Journal articles: 'Alan Moore'

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García Marcos, Alberto. "Reseña de "Miracleman" de Alan Moore et alii." CuCo, Cuadernos de cómic, no. 5 (December 30, 2015): 126–30. http://dx.doi.org/10.37536/cuco.2015.5.1139.

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Sánchez Pérez, Carlos. "Esoterismo, mito y subversión en Promethea de Alan Moore." Amaltea. Revista de mitocrítica 13 (April 21, 2021): 25–33. http://dx.doi.org/10.5209/amal.72562.

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El objetivo de este trabajo es explorar la intersección entre esoterismo y mito en la obra Promethea de Alan Moore. Partiré de una aproximación a lo que consideramos «esoterismo», para seguir con una exposición sobre las características del hermetismo y su legado, vitales para comprender la obra de Moore. Finalmente, analizaré la conclusión de la obra para entender cómo se produce la interacción entre mito y esoterismo.

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Medina Rodríguez, Sandra. "From Hollywood." Neuróptica, no. 2 (May 17, 2021): 95–116. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.202025421.

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Resumen: En el presente artículo se analizarán las versiones cinematográficas realizadas a partir de los cómics del guionista de historietas inglés Alan Moore (Northampton, 1953). Hasta la fecha, cuatro han sido las novelas gráficas de Moore que han sido llevadas a la pantalla: From Hell, La liga de los hombres extraordinarios, V de Vendetta y Watchmen. Asimismo, el eje de atención se centrará en las modificaciones propuestas por estos filmes, que han distorsionado y alterado la esencia y el mensaje profundo que originariamente contienen las obras de Moore. Abstract: In this article we will analyze the film versions made from the comics of the english comic writer Alan Moore (1953, Northampton). To date, four have been Moore's graphic novels brought to the screen: From Hell, The League of Extraordinary Gentlemen, V for Vendetta and Watchmen. In our study we will identify the modifications in these films that have distorted and altered the essence and profound message contained in Moore's works.

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Vollmar, Rob. "Northampton Calling: A Conversation with Alan Moore." World Literature Today 91, no. 1 (2017): 28–34. http://dx.doi.org/10.1353/wlt.2017.0318.

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Rob Vollmar. "Northampton Calling: A Conversation with Alan Moore." World Literature Today 91, no. 1 (2017): 28. http://dx.doi.org/10.7588/worllitetoda.91.1.0028.

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Summers, Tim. "‘Sparks of Meaning’: Comics, Music and Alan Moore." Journal of the Royal Musical Association 140, no. 1 (2015): 121–62. http://dx.doi.org/10.1080/02690403.2015.1008865.

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ABSTRACTComics have become a significant part of modern popular culture. This article examines the ways in which music is involved with comics, and develops methods for analysing musical moments in comic books. The output of the writer Alan Moore (b. 1953) is used as the domain for examining music and comics. This popular author's works are notable for their sophisticated use of music and their interaction with wider musical culture. Using case studies from the comic books V for Vendetta (1982–9), Watchmen (1986–7) and the second and third volumes of The League of Extraordinary Gentlemen (2002–12), the article demonstrates that the comic can be a musically significant medium (even to the point of becoming a piece of virtual musical theatre), and argues that music in comics serves to encourage readers to engage in hermeneutic criticism of musical and musical-literary texts.

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Vidal, Leonardo Poglia. "TEMAS E TROPOS: A EXTRAORDINÁRIA OBRA DE ALAN MOORE." Cadernos do IL 1, no. 54 (October 23, 2017): 206. http://dx.doi.org/10.22456/2236-6385.67794.

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O artigo busca, através de uma revisão comparativa entre as tramas de várias das obras mais significativas de Alan Moore, bem como várias declarações do autor em entrevistas e biografias, identificar temas e tropos pervasivos em sua ficção, relacionando assim sua produção com sua biografia e filosofia pessoal. Para tal fim se realizará uma busca por características recorrentes em obras como The Bojjeffries Saga, Roscoe Moscow, The Stars my Degradation, The Ballad of Halo Jones, Miracleman/Marvelman, Swamp Thing, V for Vendetta, Promethea, Lost Girls, Watchmen, The League of Extraordinary Gentlemen, From Hell, Tom Strong, Watchmen e Supreme, aqui consideradas relevantes e representativas da ficção do autor.

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Smith, G. D. W. "Alan James William Moore, 1920–2005: An appreciation." Surface and Interface Analysis 39, no. 2-3 (2007): 93–94. http://dx.doi.org/10.1002/sia.2468.

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Silva, Suellen Cordovil da, and Enéias Farias Tavares. "tarô em Promethea 12, de Alan Moore e J.H. Willliams III." REVER: Revista de Estudos da Religião 21, no. 2 (December 5, 2021): 77–94. http://dx.doi.org/10.23925/1677-1222.2021vol21i2a6.

