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Journal articles on the topic 'Alberta writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Day, Moira. "John Murrell at the Banff Centre." Canadian Theatre Review 136 (September 2008): 5–10. http://dx.doi.org/10.3138/ctr.136.001.

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John Murrell is a respected and acclaimed playwright, librettist, arts advocate, and mentor. Born in 1945 in Texas, he came to Alberta in 1968 to pursue a career in teaching and quickly emerged as one of the first significant playwrights of the bustling new professional theatre scene in the province. Accepting a position in 1975 as playwright-in-residence at Alberta Theatre Projects (ATP), he scored his first popular “hit” with Waiting for the Parade (1977) about five women in World War II Calgary. A second play, Memoir, depicting the closing year of Sarah Bernhardt's life, brought Murrell to

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2

Crone, Norma. "A Comparison of Myo-Electric and Standard Prostheses — A Case Study of a Pre-School Aged Congenital Amputee." Canadian Journal of Occupational Therapy 53, no. 4 (1986): 217–22. http://dx.doi.org/10.1177/000841748605300407.

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The major advantages of early fitting with a standard prosthesis, are related to future acceptance, skilled use, and functional use of the prosthesis. Increasingly more parents of juvenile amputees are requesting myo-electric prostheses for their children. This study explored the areas of acceptance and adjustment, skill level, and functional use of a myo-electric prosthesis compared to a standard prosthesis with a child selected from the Juvenile Amputee Clinic list at the Alberta Children's Hospital in Calgary, Alberta, Acceptance and adjustment were measured by the Prosthetic Adjustment Sca

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3

Kreisel, Henry, Joanne Osborne, and Gerry Potter. "The Rich Man." Canadian Theatre Review 55 (June 1988): 56–87. http://dx.doi.org/10.3138/ctr.55.010.

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The script for The Rich Man is based on Henry Kreisel’s 1948 novel of the same name. The adaptation has gone through many stages and involved creative and editorial contributions from a number of people. The process began with a ten-day, novel-in-hand improvisation session in July, 1985. At the end of that session, Joanne Osborne was commissioned to be principal writer, and she has retained that role, working with co-writer Gerry Potter and with the consultation of Henry Kreisel. Over the past two years, three short workshops were held. The authors thank all those who took part in these improv

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Williams, Hector. "A new watercolour by Robert Hood of the first Franklin expedition." Polar Record 46, no. 2 (2009): 179–80. http://dx.doi.org/10.1017/s0032247409990088.

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Perhaps the most tragic story from the Franklin expedition of 1819–1822 was the murder of Robert Hood, a talented midshipman who left a number of watercolours of the trip and of the peoples and fauna encountered (Houston 1974; Franklin 2000). The story even became the basis for a novel that won the annual Governor General of Canada's prize for fiction in 1994 for the Alberta writer, Rudy Wiebe (Wiebe 1994). The expedition undertook a desperately difficult trek that saw only nine survivors of the original twenty members, but it resulted in the first map of 800 km (500 miles) of the northern cen

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Dobson, Teresa. "‘High-Engender'd Battles’: Gender and Power in ‘Queen Lear’." New Theatre Quarterly 14, no. 54 (1998): 139–45. http://dx.doi.org/10.1017/s0266464x00011957.

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As a companion piece to the foregoing study of Ophelia and /, Hamlet, there follows a full appraisal of a project discussed in the previous issue (NTQ53) as part of our feature on the Open University/BBC experiments in ‘multimedia Shakespeare’. For King Lear: Text and Performance – one of the pilot CD-ROMS which were the end-products of the experiment – three teams of performers were commissioned, in collaboration with the University of Alberta in Edmonton, Canada, to create over a two-day period their own variations on the Heath Scene in Lear. The most innovative of these, in Teresa Dobson's

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6

Bennett, Melanie. "One Yellow Rabbit's Nostalgic Romp with Fascism: Review of Ilsa, Queen of the Nazi Love Camp." Canadian Theatre Review 136 (September 2008): 108–10. http://dx.doi.org/10.3138/ctr.136.017.

