Relevant bibliographies by topics / Alcázar de San Juan (Spain)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Alcázar de San Juan (Spain)'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Alcázar de San Juan (Spain).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Alcázar de San Juan (Spain)"

1

López-Menchero Bendicho, Víctor Manuel, Ángel Marchante Ortega, Matthew Vincent, Ángel Javier Cárdenas Martín-Buitrago, and Jorge Onrubia Pintado. "Uso combinado de la fotografía digital nocturna y de la fotogrametría en los procesos de documentación de petroglifos: el caso de Alcázar de San Juan (Ciudad Real, España)." Virtual Archaeology Review 8, no. 17 (July 26, 2017): 64. http://dx.doi.org/10.4995/var.2017.6820.

Full text
Abstract:
For decades, the documentation of rock art has been the backbone of the research on this cultural practice. However, traditional techniques used for this purpose have proved to be imprecise and subjective. With the advent of the digital age there has been a revolution in the field of rock art documentation in general and in particular for petroglyphs. Techniques such as digital nightlight photography or three-dimensional (3D) photogrammetry have opened a world of possibilities. In the case of nightlight photography, its use goes back to the second half of the 20th century. However, in recent years the emergence of high-power digital cameras along with new lighting systems unthinkable decades ago, such as tactical flashlights, have rejuvenated a technique that seems incombustible. After the numerous tests carried out by the DIPAR (Integral Rock Art Documentation System) project team, it has become evident that, correctly employed, this technique still has immense potential in the field of rock art documentation, especially if we take into consideration its low cost and ease of use. Photogrammetry, on the other hand, is shown as the perfect complement to the records obtained through digital nightlight photography. The possibility of applying filters or shaders that increase the visibility of the digitized petroglyphs, within a metric scheme, is a great advance in their documentation. This paper explores the advantages associated with these techniques with a case study: unpublished petroglyphs of Alcázar de San Juan (Spain).
APA, Harvard, Vancouver, ISO, and other styles
2

Sharifi, Mohammad Ali, and Erasmo Rodriguez. "Design and development of a planning support system for policy formulation in water resources rehabilitation: the case of Alcázar De San Juan District in Aquifer 23, La Mancha, Spain." Journal of Hydroinformatics 4, no. 3 (July 1, 2002): 157–75. http://dx.doi.org/10.2166/hydro.2002.0017.

Full text
Abstract:
To support policy formulation for rehabilitation of the natural environment in the Western Mancha region in Spain, a planning support system was developed and applied. The system is based on a framework developed for planning and decision making, and includes three main components, namely, a water balance model of the groundwater basin, a planning model and an evaluation model. The water balance model, which makes use of GIS and remote sensing, simulates the average yearly recharge of the aquifer system in relation to the land use changes for average meteorological conditions, to help understand the current situation; the planning model, which makes use of mixed integer programming, simulates the reaction of farmers towards the changes in the present subsidy schemes and helps formulate a proper policy instruments; and finally the evaluation model, which makes use of multicriteria decision analysis to support the evaluation of developed policies and selection of attractive scenarios based on the identified criteria and the preferences/opinion of various decision makers.
APA, Harvard, Vancouver, ISO, and other styles
3

Calamardo Murat, Javier. "La huella escultórica de Cervantes en Alcázar de San Juan (Ciudad Real)." Boletín de Arte, no. 38 (October 27, 2017): 191–96. http://dx.doi.org/10.24310/bolarte.2017.v0i38.3308.

Full text
Abstract:
Dejando a un lado la polémica del verdadero lugar de bautismo de Cervantes, la relación del Quijote con Alcázar de San Juan es más que patente: se encuentra en el «Corazón de La Mancha», posee 27 calles dedicadas a Cervantes y a su obra, se bautizó como Alcázar de Cervantes...
APA, Harvard, Vancouver, ISO, and other styles
4

Higueruela del Pino, Leandro. "La Real Sociedad Económica de Amigos del País de Alcázar de San Juan." Cuadernos de Estudios del Siglo XVIII, no. 3 (November 24, 2017): 55–67. http://dx.doi.org/10.17811/cesxviii.3.1975.55-67.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rustomji-Kerns, Roshni. "Mirrha-Catarina de San Juan: From India to New Spain." Amerasia Journal 28, no. 2 (January 2002): 28–37. http://dx.doi.org/10.17953/amer.28.2.4114207112q54204.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Beck, Robin A., David G. Moore, Christopher B. Rodning, Timothy J. Horsley, and Sarah C. Sherwood. "A ROAD TO ZACATECAS: FORT SAN JUAN AND THE DEFENSES OF SPANISH LA FLORIDA." American Antiquity 83, no. 4 (October 2018): 577–97. http://dx.doi.org/10.1017/aaq.2018.49.