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O objetivo deste artigo, que entrecruza narrativa gráfica com simbologia esotérica na análise da série em quadrinhos Promethea, é discutir como Alan Moore e J. H. Williams III interpretam a composição do tarô. Para tanto, analisaremos Promethea 12 contrastando com os baralhos mais conhecidos e utilizados no ocidente: Marseille e Waite. Se entendermos teologia como o estudo das diferentes práticas religiosas e espirituais do Ocidente, Promethea resulta em uma exploração tanto do potencial espiritual do mito como da criação artística/imaginativa.

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Rande, Shilvyanora Aprilia, and Ardila Yulianti. "Flyrock Analysis To Reduce The Safe Radius Of The Tools In Andesite Rock Blossing In The District Margaasih, Bandung Regency, West Java Province." PROMINE 9, no. 1 (September 22, 2021): 23–28. http://dx.doi.org/10.33019/promine.v9i1.2025.

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Bandung regency known to have had to scatter material which be potential sources of revenue of them are material andesit mining sand and also .Research objectives is measuring the estimation of the distance the throw rocks due to maximum blasting , restudying in the determination of a radius of secure at blasting activities by counting the radius of safe to an instrument based on a theory that is compared with actual that had broken out and get constant k in signification fly rock according to alan b.richards and adrian j.moore to adjust to those of the rocks and stemming used .The research was done by counting the throw of maximum rock theoretically menutut alan b .Ricahrds and adrian j .Moore coupled with the observation actual fly rock in the field with the observation use video and the naked eye .Trial done by moving a radius of safe instrument less than 300 m. From the trial data, it is obtained that the maximum throw of the actual rock and the prediction with the theoretical calculation is in accordance with the recommendation of Adrian J. Moore and Alan B. Richard, so the radius to secure the tool is at least 2 times that of the actual throw. With the provision of using stemming, the safe radius for blasting is reduced to 200 m.

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Gavaler, Chris, and Nathaniel Goldberg. "Alan Moore, Donald Davidson, and the Mind of Swampmen." Journal of Popular Culture 50, no. 2 (April 2017): 239–58. http://dx.doi.org/10.1111/jpcu.12544.

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Vollmar, Rob. "Dressing the Tongue: The Spoken-Word Albums of Alan Moore." World Literature Today 91, no. 1 (2017): 31–33. http://dx.doi.org/10.1353/wlt.2017.0224.

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Rob Vollmar. "Dressing the Tongue: The Spoken-Word Albums of Alan Moore." World Literature Today 91, no. 1 (2017): 31. http://dx.doi.org/10.7588/worllitetoda.91.1.0031.

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Howell, Tracee L. "The Monstrous Alchemy of Alan Moore: Promethea as Literacy Narrative." Studies in the Novel 47, no. 3 (2015): 381–98. http://dx.doi.org/10.1353/sdn.2015.0044.

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Austin, Ronald L., Bernard Owens, and Edwin G. Spinner. "Alan Charles Higgins (1936–2004)." Journal of Micropalaeontology 23, no. 2 (November 1, 2004): 191–92. http://dx.doi.org/10.1144/jm.23.2.191.

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Abstract. Alan Higgins was born in Hanley, Staffordshire on 16 December 1936, the youngest of three children. Throughout his childhood he was fascinated by the natural history of the nearby Peak District and it was not surprising that sciences played an important part in his education at Hanley High School. In 1955, he went to the University of Sheffield to study Geology and obtained a 2(1) degree in 1958. During those early years in Sheffield, he came under the influence of the late Professor Leslie Moore and, on graduation, was encouraged by him to undertake research on Namurian conodonts. At that time, little was known of the true potential of conodonts and, indeed, almost nothing of their occurrence in Upper Carboniferous rocks. Alan collected samples extensively throughout the southern Pennine region, often working closely with the staff of the Geological Survey and generated the first Namurian conodont zonation for the British Isles. He exploited every opportunity to prove the value of conodont studies outside the Carboniferous Period and, in 1962, published the results of an investigation on the microfaunas found in the Durness Limestone of northwest Scotland. His PhD was completed in 1961.In late 1961, he was awarded a DSIR (Government) Fellowship which allowed him to work in Brussels at the offices of the Belgian Geological Survey whilst investigating the stratigraphic distribution of conodonts in the Namurian type sections of the Namur Basin. These studies, carried out in close collaboration with Jos Bouckaert, established detailed correlations with the British sequences . . .

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Santos, Daniel Baz dos, and Lucilene Canilha Ribeiro. "Sobre a perda do invisível: aspectos de A Liga Extraordinária: 1898, de Moore e O´Neill." 9ª Arte (São Paulo) 8, no. 2 (December 20, 2019): 109–29. http://dx.doi.org/10.11606/issn.2316-9877.v8i2p109-129.

