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Journal articles on the topic 'Aldington, Richard'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Frayn, Andrew. "Richard Aldington's Images, the Metropolis, and the Masses." Modernist Cultures 9, no. 2 (2014): 260–81. http://dx.doi.org/10.3366/mod.2014.0086.

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Richard Aldington's city poems in the latter part of his 1915 collection Images are concerned with the masses who inhabit the modern city. Aldington is at pains to stress his distinction from those he perceives as an increasingly homogenized crowd. This paper examines the literary, linguistic and rhetorical strategies by which Aldington ‘others’ the masses, and sets them in the context of contemporary studies of the crowd, focusing on the work of Gustave Le Bon and C. F. G. Masterman. Aldington's poetry is a product of the environment he sees as unsatisfactory, but he searches for solutions in

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2

Mitchell, J. Lawrence, and Charles Doyle. "Richard Aldington: A Biography." South Central Review 8, no. 2 (1991): 82. http://dx.doi.org/10.2307/3189190.

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3

Zilboorg, Caroline, and Charles Doyle. "Richard Aldington: Remapping the Territory." Contemporary Literature 31, no. 2 (1990): 227. http://dx.doi.org/10.2307/1208588.

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4

Kreis-Schinck, Annette. "Richard Aldington: poet, soldier and lover 1911 – 1929." First World War Studies 7, no. 1 (2016): 105–6. http://dx.doi.org/10.1080/19475020.2016.1228201.

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5

Redman, Tim. "Book Review: Richard Aldington: An Autobiography in Letters." Modernism/modernity 1, no. 1 (1994): 161–63. http://dx.doi.org/10.1353/mod.1994.0003.

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6

Bristow, Gemma. "Brief Encounter: Richard Aldington and the Englishwoman." English Literature in Transition, 1880-1920 49, no. 1 (2006): 3–13. http://dx.doi.org/10.2487/p5n5-87p2-43v0-5k06.

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7

Shukhratovna, Chorieva Shakhnoza. "Genre Attribution Of The Novel "Death Of A Hero"." American Journal of Social Science and Education Innovations 2, no. 09 (2020): 285–89. http://dx.doi.org/10.37547/tajssei/volume02issue09-44.

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This article discusses the genre of novel “Death of a Hero” which was written by Richard Aldington. The writer called his book as a “jazz novel”, and “threnody”. The novel "Death of a Hero" can also be called a tragedy novel, which has become a tragic, satirical, lyric book about war, society and human.

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8

Kobuta, Svitlana. "PRAGMATIC FUNTIONS OF THE STYLISTIC DEVICES IN THE AUTHOR’S SPEECH (ON THE MATERIAL OF «DEATH OF A HERO» BY RICHARD ALDINGTON)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 9(77) (2020): 181–84. http://dx.doi.org/10.25264/2519-2558-2020-9(77)-181-184.

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The article dwells on the peculiarities of the author’s usage of different stylistic devices. Richard Aldington uses a variety of lexical and grammatical stylistic devices in his outstanding novel «Death of a Hero». He is trying to implicitly show his readers his real attitude towards the setting hos novel takes place in. The author constantly leads an indirect dialogue with his readers in order to make them understand the real course of events, but instead of addressing them directly and persuading them to take his point of view as a truly accurate one, Richard Aldington uses a whole range of

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9

Ferrando, Anna. "La censura imperfetta. La satira di richard aldington nell'Italia fascista." HISTORIA MAGISTRA, no. 14 (July 2014): 106–18. http://dx.doi.org/10.3280/hm2014-014012.

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10

Zilboorg, Caroline. "Richard Aldington in Transition: His Pieces for The Sphere in 1919." Twentieth Century Literature 34, no. 4 (1988): 489. http://dx.doi.org/10.2307/441889.

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11

Woolmer, J. Howard. "Poetry Bookshop Issues of Richard Aldington and F. S. Flint, and Four Seas Issues of Aldington and Stephen Vincent Benét." Papers of the Bibliographical Society of America 81, no. 1 (1987): 77. http://dx.doi.org/10.1086/pbsa.81.1.24303935.

