "An investigation of the frequency of overt demonstrations of friendship on network television." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1994. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1994.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2716. Abstract precedes thesis as [3] preliminary leaves. Typescript. Includes bibliographical references (leaf 40).

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24

Ellenwood, Lisa M. "Smart, confident, yet feminine, paradoxes and contradictions in women's television; a case study of the Women's Television Network." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39191.pdf.

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25

Ahmadi, Ali. "L'image médiatique de l'identité iranienne contemporaine à travers le discours des télévisions arabes et occidentales." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20101.

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Cette thèse étudie la représentation de l’Iran contemporain à travers le discours des chaînes d’information en continu arabes et occidentales. L’étude des chaînes d’information en continu est une excellente occasion d’analyser les différentes représentations de l’Autre en étudiant comment ces chaînes construisent différentes représentations des identités à travers des stéréotypes et un contraste idéologique réducteur entre «nous» et «eux». La problématique de cette recherche repose sur l'analyse comparative du discours des chaînes de télévisions transnationales (BBC, CNN et France 24, comme des chaînes occidentales et des chaînes Al-Jazeera et Al-Arabiya comme des chaînes arabes), et leurs façons de représenter, parmi les évènements du monde, l'Autre, en l'occurrence l'identité iranienne. Les médias transnationaux produisent et distribuent des nouvelles, des images et des contenus symboliques relatifs aux problèmes que les téléspectateurs auraient, principalement voire exclusivement appris auparavant (ou pas), à partir de leurs médias nationaux. L’étude de la représentation de l'Autre, est un modèle utile qui cherche à exposer d’une façon scientifique les routines du processus de représentation des médias et la dynamique sous-jacente du pouvoir des représentations télévisuelles de l'Autre. Ce qui précédait cette ère de la postmodernité était l’enfermement du regard médiatique dans les frontières des Nations ou bien des empires coloniaux. La globalisation a introduit l’Autre au cœur même du local. Les représentations stéréotypées et les images de l’Iran dans les journaux télévisés et les émissions des chaînes semblent rétablir les distances spatiales, politiques et socio-culturelles entre les pays et semblent reproduire la supériorité occidentale surtout pour les chaînes américaines. Les chaînes arabes sont axées sur une forte orientation religieuse, raciale et ethnique lors de leur couverture liée à l’Iran. L’information est influencée par le processus de cadrage. Le cadrage fait par des chaînes arabes et occidentales tend alors à refléter et à renforcer l'idéologie dominante du pays d’origine. Les résultats de l'étude soulignent que les nouvelles internationales peuvent être interprétées par une vue combinée, dans laquelle les influences de la propagande sur la couverture médiatique sont interconnectées avec le système des médias et des intérêts nationaux, et paradoxalement par l’ancrage dans le territoire local dépendant de l'idéologie dominante du pays<br>This thesis examines the representation of contemporary Iran through the discourse of Arab and Western news channels. The study of news channels is an excellent opportunity to analyze the different representations of the Other by studying how these chains build different representations of identities through a reducing stereotypes and ideological contrast between "us" and "them ". The problem of this research is based on the comparative analysis of the discourse of transnational television channels (BBC, CNN, France 24, as Western channels and Al-Jazeera and Al-Arabiya as Arab channels), and ways of represent among the events of the world, the Other in this case the Iranian identity. Transnational media produce and distribute news, images and symbolic content related issues that viewers would primarily or exclusively learned before (or not) from their national media. The study of the representation of the Other, is a useful model that seeks to explain a scientific way routines process media representation and the underlying dynamics of the power of television representations of the Other. What preceded this era of postmodernity was enclosing the media look into the borders of Nations or colonial empires. Globalization has brought the Other at the heart of local. Stereotypical representations and images of Iran in the news and emissions chains seem restore spatial distances, political and socio-cultural relations between the countries and seem to reproduce Western superiority especially for U.S. channels. Arabic channels are based on a strong religious orientation, racial and ethnic in their coverage related to Iran. The information is influenced by the delineation process. Framing done by Arab and Western chains can be expected to reflect and reinforce the country of origin dominant ideology. The results of the study highlight that international news can be interpreted by a combined view, in which the influences of propaganda on media coverage are interconnected with the system of media and national interests, the territory under the dominant ideology of the country

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26

Razaityte, Vaida. "Human rights news in professional and citizen media : Comparative content analysis of Global Voices, The Guardian and Al-Jazeera." Thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-150471.