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Este trabalho parte da teoria da experiência visual de Didi-Huberman para propor uma leitura dos dois primeiros volumes de A Liga extraordinária (Alan Moore e Kevin O`Neill), tendo como eixo condutor o personagem Hawlet Griffin, também conhecido como Homem Invisível. A análise demonstra como roteirista e desenhista se aproveitam dos estatutos do visual, entre o aparecimento e o desaparecimento, o ganho e a perda, o esquecido e o retido, para erigir os fundamentos estéticos e éticos de sua narrativa.

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Medina Rodríguez, Sandra. "Las estrategias narrativas y visuales en la obra de Alan Moore." Latente Revista de Historia y Estética audiovisual, no. 18 (2020): 251–71. http://dx.doi.org/10.25145/j.latente.2020.18.11.

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Rocha, Emmanuel Ramalho de Sá. "EXPRESSÕES LITERÁRIAS DO REENCANTAMENTO DO MUNDO: PROMETHEA DE ALAN MOORE "Literary expressions of the re-enchantment of the world: Alan Moore’s Promethea"." PARALELLUS Revista de Estudos de Religião - UNICAP 5, no. 10 (December 30, 2014): 179. http://dx.doi.org/10.25247/paralellus.2014.v5n10.p179-190.

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Esse artigo tem como temática central a relação entre literatura e religião, especificamente a literatura das histórias em quadrinhos, também conhecidas como HQs, e o ocultismo contemporâneo, um agente do reencantamento do mundo, sendo esse uma crítica e produto da modernidade, o qual promove o retorno ou popularização da magia. Dessa forma, o objetivo da pesquisa é analisar a HQ Promethea, de Alan Moore, publicada em 1999, e que aborda o ocultismo de forma didática, assim, busca-se identificar quais são os elementos do ocultismo na obra e como estes e a própria HQ de Moore se inserem no processo de reencantamento do mundo. Como metodologia, o trabalho faz uso de pesquisa bibliográfica e a forma de abordagem é qualitativa em função das características do tema estudado (crenças, valores, atitudes). O marco teórico conceitual utilizado para fundamentar a pesquisa é a sociologia da religião. Constata-se entre os elementos ocultistas abordados em Promethea a magia cerimonial, a astrologia, o tarô, a cabala hermética e a goécia. E as características do reencantamento do mundo presentes na obra, entre outras, são a revalorização dos elementos não racionais da vida, como a imaginação; o resgate de crenças e práticas pré-modernas, como a própria magia; a racionalização e “psicologização” desta; e uma dialética entre o conhecimento científico e o pensamento mágico.Palavras-chave: Magia. Ocultismo. Literatura.AbstractThis paper has as its central theme the relationship between literature and religion, specifically the literature of comics and contemporary occultism, an agent of the re-enchantment of the world, the latter is a product and critique of modernity which promotes the return or popularization of magic. Thus, this research intends to analyze Alan Moore’s comic, Promethea, published in 1999, which addresses the occult didactically, thus, the paper seeks to identify those elements of occultism and how they and the comic fit into the process of re-enchantment of the world. As methodology, the work makes use of bibliographic research and the approach is qualitative based on the characteristics of the studied subject (beliefs, values, attitudes). The theoretical and conceptual framework used to support research is the sociology of religion. It appears among occult elements addressed in Promethea ceremonial magic, astrology, tarot, Hermetic Qabalah and the Goetia. And the characteristics of the re-enchantment of the world in the present work, among others, are the revaluation of non-rational elements of life such as the imagination; redemption of pre-modern beliefs and practices, such as magic itself; rationalization and "psychologization" of magic; and a dialectic between scientific knowledge and magical thinking.Keywords: Magic. Occultism. Literature.

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Gulicz, Igor, and Willian André. "NA MANCHA, UM SUICIDA: SOBRE A MORTE DE RORSCHACH EM WATCHMEN, DE ALAN MOORE E DAVE GIBBONS." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 25, no. 2 (December 31, 2021): 11–23. http://dx.doi.org/10.34019/1982-0836.2021.v25.35938.

