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Journal articles on the topic 'Alan Moore'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

García Marcos, Alberto. "Reseña de "Miracleman" de Alan Moore et alii." CuCo, Cuadernos de cómic, no. 5 (December 30, 2015): 126–30. http://dx.doi.org/10.37536/cuco.2015.5.1139.

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2

Sánchez Pérez, Carlos. "Esoterismo, mito y subversión en Promethea de Alan Moore." Amaltea. Revista de mitocrítica 13 (April 21, 2021): 25–33. http://dx.doi.org/10.5209/amal.72562.

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El objetivo de este trabajo es explorar la intersección entre esoterismo y mito en la obra Promethea de Alan Moore. Partiré de una aproximación a lo que consideramos «esoterismo», para seguir con una exposición sobre las características del hermetismo y su legado, vitales para comprender la obra de Moore. Finalmente, analizaré la conclusión de la obra para entender cómo se produce la interacción entre mito y esoterismo.

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3

Vollmar, Rob. "Northampton Calling: A Conversation with Alan Moore." World Literature Today 91, no. 1 (2017): 28–34. http://dx.doi.org/10.1353/wlt.2017.0318.

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4

Rob Vollmar. "Northampton Calling: A Conversation with Alan Moore." World Literature Today 91, no. 1 (2017): 28. http://dx.doi.org/10.7588/worllitetoda.91.1.0028.

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5

Medina Rodríguez, Sandra. "From Hollywood." Neuróptica, no. 2 (May 17, 2021): 95–116. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.202025421.

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Resumen: En el presente artículo se analizarán las versiones cinematográficas realizadas a partir de los cómics del guionista de historietas inglés Alan Moore (Northampton, 1953). Hasta la fecha, cuatro han sido las novelas gráficas de Moore que han sido llevadas a la pantalla: From Hell, La liga de los hombres extraordinarios, V de Vendetta y Watchmen. Asimismo, el eje de atención se centrará en las modificaciones propuestas por estos filmes, que han distorsionado y alterado la esencia y el mensaje profundo que originariamente contienen las obras de Moore. Abstract: In this article we w

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6

Summers, Tim. "‘Sparks of Meaning’: Comics, Music and Alan Moore." Journal of the Royal Musical Association 140, no. 1 (2015): 121–62. http://dx.doi.org/10.1080/02690403.2015.1008865.

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ABSTRACTComics have become a significant part of modern popular culture. This article examines the ways in which music is involved with comics, and develops methods for analysing musical moments in comic books. The output of the writer Alan Moore (b. 1953) is used as the domain for examining music and comics. This popular author's works are notable for their sophisticated use of music and their interaction with wider musical culture. Using case studies from the comic books V for Vendetta (1982–9), Watchmen (1986–7) and the second and third volumes of The League of Extraordinary Gentlemen (2002

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7

Smith, G. D. W. "Alan James William Moore, 1920–2005: An appreciation." Surface and Interface Analysis 39, no. 2-3 (2007): 93–94. http://dx.doi.org/10.1002/sia.2468.

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8

Szleszyński, Bartłomiej. "O zagubieniu, utracie i "pornograficznym" końcu XIX wieku w "Zagubionych dziewczętach" [About a feeling of being lost, loss and "pornographic" end of the 19th century in Lost Girls]." Napis XXI (2015) (December 27, 2015): 146–70. https://doi.org/10.18318/napis.2015.1.9.

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The article analyses a comic book by Alan Moore and Melinda Gebbie in the context of numerous interviews given by the British author which relate to this book and also to the issues such as: comic book culture, Victorian culture, sexuality and its representations in various periods. Moore and Gebbie’s work is analysed mostly in three facets: various forms of stories about loss and the state of losing depicted in the book (and signalised by one of the meanings of the title <em>Lost Girls</em>), and also about the narration of an attempt at self-recovery; intertextual and graphic reference

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9

Carlos, Sánchez. "Esoterismo, mito y subversión en Promethea de Alan Moore." Amaltea. Revista de mitocrítica 13 (May 1, 2021): 25–33. https://doi.org/10.5209/amal.72562.