Full text
Abstract:
From 1565 to 1570, Spain established no fewer than three networks of presidios (fortified military settlements) across portions of its frontier territories in La Florida and New Spain. Juan Pardo's network of six forts, extending from the Atlantic coast over the Appalachian Mountains, was the least successful of these presidio systems, lasting only from late 1566 to early 1568. The failure of Pardo's defensive network has long been attributed to poor planning and an insufficient investment of resources. Yet recent archaeological discoveries at the Berry site in western North Carolina—the location of both the Native American town of Joara and Pardo's first garrison, Fort San Juan—warrants a reappraisal of this interpretation. While previous archaeological research at Berry concentrated on the domestic compound where Pardo's soldiers resided, the location of the fort itself remained unknown. In 2013, the remains of Fort San Juan were finally identified south of the compound, the first of Pardo's interior forts to be discovered by archaeologists. Data from excavations and geophysical surveys suggest that it was a substantial defensive construction. We attribute the failure of Pardo's network to the social geography of the Native South rather than to an insufficient investment of resources.
APA, Harvard, Vancouver, ISO, and other styles
7

Torres-Ruiz, José, Alfonso Pesquera, Pedro P. Gil-Crespo, and Antonio Delgado. "Exotic Cu-mineralization in Triassic red beds from Navas de San Juan (Jaén, Spain)." Ore Geology Reviews 119 (April 2020): 103399. http://dx.doi.org/10.1016/j.oregeorev.2020.103399.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Pareja, Rafael Bravo, José Antonio González Casares, and Javier Suárez Medina. "Structural and constructive analysis of San Juan de Dios basilica dome, in Granada (Spain)." International Journal of Masonry Research and Innovation 5, no. 4 (2020): 1. http://dx.doi.org/10.1504/ijmri.2020.10029899.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Medina, Javier Suárez, Rafael Bravo Pareja, and José Antonio González Casares. "Structural and constructive analysis of San Juan de Dios Basilica dome, in Granada (Spain)." International Journal of Masonry Research and Innovation 5, no. 4 (2020): 497. http://dx.doi.org/10.1504/ijmri.2020.111799.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Arroyo, G., I. Arroyo, and C. Vivar. "Microbiological analysis of mortars from the church of San Juan del Mercado at Benavente, Spain." Science of The Total Environment 167, no. 1-3 (May 1995): 221–29. http://dx.doi.org/10.1016/0048-9697(95)04583-m.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Alcázar de San Juan (Spain)"

1

Lima, Camila Cristina Souza. "Arte, técnica e política: a arquitetura régia de Juan de Herrera e o projeto político de Felipe II da Espanha (1572 - 1597)." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29102012-094425/.

Full text
Abstract:
Durante a Idade Moderna, na Espanha governada pela dinastia dos Habsburgos, religião e política se fundiam em muitos aspectos para criar a expressão característica da forma de governo desses monarcas, sobretudo durante o reinado de Felipe II (1556-1598). Junto a esse rei, importantes colaboradores criaram a imagem de seu governo. Nesta dissertação, chamamos a atenção para a atuação de Juan de Herrera, arquiteto de Felipe II, finalizador da obra emblemática do Monastério de San Lorenzo el Real del Escorial. Ao estudar a trajetória desse nobre, percebemos como a arquitetura ganha importância dentro da burocracia real, assim como as matemáticas. Herrera contribuiu para um projeto mais amplo do que a expressão estética e arquitetônica de um período, um projeto que expressava as inquietações políticas e religiosas da monarquia.
During the Modern Age, in Spain governed by the dynasty of the Habsburgs, religion and politics were fused in many aspects to create the characteristic expression of the form of government of these monarchs, especially during the reign of Philip II (1556-1598). Close to this king, important collaborators created the image of his government. In this thesis, we call attention to the work of Juan de Herrera, architect of Philip II, who completed the emblematic work of the Monastery of San Lorenzo El Real Del Escorial. Studying the trajectory of this noble, we realize how the architecture won importance within the royal bureaucracy, as well as mathematics. Herrera contributed to a more extensive project than the aesthetic expression and architectural design of a period, a project that expressed the political and religious inquietudes of the monarchy.
APA, Harvard, Vancouver, ISO, and other styles
2

Guillen, Gabrielle S. "Daughters of the Alcaldes: Women of Privilege in Medieval Burgos." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1399563719.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Charette, Charlotte de. "La diffusion de l'art du second atelier de sculpture de Silos dans le nord de l' Espagne." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2014. http://tel.archives-ouvertes.fr/tel-01023712.