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“Nazis. We love them.” Tony Barta, on Hollywood's fascination with fascism1 Ilsa, Queen of the Nazi Love Camp kicked off One Yellow Rabbit's twenty-fifth anniversary celebration. A dark musical satire, the play follows the travels of Usa (Denise Clarke) and the Colonel (Michael Green), two Nazis whose quest for Hitler's lost offspring leads them to the small community of Eckville, Alberta and to Holocaust denier Jim Keegstra (Andy Curtis). All the performers from the original 1987 production return to the stage, including live musicians, composer David Rhymer and violinist Karl Roth. Writer—di

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7

Dobson, Kit. "Men Without Fingers, Men Without Toes." Text Matters, no. 9 (December 30, 2019): 185–96. http://dx.doi.org/10.18778/2083-2931.09.11.

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What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” digits and other body parts lost by the men who surrounded him in his youth—especially his grandfather—Dobson considers the costs of labour and poverty in rural environments. For him, the rogue is one who falls somehow outside of cultural, social, and political norms— the one who has decided to step outside of the establishment, outside of the corrupt élites and their highfalutin

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8

Leszman, Milena. "A Question of Identity in the Life and Works of Sat-Okh (Long Feather)." Forum Filologiczne Ateneum, no. 1(8)2020 (November 1, 2020): 417–25. http://dx.doi.org/10.36575/2353-2912/1(8)2020.417.

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Sat-Okh (Stanisław Supłatowicz) was an Indian-Polish writer who popularised the culture of North American Indigenous People in Poland during the Cold War and afterwards. His incredible biography evokes questions about the nature of his identity. Born of an Indian chief and a Polish mother around 1922 in the territory of Alberta, Sat-Okh grew up as a Shawnee. When his mother decided to return to Poland, he followed, but until his death in Gdańsk in 2003, Sat-Okh consistently identified with his Indigenous heritage. During WWII he escaped from a train to Auschwitz and joined the AK (The Home Arm

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9

Girón López, María Stella. "Jaime ALberto Vélez. Bibliografía 1974-2003." Estudios de Literatura Colombiana, no. 12 (November 8, 2011): 41–46. http://dx.doi.org/10.17533/udea.elc.10535.

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Resumen: En esta detallada bibliografía, María Stella Girón logra compilar la mayor parte de la producción poética y narrativa del escritor Jaime Alberto Vélez.1 La autora presenta en primera instancia los premios y menciones que obtuvo el poeta y luego pasa a la compilación de los artículos, ensayos y comentarios de Vélez, para terminar con la producción que el poeta hizo en colaboración con otros escritores, sus reseñas y su obra creativa. Descriptores: Poesía colombiana; Bibliografía; Reseña; Ensayo; Vélez, Jaime Alberto. Abstract: In this detailed bibliography, María Stella Girón compiles

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10

Nguyen Linh, Chi. "THE INDIFFERENT LOOK IN ALBERT CAMUS’S THE STRANGER AND DUONG NGHIEM MAU’S TUOI NUOC DOC." Journal of Science Social Science 67, no. 4 (2022): 3–11. http://dx.doi.org/10.18173/2354-1067.2022-0055.

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French writer Albert Camus was first introduced to Vietnamese readers as an existentialist, whether he admits it or not. Duong Nghiem Mau and a number of writers of his time, living and composing in South Vietnam during the 60-70s of the twentieth century, were more or less influenced by Western thinkers, in which there was the existentialist thought of Albert Camus. Reading Tuoi nuoc doc by Duong Nghiem Mau, we find that there is an encounter with The Stranger by Albert Camus in terms of the protagonist's view of people and the times. The indifferent look dominates the entire art of building

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Faraudo, Rosario. "The Modernist Worlds of Catalá and Ruelas." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 2 (January 15, 1997): 241–50. http://dx.doi.org/10.22201/ffyl.poligrafias.1997.2.1605.

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Rosario Faraudo writes about the Mexican decadent painter Julio Ruelas and the Catalonian prose writer and poet “Victor Catalá” really named Caterina Albert. Since women have repeatedly been related to Nature, it may not be a coincidence that the natural world in Ruelas is barren. He very frequently uses hybridization in relation to feminity, which links him to the general attitude of his time; sphynx, sirens, serpents, cats and vampires abound in late XIX century European art. Catalá uses a similar narrative strategy in defining some of her characters, yet with a different orientation.

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Panova, Olga Yu. "A Traveling Mission: Albert E. Kahn in the USSR." Literature of the Americas, no. 18 (2025): 238–91. https://doi.org/10.22455/2541-7894-2025-18-238-291.