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The aim of this article is to explore the intersection between esotericism and myth in Alan Moore's Promethea. First, an approach to what we consider "esotericism" is presented, followed by an exposition of the characteristics of Hermetism and its legacy, which are vital to understand Moore's work. Finally, the ending of Promethea will be analyzed in order to understand how the interaction between myth and esotericism take place.   El objetivo de este trabajo es explorar la intersección entre esoterismo y mito en la obra Promethea de Alan Moore (1953-). En primer lugar, se ofrece u

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10

Vidal, Leonardo Poglia. "TEMAS E TROPOS: A EXTRAORDINÁRIA OBRA DE ALAN MOORE." Cadernos do IL 1, no. 54 (2017): 206. http://dx.doi.org/10.22456/2236-6385.67794.

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O artigo busca, através de uma revisão comparativa entre as tramas de várias das obras mais significativas de Alan Moore, bem como várias declarações do autor em entrevistas e biografias, identificar temas e tropos pervasivos em sua ficção, relacionando assim sua produção com sua biografia e filosofia pessoal. Para tal fim se realizará uma busca por características recorrentes em obras como The Bojjeffries Saga, Roscoe Moscow, The Stars my Degradation, The Ballad of Halo Jones, Miracleman/Marvelman, Swamp Thing, V for Vendetta, Promethea, Lost Girls, Watchmen, The League of Extraordinary Gentl

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11

Gavaler, Chris, and Nathaniel Goldberg. "Alan Moore, Donald Davidson, and the Mind of Swampmen." Journal of Popular Culture 50, no. 2 (2017): 239–58. http://dx.doi.org/10.1111/jpcu.12544.

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12

Driscoll, Stephen T., Alan Leslie, Sheila Boardman, and Hazel Moore. "Excavations on Dundee Law, 1993." Proceedings of the Society of Antiquaries of Scotland 125 (November 30, 1996): 1091–108. http://dx.doi.org/10.9750/psas.125.1091.1108.

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Reports on Iron Age and post-medieval fortifications on the highest point in Dundee. There are notes on `The samian' by Alan F Leslie (1100--2) and `The environmental studies' by Sheila Boardman & Hazel Moore (1102).

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13

Vollmar, Rob. "Dressing the Tongue: The Spoken-Word Albums of Alan Moore." World Literature Today 91, no. 1 (2017): 31–33. http://dx.doi.org/10.1353/wlt.2017.0224.

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14

Rob Vollmar. "Dressing the Tongue: The Spoken-Word Albums of Alan Moore." World Literature Today 91, no. 1 (2017): 31. http://dx.doi.org/10.7588/worllitetoda.91.1.0031.

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15

Howell, Tracee L. "The Monstrous Alchemy of Alan Moore: Promethea as Literacy Narrative." Studies in the Novel 47, no. 3 (2015): 381–98. http://dx.doi.org/10.1353/sdn.2015.0044.

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16

Bottos, Norival, and Matheus Filipe Melo dos Santos. "Os Limites da Figuração da Morte e a Existência do “Ser-Rizoma” em Monstro do Pântano, de Alan Moore." Signum: Estudos da Linguagem 27, no. 2 (2024): 27–39. http://dx.doi.org/10.5433/2237-4876.2024v27n2p27-39.

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Este estudo investiga a figuração da morte, bem como a noção de rizoma nas histórias em quadrinhos de o Monstro do Pântano, escrita por Alan Moore. Para isso, realizamos uma leitura crítica das cinco primeiras edições escritas por Alan Moore, analisando como ocorre a figuração da morte, tendo como base os conceitos de morte-renascimento e duplo e, levando tais conceitos em consideração, buscamos demonstrar como essa figuração é ultrapassada pela noção de rizoma que parece impregnar toda a existência do Monstro do Pântano, assim como sua conexão com o verde, em que a memória transmitida e a con

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17

Raxmanova, Ug'iloy Ikromjon qizi. "COGNITIVE- PRAGMATIC FEATURES OF THE EXPRESSIVE MEANS OF 'FUN' IN ENGLISH AND UZBEK FICTIONAL AND CINEMATOGRAPHIC WORKS (IN THE EXAMPLE OF 'TOSHBOLTA OSHIQ' BY HAMID GULAM AND 'WATCHMAN' BY ALAN MOORE)." Yosh Tadqiqotchi 1, no. 3 (2022): 110–15. https://doi.org/10.5281/zenodo.6786267.

