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Journal articles on the topic 'Alain (1948-....)'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Normandeau, Robert. "Influence de Stockhausen chez les compositeurs électroacoustiques québécois." Circuit 19, no. 2 (2009): 51–56. http://dx.doi.org/10.7202/037450ar.

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Résumé Quelle a été l’influence de la musique électroacoustique de Karlheinz Stockhausen sur la production québécoise de cette même discipline ? Un certain nombre de compositeurs québécois de différentes générations ont été sollicités afin de connaître leur avis sur la question : Kevin Austin (1948), Walter Boudreau (1947), Yves Daoust (1946), Jean-François Denis (1960), Marcelle Deschênes (1939), Francis Dhomont (1926), Gisèle Ricard (1944), Stéphane Roy (1959), Alain Thibault (1956). Aux réponses de ce groupe de compositeurs se sont ajoutés les commentaires et souvenirs de l’auteur.

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2

Amblard-Pison, Sylvie, Jean Polet, and Julien Volper. "Alain Person (1948-2019)." Afrique : Archeologie et Arts, no. 15 (December 15, 2019): 9–16. http://dx.doi.org/10.4000/aaa.2378.

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3

Festi, Ricardo Colturato. "UM DESEJO DE HISTÓRIA: A SOCIOLOGIA DO TRABALHO DE ALAIN TOURAINE (1948-1973)." Lua Nova: Revista de Cultura e Política, no. 106 (April 2019): 65–96. http://dx.doi.org/10.1590/0102-065096/106.

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Resumo Este artigo buscará problematizar a primeira fase da produção teórica de Alain Touraine, que estende-se do seu estudo sobre as fábricas Renault (1948) à publicação de Production de la Société (1973). Durante essa fase, o autor desenvolveu inúmeros e extensos programas de pesquisas empíricas sobre o mundo da indústria e do trabalho tendo como uma de suas preocupações centrais a problemática da consciência operária. Destacaremos a importância dessas pesquisas, pouco conhecidas pelo público acadêmico, assim como a relação que Touraine estabeleceu com a América Latina - em particular o Bras

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4

Simonin, Anne. "La mise a L'épreuve du nouveau roman. Six cent cinquante fiches de lecture d'Alain Robbe-Grillet (1955-1959)." Annales. Histoire, Sciences Sociales 55, no. 2 (2000): 415–37. http://dx.doi.org/10.3406/ahess.2000.279854.

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« Dis-moi comment tu classes, je te dirai qui tu es ». Roland BARTHES, cité par Alain ROBBE-GRILLET lors d'une intervention au Jeu de paume, le 22 septembre 1998Un centième seulement de la production culturelle brute d'une époque est publié. C'est là un constat trop souvent négligé lorsque Ton s'interroge, après Jean-Paul Sartre sur Qu'est-ce que la litterature ?(Gallimard, 1948). Si la lecture est assurément « un rêve libre », un « exercice de générosite », elle est aussi un acte dirigé : on ne lit jamais que ce qui est donné à lire au terme d'une sélection culturelle peu connue dans ses prin

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5

Rajotte, Pierre. "Les récits de voyage des années 1940." Dossier 41, no. 2 (2016): 45–55. http://dx.doi.org/10.7202/1036935ar.

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Au cours des années 1940, la pratique du récit de voyage se renouvelle en accordant plus d’importance au regard personnel des auteurs et en préconisant une plus grande ouverture sur le monde. D’une part, les auteurs abandonnent peu à peu une approche essentiellement descriptive qui se limite à valider le discours et le savoir culturel convenus au sujet des lieux visités. Même les auteurs qui parcourent le Canada afin de faire la promotion d’une forme de tourisme intérieur — ou de « tourisme national », pour reprendre l’expression d’Édouard Montpetit (1940) — tentent de rapporter leur voyage d’

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6

Lécrivain, Valérie, and Geoffroy de Saulieu. "Alain Testart (1945-2013)." Les nouvelles de l'archéologie, no. 146 (December 4, 2016): 63. http://dx.doi.org/10.4000/nda.3852.

