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Journal articles on the topic 'Alberto Camus'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Almeida de souza, Ayanne Larissa. "O absurdo existencial em Horacio Quiroga." Téssera 3, no. 2 (2021): 5–24. http://dx.doi.org/10.14393/tes-v3n2-2021-58413.

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O objetivo do presente artigo é investigar de que maneira a natureza se configura enquanto espaço inóspito e indiferente à existência humana no conto A la deriva, de Horacio Quiroga, expressando o que o filósofo franco-argelino, Alberto Camus, denominou de absurdo existencial. Conforme Camus, o absurdo da existência nasce da convivência simultânea da consciência humana em face de um mundo ao qual tenta ordenar. A busca implacável e incansável do indivíduo por um sentido existencial provoca uma fratura que reconhecemos como o absurdo. É a impotência que temos de pensar com os nossos conceitos e

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2

Błaszczyk, Marek. "Revolt in Albert Camus’ works." Świat i Słowo 35, no. 2 (2020): 369–74. http://dx.doi.org/10.5604/01.3001.0014.5485.

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The paper presents a critical approach to Buntownik. Ewolucja i kryzys w twórczości Alberta Camusa [The Rebel. Evolution and Crisis in the Works of Albert Camus] by Maciej Kałuża (Kraków 2017). Its goal is, firstly, to present the basic theses described in the dissertation; secondly – to depict them in a broader context of contemporary existential philosophy; thirdly – to encourage the readers to reflect on the issues of revolt in the works by Albert Camus.

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3

Hopenhayn, Daniel. "“ALBERT CAMUS” / “ALBERT CAMUS”." Revista de Estudios Sociales, no. 25 (December 2006): 65–66. http://dx.doi.org/10.7440/res25.2006.07.

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4

Marquet, Antonio. "Albert Camus: Calígula y el poder tiránico." Fuentes Humanísticas 30, no. 56 (2018): 139–58. http://dx.doi.org/10.24275/uam/azc/dcsh/fh/2018v30n56/marquet.

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5

Rumualdo Ávila, Mauricio Simón. "Del absurdo y el Eros: Albert Camus." Sincronía XXV, no. 80 (2021): 151–59. http://dx.doi.org/10.32870/sincronia.axxv.n80.6b21.

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This articule is a study about the relation between the philosophy of the absurd and the Eros in the literary work of the french writer Albert Camus, with the aim to show how these two conceptions are incompatible. To do this, the different settings of the absurd that are present in the books of Camus and their implications with the Eros were analyzed. This relation was approached with the visions of the characters that act with the presence or ausence of Eros

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6

Lamb, Matthew. "Albert Camus." Philosophy Today 54, no. 2 (2010): 191–98. http://dx.doi.org/10.5840/philtoday201054227.

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7

Walmsley, Jonathan. "Albert Camus." Philosophers' Magazine, no. 23 (2003): 52. http://dx.doi.org/10.5840/tpm20032357.

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8

Knapp, Bettina L., and Alba Amoia. "Albert Camus." World Literature Today 64, no. 1 (1990): 74. http://dx.doi.org/10.2307/40145817.

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9

Fife, James D., and Phillip H. Rhein. "Albert Camus." World Literature Today 64, no. 2 (1990): 279. http://dx.doi.org/10.2307/40146425.

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10

Dunwoodie, Peter, and Philip Thody. "Albert Camus." Modern Language Review 86, no. 2 (1991): 480. http://dx.doi.org/10.2307/3730618.

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11

Strachan, John. "Albert Camus." Modern & Contemporary France 24, no. 1 (2015): 105. http://dx.doi.org/10.1080/09639489.2015.1109503.

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12

Espinosa Rubio, Luciano. "Para ver entre las sombras: la mirada de Albert Camus." Isegoría, no. 47 (March 5, 2013): 633–53. http://dx.doi.org/10.3989/isegoria.2012.047.14.

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13

Isibasi Pouchin, María Elena. "Albert Camus: traductor." Anuario de Letras Modernas 19 (February 28, 2017): 75–82. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.546.

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Albert Camus ha sido, sin duda alguna, uno de los autores franceses del siglo xxmás leídos. Sin embargo, pocos son los estudios que abordan su quehacer de traductor.En búsqueda del lenguaje trágico propio de la época en que vive, Camusse aventura en la traducción y adaptación de dos obras españolas de los Siglos deOro, de una obra de Dino Buzzati y finalmente de una de William Faulkner. Elresultado, en ocasiones más creativo que fiel, da cuenta de su propia poética.

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14

Lambeth, John, and David R. Ellison. "Understanding Albert Camus." South Atlantic Review 57, no. 1 (1992): 133. http://dx.doi.org/10.2307/3200351.