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Este artigo propõe uma análise do graphic novel Watchmen (1986-1987), escrito por Alan Moore e ilustrado por Dave Gibbons. O foco da análise é o personagem Rorschach, cuja morte no desfecho da narrativa é interpretada aqui como sendo um suicídio, e não um sacrifício. Para sustentar tal hipótese, propõe-se principalmente um diálogo com o ensaio O mito de Sísifo (1942), de Albert Camus. REFERÊNCIAS ALVAREZ, Alfred. O deus selvagem: um estudo do suicídio. Trad. Sonia Moreira. São Paulo: Companhia das Letras, 1999. CAMUS, Albert. O mito de Sísifo. Trad. Ari Roitman e Paulina Wacht. 6 ed. São Paulo/Rio de Janeiro: Record, 2008. HELD, J. Podemos Conduzir este Mundo sem Leme? Kant, Rorschach, Retributivismo e Honra. In: WHITE, Mark D. (Org.). Watchmen e a Filosofia: um teste de Rorschach. Trad. Uiran Gebara da Silva. São Paulo: Madras, 2009. p. 29-39 MOORE, Alan; GIBBONS, Dave. Watchmen – Edição Definitiva. Trad. Jotapê Martins e Helcio de Carvalho. Barueri: Panini, 2011. SANTOS, R. O caos dos quadrinhos modernos. In: Comunicação & Educação, n. 2, 30 abr. Moderna: São Paulo, 1995, p. 53-58. SOLOMON, Andrew. O Demônio do Meio-Dia: uma anatomia da depressão. Trad. Myriam Campello. São Paulo: Companhia das Letras, 2014. TEIXEIRA, N; CORREA, W. Watchmen e o discurso distópico do “bem maior”. In: Revista Fênix: 2009, vol. 6. Disponível em: <https://www.revistafenix.pro.br/revistafenix/article/view/141/131> Acesso em: 28 de agosto de 2021.

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Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9, no. 1-2 (2009): 51–60. http://dx.doi.org/10.1163/156771509x12638154745427.

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AbstractIn 1986 writer Alan Moore and illustrator Dave Gibbons produced a graphic novel called Watchmen. In 2005 Time Magazine produced a list of the 100 best English-language novels from 1923 to the present. To many surprised readers a comic book was among the top ten. It was Watchmen. The story of former crime-fighters brought out of retirement to solve a world destroying mystery is told with a ruthless realism. The style is cinematic with repeating motifs, flashbacks and overlapping subplots. One of the characters in Watchmen, Jon Osterman, as a result of a nuclear accident, receives typical superhuman powers; more importantly to the character he begins to live in a quantum consciousness in which events occur simultaneously rather than sequentially. In chapter four of Watchmen, Moore and Gibbons brilliantly use the sequential art medium to express the subjective and personal nature of that consciousness. This paper will explicate and analyze the way they simulate Jon Osterman's non-temporal consciousness.

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Nababan, Shanty V. A., Eko Santoso, and Kartini Kartini. "Analisis prediksi jarak lemparan flyrock pada kegiatan peledakan di PT Darma Henwa." Jurnal Himasapta 7, no. 2 (September 22, 2022): 79. http://dx.doi.org/10.20527/jhs.v7i2.6436.

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Risiko akibat kegiatan peledakan salah satunya adalah flyrock. Flyrock adalah fragmentasi batuan yang terlempar akibat hasil peledakan. Jika lemparan flyrock melebihi radius aman yang ditetapkan dapat mengakibatkan kerusakan alat mekanis dan cedera pada manusia. Salah satu pendekatan yang efektif untuk mengontrol dan mencegah kecelakaan akibat flyrock adalah prediksi lemparan flyrock. bertujuan untuk mengestimasi nilai flyrock berdasarkan pola dari data dengan menggunakan variabel parameter peledakan untuk memprediksikan hasil flyrock selanjutnya yang masih belum diketahui nilainya. Penentuan prediksi jarak lemparan flyrock yang digunakan pada penelitian ini menggunakan 2 metode. Metode empiris prediksi flyrock oleh Alan B. Richard dan Adrian J. Moore dan analisis dimensi Ebrahim Ghasemi. Berdasarkan hasil perhitungan prediksi flyrock metode Richard & Moore nilai K cratering lapisan Claystone 10.35, lapisan Siltstone 6.95 dan Claystone dengan sisispan Sandstone 12.09. Nilai K faceburst lapisan Claystone 11.97,lapisan Siltstone 15.01 dan Claystone dengan sisispan Sandstone 11.64. Hasil prediksi analisis dimensi Ghasemi adalah 136.2889 (B-3.381. S4.927 .SH-2.094 . H1.043 .D1.044 (PF/Q )1.524).

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Monanegi, Lino. "Todo sobre física cuántica. Una conversación con Bef." La Palabra y el Hombre. Revista de la Universidad Veracruzana, no. 42 (September 5, 2018): 66–68. http://dx.doi.org/10.25009/lpyh.v0i42.2560.

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En esta entrevista, Bernardo Fernández (Bef), novelista gráfico, habla sobre su trayectoria profesional. Comenzó siendo guionista para otros dibujantes y, cuando comenzó él mismo a dibujar con estilo de línea clara, lo hizo por influencia de autores como Yves Chaland, Ted Benoît, Serge Clerc y Floc’h, y con inspiración de escritores como Alan Moore, José Agustín, Ray Bradbury, Stephen King, H. P. Lovecraft, Gonzalo Martré, Hugo Hiriart, etc. En la conversación surgen temas como las grandes obras de ciencia ficción y su mercado, así como el mercado de la novela gráfica.

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Bernardo Pereira, Ismael. "A INTERTEXTUALIDADE COMO ELEMENTO FUNDADOR N'A LIGA EXTRAORDINÁRIA." Cadernos do IL, no. 53 (January 20, 2017): 204. http://dx.doi.org/10.22456/2236-6385.67261.