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7

Barry, Laurent, Valérie Lécrivain, Christophe Lemardelé, and Bernard Moizo. "Alain Testart (1945-2013)." L'Homme, no. 212 (October 27, 2014): 7–21. http://dx.doi.org/10.4000/lhomme.23715.

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8

de rédaction, Le Comité. "Alain Bingler (1947–2010)." Motricité Cérébrale : Réadaptation, Neurologie du Développement 32, no. 1 (2011): 1. http://dx.doi.org/10.1016/j.motcer.2010.12.001.

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9

Armatte, Michel. "Alain Desrosières (1940-2013)." Hermès 66, no. 2 (2013): 252. http://dx.doi.org/10.4267/2042/51583.

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10

Fiume, Eugene. "Alain Fournier, 1943-2000." ACM Transactions on Graphics 19, no. 4 (2000): 243–45. http://dx.doi.org/10.1145/380666.380668.

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11

Pasquier, J. L. "Alain Biau (1949–2021)." Radioprotection 56, no. 2 (2021): 91–92. http://dx.doi.org/10.1051/radiopro/2021013.

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12

Sainclivier, Jacqueline. "Alain Jacobzone, L’éradication tranquille. Le destin des juifs en Anjou (1940-1944)." Annales de Bretagne et des pays de l'Ouest, no. 110-1 (March 20, 2003): 182–84. http://dx.doi.org/10.4000/abpo.1496.

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13

Mangeon, Anthony. "1943 : Alain Locke à Haïti." Présence Africaine 169, no. 1 (2004): 115. http://dx.doi.org/10.3917/presa.169.0115.

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14

Lerner, Michel-Pierre. "Alain-Philippe Segonds (1942–2011)." Journal for the History of Astronomy 42, no. 4 (2011): 542–43. http://dx.doi.org/10.1177/002182861104200417.

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15

Huot, G., and F. Callaway. "Obituary: Alain Danielou (1908-1994)." International Journal of Music Education 23, no. 1 (1994): 56. http://dx.doi.org/10.1177/025576149402300108.

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16

Saffrey, Henri Dominique. "Alain-Philippe Segonds 1942-2011." International Journal of the Platonic Tradition 5, no. 2 (2011): 201–8. http://dx.doi.org/10.1163/187254711x589714.

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17

Ferraz Vidal Junior, Icaro. "Distância e desejo nas fotografias de Alvin Baltrop e Miguel Ángel Rojas." INTERIN 25, no. 2 (2020): 152–70. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n2.pp152-170.

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O artigo propõe algumas reflexões acerca do erotismo, a partir do conceito de Georges Bataille (1987) e de fotografias produzidas ao longo da década de 1970 por Alvin Baltrop (1948-2004) em Nova York e por Miguel Ángel Rojas (1946-) em Bogotá. Ambos os artistas registraram encontros casuais entre homens gays e/ou bissexuais em espaços urbanos caracterizados pela prática de cruising. Suas poéticas, a partir das diferentes distâncias que instauram e da inscrição, mais ou menos evidente, da medialidade fotográfica nas imagens, não somente ajudam a vislumbrar as articulações entre o estético e o e

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18

Lavallé, Bernard. "In memoriam. Alain Yacou (1940-2016)." Caravelle, no. 107 (December 31, 2016): 161–62. http://dx.doi.org/10.4000/caravelle.2182.

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19

Fiume, E. "Alain Fournier, 1943-2000 An Appreciation." Computer Graphics Forum 20, no. 1 (2001): 3–4. http://dx.doi.org/10.1111/1467-8659.00469.

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20

Díez Martínez, Daniel. "Hacia Arts & Architecture La revolución editorial de John Entenza (1938-1945)." Cuaderno de Notas, no. 19 (July 31, 2018): 1. http://dx.doi.org/10.20868/cn.2018.3813.