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This article is dedicated to the humour and irony in cognitive pragmatics. It also points out several features of cognitive pragmatics, humour and irony. Collected data was prepared on the basis of the work "Watchmen" by Alan Moore and on the book "Cognitive pragmatics " by Hans Jörg Schmid.

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18

Rande, Shilvyanora Aprilia, and Ardila Yulianti. "Flyrock Analysis To Reduce The Safe Radius Of The Tools In Andesite Rock Blossing In The District Margaasih, Bandung Regency, West Java Province." PROMINE 9, no. 1 (2021): 23–28. http://dx.doi.org/10.33019/promine.v9i1.2025.

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Bandung regency known to have had to scatter material which be potential sources of revenue of them are material andesit mining sand and also .Research objectives is measuring the estimation of the distance the throw rocks due to maximum blasting , restudying in the determination of a radius of secure at blasting activities by counting the radius of safe to an instrument based on a theory that is compared with actual that had broken out and get constant k in signification fly rock according to alan b.richards and adrian j.moore to adjust to those of the rocks and stemming used .The research wa

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19

Medina Rodríguez, Sandra. "Las estrategias narrativas y visuales en la obra de Alan Moore." Latente Revista de Historia y Estética audiovisual, no. 18 (2020): 251–71. http://dx.doi.org/10.25145/j.latente.2020.18.11.

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20

Silva, Suellen Cordovil da, and Enéias Farias Tavares. "tarô em Promethea 12, de Alan Moore e J.H. Willliams III." REVER: Revista de Estudos da Religião 21, no. 2 (2021): 77–94. http://dx.doi.org/10.23925/1677-1222.2021vol21i2a6.

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O objetivo deste artigo, que entrecruza narrativa gráfica com simbologia esotérica na análise da série em quadrinhos Promethea, é discutir como Alan Moore e J. H. Williams III interpretam a composição do tarô. Para tanto, analisaremos Promethea 12 contrastando com os baralhos mais conhecidos e utilizados no ocidente: Marseille e Waite. Se entendermos teologia como o estudo das diferentes práticas religiosas e espirituais do Ocidente, Promethea resulta em uma exploração tanto do potencial espiritual do mito como da criação artística/imaginativa.

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21

Maldonado-Márquez, Alan, Tamara Contador, Javier Rendoll-Cárcamo, et al. "Southernmost distribution limit for endangered Peladillas (Aplochiton taeniatus) and non-native coho salmon (Oncorhynchus kisutch) coexisting within the Cape Horn biosphere reserve, Chile." Journal of Fish Biology 96, no. 6 (2020): 1495–500. https://doi.org/10.1111/jfb.14309.

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Maldonado-Márquez, Alan, Contador, Tamara, Rendoll-Cárcamo, Javier, Moore, Sabrina, Pérez-Troncoso, Carolina, Gomez-Uchida, Daniel, Harrod, Chris (2020): Southernmost distribution limit for endangered Peladillas (Aplochiton taeniatus) and non-native coho salmon (Oncorhynchus kisutch) coexisting within the Cape Horn biosphere reserve, Chile. Journal of Fish Biology 96 (6): 1495-1500, DOI: 10.1111/jfb.14309, URL: https://doi.org/10.1111/jfb.14309

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22

Ayres. "The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author." Journal of Modern Literature 39, no. 2 (2016): 144. http://dx.doi.org/10.2979/jmodelite.39.2.11.

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23

Cunningham, Phillip Lamarr. "Alan Moore: Comics as Performance, Fiction as Scalpel by Annalisa Di Liddo." Journal of Popular Culture 43, no. 1 (2010): 200–201. http://dx.doi.org/10.1111/j.1540-5931.2010.00737_3.x.

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24

Dew, Spencer. "Jerusalem. Fiction. By Alan Moore. New York: Liveright, 2016. Pp. 1,280. $35.00." Religious Studies Review 43, no. 1 (2017): 53. http://dx.doi.org/10.1111/rsr.12810.

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25

Cortsen, Rikke Platz. "Full page insight: the apocalyptic moment in comics written by Alan Moore." Journal of Graphic Novels and Comics 5, no. 4 (2014): 397–410. http://dx.doi.org/10.1080/21504857.2014.913647.