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The paper is devoted to an episode of Soviet-American cultural and literary relations at the turn of the 1950s–1960s, connected with American writer and journalist Albert Eugene Kahn (1912–1979). The article reconstructs the history of his Soviet travels and his joint projects with the USSR. Almost forgotten in contemporary Russia, he was very popular in the Soviet Union in the first two postwar decades. Kahn became famous in the 1940s and early 1950s as an investigative journalist. In 1958–1960 he regularly visited the USSR, where all his major books were translated and published. He maintain

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Drabik, Grażyna. "Intersections." Polish Review 67, no. 3 (2022): 155–63. http://dx.doi.org/10.5406/23300841.67.3.14.

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Abstract The focus of this essay is on the artistic value of Andrzej Bobkowski's prose and on his concern with writing as a craft. It highlights Bobkowski's affinity to Katherine Mansfield, a formative influence, as well as to several contemporary writers, particularly Thomas Merton, Albert Camus, Kazimierz Wierzyński, and Witold Gombrowicz. The essay also addresses the importance of Bobkowski's relationship with Jerzy Giedroyc in regard to his evolving self-definition as an aspiring writer. The opening paragraphs sketch Andrzej Bobkowski's route on his travels through Southwestern France in 1

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Grandvaux, Nathalie, and Craig McCormick. "CSV2018: The 2nd Symposium of the Canadian Society for Virology." Viruses 11, no. 1 (2019): 79. http://dx.doi.org/10.3390/v11010079.

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The 2nd Symposium of the Canadian Society for Virology (CSV2018) was held in June 2018 in Halifax, Nova Scotia, Canada, as a featured event marking the 200th anniversary of Dalhousie University. CSV2018 attracted 175 attendees from across Canada and around the world, more than double the number that attended the first CSV symposium two years earlier. CSV2018 provided a forum to discuss a wide range of topics in virology including human, veterinary, plant, and microbial pathogens. Invited keynote speakers included David Kelvin (Dalhousie University and Shantou University Medical College) who pr

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15

Eliserio, U. "Balanseng Paggugrupo ng Trabaho: Ang Bisyon ng Parecon ni Michael Albert." Bisig 2, no. 1 (2015): 61–78. https://doi.org/10.70922/80qr3s47.

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This paper is a presentation of North American writer and activist Michael Albert’s vision of participatory economics, or parecon. On a first reading Albert’s ideas seems to be unrelated to the issues faced by Filipino workers. But, a closer reading reveals that Albert’s concept of “balanced job complexes” may be connected with the crises faced by our nation. The paper uses Cristina Guevarra’s “Visiting Ericson” and Chuckberry Pascual’s “Cars at the Airport,” to further buttress the assertion that Albert’s ideas are appropriate responses to our current politico-economic order. At the conclusio

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16

Hart, Jonathan Locke. "McLaughlin, Martin. Leon Battista Alberti: Writer and Humanist." Renaissance and Reformation 47, no. 3 (2024): 265–67. https://doi.org/10.33137/rr.v47i3.44485.

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17

Cooper, Michael P. "Lost & Found: 230. Sir Francis Leggat Chantrey (1781-1841)." Geological Curator 5, no. 8 (1994): 326. http://dx.doi.org/10.55468/gc696.

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Michael P. Cooper (see LF227) writes: 'This well known sculptor had a very fine mineral collection, which known specimens suggest was amassed for aesthetic appeal rather then scientific interest. On his death it was offered entire by the dealer Henry Heuland to Prince Albert for £1,000 but the sale was prevented by Queen Victoria (see Allingham's A romance of the rostrum, 1924). The collection was eventually dispersed at auction for much more than that. A substantial number of specimens was acquired by Gerard Troost of Philadelphia and over 100 can still be identified in his collection in the

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18

Van Delden, Maarten. "Carlos Fuentes, Mexico, and the United States." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 723–26. http://dx.doi.org/10.1632/s0030812900123041.

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The United States looms large in the Latin American literary imagination. From Domingo Sarmiento and José Martí in the nineteenth century to Octavio Paz and Alberto Fuguet in the twentieth and early twenty-first centuries, many Latin American writers have depicted the United States in their writings and pondered the cultural and historical significance of their powerful neighbor to the north. But perhaps no Latin American writer has had as close—and complicated—a relationship with the United States as Carlos Fuentes. Fuentes was a fierce critic of American culture and United States foreign pol

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19

Rumualdo Ávila, Mauricio Simón. "Del absurdo y el Eros: Albert Camus." Sincronía XXV, no. 80 (2021): 151–59. http://dx.doi.org/10.32870/sincronia.axxv.n80.6b21.