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15

Dunwoodie, P. "Albert Camus, 22: Camus et l'Histoire." French Studies 66, no. 3 (2012): 421–22. http://dx.doi.org/10.1093/fs/kns100.

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16

Hines, Thomas M. "Albert Camus, and: Albert Camus (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 314–17. http://dx.doi.org/10.1353/mfs.0.0720.

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17

Brown, John L., and Herbert R. Lottman. "Albert Camus: A Biography." World Literature Today 71, no. 4 (1997): 757. http://dx.doi.org/10.2307/40153318.

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18

Voisset-Veysseyre, Cécile. "Albert Camus et Prométhée." Amaltea. Revista de mitocrítica 4 (November 15, 2012): 101–11. http://dx.doi.org/10.5209/rev_amal.2012.v4.40590.

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Le mythe de Prométhée dit la rébellion comme commencement. Le Titan qui tint tête à Zeus et prit le feu pour le donner aux hommes est devenu modèle humain, figure d’un heureux esprit de révolte et symbole d’une foi en l’espèce humaine. C’est l’histoire d’un geste au beau milieu du désert où le héros est lié à un rocher pour être délié. Avec Albert Camus, Prométhée entre dans une histoire laïcisée de la création. “Qu’est-ce qu’un artiste ?” est la question de l’écrivain qui universalise un mythe grec et oriental ; le façonnage, empreinte titanesque de la créature, vaut comme un défi lancé au ré

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19

Orme, Mark. "Albert Camus. Europe 77." Modern Language Review 96, no. 1 (2001): 201. http://dx.doi.org/10.2307/3735775.

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20

Gardini, Michela. "Albert Camus, Les Justes." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 207. http://dx.doi.org/10.4000/studifrancesi.8364.

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21

Kasimov, A. "Albert Camus in Uzbekistan." International Journal of English Literature and Social Sciences 5, no. 3 (2020): 657–59. http://dx.doi.org/10.22161/ijels.53.13.

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22

Sarocchi, Jean. "Albert Camus, juste traître ?" Littératures 14, no. 1 (1986): 115–22. http://dx.doi.org/10.3406/litts.1986.1380.

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23

Malarkey, Jim, Olivier Todd, and Benjamin Ivry. "Albert Camus: A Life." Antioch Review 56, no. 4 (1998): 493. http://dx.doi.org/10.2307/4613757.

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24

Nolten, Andreas. "Albert Camus – Die Pest." supervision 38, no. 3 (2020): 64–67. http://dx.doi.org/10.30820/1431-7168-2020-3-64.

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25

Herbeck, Jason. "Albert Camus au quotidien." Romanic Review 106, no. 1-4 (2015): 217–21. http://dx.doi.org/10.1215/26885220-106.1-4.217.

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26

Duvall, William E. "Albert camus against history." European Legacy 10, no. 2 (2005): 139–47. http://dx.doi.org/10.1080/1084877052000330075.

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27

King, Adele, and Olivier Todd. "Albert Camus: Une vie." World Literature Today 71, no. 2 (1997): 346. http://dx.doi.org/10.2307/40153070.

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28

Golsan, R. J. "Albert Camus au quotidien." French Studies 68, no. 4 (2014): 568. http://dx.doi.org/10.1093/fs/knu213.

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29

Quinney, Anne. "Albert Camus’ Algerian Honeymoon." South Central Review 31, no. 3 (2014): 72–81. http://dx.doi.org/10.1353/scr.2014.0026.

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30

Freitas, Lorena Martoni. "Law and literature: the absurd in law in “The stranger” by Albert Camus." ANAMORPHOSIS - Revista Internacional de Direito e Literatura 1, no. 1 (2015): 139. http://dx.doi.org/10.21119/anamps.11.139-156/translation.

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31

Principe, Jesus Deogracias. "The Decency of Albert Camus." Renascence 72, no. 2 (2020): 99–120. http://dx.doi.org/10.5840/renascence20207228.

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This essay explores the place of decency (l’honnêteté) and the decent man (l’honnête homme) in the moral and religious thought of Albert Camus. Focusing primarily on the major fictional works (The Stranger, The Plague, and The Fall), we consider how Camus employs the semantic ambiguity inherent in the notion of being decent, and then develops this into a normative ethical call characterized by responsibility and solidarity. We then explore further how Camus pushes the envelope to make us reflect on whether decency is even possible, both in the sense of addressing the difficulty of taking on mo

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32

Guérin, Jeanyves. "Albert Camus : éthique et politique." Cahiers de la Méditerranée, no. 94 (June 15, 2017): 149–59. http://dx.doi.org/10.4000/cdlm.8622.