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Resumen En enero de 1945 Arts & Architecture puso en marcha el programa CaseStudy House, un experimento ideado por John Entenza que les reservaríaa él y a su revista un lugar importante en la historia de la arquitectura moderna del siglo XX. Desde que asumió la dirección de Arts & Architectureen 1940, Entenza supo rodearse de creadores y artistas como Alvin Lustig,Ray y Charles Eames, Herbert Matter o Julius Shulman, que contribuyerona elevar el estándar gráfico de su publicación y le confirieron una identidadinnovadora que respaldaba visualmente el discurso intelectual vanguardista de

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21

Tibúrcio, Desiree Bueno. "Relações intermediáticas em "Vous n'avez encore rien vu" de Alain Renais." Terra Roxa e Outras Terras: Revista de Estudos Literários 30 (December 5, 2015): 53. http://dx.doi.org/10.5433/1678-2054.2015v30p53.

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No filme Vous n’avez encore rien vu (2012), Alain Resnais volta-se para a literatura dramática, transpondo as peças Cher Antoine ou l’Amour raté (1969) e Eurydice (1942), de Jean Anouilh, para o universo cinematográfico. Neste sentido, o cineasta promove um diálogo intermediático entre a linguagem cênica e a linguagem cinematográfica, teatralizando o cinema. Dentro deste âmbito, este trabalho estuda a intermedialidade em Vous n’avez encore rien vu e a teatralidade no filme de Resnais.In the film Vous n’avez encore rien vu (2012), Alain Resnais turns to the dramatic literature, transposing Jean

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22

Bois, Yve-Alain. "Fake News and Alternative Facts: Three Antidotes from History." October 160 (June 2017): 127–30. http://dx.doi.org/10.1162/octo_a_00295.

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Yve-Alain Bois introduces three historical texts—Heinrich von Kleist's “Primer of French Journalism” (1821), Bertolt Brecht's “On Restoring the Truth” (1934), and Alexandre Koyré's “The Political Function of the Modern Lie” (1943)—that address the age-old but still urgent question of how to address blatant political lies.

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23

Fijalkow, Yankel. "Hygiene, Population Sciences and Population Policy: a Totalitarian Menace?" Contemporary European History 8, no. 3 (1999): 451–72. http://dx.doi.org/10.1017/s0960777399003082.

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Mike Hawkins, Social Darwinism in European and American Thought 1860–1945. Nature as Model and Nature as Threat (Cambridge: Cambridge University Press, 1997), 348 pp., £19.95, ISBN 0–521–57434 X.Carl Ipsen, Dictating Demography. The Problem of Population in Fascist Italy (Cambridge: Cambridge University Press, 1996), 281 pp., £35, ISBN 0–521–15545–7.Simon Szreter, Fertility, Class and Gender in Britain 1860–1940 (Cambridge: Cambridge University Press, 1976, 704 pp., £50, ISBN 0–521–34343–7.Alain Desrosières, La politique des grands nombres, histoire de la raison statistique (Paris: La Découver

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24

McGuire, R. K., T. C. Hanks, and J. W. Baker. "C. Allin Cornell (1938-2007)." Seismological Research Letters 79, no. 3 (2008): 382–83. http://dx.doi.org/10.1785/gssrl.79.3.382.

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25

Roux, Pierre Le. "L’inlassable chercheur de loisHommage à Alain Testart. (1945-2013)." Études rurales, no. 193 (January 1, 2014): 9–12. http://dx.doi.org/10.4000/etudesrurales.9987.

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26

Honcharenko, Nadiia. "The Deportation of 1944 in the Cultural Memory of Crimean Tatar People (the Case of Literary Works of Ervin Umerov and Shamil Aladin)." Culturology Ideas, no. 17 (1'2020) (2020): 139–48. http://dx.doi.org/10.37627/2311-9489-17-2020-1.139-148.