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O presente artigo propõe a intertextualidade como um elemento fundamental na obra de Alan Moore, presente através de diversas abordagens que resultam numa reavaliação dos elementos referenciados. Ao analisar como esse elemento se manifesta em sua obra como um todo, pretende-se igualmente argumentar que na sua graphic novel A Liga Extraordinária, em específico, a intertextualidade tem um papel de elemento fundador, devido à complexidade e diversidade de seu uso. Como bibliografia central, utilizam-se os conceitos de intertextualidade, de Júlia Kristeva, e gêneros do discurso, de Bakhtin.

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Bartual, Roberto. "Lovecraft, Providence, Moore y el fin del logos." CuCo, Cuadernos de cómic, no. 9 (December 31, 2017): 75–108. http://dx.doi.org/10.37536/cuco.2017.9.1172.

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La obra del escritor de Nueva Inglaterra, H. P. Lovecraft, ha sido adaptada numerosas veces al cómic y, en otras ocasiones, ha servido como inspiración para narraciones gráficas ambientadas en su universo ficticio. El terror lovecraftiano, al contrario de lo que parece, no está relacionado con el miedo a lo desconocido, sino con el miedo al conocimiento; de ahí que la aproximación de Alan Moore y Jacen Burrows a Lovecraft —The Courtyard, Neonomicon, pero, sobre todo, Providence— más que una recontextualización de su obra, suponga una relectura desde coordenadas mejor informadas, donde lo «terrorífico» no esconde sus perfiles, sino que se presenta como algo totalmente ajeno, pero completamente visible, cuya comprensión y conocimiento le obligan a uno a reconsiderar la naturaleza de la realidad.En el presente artículo se analiza la última entrega de la saga lovecraftiana de Moore yBurrows, Providence, la cual funciona como una ficción y al mismo tiempo también comoun ensayo sobre la naturaleza de Lo Numinoso en la obra de Lovecraft, explorando el papelde este concepto y de la gramática del Inconsciente Colectivo, así como el miedo a perderel dominio del lenguaje y, por tanto, de lo racional.

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Ayres. "The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author." Journal of Modern Literature 39, no. 2 (2016): 144. http://dx.doi.org/10.2979/jmodelite.39.2.11.

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Cunningham, Phillip Lamarr. "Alan Moore: Comics as Performance, Fiction as Scalpel by Annalisa Di Liddo." Journal of Popular Culture 43, no. 1 (February 2010): 200–201. http://dx.doi.org/10.1111/j.1540-5931.2010.00737_3.x.

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Dew, Spencer. "Jerusalem. Fiction. By Alan Moore. New York: Liveright, 2016. Pp. 1,280. $35.00." Religious Studies Review 43, no. 1 (March 2017): 53. http://dx.doi.org/10.1111/rsr.12810.

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Cortsen, Rikke Platz. "Full page insight: the apocalyptic moment in comics written by Alan Moore." Journal of Graphic Novels and Comics 5, no. 4 (May 19, 2014): 397–410. http://dx.doi.org/10.1080/21504857.2014.913647.

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Bowman, Rob. "The Stax sound: a musicological analysis." Popular Music 14, no. 3 (October 1995): 285–320. http://dx.doi.org/10.1017/s0261143000007753.

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In recent times there has been an encouraging increase in the musicological study of Western popular music by members of the academy. Both Richard Middleton and Alan Moore have published important books that are emphatic about the need for such study (Middleton 1990; Moore 1993). Also there have been a number of articles in a variety of journals over the past several years that have either addressed the need for, suggested various approaches to, or actually taken a musicological approach to one or another aspect of popular music (Foret 1991; Brackett 1992; Hawkins 1992; Moore 1992; Taylor 1992; Walser 1992; Middleton 1993). Despite this flurry of activity, as far as this author is aware, there has been no academic musicological work, other than Robert Walser's recent study of heavy metal (Walser 1993), that has attempted to ferret out the component parts of a given genre through an analysis of a sizable body of repertoire. There is an acute need for such work if popular music scholars are going to begin to understand in concrete terms what is meant by terms such as rock, soul, funk, Merseybeat and so on. This essay is an attempt to begin such a study for the genre of southern soul music as it was manifested by Stax Records in Memphis, Tennessee.

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Sánchez, Pablo. "Watchmen y los paradigmas novelísticos del escritor español." Káñina 40, no. 2 (August 24, 2016): 113. http://dx.doi.org/10.15517/rk.v40i2.26040.

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En este artículo se propone un análisis de algunas de las características literarias fundamentales de Watchmen, la novela gráfica de Alan Moore, y se plantea la función que esas características podrían cumplir como modelo para los novelistas contemporáneos, particularmente en la literatura española, que hasta la fecha no ha asimilado esa influencia. El punto de partida del estudio es que Watchmen contiene una serie de valores narrativos que son comparables con algunos de los modelos de la novela de la modernidad y que por tanto puede ocupar una posición similar en el conjunto de las posibilidades literarias de hoy.