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The thesis aims to analyse how human rights issues are reported by different types of transnational media channels – professional and citizen. More specifically, the human rights related articles published during 2016 in citizen media website Global Voices and two mainstream media channels – The Guardian and Al-jazeera English are analysed in a quantitative way and compared. The key focus of the analysis is drawn on theories about human rights representation in media, continuum of professionalism in the period of digitisation and globalisation of news. The quantitative content analysis helped to determine that there are more similarities in human rights representation in terms of content of information, than in the tools which are chosen to present human rights.

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27

Jones, Jeffrey Preiss. "Talking politics in post-network television : the case of Politically incorrect /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Smith, Henry L. "An analysis of network evening news coverage of religion and politics in the 1984 presidential campaign /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662147647.

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Vinall, Sarah A. J. "A critical look at nutritional value of commercials on the Nickelodeon Network." Scholarly Commons, 2008. https://scholarlycommons.pacific.edu/uop_etds/689.

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Food advertising aimed at children in America has been proven to directly impact food preferences, eating behavior and brand loyalty of youth (Story & French, 2004). The purpose of this study was to evaluate the content of television commercials that occurred during children's programming on the popular children's network Nickelodeon. This study examined the frequency, nutritional content and overall advertising techniques associated with food, beverage and restaurant commercials. It also assessed the degree to which children are being exposed to the promotion of unhealthy food, beverage restaurant commercials. This study examined commercials that aired on the Nickelodeon Network between Monday, August 11 through Friday, August 15, 2008 between 3 p.m. and 5 p.m. on the Comcast Cable System in Stockton, California. The programming was recorded on a VHS tape and then later reviewed and analyzed. Each commercial was examined in the following areas: nutritional content; slogan; branded characters; premium; link to a movie and healthy message. This study demonstrated that 40.65% of the commercials airing between 3 p.m. and 5 p.m. on the Nickelodeon television network are for food, beverage and/or restaurants. Twenty-six percent of food, beverage and restaurant commercials met or exceeded the daily recommended levels of fat, added sugars, and sodium, and fell short of providing essential nutrients as outlined by the United States Department of Agriculture (USDA) (United States Department of Agriculture, 2008). The results of this study indicate that a considerable amount of food commercials targeting children as consumers. Government regulation seems unlikely due to the First Amendment, rights to free speech. This study points to several suggestions for advertisers, advocates, Children's Advertising Review Unit (CARU) teachers and parents to address the issue of advertising to children. Some of the suggestions include stricter self-regulation, education and parental responsibility.

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30

Saulino, Catherine Lynn. "Room to breathe? : feminist expression and the political economy of the Oxygen network /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3069219.

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Seid, Danielle. "Beautiful Empire: Race, Gender, and the Asian/American Femme on U.S. Network Television." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22746.

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Since the earliest days of broadcast television in the 1950s, network television has maintained a keen fascination with Asian/American women, who implicitly helped secure the boundaries of white women’s “empire of the home.” This dissertation inquires into when and how Asian/American women have been represented on U.S. network television. Bringing together questions and analyses of beauty, race, and gender to better understand how Asian/American femininity has been negotiated within the conventions of network television, I argue that the figure I call the Asian/American femme—suspended between feminine subject and feminized object—appeared on network television to mediate and obscure moments of U.S. national and imperial crisis. In addition to analyses of specific programs and network television texts, this dissertation examines the racialized and gendered mistreatment that Asian/American performers have experienced working within the television industry. By combining textual analysis with analysis of industrial practices and performers’ star-texts, I work to understand how network television has imagined Asian/American women’s gender and sexual debts to the nation, as well as how key Asian/American performers, through their own feminine labor, enact the “resolution” of Asian/American women’s tenuous status in the nation. Far from advancing in a linear progression from stereotypical to more sensitive and complex representations, the Asian/American femme on U.S. network television, I argue, instead demonstrates how television, as a social and racial technology, accommodates shifting racial, gender, and sexual discourses in U.S. dominant culture.<br>10000-01-01

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32

Brown, Lois D. "The Influence of Out-Group Network Ties on the Television Usage and Attitudes of Mormon Women." Diss., CLICK HERE for online access, 1997. http://patriot.lib.byu.edu/u?/MTAF,15805.

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33

McCann-Washer, Penny L. "A comparison and content analysis of seven nuclear and single-parent family sitcoms shown on prime-time network television." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/722229.