Full text
Abstract:
Dans le dernier tiers du XIIe siècle, la sculpture romane espagnole connaît un renouvellement de grande ampleur qui aboutit à la création de véritables chefs-d'œuvre et suscite une production d'une exceptionnelle fécondité. Au monastère de Silos eurent lieu à cette époque d'importantes transformations, au cours desquelles intervint un des plus grands sculpteurs de la période : le Second Maître de Silos. Celui-ci, fut, avec Maître Mathieu à Compostelle, le principal inspirateur d'un vaste courant de sculptures qui envahit tout le Nord de l'Espagne, à la fin du XIIe et au début du XIIIe siècle. La prospérité que connaît alors le pays entraîne en effet un développement considérable de l'activité architecturale. En Aragon, en Navarre, en Vieille-Castille, les sculpteurs espagnols s'inspirèrent des grands maîtres et décorèrent jusque dans les années 1200-1210, un grand nombre de monuments alors en chantier. De cette abondante production se dégagent d'importants pôles régionaux, qui apparaissent comme des relais de l'art de Silos : c'est le cas notamment pour Burgo de Osma, Soria, Estella ou Tudela. Ce renouvellement de la sculpture concerne aussi bien de grands ensembles, comme les cloîtres et les grandes façades, que des productions plus modestes, églises rurales ou petits reliefs. Ce travail visait à déterminer dans ces sculptures ce qui provient de Silos, de Compostelle ou d'ailleurs. Cela nous a permis d'émettre des hypothèses sur les chemins de diffusion de l'art du second Maître de Silos. La domination de l'art de Silos paraît claire dans les régions les plus proches du monastère, c'est-à-dire dans la meseta castillane. Dans les anciens évêchés de Burgos et d'Osma, l'empreinte de Silos est des plus prégnantes, et marque durablement les artistes, qui deviennent à leur tour des relais de l'art de Silos, qui se diffuse ainsi dans les régions voisines. Dans les zones plus éloignées du monastère castillan, la propagation de l'art de Silos est parfois plus complexe à déterminer, car s'y mêlent des éléments venus d'ailleurs, de Compostelle, notamment, ou des influences locales.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Alcázar de San Juan (Spain)"

1

Bódalo, José Fernando Sánchez. Catálogo del Archivo Histórico Municipal de Alcázar de San Juan (1300-1900). [Alcázar de San Juan]: Excmo. Ayuntamiento de Alcázar de San Juan, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Castro, Guadalupe Ramos de. Palenzuela: Iglesia de San Juan. [Palencia, Spain]: Excma. Diputación Provincial de Palencia, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Herrero, Pío Medrano. Estudios sobre San Juan Bautista de la Concepción. Ponce, P.R: Secretariado Trinitario de América, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Vidal de la Madrid Alvarez. Palacio Revillagigedo y Colegiata de San Juan Bautista. Gijón: Caja de Ahorros de Asturias, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sebastián, Pedro Luis Hernando. Alberite de San Juan: Patrimonio, artístico, religioso. Borja: Centro de Estudios Borjanos, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jara, Jesús Gómez. El Hospital de San Juan Bautista de Oropesa (Toledo). Toledo: Diputación Provincial de Toledo, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Larios, Juan Miguel Larios. El hospital y la basílica de San Juan de Dios. Granada: Diputación de Granada, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ordax, Salvador Andrés. San Juan de Ortega: Santuario della rotta giacobea. León [Spain]: Edilesa, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rodríguez, María Luisa Zamorano. El Hospital de San Juan Bautista de Toledo durante el siglo XVI. Toledo: Instituto Provincial de Investigaciones y Estudios Toledanos, Diputación Provincial de Toledo, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Larrañaga, Juan Garmendia. Ritos de solsticio de verano: Festividad de San Juan Bautista. San Sebastian: Kriselu, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Alcázar de San Juan (Spain)"

1

O’Reilly, Terence, and Stephen Boyd. "San Juan de la Cruz and the Fathers of the Church." In Humanism and Religion in Early Modern Spain, 138–55. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003176268-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Megale, Teresa. "L’ombra di Don Juan Tenorio sulla scena barocca partenopea: indizi d’archivio e canoni drammaturgici." In Studi e saggi, 205–18. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.13.