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This articule is a study about the relation between the philosophy of the absurd and the Eros in the literary work of the french writer Albert Camus, with the aim to show how these two conceptions are incompatible. To do this, the different settings of the absurd that are present in the books of Camus and their implications with the Eros were analyzed. This relation was approached with the visions of the characters that act with the presence or ausence of Eros

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20

Vicens-Pujol, Carlota. "S’engager par le rire. Autour de quelques textes mineurs d’Albert Cohen." Lublin Studies in Modern Languages and Literature 43, no. 1 (2019): 95. http://dx.doi.org/10.17951/lsmll.2019.43.1.95-105.

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<p>Albert Cohen, a committed writer? It is difficult to answer this question, so much the writer is difficult to classify, as he refuses to belong to any aesthetic movement. But the Zionist cause and the love of the Jewish people have marked his life as a man and as a writer. We will try to specify what is the Cohenian commitment from the analysis of some minor texts, in particular Projections ou Après-minuit à Genève et Mort de Charlot. Albert Cohen chose an aesthetic that is that of laughter, derisory and grotesque to express a dull pain that only humor can translate.</p>

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21

OUINGNON, Hodé Hyacinthe, and Jacques MIGOZZI. "Du journalisme à la littérature : aspects d’une double auctorialité chez Albert Camus." Langues & Cultures 5, no. 01 (2024): 26–40. http://dx.doi.org/10.62339/jlc.v5i01.220.

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Le champ intellectuel et littéraire français au XXème siècle est profondément marqué par l’impact du périodique. La révolution médiatique, propulsée par la fondation le 09 janvier 1918 du Syndicat national des journalistes, a significativement et durablement marqué la vie littéraire en France, l’interpénétration entre journalisme et littérature étant devenue prégnante dès la décennie 1920-1930 où la scène du périodique est prise d’assaut par des écrivains. Les frontières entre les deux macro-scènes s’en trouvent même brouillées puisque des journalistes, tel Albert Londres, intègrent la Société

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Grandvaux, Nathalie, and Craig McCormick. "CSV2018: The 2nd Symposium of the Canadian Society for Virology." Viruses 11, no. 1 (2019): 79. https://doi.org/10.5281/zenodo.13530752.

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(Uploaded by Plazi for the Bat Literature Project) The 2nd Symposium of the Canadian Society for Virology (CSV2018) was held in June 2018 in Halifax, Nova Scotia, Canada, as a featured event marking the 200th anniversary of Dalhousie University. CSV2018 attracted 175 attendees from across Canada and around the world, more than double the number that attended the first CSV symposium two years earlier. CSV2018 provided a forum to discuss a wide range of topics in virology including human, veterinary, plant, and microbial pathogens. Invited keynote speakers included David Kelvin (Dalhousie Univer

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Grandvaux, Nathalie, and Craig McCormick. "CSV2018: The 2nd Symposium of the Canadian Society for Virology." Viruses 11, no. 1 (2019): 79. https://doi.org/10.5281/zenodo.13530752.

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Abstract:

(Uploaded by Plazi for the Bat Literature Project) The 2nd Symposium of the Canadian Society for Virology (CSV2018) was held in June 2018 in Halifax, Nova Scotia, Canada, as a featured event marking the 200th anniversary of Dalhousie University. CSV2018 attracted 175 attendees from across Canada and around the world, more than double the number that attended the first CSV symposium two years earlier. CSV2018 provided a forum to discuss a wide range of topics in virology including human, veterinary, plant, and microbial pathogens. Invited keynote speakers included David Kelvin (Dalhousie Univer

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24

Boss, Allan. "CBC Radio Drama in Alberta: Featuring Wild Rose Writers." Canadian Theatre Review 136 (September 2008): 34–39. http://dx.doi.org/10.3138/ctr.136.007.