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33

Mongin, Olivier. "Position. Albert Camus à Kiev." Esprit Janvier, no. 1 (2014): 5. http://dx.doi.org/10.3917/espri.1401.0005.

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34

Gay-Crosier, Raymond. "Albert Camus: algérianité et marginalité." Australian Journal of French Studies 27, no. 3 (1990): 283–90. http://dx.doi.org/10.3828/ajfs.27.3.283.

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35

Keefe, Terry, and Roger Grenier. "Albert Camus: Soleil et Ombre." Modern Language Review 84, no. 2 (1989): 482. http://dx.doi.org/10.2307/3731624.

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36

Pimenta, Danilo Rodrigues. "A revolta em Albert Camus." Kalagatos 15, no. 1 (2017): 147–60. http://dx.doi.org/10.23845/kgt.v14i3.249.

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Este artigo propõe, a partir da leitura de O homem revoltado, compreender a revolta como a postura filosófica coerente perante o absurdo da existência, destacando a ideia de limite, de solidariedade metafísica e de fundamento da dignidade do homem, no movimento da revolta. Assim, para lograr o objetivo almejado, será abordada a compreensão de revolta metafísica de Albert Camus, assim como sua crítica à revolução e o compromisso ético do homem revoltado.

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37

Barut, Benoît. "Albert Camus, un écrivain scénique ?" Revue d'histoire littéraire de la France 110, no. 1 (2010): 157. http://dx.doi.org/10.3917/rhlf.101.0157.

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38

Hughes, Edward, and Bettina L. Knapp. "Critical Essays on Albert Camus." Modern Language Review 85, no. 4 (1990): 982. http://dx.doi.org/10.2307/3732730.

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39

Grigg, Russell. "The Trial of Albert Camus." Sophia 50, no. 4 (2011): 593–602. http://dx.doi.org/10.1007/s11841-011-0271-3.

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40

Stępniak, Maria. "Albert Camus, écrivain français d’Algérie." Studia Romanica Posnaniensia 25, no. l (2007): 351. http://dx.doi.org/10.14746/strop.2000.2526.032.

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41

Duvall, William E. "Albert Camus’ Critique of Modernity." European Legacy 19, no. 5 (2014): 646–47. http://dx.doi.org/10.1080/10848770.2014.943500.

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42

Lee, Kie Un. "Sur l’athéisme chez Albert Camus." Études de Langue et Littérature Françaises 101 (March 15, 2015): 153–90. http://dx.doi.org/10.18824/ellf.101.06.

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43

Pino, Claudia Amigo, Raphael Luiz de Araújo, and Samara Fernanda A. O. L. S. Geske. "Cem anos de Albert Camus." Revista Criação & Crítica, no. 10 (May 23, 2013): I. http://dx.doi.org/10.11606/issn.1984-1124.v0i10pi-v.

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44

Toumi, Alek Baylee. "Albert Camus, l'Algérien: In Memoriam." Nouvelles Études Francophones 25, no. 2 (2010): 88–100. http://dx.doi.org/10.1353/nef.2010.0054.

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45

Quinney, Anne. "Algerian Chronicles by Albert Camus." South Central Review 33, no. 2 (2016): 96–97. http://dx.doi.org/10.1353/scr.2016.0018.

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46

CRUICKSHANK, J. "Review. Albert Camus. Thody, Philip." French Studies 45, no. 1 (1991): 105. http://dx.doi.org/10.1093/fs/45.1.105-a.

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47

LONGSTAFFE, M. "Review. Albert Camus. Amoia, Alba." French Studies 45, no. 2 (1991): 231. http://dx.doi.org/10.1093/fs/45.2.231.

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48

Dean, Paul. "Albert Camus: Humanism and Tragedy." Hopkins Review 12, no. 1 (2019): 45–59. http://dx.doi.org/10.1353/thr.2019.0006.

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49

Tursunova, Narguisa. "«UNTYPICAL»NOVEL BY ALBERT CAMUS." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (2020): 34–39. http://dx.doi.org/10.26739/2181-9297-2020-6-5.

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Albert Camus, one of the outstanding representatives of the philosophy of existentialism of the twentieth century, who expressed his life position and creative credo through diverse genres: essays, short stories, novels, dramaturgies, and journalistic articles, received the common name "Conscience of the West" during his lifetime. The most famous works of the author-essays "The Myth of Sisyphus", "Stranger", "Fall", "Caligula", "Plague", "Demons", "Rebellious man", etc.

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50

Neiman, Paul G. "Albert Camus’ Philosophy of Love." Philosophical Investigations 44, no. 3 (2021): 318–38. http://dx.doi.org/10.1111/phin.12312.

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