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The article deals with the coverage in works of literature of the forceful deportation of Crimean Tatar people in May, 1944. Here, literary works are seen as functioning elements of cultural memory of the people. The works in question are Ervin Umerov’s short stories Loneliness, The Black Trains, The Permit, and Shamil Aladin’s novels Invitation to Devil’s Banquet and I’m Your King and God, recently published in Ukrainian translations. The importance of Ukrainian publications of works of Crimean Tatar literature, telling i. a. about the deportation of 1944, is determined by the persistence of

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27

Buck, Christopher. "Alain Locke’s “Moral Imperatives for World Order” Revisited." Journal of Bahá’í Studies 29, no. 1-2 (2019): 37–64. http://dx.doi.org/10.31581/jbs-29.1-2.5(2019).

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History offers a review of past events in a quest for contemporary relevance, where hindsight can serve as a source of insight into present-day social paradoxes and dilemmas. The present essay revisits three public speeches by distinguished Bahá’í philosopher, Alain Locke, presented at the Institute of International Relations’ Tenth Annual Session in 1944, and argues that he articulated a three-part message: (1) racism, although an American problem, is not purely a domestic issue; (2) racism has bilateral and multilateral consequences (especially economic) in the international context; and (3)

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28

Letté, Michel. "Alain P. Michel, Travail à la chaîne. Renault 1898-1947." Documents pour l'histoire des techniques, no. 15 (June 1, 2008): 248–49. http://dx.doi.org/10.4000/dht.1100.

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29

Langlinay, Erik. "Albin Haller, chimie et politique (1918-1925)." Revue d'histoire des sciences 69, no. 1 (2016): 117. http://dx.doi.org/10.3917/rhs.691.0117.

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30

Darmangeat, Christophe. "Alain Testart (1945–2013): An Evolutionist in the Land of the Anthropologists." Historical Materialism 24, no. 1 (2016): 71–89. http://dx.doi.org/10.1163/1569206x-12341449.

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Alain Testart (1945–2013) was one of the major social anthropologists of his time. He left behind a considerable and original body of work dealing with social structures and their evolution which afforded keys to the reinterpretation of archaeological material. A one-time self-professed Marxist, he had abandoned this theoretical framework many years ago. Nevertheless, since they tackle questions that are crucial to those who want to understand the past in order to change the present, his writings are a precious source of information and of thought-provoking reasoning.

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31

Healey, Gareth. "MESSIAEN AND THE CONCEPT OF ‘PERSONNAGES’." Tempo 58, no. 230 (2004): 10–19. http://dx.doi.org/10.1017/s0040298204000282.

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Messiaen's concept of ‘personnages’ is essential to his compositional and analytical thinking. Yet it is not described in his Technique of My Musical Language of 1944, and it features only sporadically in the secondary literature. There are references to personnages in Messiaen's booklet notes to recordings of the Turangalîla-symphonie, but only the basic premise of personnages rythmiques is discussed there. Messiaen's preliminary thoughts on the rhythmic aspect of the process are given in his 1939 article ‘Le rythme chez Igor Stravinsky’, but those two pages only permit fairly general comment

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32

Ring, Johannes. "Legends of allergy and immunology: Alain L. de Weck (1928‐2013)." Allergy 75, no. 9 (2020): 2409–10. http://dx.doi.org/10.1111/all.14237.

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33

Mariz, Débora. "A percepção no pensamento de Simone Weil: um diálogo com a tradição filosófica francesa." Revista de Filosofia Moderna e Contemporânea 4, no. 1 (2016): 121–34. http://dx.doi.org/10.26512/rfmc.v4i1.12538.