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Tom Stoppard has been credited with saying that the greatest time for radio drama was the year 1936, implying that technological change pushed radio dramas out of the mainstream and into the swamp. More recently, due in part to the advent of podcasting and on-line streaming, shifting audience interests and listening behaviours have forced the Canadian Broadcasting Corporation (CBC) to adapt its programming of radio drama. In 2007, they stopped broadcasting regular, hour-long, stand-alone drama programs; shows like Sunday Showcase and Monday Night Playhouse were replaced by thirty-minute, episo

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Ledesma, Alberto. "On the Grammar of Silence: The Structure of My Undocumented Immigrant Writer's Block." Harvard Educational Review 85, no. 3 (2015): 415–26. http://dx.doi.org/10.17763/0017-8055.85.3.415.

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In this reflective essay, Alberto Ledesma explores how being undocumented can produce a particular form of writer's block. He argues that there is a pattern of predictable silences and obfuscations inherent in all undocumented immigrant autobiographies that cannot be easily negotiated when undocumented students are asked to write about “their experiences.” Ledesma contends that these patterns of silences often manifest as apparent rhetorical or mechanical errors in academic prose rather than intentional obfuscations meant to protect the writer's undocumented identity from being discovered. Ref

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BEZARI, CHRISTINA. "‘The Fatal Fact of the Woman Writer’: Transnational Encounters in the Avant-Garde Scene of Interwar Spain." Bulletin of Hispanic Studies: Volume 98, Issue 8 98, no. 8 (2021): 797–814. http://dx.doi.org/10.3828/bhs.2021.46.

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‘The fatal fact of the woman writer’ is a phrase coined by the Argentine author Alberto Pineta in the late 1920s, a time marked by women’s growing presence in the cultural sphere. On both sides of the Atlantic, women expressed an acute interest in the avant-garde literary culture and faced similar challenges in their attempt to negotiate their place in the literary field. By considering Spanish-speaking women as mediators across cultural and geographical borders, this study seeks to move beyond the concepts of ‘centre’ and ‘periphery’ in order to rethink the avant-garde as a transnational and

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27

Reilly, The Honourable John D. "Ghost Dancing with Colonialism: Decolonization and Indigenous Rights at the Supreme Court of Canada, Grace Li Xiu Woo (Vancouver: UBS Press 2011)." Alberta Law Review 50, no. 1 (2012): 219. http://dx.doi.org/10.29173/alr277.

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I write this review at the request of the Alberta Law Review. I assume they asked me for a couple of reasons. First, I sat as a judge for over thirty years, presiding over most of the cases arising on the Stoney Indian Reserve at Morley, Alberta. Second, I have written a book, based on that experience, entitled Bad Medicine: A Judge’s Struggle for Justice in a First Nations Community.

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Zilliox, Alexia. "Albert Cohen on screen." Thélème. Revista Complutense de Estudios Franceses 34, no. 1 (2019): 277–92. http://dx.doi.org/10.5209/thel.58771.

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The main purpose of this article is to analyse the film adaptations of Mangeclous and Belle du Seigneur. These novels, which have been adapted by Moshé Mizrahi (1931-) and Glenio Bonder (1956-2011), are part of a main saga called Solal and written by Albert Cohen (1895-1981). First, we will insist on the importance of cinema for the beginning of Albert Cohen’s work as a writer. Then, by comparing the films and the novels, we will observe the differences that had been necessary for such adaptations. Moreover, with this comparison, we will discover if the adaptations have succeeded in transmitti

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Cassels, Imogen. "B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds." Modernist Cultures 16, no. 3 (2021): 295–315. http://dx.doi.org/10.3366/mod.2021.0336.

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B.S. Johnson's fiction makes high demands both of its readers and itself. In his statement that ‘telling stories is telling lies’, and desire to ‘tell the truth’, Johnson involves his process in his writing, dismantling the novel form as he also continues to employ it. This committed slipperiness makes him difficult to write about: to pigeonhole him as a po-faced experimentalist or unorthodox social-realist would be a detrimental simplification of his work. A productive consideration of Johnson, then, might look to unusual places: for example, his writerly movements can be re-considered with L

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Adams, Lynda. "Creation Explosion in Central Alberta." Canadian Theatre Review 136 (September 2008): 30–33. http://dx.doi.org/10.3138/ctr.136.006.