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Segura Jaubert, José Marco. "Batman y el Joker: a la luz de Derrida y Bajtín." Repertorio Americano, no. 29 (March 5, 2020): 143–56. http://dx.doi.org/10.15359/ra.1-29.9.

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Se aplica el acercamiento textual derridiano al género del cómic junto allenguaje fílmico. Con el fin de realizar el análisis se toman los cómics TheKilling Joke de Alan Moore (1988) y Arkham Asylum: A serious house ona serious Earth de Grant Morrison (1989), y dentro del género fílmico TheDark Knight (2009), dirigida por el cineasta Christopher Nolan. Posteriormentese agrega una lectura complementaria desde la visión de Bajtín (2003),a partir de la cual se puede extrapolar la noción del Joker como heredero dela tradición rabelesca, que François Rabelais ya había desarrollado en susclásicos Gargantúa (1534) y Pantagruel (1532).

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Aleixo, Paul A., and Claire E. Norris. "Planarian worms, shock generators and apathetic witnesses: Teaching psychology and graphic novels." Psychology Teaching Review 19, no. 1 (2013): 36–43. http://dx.doi.org/10.53841/bpsptr.2013.19.1.36.

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Comics and graphic novels have made a greater impact on popular culture inrecent years and can be used for enhancing the learning experience of psychology students. One of the best known and respected comic book writers of the last 30 years is Alan Moore, who has included a number of detailed references to psychological studies and experiments in three of his best known comic book works. These are described in context and the psychological work they referto examined with a view to using this material as starting points for the study of the psychological phenomena by students.

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FRANCOIS, JOSEPH, and BERNARD HOEKMAN. "Introduction to the Symposium Issue on Structural Issues at the World Trade Organisation." World Trade Review 14, no. 1 (January 2015): 1–5. http://dx.doi.org/10.1017/s1474745614000494.

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The papers in this Symposium issue complement two other compilations of research on the multilateral trading system published in Evenett and Hoekman (2006) and Hoekman and Vines (2007) and are a final output of the UK Department for International Development supported Global Trade and Financial Architecture project. The genesis of this Symposium was a CEPR workshop hosted by the OECD in March 2012 with support from DG Research (grant: PEGGED Collaborative Projects under the EU's Seventh Framework Programme, Contract no. SSH-CT-2008-217559). Draft papers were presented at a conference at the Elliott School of International Affairs, George Washington University, hosted by Michael Moore in April 2013. We are very grateful to Frank van Tongeren at the OECD and Mike Moore at the Elliott School for their support of the meetings, to Michelle Chester and Rebecca Martin at the World Bank for help with logistics, to the participants in both events, especially the discussants, and to Alan Winters and an anonymous referee for comments on the submitted papers.

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Arendt, João Cláudio, and Roberto Rossi Menegotto. "ROMANCES GRÁFICOS COMO LEITURA ESCOLAR: WATCHMEN E A FICÇÃO AMPARADA NA HISTÓRIA." Pontos de Interrogação — Revista de Crítica Cultural 6, no. 2 (February 13, 2017): 125. http://dx.doi.org/10.30620/p.i..v6i2.3298.

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No presente artigo, propomos a inserção de romances gráficos na sala de aula, especialmente nas disciplinas de literatura e língua portuguesa. Esse recente gênero textual, derivado das Histórias em Quadrinhos (HQs) tradicionais, surpreende, muitas vezes, por sua qualidade gráfica e temática. No caso específico de Watchmen, de Alan Moore, realizamos uma breve análise de fatos históricos nela presentes. Partimos de uma rápida definição de romance gráfico, passamos por dados biográficos do autor e por dados do contexto geral da obra e desembocamos na análise de duas capas de jornal com manchetes reais presentes em Watchmen, com o intuito de verificarmos a relação entre a graphic novel e eventos históricos da humanidade.

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Carnes, Jeremy M. "Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent by Maggie Gray." Inks: The Journal of the Comics Studies Society 3, no. 1 (2019): 124–27. http://dx.doi.org/10.1353/ink.2019.0009.

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Prince, Michael J. "The magic of patriarchal oppression in Alan Moore and Eddie Campbell’s From Hell." Journal of Graphic Novels and Comics 8, no. 3 (April 10, 2017): 252–63. http://dx.doi.org/10.1080/21504857.2017.1307241.

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Camus, Cyril. "Neil Gaiman: A portrait of the artist as a disciple of Alan Moore." Studies in Comics 2, no. 1 (July 8, 2011): 147–57. http://dx.doi.org/10.1386/stic.2.1.147_1.

