Relevant bibliographies by topics / Alejandro Amenábar

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Alejandro Amenábar'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Alejandro Amenábar"

1

Deveny, Thomas. "Alejandro Amenábar, Composer." Bulletin of Spanish Studies 87, no. 2 (2010): 195–224. http://dx.doi.org/10.1080/14753821003693776.

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Gray, Mary W. "Agora by Alejandro Amenábar." Mathematical Intelligencer 36, no. 4 (2014): 111–13. http://dx.doi.org/10.1007/s00283-014-9468-y.

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Castro, Luis Álvarez. "Mientras dure la guerra by Alejandro Amenábar." Hispania 103, no. 2 (2020): 302–3. http://dx.doi.org/10.1353/hpn.2020.0047.

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D'Ottavio Cattani, Alberto Enrique. "Alejando Amenábar. Ágora: Hipatia en el Cine. España, 2009." Cuestiones de género: de la igualdad y la diferencia, no. 14 (June 27, 2019): 727. http://dx.doi.org/10.18002/cg.v0i14.5474.

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<p><strong>Ágora: Hipatia en el cine</strong></p><p>Título original: Ágora /Agora en inglés</p><p>Director: Alejando Amenábar</p><p>Productoras: Telecinco Cinema, <em>Himenóptero y</em> MOD Producciones </p><p>Reparto: Rachel Weisz (Hipatia de Alejandría); Max Minghella (Davos); Oscar Isaac (Orestes); Ashraf Barhom (Amonio); Michael Lonsdale (Teón); Rupert Evans (Sinesio de Cirene), Homayoun Ershadi (Aspasio) y Sami Samir (Cirilo)</p><p>Género: Drama histórico</p><p>Guionistas: Alejandro Amená
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Padilla Castillo, Graciela. "Alejandro Amenábar. El alumno que quiso superar a sus maestros." Revista de Comunicación de la SEECI, no. 16 (July 15, 2008): 1. http://dx.doi.org/10.15198/seeci.2008.16.1-27.

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Pastor-González, Victoria. "Towards New Ways of Representing History: Generic Innovations in the Historical Biopic in Spain." Comparative Cinema 9, no. 16 (2021): 52–74. http://dx.doi.org/10.31009/cc.2021.v9.i16.04.

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As virtual sites of public memorialization, historical biopics play an important part in shaping our view of the past. The genre employs a range of formal and narrative strategies in order to create persuasive narratives about historical characters and events. However, nation-specific socio-cultural and industrial conditions frequently determine whose lives are deserving of biographical treatment and how their stories are told. The following comparative analysis of two recent historical biopics, Clara Campoamor, The Forgotten Woman (Clara Campoamor, la mujer olvidada, Laura Mañá, 2011) and Whi
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Vieira, Estela. "National Cinema and Intertextuality in Alejandro Amenábar: From Hollywood to Julio Cortázar." Bulletin of Spanish Studies 91, no. 8 (2014): 1229–44. http://dx.doi.org/10.1080/14753820.2014.920659.

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Olivares Merino, Julio Ángel. "El quiasmo como desvelo de la otredad: proyecciones especulares y distorsión de la monstruosidad en Los Otros (2001), de Alejandro Amenábar." Grove - Working Papers on English Studies 26 (October 24, 2019): 41–70. http://dx.doi.org/10.17561/grove.v26.a3.

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Pivotando en torno al personaje epicéntrico de Grace Stewart, nuestra aproximación pretende sumergirse en el imaginario de fantasmagoría, violentación y monopolización del punto de vista unívoco en Los otros a fin de subrayar las claves de una necesaria deconstrucción de la voz y el discurso de la madre oscura. Las múltiples lecturas periféricas y resistentes, además de ciertos indicios figurativos —con el quiasmo como constante— refrendan el papel de aquella como antagonista falible y esquizoide.
 Palabras clave: quiasmo, fantasmas, los otros, madre oscura, Alejandro Amenábar, punto de v
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Laraway, David. "Alejandro Amenábar and the Embodiment of Skepticism in Abre los ojos." Hispanófila 153, no. 1 (2008): 65–77. http://dx.doi.org/10.1353/hsf.2008.0041.

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Sorolla-Romero, Teresa. "El relato tiembla. Narrativas fracturadas contemporáneas en el cine de Alejandro Amenábar y Pedro Almodóvar." Cuadernos.info 43 (December 2018): 31–44. http://dx.doi.org/10.7764/cdi.43.1466.

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Dissertations / Theses on the topic "Alejandro Amenábar"

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White, Anne M. "Seeing Double? The Remaking of A Amenábar's Abre Los Ojos as Cameron Crowe's Vanilla Sky." 2003. http://hdl.handle.net/10454/3210.

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No<br>This article begins by examining in general terms the remaking of European films by Hollywood and considers the reasons for the growth in this cultural phenomenon. It goes onto argue that analysis of this process has much to tell us about intertextuality: how texts are read and transformed. Focusing on Vanilla Sky (US 2002), the Hollywood remake by Cameron Crowe of Alejandro Amenábar's film, Abre los ojos (Spain 1997), it explores the similarities and differences between the two films. In addition, it also considers the extent to which a filmic remake like Vanilla Sky might be read as a
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Books on the topic "Alejandro Amenábar"

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Alejandro Amenábar: L'ultimo spettacolo. Sovera, 2012.

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Sempere, Antonio. Alejandro Amenábar: Cine en las venas. Nuer, 2000.

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3

Jordan, Barry. Alejandro Amenábar. Manchester University Press, 2019.

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4

Isabel, Andrade, ed. Ágora: El viaje al mundo antiguo de Alejandro Amenábar. Libros Cúpula, 2009.

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Isabel, Andrade, ed. Ágora: El viaje al mundo antiguo de Alejandro Amenábar. Libros Cúpula, 2009.

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Book chapters on the topic "Alejandro Amenábar"

1

Martin, Juan Carlos. "Representations of Humans and Technology: The Construction of Identity in Miguel Bardem, Pedro Almodóvar, and Alejandro Amenábar." In Science, Literature, and Film in the Hispanic World. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601963_12.

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Paul, Joanna. "Subverting Sex and Love in Alejandro Amenábar’s Agora (2009)." In Screening Love and Sex in the Ancient World. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137299604_17.

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Ng, Andrew Hock Soon. "Housing Melancholia: Alejandro AmenÁbar’s The Others and Juan A. Bayona’s The Orphanage." In Women and Domestic Space in Contemporary Gothic Narratives. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137532916_5.

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Jordan, Barry. "Front matter." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00001.

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Jordan, Barry. "Contents." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00002.

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Jordan, Barry. "List of figures." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00003.

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Jordan, Barry. "Acknowledgements." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00004.

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Jordan, Barry. "Young Orson, King Midas and the emerging auteur." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00005.

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Jordan, Barry. "From film freak to jack-of-all-trades." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00006.

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Jordan, Barry. "The violent image: Tesis." In Alejandro Amenábar. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526141163.00007.

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