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2005 sometime, somewhere in Alberta — two artists (Mieko Ouchi and myself) were discussing the fact that a creation explosion was taking place — specifically, in a smallish city in central Alberta, where art galleries displaying exceptional art by local artists were springing up all over, new theatre companies were creating edgy work, local film artists were making award-winning films and documentaries, numerous writers were writing in many forms and getting published and progressive musicians were composing brave and unique new music for distribution. Where exactly was this creation explosion

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McBride, Keally. "Albert Memmi in the Era of Decolonization." Journal of French and Francophone Philosophy 19, no. 2 (2011): 50–66. http://dx.doi.org/10.5195/jffp.2011.491.

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This essay considers the reception of Albert Memmi's Decolonization and the Decolonized. Memmi himself observed that it is much harder to be a writer about postcolonialism than colonialism. Why would this be true? What can we learn about the difficutlies of postcolonial philosophizing and the politics of decolonization through this publication of Memmi's?

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BURNETT, COLIN. "The “Albert Maltz Affair” and the Debate over Para-Marxist Formalism in New Masses, 1945–1946." Journal of American Studies 48, no. 1 (2013): 223–50. http://dx.doi.org/10.1017/s0021875813000728.

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This article reexamines the “Albert Maltz affair” in light of debates about art and literature in the journal New Masses (1926–48), as well as in international Marxist aesthetics. I argue for a reexamination of the “para-Marxist” theory of art he developed to clarify the role of leftist criticism and the “citizen writer.” The controversy stirred by the publication of Maltz's “What Shall We Ask of Writers?” (New Masses, 12 February 1946) is only fully appreciated through the aesthetic implications that many historians of the Hollywood Ten have overlooked. The immediate attacks on Maltz by criti

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Sachar, Cassy. "Reading with Albert." European Judaism 53, no. 2 (2020): 62–76. http://dx.doi.org/10.3167/ej.2020.530207.

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This article explores the personal experience of the Leo Baeck College librarian encountering Albert Friedlander, teacher and dean of the college, through his writing, the books he owned and his presence in the institution’s library and archival material. It explores how readers and writers are in relationship with one another and argues that a broad concept of reading and what can be read can offer new ways of being in relationship with the living and dead.

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Gabbriellini, Francesca, and Alberto Prunetti. ""We Are Not Here to Entertain You": Notes from the Italian Working-Class Literature Festival and from the GKN Florence Workers' Struggle." Resistance: A Journal of Radical Environmental Humanities 11, no. 2-3 (2024): 232–46. https://doi.org/10.1353/res.2024.a953854.

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Abstract: The first working-class literature festival in Italy emerged from the collaboration between the struggle of the former GKN workers in Campi Bisenzio in Florence, Tuscan writer and translator Alberto Prunetti, and the Roman publishing house Alegre. The GKN struggle has become the longest-lasting in the history of the Italian movement in Italy—hundreds of workers from a former automotive plant have been fighting for three years against relocation and for the ecological conversion of the factory on the outskirts of Florence. The event mobilized hundreds of writers and thousands of spect

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Karcz, Andrzej. "Joseph Conrad's Fictional Character in the Essays and Critical Writings of Gustaw Herling." Polish Review 67, no. 2 (2022): 5–32. http://dx.doi.org/10.5406/23300841.67.2.01.

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Abstract In one of his essays written shortly after the war, Gustaw Herling pointed out that what mattered to him in his approach to novels was not the used method of writing, but a specific representation of a human being in “moral and psychological becoming.” The patron of the idea of such a representation and the tendencies associated with it was Joseph Conrad, the author occupying an exceptional place in Herling's writings on literature. This article discusses a wide range of issues relating to the fictional character and its creation, a vast subject of Herling's essays and critical writin

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Khanum, Aarifa. "Question of Identity: Orhan Pamuk’s The White Castle." SMART MOVES JOURNAL IJELLH 9, no. 2 (2021): 168–80. http://dx.doi.org/10.24113/ijellh.v9i2.10919.

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Orhan Pamuk is a leading contemporary Turkish writer and winner of the 2006 Nobel Prize for Literature. In his novels he tackles certain universal themes, such as the search for a new identity, the conflict between East and West, the domination of Western culture and its impact on Turkish society, the spread of consumerism, feminism, the search for love and its vanity. Pamuk is influenced by the rich literary tradition of Turkey and at an equivalent time he is affected with the writers like Dostoevsky, Albert Camus, Miller and plenty of others. As a postmodernist author, Orhan pamuk’s fiction

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Smith, Barbara. "Albert Stewart, Patron Saint of Appalachian Writers (1914-2001)." Appalachian Heritage 35, no. 3 (2007): 9–14. http://dx.doi.org/10.1353/aph.2007.0047.