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A filósofa francesa Simone Weil (1909 - 1943) foi uma importante pensadora contemporânea do século XX, mas seu pensamento ainda é pouco conhecido e até mesmo negligenciado na Academia. O presente trabalho visa analisar o estatuto da percepção no pensamento weiliano, contextualizando-o na tradição filosófica francesa. Para tanto, será realizado um paralelo entre seu pensamento acerca da percepção com aquele dos filósofos Descartes, Maine de Biran, Lagneau e Alain. Desse modo, pretende-se mostrar através do conceito weiliano de leitura de que modo esta pensadora compreende a percepção inserindo-

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34

Zirinsky, Michael P. "Imperial Power and Dictatorship: Britain and the Rise of Reza Shah, 1921–1926." International Journal of Middle East Studies 24, no. 4 (1992): 639–63. http://dx.doi.org/10.1017/s0020743800022388.

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[Reza Khan] seemed to me a strong and fearless man who had his country's good at heart. —Sir Edmund Ironside, recalling late 1920 Reza… has never spoken for himself, nor… [his] Government… but only on behalf of his country… —Sir Percy Loraine, January 1922 He is secretive, suspicious and ignorant; he appears wholly unable to grasp the realities of the situation or to realise the force of the hostility he has aroused. —Harold Nicolson, September 1926 I fear we can do nothing to humanise this bloodthirsty lunatic. —Sir Robert Vansittart, December 1933 Born in obscurity about 1878 and soon orphan

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35

Ruffins, Fath Davis. "Building Homes for Black History." Public Historian 40, no. 3 (2018): 13–43. http://dx.doi.org/10.1525/tph.2018.40.3.13.

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This essay investigates the cultural forces that shaped the development of the post 1945 founders, founding directors of African American museums and the pioneers at historically white institutions, such as the Smithsonian. All of these people were shaped by the “Negro Canon” whose principal components were the African American political and cultural activists of the earlier twentieth century such as Carter G. Woodson and Alain Locke, and their exposure to the society of “historically Black colleges and universities” (HBCUs). These experiences helped them creatively adapt to the rapidly shifti

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36

Marcotte, Gilles. "« Restons traditionnels et progressifs », disait Onésime Gagnon." Études françaises 33, no. 3 (2006): 5–13. http://dx.doi.org/10.7202/036075ar.

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Résumé L'année 1945 est particulièrement riche en titres romanesques intéressants, signés par Pierre Baillargeon, Real Benoît, Berthelot Brunet, Robert Charbonneau, Alain Grandbois et d'autres. La plupart de ces ouvrages sont, à l'évidence, littérairement marqués. Il n'en va pas de même cependant pour les deux romans de l'année qui auront le succès le plus grand et le plus durable : Le Survenant de Germaine Guèvremont et Bonheur d'occasion de Gabrielle Roy, qui visent — chacun à sa façon, qui est fort différente de l'autre — à la transparence exigée par le réalisme. L'auteur s'interroge sur la

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37

Lucier, Alvin. "On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949–1993." Leonardo Music Journal 11 (December 2001): 51–52. http://dx.doi.org/10.1162/09611210152780674.

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Alvin Lucier reminisces about his former student and colleague Stuart Marshall. Marshall's sound works investigated such phenomena as the threshold of hearing and the displacement of sound environments, through scores that combined participants and equipment in incongruous ways, with instructions based on seemingly contradictory statements, creating unexpected groupings and responses.

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38

Corotis, Ross B., Robin K. McGuire, and Gregory B. Baecher. "Eminent Structural Engineer: Dr C. Allin Cornell (1938–2007)." Structural Engineering International 19, no. 2 (2009): 220–21. http://dx.doi.org/10.2749/101686609788220060.

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39

Gomes da Silva, Mônica. "Mujeres a punto de casarse: la búsqueda matrimonial malograda en García Lorca y Nelson Rodrigues." Revista de Estudios Brasileños 7, no. 15 (2021): 19–33. http://dx.doi.org/10.14201/reb20207151933.