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This thesis was designed to determine whether there are significant differences in family sitcoms between type of response and family type; between action and family type; between type of interaction and family type; and whether there are more positive than negative responses on both types of sitcoms.Seven nuclear and single-parent family situation comedies which are presently being shown on network prime-time television were compared to one another. A content analysis using a goodness-of-fit test was utilized to determine if parenting differences between the two types of family situation comedies existed.A chi-square showed that there is no difference between the number of negative and positive scenes in each type of sitcom. Finally, it was shown that no major parenting differences exist between single-parent and nuclear family sitcoms presently viewed on network prime-time television.<br>Department of Journalism

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34

de, Wasseige Mathieu. "A critical analysis of ideological narratives in contemporary US network television series." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209843.

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This critical study unveils the ideological underpinning of contemporary network series narratives through a thematic approach combined with the analysis of the strategies of representation that support the ideological inclination of the series/Cette analyse critique dévoile l'idéologie sous-jacente des séries télévisées contemporaines des networks américains par une approche thématique combinée à une analyse des stratégies de représentations qui appuient la tendance idéologique de ces séries<br>Doctorat en Langues et lettres<br>info:eu-repo/semantics/nonPublished

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35

Fitzgerald, Michael Ray. "Superfink : the native American enforcer figure on US network television, 1949-2009." Thesis, University of Reading, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577782.

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This study examines television programmes aired by US networks using methodologies proposed by Cedric C. Clark in a 1969 Television Quarterly article. It tests Clark's four-stage framework using depictions of Native Americans to ascertain whether his framework has utility as guide to understanding minority representations in general. This study adds to the body of research on Native American representations by specifically addressing television depictions. The research shows that US network television has primarily utilized two ways of dealing with Native Americans: they are either shown as enforcers of the dominant group's norms or relegated to the distant past, sometimes both. This case is made by investigating the 'western' programmes The Lone Ranger (1949-1957), Broken Arrow (1956-1958), and Law of the Plainsman (1959-1960) and their functioning in the still-developing myth of the American West during the post-World War II period. These programmes in effect served to promote US government agendas in relation to minorities and served as simulacra that obscured what was happening to Native Americans during the Cold War years. This argument is pursued by using methodologies that place each in the historical context of its production. In addition, there are Native American representations in other genres, notably the crime drama, which are also analyzed: Hawk (1966), Nakia (1974) and Walker: Texas Ranger (1993-2001). The thesis as a whole develops arguments around the nationalist function of minority depictions on the basis of historiographic and aesthetic arguments. Detailed analyses of mise-en-scene and visual strategies are employed to demonstrate how techniques such as framing and iconography position Native American characters in comparison to white characters. In addition, analyses of gender representation demonstrate the ambivalent role of Native American characters, who are often simultaneously hypermasculinized and feminized, as well as issues of Euro-American masculinity that have always underpinned the western genre.

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Chen, Xueyi. "Issue obtrusiveness in the agenda-setting process of national network television news." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2009. http://wwwlib.umi.com/cr/syr/main.

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Abbott, Angela Christine. "The television network as auteur: a case study of HBO and FX." Thesis, Boston University, 2007. https://hdl.handle.net/2144/30659.

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Thesis (M.F.A.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>The auteur theory argues for the possibility that films produced within the highly regimented American studio system of the 1930's and 40's could be considered art, and their makers, auteurs (authors). This new theory, that both argued for the presence of a singular guiding intentionality behind a film, and for the critical canonization of films made in classic Hollywood changed the critical imagination of future film scholars. When Thomas Schatz took on the theory in his book, The Genius of the System, he argued that the collaborative nature of filmmaking in general and Hollywood filmmaking in particular complicated the existing theory, at least as it had been interpreted in America. Schatz's exhaustive study seeks to account for the masterworks of classical Hollywood through a systematic examination of the studio system, which he believed played a fundamental role in the films' success. While Schatz rails against some of the tenets of the auteur theory he simultaneously co-opts its critical system, and seems to make the argument for the studio as auteur. The idea that popular narrative entertainment produced within a highly regimented system can be taken as serious achievement, and that the large organization behind it can act as auteur, leads to the implied conclusion that a television network can function as an auteur as well. The television network is built on a studio-based production system much like classic Hollywood, and its directors of original programming provide the same guiding intentionality as the studio production chiefs of the past. To provide this hypothesis two case studies are performed on television networks, its products and its personnel. Section one discusses HBO as a prime example of a television auteur as its original programs are distinct and seem endemic to the networks overall style of presentation. Section two discusses FX as an example of a cable competitor who employs some of the same strategies as HBO, but with different programming executive who inflect the series with a distinct coherency and style of its own.<br>2031-01-02

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Valente, Ramos Fernando Manuel. "Green IPTV : a resource and energy efficient network for IPTV." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/244245.