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12

Dinunzio, J. "Review: An Imagist at War: The Complete War Poems of Richard Aldington." Review of English Studies 54, no. 216 (2003): 546–48. http://dx.doi.org/10.1093/res/54.216.546.

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13

WHITE, SARAH B. "Thomas Wolf c. Richard de Abingdon,1293–1295: A Case Study of Legal Argument." Journal of Ecclesiastical History 71, no. 1 (2019): 40–58. http://dx.doi.org/10.1017/s0022046919001155.

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This essay examines the legal arguments in Wolf c. Abingdon, a tithes dispute from 1293–5 between the rector and the vicar of Aldington, Kent. The case records contain explicit citations to written law, a surprising find in a seemingly minor case. The presence of explicit citations in particular suggests first that the litigants had access to legal assistance in the provincial court, and second that advocates and possibly judges were turning to written legal sources to resolve disputed points. This essay shows how the litigants' arguments were constructed and determines whether or not these ar

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14

STEELE, S. "RICHARD ALDINGTON ET GUSTAVE COHEN, L'UN POUR L'AUTRE: QUATRE LETTRES INEDITES D'ALDINGTON A COHEN." French Studies Bulletin 24, no. 86 (2003): 11–16. http://dx.doi.org/10.1093/frebul/24.86.11.

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15

Stepanova, Anna A. "Syncopation of the Jazz Age in the requiem for World War I: Richard Aldington and Otto Dix." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 51 (February 1, 2018): 206–20. http://dx.doi.org/10.17223/19986645/51/16.

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16

Sarah Lee, Sze Wah. "Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914." Modernist Cultures 16, no. 3 (2021): 340–66. http://dx.doi.org/10.3366/mod.2021.0338.

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This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillau

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17

Devdiuk, Ivanna. "Urban Existence in the Interwar English Literature." Respectus Philologicus, no. 36(41) (October 16, 2019): 73–83. http://dx.doi.org/10.15388/respectus.2019.36.41.24.

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The paper highlights the peculiarities of the artistic modifications of urban existence in the English literature of the interwar period. We have analysed such novels as Death of a Hero by Richard Aldington, Antic Hay by Aldous Huxley, and Mrs. Dalloway by Virginia Woolf, in which in the light of M. Heidegger’s analytic of Dasein, we investigated the ways of the main characters’ awareness of their own possibilities in a city. The article follows through the correlation between the heroes’ existence and urban reality, in which it is projected. We have discovered that in the novels Death of a He

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18

Hama, Bakhtiar S. "Imagism and Imagery in the Selected Poems of Major Imagist Poets." Koya University Journal of Humanities and Social Sciences 3, no. 1 (2020): 88–93. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp88-93.

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This paper explores imagism and studies the intrinsic literary features of some poems to show how the authors combine all the elements such as style, sentence structure, figures of speech and poetic diction to paint concrete and abstract images in the mind of the readers. Imagism was an early 20th century literary movement and a reaction against the Romantic and Victorian mainstreams. Imagism is known as an Anglo-American literary movement since it borrows from the English and American verse style of modern poetry. The leaders of the movement set some rules for writing imagist poems. The autho

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19

Devdiuk, Ivanna. "THE CHRONOTOPE OF THE WAR IN THE STORY «THE CARPATHIAN NIGHT» BY MYROSLAV IRCHAN AND THE NOVEL «DEATH OF A HERO» BY RICHARD ALDINGTON." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 6(74) (2019): 49–52. http://dx.doi.org/10.25264/2519-2558-2019-6(74)-49-52.

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20

Kobuta, Svitlana. "PRAGMATIC FUNTIONS OF THE STYLISTIC DEVICES IN THE AUTHOR’S CHARACTERISTICS OF THE MAIN CHARACTER (ON THE MATERIAL OF «DEATH OF A HERO» BY RICHARD ALDINGTON)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 3(71) (2018): 88–91. http://dx.doi.org/10.25264/2519-2558-2018-3(71)-88-91.