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En el ámbito de los estudios comparativos, se han señalado innumerables relaciones entre las obras teatrales de Federico García Lorca (1898-1936) y Nelson Rodrigues (1912-1980). Este artículo contempla el tema del matrimonio, uno de los más representados en los dramas familiares de los escritores. Se estudia la importancia atribuida a la unión matrimonial y cómo ésta incide en los papeles vividos por las protagonistas lorquianas y rodriguianas, especialmente, en las mujeres solteras sometidas a un ambiente social limitado y represor. Las piezas representan las consecuencias de acciones extrema

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40

Garcia, Jay. "The New Negro and the National-Popular: Randolph Bourne and Alain Locke." boundary 2 46, no. 4 (2019): 95–117. http://dx.doi.org/10.1215/01903659-7859153.

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This essay argues that “New Negro” and “Young American” writings from the early twentieth century reward rereading in concert with Antonio Gramsci’s concept of a “national-popular” and as instances of theoretical production in themselves. Focusing on the work of Randolph Bourne (1886–1918) and Alain Locke (1889–1954), the essay returns to “New Negro” and “Young American” writings not only to identify the interplay among them but also to recast key terms from those corpora, especially the “trans-national” (Bourne) and the “American temperament” (Locke), as literary-theoretic vehicles for reckon

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41

Arendt, Maryse, and Annelies Allain. "Annelies Allain: Pioneer of the International Code of Marketing of Breastmilk Substitutes." Journal of Human Lactation 35, no. 1 (2018): 15–20. http://dx.doi.org/10.1177/0890334418812075.

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Annelies Allain has been at the forefront of global efforts to support and promote breastfeeding for more than 30 years. Her accomplishments continue to affect all of us who work with breastfeeding families. Born in the Netherlands in 1945, Annelies Allain-van Elk received a scholarship and completed a BA from the University of Minnesota, Duluth, USA. Back in Europe, she obtained a BA in French language and literature (University of Geneva, Switzerland) as well as a translator’s diploma. After 4 years working in West Africa and visits to South America, she returned to Geneva to obtain an MA in

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42

Ahn, Deok–Weon. "Alan Paton(1903–1988)’s Spirituality of Peace through his Life." Korean Journal of Christian Studies 99 (January 31, 2016): 155–84. http://dx.doi.org/10.18708/kjcs.2016.01.99.1.155.

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43

Brems, Hans. "The Origins of Keynesian Fiscal Activism." Journal of the History of Economic Thought 16, no. 1 (1994): 27–39. http://dx.doi.org/10.1017/s1053837200001401.

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The first part of the paper, “The Freeze,” restates the simplified Keynesian framework of fiscal activism pioneered by Jargen Pedersen (1937) and Alvin H. Hansen (1941). The framework is a macroeconomic model in which investment, the bond supply, price, the money wage rate, and the rate of interest are all frozen. Using government purchase and the tax rate as its policy instruments the paper solves the model and finds its fiscal multipliers.

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44

Tellier, Christine. "Les conflits idéologiques dans Poussière sur la ville." Études 22, no. 3 (2006): 569–81. http://dx.doi.org/10.7202/201327ar.

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Résumé À la parution en 1953 de Poussière sur la ville d'André Langevin, peu de critiques font le lien entre Macklin, la ville minière au centre du récit, et la ville d'Asbestos, théâtre de la grève de l'Amiante de 1949. Ceci paraît d'autant plus curieux que le roman se prête particulièrement bien à une lecture idéologique : son personnage principal, Alain Dubois, défend des valeurs nouvelles dans un milieu contraignant et conformiste. Durant cette même période, la société québécoise, sous l'emprise d'un discours conservateur, est remise en question par les jeunes intellectuels de Cité Libre.

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45

Casanova, Jean-Yves. "Giono et les Méditerranées. Rencontre autour de Juan Ramón Jiménez, Dominique Bonnet et André-Alain Morello (éds)." Littératures, no. 78 (August 1, 2018): 225–28. http://dx.doi.org/10.4000/litteratures.1945.