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The distribution of television is currently dominated by three technologies: over-the-air broadcast, cable, and satellite. The advent of IP networks and the increased availability of broadband access created a new vehicle for the distribution of TV services. The distribution of digital TV services over IP networks, or IPTV, offers carriers flexibility and added value in the form of additional services. It causes therefore no surprise the rapid roll-out of IPTV services by operators worldwide in the past few years. IPTV distribution imposes stringent requirements on both performance and reliability. It is therefore challenging for an IPTV operator to guarantee the quality of experience expected by its users, and doing so in an efficient manner. In this dissertation I investigate some of the challenges faced by IPTV distribution network operators, and I propose novel techniques to address these challenges. First, I address one of the major concerns of IPTV network deployment: channel change delay. This is the latency experienced by users when switching between TV channels. Synchronisation and buffering of video streams can cause channel change delays of several seconds. I perform an empirical analysis of a particular solution to the channel change delay problem, namely, predictive pre-joining of TV channels. In this scheme each Set Top Box simultaneously joins additional multicast groups (TV channels) along with the one requested by the user. If the user switches to any of these channels next, switching latency is virtually eliminated, and user experience is improved. The results show that it is possible to eliminate zapping delay for a significant percentage of channel switching requests with little impact in access network bandwidth cost. Second, I propose a technique to increase the resource and energy efficiency of IPTV networks. This technique is based on a simple paradigm: avoiding waste. To reduce the inefficiencies of current static multicast distribution schemes, I propose a semi-dynamic scheme where only a selection of TV multicast groups is distributed in the network, instead of all. I perform an empirical evaluation of this method and conclude that its use results in significant bandwidth reductions without compromising service performance. I also demonstrate that these reductions may translate into significant energy savings in the future. Third, to increase energy efficiency further I propose a novel energy and resource friendly protocol for core optical IPTV networks. The idea is for popular IPTV traffic to optically bypass the network nodes, avoiding electronic processing. I evaluate this proposal empirically and conclude that the introduction of optical switching techniques results in a significant increase in the energy efficiency of IPTV networks. All the schemes I present in this dissertation are evaluated by means of trace-driven analyses using a dataset from an operational IPTV service provider. Such thorough and realistic evaluation enables the assessment of the proposed techniques with an increased level of confidence, and is therefore a strength of this dissertation.

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Schaetz, Nadja. "'The Hate in Our Midst' : The 2017 Unite the Right Rally and Representations of Voice, Race, and Emotions in CNN International and Al-Jazeera English." Thesis, Stockholms universitet, JMK, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-157045.

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Although the 'affective turn' in social sciences lead to a new understanding of the effects of emotions on society, the role of emotions in media remains scarcely researched. Purpose of this study is to shed light on emotions in global television news and the ways in which gendered and racialized power relations may shape, and may be shaped by, emotional practices and discourses. Precisely because emotions play a significant function in discourses of political conflict, focus here is the coverage of political dissent, specifically the coverage of the 2017 Unite the Right rally in the two global television channels CNN International and Al-Jazeera English. The study thus builds on literature on emotions and political struggles, and literature on emotions in the media, to apply the questions posed therein to the medium global television. Analyzing broadcast items, this study employs a mixed method approach that combines a quantitative content analysis with a qualitative analysis of broadcast items grounded in Teun A. van Dijk’s tradition of critical discourse analysis, within an analytical framework that privileges emotions. The findings reveal an unequal distribution of voice in the coverage of both channels, which in connection with emotion practices and discourses, establishes a marginalization of voice along the lines of race, class, and gender. Accordingly, the study gives an account of the representation of voice, race, and emotions in the coverage of the Unite the Right rally, and establishes the importance of studying emotions in media in relation to these concepts.

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Grimme, Katharina. "Standardisation and technology diffusion in network markets : an analysis of European digital television." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311333.

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Delbert, Danielle Celeste. "The Portrayal of Marriage Through Network Sitcom Television Programming from 1950 to 2014." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/320070.

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Meyer, Cordula 1971. "Foreign images: A content analysis of international coverage in American television network news." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/291506.

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How does television news present the world to American viewers? This study employs a content analysis of selected international news stories reported by the four major American networks between October and December 1995 to answer this question. International news has been the target of much critique, which this study puts to an empirical test. Specifically, claims about unfairly negative coverage of the Third World were supported, but not in the entirety in which they are often voiced. Coverage of international events is primarily crisis-oriented and secondarily politics-oriented and focuses on events with American involvement. The prevalence of episodic international coverage and the corresponding lack of stories conveying substantive information makes television a less than ideal source to learn about the "big picture" in global events. Methodologically, this study uses new, more precise measuring techniques, including the often omitted visual analysis of newscasts and the concept of unifying story themes.