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Giménez, Facundo. "Ekphrasis and seduction: images in Luis Alberto de Cuenca’s poetry." Signos Literarios 19, no. 37 (2023): 110–32. http://dx.doi.org/10.24275/slit.v19n37.05.

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"The following paper analyzes the link between image and poetic writing in the Spanish writer Luis Alberto de Cuenca’s work (1950). The construction of a referential universe closely linked to the culture of the image (painting, cinema, cartoons, etc.) will be approached, firstly, from the old genre of ekphrasis that connects his poetry to a rhetorical tradition. Moreover, taking into account recent theoretical works on this notion (Spitzer 1968, Heffernan 1991a y 1991b, Claus Clüver 1997, Webb 2009, Mitchell 2009 y 2016, etc.), we will explore the semiotic implications of this encounter betwe

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Kord, Susanne. "Berlin 1927." European Judaism 53, no. 2 (2020): 20–33. http://dx.doi.org/10.3167/ej.2020.530204.

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This article outlines intersections between Albert Friedlander and two other Berliners of the 1920s: the Sass brothers, Berlin’s most daring and beloved crooks, and the Jewish crime writer Walter Serner. It attempts to read their stories as ‘prayers’ or ‘poetry’ in Friedlander’s sense.

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Massing, Conni. "Alberta Playwrights-in-Residence: Home on the Stage." Canadian Theatre Review 136 (September 2008): 17–19. http://dx.doi.org/10.3138/ctr.136.003.

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Everybody needs a home. Even playwrights. Okay, especially playwrights. Shakespeare not only had a home, he had a whole company at his disposal. Many of the most accomplished playwrights of the last few centuries have benefited from an ongoing relationship with a company: Chekhov, Sam Shepherd, Caryl Churchill, to name but a few. In this country, we can point to a long list of acclaimed writers who credit their time in the Tarragon Theatre Playwrights Unit as a key factor in their career.

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Tacik, P., C. Schrader, E. Weber, and D. Dressler. "Albert Schweitzer: A patient with writer’s cramp." Parkinsonism & Related Disorders 18, no. 5 (2012): 453–57. http://dx.doi.org/10.1016/j.parkreldis.2011.10.022.

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Anpilova, Larisa N. "The Story of a Drawing from Chukokkala Miscellany." RUDN Journal of Studies in Literature and Journalism 26, no. 1 (2021): 33–42. http://dx.doi.org/10.22363/2312-9220-2021-26-1-33-42.

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A novel detailed analysis of a page from Chukokkala , Korney Chukovsky's handwritten miscellany with drawings by Yuri Annenkov, dated March 1923, is given. Involvement of archival sources makes up the history of the drawing creation. It turns out that Annenkov worked at the page of the miscellany and the portrait of Leo Trotsky at the same time. The analysis of the stylistic features of the drawing reconstructs the elements of the literary life of the 1920s. The study of the depicted persons clarifies the circle of friends and associates of prominent cultural figures of the first post-revoluti

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Samper, Emili. ""La gent no és conscient del poder que té": l'ús literari del folklore a <i>Fungus</i> d'Albert Sánchez Piñol." Zeitschrift für Katalanistik 35 (July 1, 2022): 107–32. http://dx.doi.org/10.46586/zfk.2022.107-132.

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Summary: Albert Sánchez Piñol’s novel Fungus marks the writer’s return to fantastic literature and involves the appearance of fungus, fantastic beings that can be identified with menairons. This article examines this novel, taking into account the role and characterisation of these beings, as well as the use of other elements from folklore that the writer uses in a fictional key and under an ironic perspective, in accordance with his narrative universe. The book becomes, from this point of view, an example of the literary use of folklore in fiction.Keywords: literature, folklore, anarchism, me

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Kraus, Joseph R. "Collected Papers of Albert Einstein." Charleston Advisor 23, no. 3 (2022): 17–19. http://dx.doi.org/10.5260/chara.23.3.17.