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46

Blin-Rolland, Armelle. "Adapting Brittany." European Comic Art 10, no. 1 (2017): 58–73. http://dx.doi.org/10.3167/eca.2017.100106.

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This article examines two bande dessinée versions of the Breton legend of the flooded city of Ker-Is, Robert Lortac’s 1943 À la découverte de Ker-Is (published in children’s magazine O lo lê) and Claude Auclair and Alain Deschamps’s 1981 Bran Ruz. It argues that through the continuation or appropriation of the legend, these comics offer ideologically filtered views of Bretonness and Brittany from two different politico-historical contexts, occupied France and the postcolonial era. The article also analyses how comic art can be used in productive ways to represent Brittany as a stateless cultur

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47

Wolff, Jorge H. "Imaginarios, obras y autores en la literatura latinoamericana: Las cenizas de Trotsky. Pablo Leminski, entre lo real y la imaginación política." Culturas, no. 13 (November 6, 2019): 69–82. http://dx.doi.org/10.14409/culturas.v0i13.8606.

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El texto examina el poema de Paulo Leminski (1944-1989) dedicado a Natalia y León Trotsky y que tiene importancia clave en su obra. El trabajo, escrito en primera persona, presenta al poeta brasileño y su contexto de aparición y actuación entre las décadas de 1960 y 1980 y concluye por medio de una conferencia reciente de Alain Badiou, «A La recherche dure El perdu» (2015), cuyo principal objeto es el poema «Las cenizas de Gramsci» de Pier Paolo Pasolini; su melancolía política es similar a la del poema del escritor brasileño que fue uno de los más destacados intelectuales del país en fines de

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Burawoy, Michael. "A Tale of Two Marxisms: Remembering Erik Olin Wright (1947–2019)." Politics & Society 48, no. 4 (2020): 467–94. http://dx.doi.org/10.1177/0032329220966075.

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Intended to capture the entangled history of Marxism, Alvin Gouldner’s two Marxisms also frame the intellectual biography of Erik Olin Wright. In the 1970s Wright’s Scientific and Critical Marxisms were joined, but later they came apart as each developed its own autonomous trajectory. Erik’s Scientific Marxism was the program of class analysis that first brought him international fame. Begun in graduate school, it tailed off in the last two decades of his life, when it played second fiddle to the Critical Marxism of the Real Utopias Project that Erik began in the early 1990s.

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Persson, Martin E., Vaughan S. Radcliffe, and Mitchell Stein. "ALVIN R. JENNINGS: MANAGING PARTNER, POLICY-MAKER, AND INSTITUTE PRESIDENT." Accounting Historians Journal 42, no. 1 (2015): 85–104. http://dx.doi.org/10.2308/0148-4184.42.1.85.

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Alvin R. Jennings (1905–1990) was a rare breed of an accountant. He was trained as a practitioner and rose to become a managing partner at Lybrand, Ross Bros. & Montgomery, but he kept a constant watch on the academic field of accounting research. Jennings served on the influential American Institute of Accountants' Committee on Auditing Procedure (1946–49) and later as the president of the American Institute of Certified Public Accountants (1957–58). This paper explores these activities and Jennings' contribution to the professional, academic, and institution discourse of the accounting d

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Finkel, Joseph. "Building Environmentally Attuned Communities: The Politics of Alvin Curran’s Maritime Rites." Leonardo 51, no. 3 (2018): 300–301. http://dx.doi.org/10.1162/leon_a_01522.

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Alvin Curran (1938—) has always spent time near bodies of water and this fact has arguably left a mark on his compositions from his important work Songs and Views of the Magnetic Garden (1975) for live performance and sounds of gentle water waves, which Curran recorded on tape, to his ongoing series Maritime Rites (ca. 1975—) for musicians in boats on bodies of water. This essay examines Curran’s use of water as a compositional resource while also considering ideas such as music outside of the concert hall and building environmentally attuned communities.

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