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Dyer, Caitlin Elizabeth. "Reality Television: Using Para-Social Relationship Theory and Economic Theory to Define the Success of Network Reality Programming." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33144/.

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This study seeks to use a dual-theoretical approach, through the use of para-social relationship theory and economic data analysis, to explain the success of reality television since the early 2000s. This study uses both qualitative and quantitative components to understand the growth of reality television. This study includes a literature analysis of both methodologies used. Focus groups were used to seek to find a strong level of para-social interaction in viewers of reality television. Two focus groups were conducted with participants 18-35. There were a total of 16 participants who attended the focus group sessions. The information collected suggested that viewers of reality television formed para-social relationships. It appeared that female viewers were more likely to form para-social relationships than male viewers.

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Schnier, Ellen R. "Gatekeeping Issue Coverage of Africa in the Evening News of U.S. Television Networks, 1977-2008." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1250526395.

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Yang, Yan. "Hard news vs. soft news : a content analysis of network evening newscasts during breaking news coverage /." abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/1433098.

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Thesis (M.S.)--University of Nevada, Reno, 2005.<br>"August, 2005." Includes bibliographical references (leaves 93-100). Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.

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Suby, Carl. "Representative Biodiversity: The Ecosystem of Cartoon Network." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/film_studies_theses/4.

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As a capitalist organism the television program, as explained by Todd Gitlin, uses its slant to sell itself to advertisers with similar leanings on contemporary social issues to maintain its flow of revenue. However, this concept of slant does not account for the broader network, which, like the singular program, cultivates a catalog of programming into a singular slanted message becoming an ecosystem of shows relying on each other to maintain viewership. The successful televised ecosystem will then be home to programs who enjoy long runs and display an easily recognized shared slant. As an example of the televised ecosystem, this thesis explores seven animated programs from Cartoon Network including The Marvelous Misadventures of Flapjack,Regular Show, Adventure Time, The Amazing World of Gumball, Steven Universe,We Bare Bears, and Craig of the Creek.Recognizing the programs ranging in release from 2008 to 2018, Cartoon Network’s ecosystem is highlighted for its evolving display of progressive representations of race and gender and presenting them to a child audience.

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Shelton, Stephen Arthur. "Bias in the network nightly news coverage of the 2004 presidential election." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3037.

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Examines the issue of media bias in favor of the Democratic Party during the 2004 Presidential Election. To examine the most far reaching form of media in the United States, this study consisted of the three major television networks (ABC, CBS, NBC) and their weekday nightly newscasts during the entire month of October 2004. Emerging themes and strategies were compared to a study conducted at Sonoma State University of the year's most underreported yet newsworthy events. Results of the study indicate that no evidence exists to support the notion of media bias in favor of the Democratic Party in the media coverage leading up to the 2004 Presidential Election.

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Mitra, Sukanya. "A study of the impact music videos have had on production techniques in relation to network television programs and commercials." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1986. http://www.kutztown.edu/library/services/remote_access.asp.

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Underwood, Aubrey. "The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/history_diss/27.

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This dissertation examines how the major television networks, in conjunction with the Reagan administration, launched a lingering cloud of nuclear anxiety that helped to revive the Cold War during the 1980s. Placed within a larger political and cultural post-war context, this national preoccupation with a global show-down with the Soviet Union at times both hindered and bolstered Reagan’s image as the archetypal conservative, cowboy President that could free America from its liberal adolescent past now caustically referred to as “the sixties.” This stalwart image of Reagan, created and carefully managed by a number of highly-paid marketing executives, as one of the embodiment of peaceful deterrence, came under attack in the early 1980s when the “liberal” Nuclear Freeze movement showed signs of becoming politically threatening to the staunch conservative pledging to win the Cold War at any cost. And even if the nuclear freeze movement itself was not powerful enough to undergo the Herculean task of removing the President in 1984, the movement was compassionate enough to appeal to a mass audience, especially when framed in narrative form on network television. In the early 1980s, debates over the possibility of nuclear war and other pertinent Cold War related issues became much more democratized in their visibility on the network airwaves. However, the message disseminated from the networks was not placed in an educational framework, nor did these television productions clarify complicated nuclear issues such as nuclear winter theory and proliferation. I argue this renewed network attention on nuclear issues was not placed in an historical framework and likely confused American viewers because it routinely exposed audiences to both fact and fiction, undifferentiated at the level of the mass media.

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Jefferson, Shani Tyhirah. "Occupational role portrayals of African-American women on prime-time television." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001359.

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