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Guimarães, Denise Azevedo Duarte. "Reflexões sobre a adaptação como fenômeno ubíquo: o filme V de Vingança." Intercom: Revista Brasileira de Ciências da Comunicação 34, no. 1 (June 2011): 189–211. http://dx.doi.org/10.1590/s1809-58442011000100010.

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Este artigo analisa o filme V for Vendetta (2006), dirigido por James Mc Teigue - uma adaptação da graphic novel de Alan Moore e David Lloyde (1988-89). O objetivo é enfatizar a dinâmica do processo tradutório e também problematizar conflitos e/ou soluções criativas nas negociações entre os dois suportes. Esta análise usa o método comparativo baseado na semiótica de Charles Sanders Peirce e em outros teóricos da adaptação, como Robert Stam, Linda Hutcheon, Umberto Eco e Júlio Plaza. São utilizadas ainda teorias sobre quadrinhos e cinema, tentando mostrar como as imagens impressas são dispostas na tela. Conclui-se que a obra analisada conseguiu integrar as exigências intersemióticas concernentes a uma adaptação fílmica bem sucedida.

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Yablonsky, Milena. "Text and Image in Translation." CLEaR 3, no. 2 (September 1, 2016): 40–51. http://dx.doi.org/10.1515/clear-2016-0013.

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Abstract The primary objective of the following paper is the analysis of selected issues related to the translation of comic books. The paper aims at investigating the relationships between the text and the image and their implications in the process of translation. It reflects on the status of the translation of comics/graphic novels - a still largely unexploited area within Translation Studies and briefly presents a definition and specificity of the genre. Moreover, it discusses Jakobson’s (1971) tripartite distinction into interlinguistic, intralinguistic and intersemiotic translation. The paper concludes with the analysis of certain issues associated with the Polish translation of V like Vendetta by Alan Moore, a text that is copious with intertextual and cultural references.

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Heller, WD, and G. Scherer. "Editors’ Note." Beiträge zur Tabakforschung International/Contributions to Tobacco Research 24, no. 5 (May 1, 2011): 207. http://dx.doi.org/10.2478/cttr-2013-0898.

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AbstractWith deep-felt sadness we have to inform our readers that Dr Dietrich K. Hoffmann passed away at his home inLarchmont, N.Y. on April 20th at the age of 86 years. We will publish an obituary honoring this notable tobacco scientistin our next issue.In this issue we publish the presentation of Drs Thomas A. Perfetti and Alan Rodgman at the 2010 CORESTA Meeting inEdinburgh when they were awarded the 2010 CORESTA Prize. Dr Hubert Klus kindly contributes a Guest Editorial.We are pleased to continue the publication of the laudations for the recipients of the Tobacco Science ResearchConference Lifetime Achievement Award. In 2010, the award was presented to Dr William Kerr Collins. The laudationwas delivered by Dr J. Michael Moore. We started the series in issue 21/5 (2005) with the first two recipients of thisprestigious award, Dr Alan Rodgman and Dr Dietrich Hoffmann, followed by Dr Tien C. Tso in issue 21/8 (2005) and DrRichard R. Baker in issue 22/4 (2007).Finally, we have asked François Jacob, who was CORESTA's Secretary General for more than 20 years, to recount someof his impressions and experiences during a most fulfilling part of his career.

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Ecke, Jochen. "'Solve and coagula': Alan Moore and the classical comic book's spatial and temporal systems." Studies in Comics 2, no. 1 (July 8, 2011): 105–19. http://dx.doi.org/10.1386/stic.2.1.105_1.

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Pellitteri, Marco. "Alan Moore, Watchmen and some notes on the ideology of superhero comics." Studies in Comics 2, no. 1 (July 8, 2011): 81–91. http://dx.doi.org/10.1386/stic.2.1.81_1.

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Silva Júnior, Ailton Da Costa. "Histórias em quadrinhos como fonte de pesquisa: uma análise sócio-histórica acerca do graphic novel “Batman: a piada mortal”." Diálogo, no. 34 (April 26, 2017): 55. http://dx.doi.org/10.18316/dialogo.v0i34.3183.

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Este trabalho propõe uma discussão acerca da utilização de histórias em quadrinhos (HQs) como fontes de pesquisa sócio-histórica. Tal debate promoverá uma análise sobre alguns aspectos referentes à criação do graphic novel Batman: A Piada Mortal de Alan Moore como ponto de referência. A criação, e sua estética e ainda uma reflexão sobre alguns personagens principais da trama exposta nesta história em quadrinhos permitirão uma observação mais detalhada da relevância existente em sua narrativa, e sua importância como fonte documental. Para este fim, será realizada uma investigação sobre a arte sequencial mediante um estudo nos campos científicos da história, com Chartier e da semiologia, com Barthes, com o objetivo de demonstrar como os aspectos visuais e “não visuais” (escrita) interligam-se na construção de diferentes sentidos.