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21

Barnsley, Sarah. "Making it New: Sappho, Mary Barnard and American Modernism." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 5 (May 1, 2013): 71. http://dx.doi.org/10.12681/syn.17432.

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Contrary to the pessimism of American editors in the 1950s who told Mary Barnard that "Sappho would never sell," Barnard‘s Sappho: A New Translation (1958) is now in its fifty-fifth year of continuous print by the University of California Press. Expressing the bare, lyrical intensity of Sappho‘s poetry without recourse to excessive linguistic ornament or narrative padding, Barnard‘s translation is widely regarded as the best in modern idiom, with leading translation studies scholar Yopie Prins asserting that "Barnard‘s Sappho is often read as if it is Sappho." This essay will examine how Barna

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22

Ayers, D. "Richard Aldington's Death of a Hero: A Proto-Fascist Novel." English 47, no. 188 (1998): 89–98. http://dx.doi.org/10.1093/english/47.188.89.

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23

Aldington, Richard, Stephen Steele, and Heesok Chang. "Modernism at the Margins: Richard Aldington's Letters to Douglas Goldring (1932-1946)." Modern Language Studies 35, no. 2 (2005): 22. http://dx.doi.org/10.2307/30039824.

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24

Willis, J. H. "The Censored Language of War: Richard Aldington's Death of a Hero and Three Other War Novels of 1929." Twentieth Century Literature 45, no. 4 (1999): 467. http://dx.doi.org/10.2307/441948.

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25

"Richard Aldington, a biography." Choice Reviews Online 27, no. 11 (1990): 27–6209. http://dx.doi.org/10.5860/choice.27-6209.

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26

"Richard Aldington, an autobiography in letters." Choice Reviews Online 30, no. 07 (1993): 30–3654. http://dx.doi.org/10.5860/choice.30-3654.

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27

"Richard Aldington: A Biography. Charles Doyle." Modern Philology 89, no. 1 (1991): 146–49. http://dx.doi.org/10.1086/391943.

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28

"Richard Aldington and Lawrence of Arabia: a cautionary tale." Choice Reviews Online 36, no. 03 (1998): 36–1434. http://dx.doi.org/10.5860/choice.36-1434.

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29

"Richard Aldington & H.D.: the later years in letters." Choice Reviews Online 33, no. 05 (1996): 33–2576. http://dx.doi.org/10.5860/choice.33-2576.

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30

"Richard Aldington & H.D.: their lives in letters, 1918-1961." Choice Reviews Online 41, no. 07 (2004): 41–3891. http://dx.doi.org/10.5860/choice.41-3891.

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31

"An imagist at war: the complete war poems of Richard Aldington." Choice Reviews Online 40, no. 06 (2003): 40–3237. http://dx.doi.org/10.5860/choice.40-3237.

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32

"FEMALE CHARACTERS IN THE NOVEL “DEATH OF A HERO” BY RICHARD ALDINGTON." Philology matters, June 25, 2021, 50–68. http://dx.doi.org/10.36078/987654493.

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The literary process in the first half of the twentieth century acquires new styles, new techniques, it combines modernism and realism. For literary works, fantastic absurdity becomes characteristic, as a new experimental form. If in the nineteenth century, literary works described clear objective subjects, for example, love, evil, family and social relations, then in the updated literature of the twentieth century, abstract psychological methods are used primarily to describe a particular thing. The First World War became the cardinal theme of the art in the first half of the twentieth centur

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33

Tzu Yu Allison Lin and Mehmet Çiçek. "Visual Representations in Richard Aldington’s London (May 1915) and Eros and Psyche." Journal of Literature and Art Studies 7, no. 10 (2017). http://dx.doi.org/10.17265/2159-5836/2017.10.003.

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