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This resource provides free access to the first 15 of 16 volumes and English translation supplements to much of the writings (letters, articles, and books) of Dr. Albert Einstein, and many of the letters written to Einstein in cases where permission could be obtained. This covers the years from his birth through May of 1927. Volume 16 (which covers June 1927 to May 1929) had been published in print in June of 2021, but that volume is not included in this online resource yet. Einstein was a prolific letter writer, and his archive of correspondence is substantial. Princeton University Press expe

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Ellis, Debbie Joffe, and Montse Rovira. "Rational Emotive Behavioural Therapy: The Evolution of a Revolution: Interview With Dr. Debbie Joffe Ellis, Work Partner and Wife of Dr. Albert Ellis, the Creator of REBT." Europe’s Journal of Psychology 11, no. 1 (2015): 7–15. http://dx.doi.org/10.5964/ejop.v11i1.911.

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Recognized as one of the most influential thinkers and psychologists, Albert Ellis PhD (1913-2007) revolutionized Psychology when he created the first cognitive psychotherapy, Rational Emotive Behavioral Therapy. After he passed away, Dr. Debbie Joffe Ellis continues spreading his legacy around the world. Psychologist, lecturer, writer, trainer, she dedicates her life to disseminate REBT and extend it through different statements, from the social to the educational, from the academic to the clinical. In this interview, she goes through her own history and her husband’s one, bringing us closer

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Vlašković Ilić, Biljana. "ESTETIKA RUŽNOG U „RIMSKIM PRIČAMA“ ALBERTA MORAVIJE." Nasledje, Kragujevac XX, no. 54 (2023): 353–67. http://dx.doi.org/10.46793/naskg2354.353vi.

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The paper juxtaposes the key postulates of Kant’s and Hartmann’s aesthetics of the beau- tiful and the sublime with Karl Rosenkranz’s aesthetics of ugliness in order to examine the dynamics of the relationship between the beautiful, the sublime, and the ugly in art. The paper’s working hypothesis is that the aesthetics of ugliness is necessary since the ugly and the beautiful form a binary opposition, given that the concept of the beautiful cannot be known and understood without the concept of the ugly. To investigate this hypothesis, the paper analyzes selected Roman Tales by Alberto Moravia

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G'iyosov, Mirali. "The Issue of Psychological Portrayal And Artistic Skill In The Work "The Stranger." American Journal Of Social Sciences And Humanity Research 5, no. 5 (2025): 190–94. https://doi.org/10.37547/ajsshr/volume05issue05-48.

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The novella "The Stranger" by Albert Camus, a writer with an unconventional approach and unique creative works, requires deep contemplation. Indeed, Camus describes both the work and each situation in it in a philosophical manner. In particular, as many have analyzed, the paranormal character in the work not only holds up a mirror to society, but society also reflects this individual.

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Anderson, Mark Cronlund. "Apostate Englishman: Grey Owl the Writer and the Myths by Albert BrazApostate Englishman: Grey Owl the Writer and the Myths. Albert Braz. Winnipeg: University of Manitoba Press, 2015. Pp. 216, $27.95." Canadian Historical Review 98, no. 1 (2017): 163–64. http://dx.doi.org/10.3138/chr.98.1.br08.

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Buynova, Kristina. "Miguel Otero Silva in the USSR: Late Success of a Former Communist." ISTORIYA 16, no. 2 (148) (2025): 0. https://doi.org/10.18254/s207987840034932-4.

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Despite a biography full of episodes of struggle against dictatorship, revolutionary fervor of his early works, membership in the Communist Party, participation in the international peace movement, friendship with the major writers of his generation and “fellow travelers” of the Soviet Union (P. Neruda, R. Alberti, and others), and, finally, a desire to establish contact with the Soviet Writers’ Union, the Venezuelan writer Miguel Otero Silva (1908—1985) remained unknown in this country for a long time. This article reconstructs the relationship between Otero Silva and Soviet literature from t

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Krausz, Luis Sergio. "Albert Bensoussan: escrever de margem a margem." Cadernos de Língua e Literatura Hebraica, no. 25 (August 18, 2024): 114–37. https://doi.org/10.11606/issn.2317-8051.cllh.2024.221881.

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This article discusses the work of the Jewish writer of Algerian origin Albert Bensoussan (1935-), and the memories of his movements between languages and continents: Arabic and French; Spanish; his origins in colonial Algeria and his present in Brittany. Bensoussan's trajectory is emblematic of the destiny of an entire generation and an entire group: the Jews born in the Islamic world in the 19th and 20th centuries, who were marked, on the one hand, by the experience of the colonization of their home countries by European nations and, on the other, by the persecutions and expulsions that to

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