Relevant bibliographies by topics / Alabaster sculpture, Medieval

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Alabaster sculpture, Medieval'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Alabaster sculpture, Medieval"

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Palmbush, Courtney. "Object of devotion: medieval english alabaster sculpture from the victoria and albert museum." Material Religion 8, no. 3 (2012): 411–12. http://dx.doi.org/10.2752/175183412x13415044209230.

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Luxford, Julian M. "Object of Devotion: Medieval English Alabaster Sculpture from the Victoria and Albert Museum Edited by Paul Williamson, with contributions by Fergus Cannan, Eamon Duffy, and Stephen Perkinson." Catholic Historical Review 100, no. 1 (2014): 137–38. http://dx.doi.org/10.1353/cat.2014.0042.

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Murat, Zuleika. "Medieval English Alabaster Sculptures: Trade and Diffusion in the Italian Peninsula." Hortus Artium Medievalium 22 (May 2016): 399–413. http://dx.doi.org/10.1484/j.ham.5.111359.

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Pereira-Pardo, Lucía, Diego Tamburini, and Joanne Dyer. "Shedding light on the colours of medieval alabaster sculptures: Scientific analysis and digital reconstruction of their original polychromy." Color Research & Application 44, no. 2 (2018): 221–33. http://dx.doi.org/10.1002/col.22323.

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Caya, Aimee. "“So shall yoe bee:” Encountering the Shrouded Effigies of Thomas Beresford and Agnes Hassall at Fenny Bentley." Contemporaneity: Historical Presence in Visual Culture 8 (October 30, 2019): 23–38. http://dx.doi.org/10.5195/contemp.2019.280.

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The Beresford Monument from the Church of St Edmund at Fenny Bentley in Derbyshire is a funerary monument that has received relatively little attention from scholars due to its unusual imagery and the lack of documentary evidence regarding its creation. The alabaster monument depicts Thomas Beresford (d. 1473) and Agnes Hassall (d. 1467) as fully shrouded three-dimensional effigies. Incised around the base of the monument are enshrouded representations of their twenty-one children. This paper analyzes the impact that veiling the bodies of Thomas Beresford and Agnes Hassall has on the effectiveness of the monument as a commemorative tool and situates the shrouded effigies within their broader visual and social context at the turn of the sixteenth century. Rather than dismiss the unusual imagery of the Beresford Monument as an expedient solution selected by sculptors who did not know what Thomas Beresford and Agnes Hassall actually looked like, this paper argues that shrouding the effigies was a deliberate commemorative strategy meant to evoke specific responses in the monument’s viewers. Although there is little concrete information about the tomb’s commission, contextualizing it by examining the monument in concert with other aspects of late medieval culture—including purgatorial piety, macabre texts and imagery, and ex votos—can provide a richer understanding of the object’s potentiality for its beholders. The anonymizing aspect of the shroud ultimately enabled viewers to identify freely and easily with the individuals depicted on the monument, which would have encouraged them to pray for the souls of Thomas and Agnes, thus perpetuating their memories and reducing their time in purgatory.
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Dissertations / Theses on the topic "Alabaster sculpture, Medieval"

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Currier, Janice Arlee. "True to God and King: Alabaster Heads of St. John in Late Medieval England." Thesis, 1994. http://hdl.handle.net/1828/5501.

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Sculpted alabaster tablets depicting the head of St. John the Baptist on a charger, such as the Spilsbury alabaster now in the collection of the University of Victoria's Maltwood Museum and Gallery, were produced in large numbers in fifteenth-century England. Important as examples of private devotional art, they were probably first made as minor works subsidiary to alabaster monument and altarpiece production.
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Books on the topic "Alabaster sculpture, Medieval"

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Cheetham, Francis W. The alabaster men: Sacred images from medieval England. Daniel Katz, 2001.

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Fergus, Cannan, Duffy Eamon, Perkinson Stephen, and Society of the Four Arts., eds. Object of devotion: Medieval English alabaster sculpture from the Victoria and Albert Museum. Art Services International, 2010.

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Cluny, Musée de. Les sculptures anglaises d'albatre: Musée national du Moyen Age, Thermes de Cluny, Paris. Le Musée, 1998.

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Jopek, Norbert. Studien zur deutschen Alabasterplastik des 15. Jahrhunderts. Werner, 1988.

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Museum, Victoria and Albert, ed. Spanish sculpture: Catalogue of the post-medieval Spanish sculpture in wood, terracotta, alabaster, marble, stone, lead and jet in the Victoria and Albert Museum. Victoria and Albert Museum, 1996.

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(Germany), Kulturstiftung der Länder, and Landesamt für Denkmalpflege und Archäologie Sachsen-Anhalt--Landesmuseum für Vorgeschichte, eds. "Würfelnde Kriegsknechte" aus dem Alabaster-Kalvarienberg, Dom und Domschatz Halberstadt. Kulturstiftung der Länder, 2010.

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Sophie, Jugie, Lafay Benoît, and Musée des beaux-arts de Dijon, eds. Les tombeaux des ducs de Bourgogne: Création, destruction, restauration. Somogy, 2009.

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Perkinson, Stephen, Elizabeth Cover Teviotdale, and Jessica Caroline Brantley. Reassessing Alabaster Sculpture in Medieval England. de Gruyter GmbH, Walter, 2020.

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Perkinson, Stephen, Elizabeth Cover Teviotdale, and Jessica Caroline Brantley. Reassessing Alabaster Sculpture in Medieval England. de Gruyter GmbH, Walter, 2020.

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Perkinson, Stephen, Elizabeth Cover Teviotdale, and Jessica Caroline Brantley. Reassessing Alabaster Sculpture in Medieval England. de Gruyter GmbH, Walter, 2020.

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Book chapters on the topic "Alabaster sculpture, Medieval"

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Ramsay, Nigel. "‘Burton-Upon-Trent, Not Nottingham.’ the Evolving Study Of Medieval English Alabaster Sculpture." In English Alabaster Carvings and their Cultural Contexts. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787445659.002.

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