Relevant bibliographies by topics / Albanian Love poetry

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Academic literature on the topic 'Albanian Love poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Albanian Love poetry"

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AVDYLI, Merxhan Nazmi. "Erotical Signs in The Poetry of Ismail Kadare." PRIZREN SOCIAL SCIENCE JOURNAL 3, no. 2 (2019): 27. http://dx.doi.org/10.32936/pssj.v3i2.90.

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The motive of love, not only Kadare's poetry, but generally throughout the contemporary Albanian and world poetry, is one of the fundamental, general and extremely universal motifs. Such a motive has also prompted the poet Kadare to write poems that propose the aesthetics of one of the most general motives of man - the motive of love. The first and the first love in the verses of Kadare is described and emerges as a part of human life and as such comes out of special dimensions. Kadare, being a good builder of a full and complete poetry, would say, even if his poetry, if we can say erotic, we
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2

Kryeziu, Naim, and Lirak Karjagdiu. "Heinrich Heine in Albanian Literature." Theory and Practice in Language Studies 13, no. 2 (2023): 299–310. http://dx.doi.org/10.17507/tpls.1302.04.

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Those who wrote about and introduced Heinrich Heine into Albanian literature and culture are the following distinguished Albanian intellectuals, researches and scholars: Javer Malo, Nexhip Gami, Vehbi Bala, Perikli Jorgoni, Pertef Kruja, Robert Shvarc, Petraq Kolevica, etc. However, no all-embracing articles or papers in English or German were written about Heinrich Heine’s presence, popularity and influence on Albanian literature. Therefore, through qualitative and comparative literature methods this article attempts to illuminate the presence, popularity and impact of Heine’s poetry on the p
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3

Kastrati, Nexhmije. "Ismail Kadare's views on Albanian epic culture and folklore in the literary work "Autobiography of the people in verse"." Technium Social Sciences Journal 33 (July 9, 2022): 587–95. http://dx.doi.org/10.47577/tssj.v33i1.6826.

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It is about one of the literary works discussed numerous times and in many literary dimensions, both national and international, that looks into the efforts, phenomena, history, and naturalness of the Albanian popular culture in front of the great European cultures, particularly those of Balkan countries. The great writer Kadare, who had entered through the great gates in the most important national and historical events and had penetrated very deeply into the social life and the psychology of his people, indeed, would not happen to be by chance and unexpectedly in the rich field of Albanian f
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4

Balaban, Adem, Bünyamin Çağlayan, and Rahım Ombashı. "An Approach to Study of Tasavvuf in Albanian Literature: From Conception to the Tasavvuf Attendance." European Journal of Language and Literature 3, no. 1 (2015): 118. http://dx.doi.org/10.26417/ejls.v3i1.p118-134.

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Hafiz Ali Korça had singled Islamic mysticism and its poetics, the tasavvuf, Oriental Sufi literature of Omar Khayyam. Nezim Berati, author of the Divan, the names mutesavvif. The form and manner of spiritual cleansing, uplifting, lighting internal and external, in order to obtain the agreement of God and eternal bliss, has singled out the Eqrem Çabej to Naim Frashëri poetic beginnings. Religious feelings helped him strengthen ethnic sense. The Divan, in complex form of oriental supplied popular culture, written text spoken text (sung text). Paid the debt that had to Albanian oral literary cul
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5

Gashi, Syzana Kurtaj. "Browning’s and Serembe’s Love Poems." SEEU Review 15, no. 2 (2020): 31–41. http://dx.doi.org/10.2478/seeur-2020-0015.

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Abstract Browning’s and Serembe’s love poems will be analyzed in this research paper in order to illustrate how they reflected their efforts to present the idea of love in their poetry. In the ‘By the Fire-Side’, one of the major poems of Robert Browning during the thesaurus of the British Victorian period and Zef Serembe’s ‘Song for Longing’, considered by many to rank among the best love poems of Rilindja (Renaissance) poets in the nineteenth century Albania. The two poets, do not consider the idea of love in the abstract term. They include love by referring to the specific details, Browning
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Books on the topic "Albanian Love poetry"

1

Vinca, Nuhi. Antologji e lirikës popullore shqiptare të dashurisë. "Shkupi", 2001.

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2

Agolli, Dritëro. I përndjekuri i dashurisë: Vargje mbi dashurinë. "Dritëro" Book Publishing, 2013.

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3

Gjergji, Demir. Bibla e buzëve: Poezi dashurie. Botimet Toena, 2010.

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4

Liapēs, Vangelēs Pan. Loulet e vasilikoi: To kountouriōtiko erōtiko tragoudi. Diethnēs Organosē Laikēs Technēs (UNESCO-B), Hellēniko Tmēma, 1998.

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Lirika dhe tradita letrare: (kritikr dhe studime letrare). Shtëpia Botuese "Agora", 2019.

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Book chapters on the topic "Albanian Love poetry"

1

İZETİ, METİN. "VESÎLETÜ’N-NECÂT’IN ARNAVUTÇA YAZILAN MEVLIDLERE ETKİSİ VE RUMELİ’DE YAYILIŞI." In VEFATININ 600. YILINDA SÜLEYMAN ÇELEBİ VE MEVLİD GELENEĞİ. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-50-4.ch19.

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Love, respect and respect for our Prophet (pbuh) formed the cornerstone of the understanding of Muslims from the first days of Islam. The love of the Prophet, which adorned the personalities of the Ahl al-Bayt and the ashabı kiram, became a part of the religious, social and cultural life of the Muslims who came after them and took them as an example. Contrary to this, poetry, which is one of the best means of expressing love, has molded this love and caused it to spread to large masses of people. In the history of Islam, the love of the Prophet was especially emphasized in the Ottoman Empire, which was founded with spirituality and love. Mevlid is the product of this feeling and contemplation. Written by Suleyman Çelebi, the mevlid-i sharif with the title of “Vesîletü’n-Necât” is the one that spread and had the most influence in the Ottoman geography among many other mevlids. This mevlid-i sharif was also widely spread among the Albanians, who were a part of the Ottoman Empire and shared the Ottoman state and spirituality concept and made it a slogan, both with its original text, with its translation, and with specially written mevlids influenced by it. In this article, the mevlids written in Albanian will be emphasized and the influence of Süleyman Çelebi mevlid and the regions where it spread will be analyzed.
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