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26

Barillas, Eduardo. "La infantilización de la audiencia del género de superhéroes en el cómic y el cine." Voz y Escritura, no. 30 (2024): 154–64. https://doi.org/10.53766/vozes/2024.30.10.

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Este trabajo realiza un ejercicio crítico sobre el consumo por parte de adultos del género de superhéroes en cómics y cine desde el concepto de la infantilización. Con este fin se aceptan y citan comentarios de Alan Moore, Dave Gibbons y otros autores sobre las obras más recientes del género y se problematizan los elementos como la violencia en la realización de reinterpretaciones para un público adulto de personajes originalmente ideados para público infantil.

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27

Austin, Ronald L., Bernard Owens, and Edwin G. Spinner. "Alan Charles Higgins (1936–2004)." Journal of Micropalaeontology 23, no. 2 (2004): 191–92. http://dx.doi.org/10.1144/jm.23.2.191.

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Abstract. Alan Higgins was born in Hanley, Staffordshire on 16 December 1936, the youngest of three children. Throughout his childhood he was fascinated by the natural history of the nearby Peak District and it was not surprising that sciences played an important part in his education at Hanley High School. In 1955, he went to the University of Sheffield to study Geology and obtained a 2(1) degree in 1958. During those early years in Sheffield, he came under the influence of the late Professor Leslie Moore and, on graduation, was encouraged by him to undertake research on Namurian conodonts. A

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28

Carnes, Jeremy M. "Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent by Maggie Gray." Inks: The Journal of the Comics Studies Society 3, no. 1 (2019): 124–27. http://dx.doi.org/10.1353/ink.2019.0009.

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29

Prince, Michael J. "The magic of patriarchal oppression in Alan Moore and Eddie Campbell’s From Hell." Journal of Graphic Novels and Comics 8, no. 3 (2017): 252–63. http://dx.doi.org/10.1080/21504857.2017.1307241.

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30

Camus, Cyril. "Neil Gaiman: A portrait of the artist as a disciple of Alan Moore." Studies in Comics 2, no. 1 (2011): 147–57. http://dx.doi.org/10.1386/stic.2.1.147_1.

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31

J, Aswathy, and Dr P. Chitra. "Gender Dynamics and Female Empowerment in Alan Moore’s V For Vandetta." International Journal of English Language, Education and Literature Studies (IJEEL) 3, no. 6 (2024): 15–19. http://dx.doi.org/10.22161/ijeel.3.6.3.

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Set against the backdrop of a dystopian England ruled by a totalitarian regime, the graphic novel V for Vandetta explores how patriarchal structures are both exploited and reinforced by authoritarian systems to oppress women. Through Evey's journey, the graphic novel critiques traditional gender roles and highlights the insidious ways in which these roles perpetuate subjugation. Evey’s transformation represents a feminist narrative of empowerment, one that challenges the male savior trope and underscores the importance of individual agency in the fight against oppression. This paper examines t

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32

Santos, Daniel Baz dos, and Lucilene Canilha Ribeiro. "Sobre a perda do invisível: aspectos de A Liga Extraordinária: 1898, de Moore e O´Neill." 9ª Arte (São Paulo) 8, no. 2 (2019): 109–29. http://dx.doi.org/10.11606/issn.2316-9877.v8i2p109-129.

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Este trabalho parte da teoria da experiência visual de Didi-Huberman para propor uma leitura dos dois primeiros volumes de A Liga extraordinária (Alan Moore e Kevin O`Neill), tendo como eixo condutor o personagem Hawlet Griffin, também conhecido como Homem Invisível. A análise demonstra como roteirista e desenhista se aproveitam dos estatutos do visual, entre o aparecimento e o desaparecimento, o ganho e a perda, o esquecido e o retido, para erigir os fundamentos estéticos e éticos de sua narrativa.

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33

Gulicz, Igor, and Willian André. "NA MANCHA, UM SUICIDA: SOBRE A MORTE DE RORSCHACH EM WATCHMEN, DE ALAN MOORE E DAVE GIBBONS." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 25, no. 2 (2021): 11–23. http://dx.doi.org/10.34019/1982-0836.2021.v25.35938.

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Este artigo propõe uma análise do graphic novel Watchmen (1986-1987), escrito por Alan Moore e ilustrado por Dave Gibbons. O foco da análise é o personagem Rorschach, cuja morte no desfecho da narrativa é interpretada aqui como sendo um suicídio, e não um sacrifício. Para sustentar tal hipótese, propõe-se principalmente um diálogo com o ensaio O mito de Sísifo (1942), de Albert Camus. REFERÊNCIAS ALVAREZ, Alfred. O deus selvagem: um estudo do suicídio. Trad. Sonia Moreira. São Paulo: Companhia das Letras, 1999. CAMUS, Albert. O mito de Sísifo. Trad. Ari Roitman e Paulina Wacht. 6 ed. São Paulo

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Rocha, Emmanuel Ramalho de Sá. "EXPRESSÕES LITERÁRIAS DO REENCANTAMENTO DO MUNDO: PROMETHEA DE ALAN MOORE "Literary expressions of the re-enchantment of the world: Alan Moore’s Promethea"." PARALELLUS Revista de Estudos de Religião - UNICAP 5, no. 10 (2014): 179. http://dx.doi.org/10.25247/paralellus.2014.v5n10.p179-190.

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Esse artigo tem como temática central a relação entre literatura e religião, especificamente a literatura das histórias em quadrinhos, também conhecidas como HQs, e o ocultismo contemporâneo, um agente do reencantamento do mundo, sendo esse uma crítica e produto da modernidade, o qual promove o retorno ou popularização da magia. Dessa forma, o objetivo da pesquisa é analisar a HQ Promethea, de Alan Moore, publicada em 1999, e que aborda o ocultismo de forma didática, assim, busca-se identificar quais são os elementos do ocultismo na obra e como estes e a própria HQ de Moore se inserem no proce

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35

Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9, no. 1-2 (2009): 51–60. http://dx.doi.org/10.1163/156771509x12638154745427.

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AbstractIn 1986 writer Alan Moore and illustrator Dave Gibbons produced a graphic novel called Watchmen. In 2005 Time Magazine produced a list of the 100 best English-language novels from 1923 to the present. To many surprised readers a comic book was among the top ten. It was Watchmen. The story of former crime-fighters brought out of retirement to solve a world destroying mystery is told with a ruthless realism. The style is cinematic with repeating motifs, flashbacks and overlapping subplots. One of the characters in Watchmen, Jon Osterman, as a result of a nuclear accident, receives typica

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36

Nababan, Shanty V. A., Eko Santoso, and Kartini Kartini. "Analisis prediksi jarak lemparan flyrock pada kegiatan peledakan di PT Darma Henwa." Jurnal Himasapta 7, no. 2 (2022): 79. http://dx.doi.org/10.20527/jhs.v7i2.6436.

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Risiko akibat kegiatan peledakan salah satunya adalah flyrock. Flyrock adalah fragmentasi batuan yang terlempar akibat hasil peledakan. Jika lemparan flyrock melebihi radius aman yang ditetapkan dapat mengakibatkan kerusakan alat mekanis dan cedera pada manusia. Salah satu pendekatan yang efektif untuk mengontrol dan mencegah kecelakaan akibat flyrock adalah prediksi lemparan flyrock. bertujuan untuk mengestimasi nilai flyrock berdasarkan pola dari data dengan menggunakan variabel parameter peledakan untuk memprediksikan hasil flyrock selanjutnya yang masih belum diketahui nilainya. Penentuan

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37

Bartual, Roberto. "Lovecraft, Providence, Moore y el fin del logos." CuCo, Cuadernos de cómic, no. 9 (December 31, 2017): 75–108. http://dx.doi.org/10.37536/cuco.2017.9.1172.

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La obra del escritor de Nueva Inglaterra, H. P. Lovecraft, ha sido adaptada numerosas veces al cómic y, en otras ocasiones, ha servido como inspiración para narraciones gráficas ambientadas en su universo ficticio. El terror lovecraftiano, al contrario de lo que parece, no está relacionado con el miedo a lo desconocido, sino con el miedo al conocimiento; de ahí que la aproximación de Alan Moore y Jacen Burrows a Lovecraft —The Courtyard, Neonomicon, pero, sobre todo, Providence— más que una recontextualización de su obra, suponga una relectura desde coordenadas mejor informadas, donde lo «terr

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38

Monanegi, Lino. "Todo sobre física cuántica. Una conversación con Bef." La Palabra y el Hombre. Revista de la Universidad Veracruzana, no. 42 (September 5, 2018): 66–68. http://dx.doi.org/10.25009/lpyh.v0i42.2560.

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En esta entrevista, Bernardo Fernández (Bef), novelista gráfico, habla sobre su trayectoria profesional. Comenzó siendo guionista para otros dibujantes y, cuando comenzó él mismo a dibujar con estilo de línea clara, lo hizo por influencia de autores como Yves Chaland, Ted Benoît, Serge Clerc y Floc’h, y con inspiración de escritores como Alan Moore, José Agustín, Ray Bradbury, Stephen King, H. P. Lovecraft, Gonzalo Martré, Hugo Hiriart, etc. En la conversación surgen temas como las grandes obras de ciencia ficción y su mercado, así como el mercado de la novela gráfica.

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39

Bernardo Pereira, Ismael. "A INTERTEXTUALIDADE COMO ELEMENTO FUNDADOR N'A LIGA EXTRAORDINÁRIA." Cadernos do IL, no. 53 (January 20, 2017): 204. http://dx.doi.org/10.22456/2236-6385.67261.

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O presente artigo propõe a intertextualidade como um elemento fundamental na obra de Alan Moore, presente através de diversas abordagens que resultam numa reavaliação dos elementos referenciados. Ao analisar como esse elemento se manifesta em sua obra como um todo, pretende-se igualmente argumentar que na sua graphic novel A Liga Extraordinária, em específico, a intertextualidade tem um papel de elemento fundador, devido à complexidade e diversidade de seu uso. Como bibliografia central, utilizam-se os conceitos de intertextualidade, de Júlia Kristeva, e gêneros do discurso, de Bakhtin.

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40

Graham, Jean E. "The Green Apocalypse and Empathy for Vegetal Life." Science Fiction Studies 51, no. 2 (2024): 221–37. http://dx.doi.org/10.1353/sfs.2024.a931153.

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ABSTRACT: Speculative fiction can contribute toward overcoming "plant awareness disparity" and also can help create empathy for plants rather than fear of an apocalypse. The Saga of the Swamp Thing (1987) by Alan Moore, relies on Swamp Thing's anthropomorphism (undermining the vegetal nature of flora) to oppose the apocalypse and create an empathetic response. The non-anthropomorphic carnivorous plants of John Wyndham's The Day of the Triffids (1954) never receive empathy from the human characters. In contrast, James Gunn's Transcendental (2013) depicts an invasive vegetal species which tells

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41

Ecke, Jochen. "'Solve and coagula': Alan Moore and the classical comic book's spatial and temporal systems." Studies in Comics 2, no. 1 (2011): 105–19. http://dx.doi.org/10.1386/stic.2.1.105_1.

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42

Pellitteri, Marco. "Alan Moore, Watchmen and some notes on the ideology of superhero comics." Studies in Comics 2, no. 1 (2011): 81–91. http://dx.doi.org/10.1386/stic.2.1.81_1.

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43

Bowman, Rob. "The Stax sound: a musicological analysis." Popular Music 14, no. 3 (1995): 285–320. http://dx.doi.org/10.1017/s0261143000007753.

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In recent times there has been an encouraging increase in the musicological study of Western popular music by members of the academy. Both Richard Middleton and Alan Moore have published important books that are emphatic about the need for such study (Middleton 1990; Moore 1993). Also there have been a number of articles in a variety of journals over the past several years that have either addressed the need for, suggested various approaches to, or actually taken a musicological approach to one or another aspect of popular music (Foret 1991; Brackett 1992; Hawkins 1992; Moore 1992; Taylor 1992

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Sánchez, Pablo. "Watchmen y los paradigmas novelísticos del escritor español." Káñina 40, no. 2 (2016): 113. http://dx.doi.org/10.15517/rk.v40i2.26040.

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En este artículo se propone un análisis de algunas de las características literarias fundamentales de Watchmen, la novela gráfica de Alan Moore, y se plantea la función que esas características podrían cumplir como modelo para los novelistas contemporáneos, particularmente en la literatura española, que hasta la fecha no ha asimilado esa influencia. El punto de partida del estudio es que Watchmen contiene una serie de valores narrativos que son comparables con algunos de los modelos de la novela de la modernidad y que por tanto puede ocupar una posición similar en el conjunto de las posibilida

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Segura Jaubert, José Marco. "Batman y el Joker: a la luz de Derrida y Bajtín." Repertorio Americano, no. 29 (March 5, 2020): 143–56. http://dx.doi.org/10.15359/ra.1-29.9.

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Se aplica el acercamiento textual derridiano al género del cómic junto allenguaje fílmico. Con el fin de realizar el análisis se toman los cómics TheKilling Joke de Alan Moore (1988) y Arkham Asylum: A serious house ona serious Earth de Grant Morrison (1989), y dentro del género fílmico TheDark Knight (2009), dirigida por el cineasta Christopher Nolan. Posteriormentese agrega una lectura complementaria desde la visión de Bajtín (2003),a partir de la cual se puede extrapolar la noción del Joker como heredero dela tradición rabelesca, que François Rabelais ya había desarrollado en susclásicos Ga

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Aleixo, Paul A., and Claire E. Norris. "Planarian worms, shock generators and apathetic witnesses: Teaching psychology and graphic novels." Psychology Teaching Review 19, no. 1 (2013): 36–43. http://dx.doi.org/10.53841/bpsptr.2013.19.1.36.

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Comics and graphic novels have made a greater impact on popular culture inrecent years and can be used for enhancing the learning experience of psychology students. One of the best known and respected comic book writers of the last 30 years is Alan Moore, who has included a number of detailed references to psychological studies and experiments in three of his best known comic book works. These are described in context and the psychological work they referto examined with a view to using this material as starting points for the study of the psychological phenomena by students.

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Aranha, Renato Muchiuti. "Gotham and the gothic city: Gentry’s heroes and working-class villains in a marginalized society." Revista X 18, no. 2 (2023): 733. http://dx.doi.org/10.5380/rvx.v18i2.90686.

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O objetivo deste artigo é discutir a representação da classe trabalhadora e de pessoas pobres como vilãs e monstros em dois quadrinhos do Batman da década de 1980, partindo de questões econômicas e sociais da cidade de Nova York no período. No decorrer do texto relaciono estes elementos com textos góticos ingleses do final do século XIX, especialmente O Médico e o Monstro, e com quadrinhos do Batman das décadas de 1930 e 1940, investigando as representações na ficcional Gotham City em O cavaleiro das trevas (1986) de Frank Miller e em A piada Mortal (1988) de Alan Moore e Brian Bolland.

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FRANCOIS, JOSEPH, and BERNARD HOEKMAN. "Introduction to the Symposium Issue on Structural Issues at the World Trade Organisation." World Trade Review 14, no. 1 (2015): 1–5. http://dx.doi.org/10.1017/s1474745614000494.

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The papers in this Symposium issue complement two other compilations of research on the multilateral trading system published in Evenett and Hoekman (2006) and Hoekman and Vines (2007) and are a final output of the UK Department for International Development supported Global Trade and Financial Architecture project. The genesis of this Symposium was a CEPR workshop hosted by the OECD in March 2012 with support from DG Research (grant: PEGGED Collaborative Projects under the EU's Seventh Framework Programme, Contract no. SSH-CT-2008-217559). Draft papers were presented at a conference at the El

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Bernardelli, Andrea. "Watchmen. Historia, ficción y contemporaneidad." deSignis, no. 42 (January 2025): 49–58. https://doi.org/10.35659/designis.i42p49-58.

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La miniserie de televisión Watchmen (hbo, 2019) es un producto narrativo particularmente complejo. Está inspirada en la novela gráfica homónima de Alan Moore y David Gibbons y fue creada por el guionista, productor y dibujante Damon Lindelof —conocido por ser coguionista y autor principal de la serie de televisión Lost—. Se presenta como una secuela de los cómics de Moore y Gibbons y es, al igual que estos, una ucronía de ciencia ficción. Lo interesante es que el centro de la narración de la miniserie se basa en un acontecimiento histórico que realmente sucedió, aunque se ocultó durante mucho

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Bogićević, Gordana Z. "“Watchmen” by Alan Moore and Dave Gibbons: A Presentation of Moral Dimension in Popular Culture." Анали Филолошког факултета 29, no. 1 (2017): 245–78. http://dx.doi.org/10.18485/analiff.2017.29.1.14.

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