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West, Joel. "The Joker on the Couch." International Journal of Semiotics and Visual Rhetoric 3, no. 1 (January 2019): 1–11. http://dx.doi.org/10.4018/ijsvr.2019010101.

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Do tests for various mental illnesses work? How reliable are they and how well do they capture what we call “mental illness?” Since the infamous comic book character, the Joker, has often been called a “psychopath,” and this psychopathy is, culturally, conflated with mental illness, how would a model of the Joker be diagnosed using the current standard tools for psychiatric diagnosis? The authors tested this model Joker against DSM-5, ICD-10 and the PCL-R. They then discussed the results of these tests and concluded that the Joker as captured in Alan Moore and Brian Bolland's The Killing Joke is a psychopath according to current medical and psychiatric models. They also discussed issues with the models of mental illness used by these tests.

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Dunst, Alexander, and Rita Hartel. "Computing Literary Surplus Value: Alan Moore and the Density of the Comic Book as Graphic Novel." Anglia 139, no. 1 (March 4, 2021): 195–223. http://dx.doi.org/10.1515/ang-2021-0010.

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Abstract The term graphic novel has increasingly functioned as a catalyst for understanding comic books as an emergent literary genre. This article focuses on one specific element within this historical process: the claim, made by artists such as Alan Moore, that graphic novels are characterized by greater formal complexity, or density, than serial comics. These claims are evaluated by combining computational text and image recognition of a corpus of 131 graphic narratives with sociological metadata on production and circulation. The results show that Moore’s own book-length comics, in particular Watchmen and V for Vendetta, rank among the densest graphic narratives in the sample in both their visual and textual content. Graphic memoirs, in contrast, only show an increase in textual complexity. With Pierre Bourdieu, the article understands complexity as a social and aesthetic strategy that aims at increasing the cultural capital of comics creators. At the same time, the article contextualizes computational results against the background of a changing marketplace for comics, in particular the decline of serial comics, the shift towards digital printing, and increased access to book distribution. This analysis shows that graphic narratives pursue both literary and popular aesthetic strategies, challenging Bourdieu’s account of a clear opposition between profit and prestige in cultural production.

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García, Óscar. "Magia y metaficción en Promethea: Un cómic para conjurar el Apocalipsis." CuCo, Cuadernos de cómic, no. 2 (April 30, 2014): 53–77. http://dx.doi.org/10.37536/cuco.2014.2.1323.

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Utilizando el concepto de metalepsis, tomado de la narratología literaria y trasladado al ámbito de la historieta, este artículo analiza la forma en que Alan Moore y J. H. Williams III construyen en Promethea un cómic que explícitamente busca expandirse más allá de la superficie de sus páginas. Pretendemos demostrar cómo en esta obra se hace posible romper la barrera entre realidad y ficción de dos modos muy concretos: mediante deixis (desde la ficción hacia su afuera) o con el empleo de proyecciones metafóricas (desde su exterior hacia la ficción). El despliegue de un amplio catálogo de este tipo de recursos metalépticos se pondría al servicio de una operación mágica que busca transmitir al lector la misma experiencia que viven los personajes del cómic: la gnosis, el contacto directo con lo inmaterial.

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Bogićević, Gordana Z. "“Watchmen” by Alan Moore and Dave Gibbons: A Presentation of Moral Dimension in Popular Culture." Анали Филолошког факултета 29, no. 1 (2017): 245–78. http://dx.doi.org/10.18485/analiff.2017.29.1.14.

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Gregori, Rubén. "De los altares a las estanterías. Magia, dioses y religión en Promethea de Alan Moore." Saitabi, no. 69 (February 27, 2020): 85. http://dx.doi.org/10.7203/saitabi.69.15943.

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Thouret, Clotilde. "Traveling possible words in graphic narratives: The example of Watchmen (Alan Moore and Dave Gibbons)." Neohelicon 40, no. 2 (August 8, 2013): 461–74. http://dx.doi.org/10.1007/s11059-013-0205-x.

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Neal, Adam Scott. "Lo-fi Today." Organised Sound 27, no. 1 (April 2022): 32–40. http://dx.doi.org/10.1017/s1355771822000188.

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This article investigates two current incarnations of ‘lo-fi’ music and questions the extent to which these subgenres are actually low in fidelity. In essence, mainstream ‘hi-fi’ productions use similar effects, such as filtering to sound like a radio or adding noise to sound like a vinyl record. To understand lo-fi today, this article explores music by a lo-fi hip-hop producer and a lo-fi ambient producer, drawing upon the analytical methods of Alan Moore and Dennis Smalley. First to be discussed is Glimlip, one of the many anonymous producers behind the popular Lofi Girl YouTube streams. The next discussed is Amulets, an ambient musician known for using hacked and looped cassette tapes. Analyses of their music demonstrate a level of care in production that goes against the idea that lo-fi is primitive or naive.

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Journal articles on the topic 'Alan Moore'

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