Full text
Abstract:
This paper highlights archival evidence and dramaturgic mythemes in order to reconsider the historiographical issues related to the XVIIth-century theatrical reception of El burlador de Sevilla y convidado de piedra outside of Spain. Among the crossroads of theatrical practices alive in XVIIth-century Naples, Don Juan underwent a rapid process of assimilation and transformation. The chronology of its Neapolitan debut at the Teatro di San Bartolomeo is re-examined in this paper, while unfolding some new and possible scenarios interweaving history and dramaturgy, the stage and the historical political events of the Kingdom of Naples during the first decades of the XVIIth century. This study examines the Mediterranean basis consolidating the myth of Don Juan – the character with «feet made of wind» (Garboli) – and defining its dramaturgic status all around Europe.
APA, Harvard, Vancouver, ISO, and other styles
3

Beltrami, Costanza. "Imitating a Model, Establishing an Identity: Copying San Juan de los Reyes at San Andrés, Toledo." In Gothic Architecture in Spain: Invention and Imitation. Courtauld Books Online, 2020. http://dx.doi.org/10.33999/2019.52.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Myers, Garth. "Submarine Urbanism: Cities People Make in ‘the Here and the Elsewhere’." In Rethinking Urbanism, 105–30. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781529204452.003.0005.

Full text
Abstract:
The fourth chapter discusses people and migration. It reverses the typical analysis of the socio-cultural experiences and identities of transnational or translocal migrants from the global South, by illustrating contemporary cultures of urbanization through literature and the arts in questions of translocality in Port of Spain, San Juan, Zanzibar, and Cape Coast. The chapter illustrates the ways in which ordinary people and creative artists in the global South work to reframe colonial experiences and re-imagine postcolonial cities and landscapes. Building on ideas from Edouard Glissant, the chapter explores the works of V. S. Naipaul, Tony Hall, Giannina Braschi, Jack Delano, Yaa Gyasi, Adam Shafi, and Abdulrazak Gurnah, as well as arts-activists affiliated with Alice Yard in Port of Spain and Casa Taft 169 in San Juan, for illustration of variations of variations in translocal experiences.
APA, Harvard, Vancouver, ISO, and other styles
5

Pachón, P., V. Compàn, M. Càmara, and F. Pinto. "Control of structural intervention by using operational modal analysis. San Juan de los Caballeros church (Càdiz, Spain)." In Structural Analysis of Historical Constructions: Anamnesis, Diagnosis, Therapy, Controls, 759–64. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-102.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"How we arrived with all the ships at San Juan de Ulúa, and what happened there." In The True History of the Conquest of New Spain. By Bernal Diaz del Castillo, One of its Conquerors, edited by Alfred Percival Maudslay, 137–42. Hakluyt Society, 2018. http://dx.doi.org/10.4324/9781315551883-38.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"How we arrived at the Island now called San Juan de Ulúa, and the reason why that name was given to it, and what happened to us there." In The True History of the Conquest of New Spain. By Bernal Diaz del Castillo, One of its Conquerors, edited by Alfred Percival Maudslay, 56–57. Hakluyt Society, 2018. http://dx.doi.org/10.4324/9781315551883-14.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Alcázar de San Juan (Spain)"

1

Crespo Claudio, Yazmín M., and Omayra Rivera Crespo. "WORKSHOP : Collective Architectures." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.16.

Full text
Abstract:
A design-build workshop organized by Taller CreandoS in Encargos a collective founded by four female architecture professors; Yazmín M. Crespo, AndreaBauzá, Irvis González y Omayra Rivera, at La Perla, a community outside the northern historic city-wall of old San Juan, Puerto Rico. Together the professors share interests to revitalize deteriorated and abandon urban spaces with ephemeral interventions and participative workshops in an effort to redefine the conventional way of understanding the professional practice of architecture. The workshop invited students from the three architecture and design schools in Puerto Rico; Polytechnic University of Puerto Rico, University of Puerto Rico School of Architecture, Pontifical Catholic University of Puerto Rico and the school of Visual Arts in Old San Juan to work together with international architecture collectives Todo porla Praxis from Madrid, Spain; Arquitectura Expandida from Bogotá, Colombia; and FG Studio from New YorkCity in three design-build projects together with the community. The workshop included lectures by the three international architects’ collectives, a design charrette, community presentations, final review, a round table and construction of the interventions from August 31to September 7, 2013.
APA, Harvard, Vancouver, ISO, and other styles
2

Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

Full text
Abstract:
The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Alcázar de San Juan (Spain)' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography