Academic literature on the topic 'Alejo Carpentier'

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Journal articles on the topic "Alejo Carpentier"

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Echevarría, Roberto González. "Dante in Alejo Carpentier." MLN 127, no. 1S (2012): S216—S224. http://dx.doi.org/10.1353/mln.2012.0013.

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Rückel, Rita De Cássia Germano. "Jogos primaveris: (Alejo Carpentier)." Revista de História, no. 123-124 (July 30, 1991): 95. http://dx.doi.org/10.11606/issn.2316-9141.v0i123-124p95-115.

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Gelado, Viviana. "La legitimación de la música afrocubana en la crítica periodística de Alejo Carpentier." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 67–73. http://dx.doi.org/10.17851/2317-2096.17.1.67-73.

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Resumo: No marco do questionamento da “alta” cultura e da arte como instituição, levado a cabo pelos movimentos de vanguarda na América Latina, este trabalho analisa os meios utilizados por Alejo Carpentier no exercício da crítica musical, desenvolvida em crônicas jornalísticas e orientada pelo propósito de legitimar a música afro-cubana através do questionamento da cultura musical institucionalizada no final da década de vinte em Cuba.Palavras-chave: afrocubanismo; Alejo Carpentier; música.Resumen: En el marco del cuestionamiento de la “alta” cultura y del arte como institución, llevado a cab
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Maldonado, Ezequiel. "Alejo Carpentier y la música popular." Fuentes Humanísticas 30, no. 56 (2018): 9–16. http://dx.doi.org/10.24275/uam/azc/dcsh/fh/2018v30n56/maldonado.

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García-Bedoya Maguiña, Carlos. "Cien años con Alejo Carpentier." Letras (Lima) 75, no. 107-108 (2004): 87–96. http://dx.doi.org/10.30920/letras.75.107-108.5.

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El presente artículo destaca el rol del escritor cubano Alejo Carpentier en la configuración de la denominada nueva narrativa hispanoamericana. Se examina el impacto del vanguardismo sobre esa vertiente narrativa. Se aborda la etapa inicial de la obra literaria carpenteriana en el contexto de las vanguardias históricas latinoamericanas de los años 20-30. La asimilación del aporte de la vanguardia se combina con una atención del aporte africano a la cultura caribeña. Se evalúa luego el impacto en su producción de las teorías del realismo mágico o de lo real maravilloso y sus conexiones con el s
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López Lemus, Virgilio. "Alejo Carpentier o el periodista." Revista Iberoamericana 57, no. 154 (1991): 171–80. http://dx.doi.org/10.5195/reviberoamer.1991.4865.

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Vieira, Felipe de Paula Góis. "Alejo Carpentier: um escritor em busca da América." Revista Eletrônica da ANPHLAC, no. 17 (March 22, 2015): 107–38. http://dx.doi.org/10.46752/anphlac.17.2014.2162.

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ResumoEste artigo analisa a trajetória política, intelectual e literária do escritor cubano Alejo Carpentier (1904-1980). Considerando alguns dos seus dados biográficos, a ideia é compreender como, em suas obras iniciais, se articula um projeto narrativo de descrição do continente americano. Fortemente influenciado pelas vanguardas europeias do pós-guerra, Carpentier deu início à busca de uma identidade americana através da literatura. Ao analisar as obras Visión de América, El reino de este mundo e Los pasos perdidos, a intenção do artigo é compreender os protocolos através dos quais o autor
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Kovalski, Josoel. "Alejo Carpentier e o barroco americano." Ensino & Pesquisa 21, no. 2 (2023): 196–210. http://dx.doi.org/10.33871/23594381.2023.21.2.7594.

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O escritor cubano Alejo Carpentier conseguiu, a partir de uma prática escriturária emancipatória em relação aos escritos tradicionalmente aceitos, estabelecer uma releitura da práxis americana de narrar. Esforçando-se para reinserir o insólito como evento movimentador de narrativas, debruçou-se nos acontecimentos relatados pela vivência americana, tendo como conceito operatório o real maravilhoso, termo chave na invocação de uma América barroca, um barroco espacial e telúrico, a-histórico e plural. Polígrafo, e habitante esporádico da Ilha cubana, Alejo Carpentier retoma a América Latina como
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Felippe, Eduardo Ferraz. "Os nomes do nome: o caso da assinatura Alejo Carpentier." Varia Historia 30, no. 54 (2014): 827–46. http://dx.doi.org/10.1590/s0104-87752014000300011.

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Este texto parte do problema do falseamento da assinatura Alejo Carpentier para analisar sua trajetória intelectual e a intenção de controlar lugares de leitura de sua obra. Utiliza-se a troca epistolar com Roberto González Echevarría como um momento privilegiado desse controle por meio de sua escrita de si e da assinatura Alejo Carpentier. Ao fim, utiliza-se do tema da dupla assinatura com o fito de ponderar acerca das relações entre memória, escrita de si e engajamento político.
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Navarro Salazar, María Teresa. "Le scelte dantesche di Alejo Carpentier." Epos : Revista de filología, no. 22 (January 1, 2006): 203. http://dx.doi.org/10.5944/epos.22.2006.10515.

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Dante Alighieri sigue siendo hoy un autor vital, modelo en vigor para la literatura de recepción. Reflejo de su modernidad son los ejemplos de intertextualidad activos en el panorama literario universal, en el que la Divina Comedia y, en especial el Infierno, forman parte de un acervo cultural común, fuente de inspiración para muchos autores contemporáneos.
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Dissertations / Theses on the topic "Alejo Carpentier"

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Cottle, Inés. "Sobre los Pasos Perdidos de Alejo Carpentier." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100893.

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Viala, Fabienne. "Marguerite Yourcenar, Alejo Carpentier : écritures de l'histoire." Paris 3, 2004. http://www.theses.fr/2004PA030155.

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L’académicienne Marguerite Yourcenar (1903/1987) et le romancier cubain Alejo Carpentier (1904/1980) ont choisi l’Histoire comme matériau privilégié de leur création romanesque. Pour eux, la connaissance du passé est la clé de la connaissance de l’homme et, en même temps, seul le roman peut en donner une approche authentique. La fiction, mieux que l’historiographie événementielle, exhume les invariants de la condition humaine et jette des passerelles entre le passé et le présent. Les pérégrinations du personnage ouvrent une fenêtre sur une réalité révolue, tandis que sa destinée archétypale at
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Wakefield, Steve School of Modern Languages UNSW. "Returning Medusa's gaze : Baroque intertext in Alejo Carpentier." Awarded by:University of New South Wales. School of Modern Languages, 2003. http://handle.unsw.edu.au/1959.4/19141.

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This thesis studies the concept of the baroque as applied to the works of the Cuban novelist Alejo Carpentier (1904-1980). It revisits the original inspiration that the writer found in baroque architecture and sculpture, as expressed in the articles he wrote from Spain in the early 1930s, and follows his use of baroque culture in each of his novels. It is found that, through his attempt to create a period ambience for his historical fictions by incorporating into his novels descriptions of the art and architecture of the Baroque era, and by imitating the literary style of Spanish Golden Age wr
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Giovannini, Arno. "Entre culturas : Los pasos perdidos, de Alejo Carpentier /." Bern [etc.] : P: Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb355093060.

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Stanley, Linda Darnell. "Alejo Carpentier's "The kingdom of this world" and the spectral voice of communal consciousness." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013405.

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Wakefield, Steve. "Carpentier's baroque fiction : returning Meduza's gaze /." Woodbridge : Tamesis, 2004. http://catalogue.bnf.fr/ark:/12148/cb39927077v.

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Montoya, Pablo. "La musique dans l'oeuvre d'Alejo Carpentier." Paris 3, 2001. http://www.theses.fr/2001PA030093.

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Dans l'oeuvre d'Alejo Carpentier, la musique est la source de la longue phase baroque, elle structure la forme narrative, elle permet la création de personnage littéraires, elle stimule sans cesse l'imaginaire de l'écrivain et du critique. La musique est la voix qui nomme le mythe, le temps, la modernité. Elle établit des liens significatifs avec la poésie et l'histoire et occupe une place essentielle dans la construction d'une identité latino-américaine proposée par l'écrivian cubain. Les différentes études sur les relations entre musique et littérature dans l'oeuvre de Carpentier sont en gén
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Prud'homme, Annie-Claude. "Le réel merveilleux chez Yves Thériault et Alejo Carpentier /." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79972.

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This thesis is concerned with the "Americanity" of Quebec literature and the existence of a cultural formation specific to the New World, based on a context of renewal, distancing and rupture with respect to European influence. The "real maravilloso" is perceived as an inherent American mode of expression, and its presence is examined in the work of Yves Theriault and Alejo Carpentier. An analysis of the short stories, Contes pour un homme seul (1944) by Theriault and "Histoire de lunes" (1933) by Carpentier, and of the novels Agaguk (1958) and Le royaume de ce monde (1949), allows us
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Barbieri, Marcia Benedita [UNIFESP]. "A desterritorialização em Os passos perdidos de Alejo Carpentier." Universidade Federal de São Paulo (UNIFESP), 2015. http://repositorio.unifesp.br/handle/11600/39248.

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Submitted by Andrea Hayashi (deachan@gmail.com) on 2016-06-21T13:11:01Z No. of bitstreams: 1 dissertacao-marcia-benedita-barbieri.pdf: 760057 bytes, checksum: 1856372d796721bd588c1729e73537f8 (MD5)<br>Approved for entry into archive by Andrea Hayashi (deachan@gmail.com) on 2016-06-21T13:11:56Z (GMT) No. of bitstreams: 1 dissertacao-marcia-benedita-barbieri.pdf: 760057 bytes, checksum: 1856372d796721bd588c1729e73537f8 (MD5)<br>Made available in DSpace on 2016-06-21T13:11:56Z (GMT). No. of bitstreams: 1 dissertacao-marcia-benedita-barbieri.pdf: 760057 bytes, checksum: 1856372d796721bd588c172
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Dutra, Paula Raquel da Silva. "O olhar viajante: el arpay la sombra, de Alejo Carpentier." reponame:Repositório Institucional da FURG, 2007. http://repositorio.furg.br/handle/1/3552.

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Dissertação(mestrado) - Universidade Federal do Rio Grande, Programa de Pós-Graduação em Letras, Instituto de Letras e Artes, 2007.<br>Submitted by Cristiane Silva (cristiane_gomides@hotmail.com) on 2012-10-18T16:14:58Z No. of bitstreams: 1 pauladutra.pdf: 683095 bytes, checksum: 389586338864941d7c2f842ded173072 (MD5)<br>Approved for entry into archive by Bruna Vieira(bruninha_vieira@ibest.com.br) on 2013-06-17T21:13:44Z (GMT) No. of bitstreams: 1 pauladutra.pdf: 683095 bytes, checksum: 389586338864941d7c2f842ded173072 (MD5)<br>Made available in DSpace on 2013-06-17T21:13:44Z (GMT). No. of bit
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Books on the topic "Alejo Carpentier"

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Absire, Alain. Alejo Carpentier. Editions Julliard, 1994.

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Rodríguez, Alexis Márquez. Ocho veces Alejo Carpentier. Grijalbo, 1992.

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Carpentier, Alejo. Conversaciones con Alejo Carpentier. Alianza Editorial, 1998.

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Coloquio sobre Alejo Carpentier (1979 Havana, Cuba). Coloquio sobre Alejo Carpentier. Ediciones Unión, 1985.

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Alexis, Márquez Rodríguez, ed. Nuevas lecturas de Alejo Carpentier. Fondo Editorial de la Facultad de Humanidades y Educación, Universidad Central de Venezuela, 2004.

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1937-, Ainsa Fernando, and Márquez Rodríguez Alexis, eds. Alejo Carpentier ante la crítica. Monte Avila Editores, 2005.

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Luisa, Campuzano, and International Institute of Ibero-American Literature., eds. Alejo Carpentier: Acá y allá. Instituto Internacional de Literatura Iberoamericana, Universidad de Pittsburgh, 2007.

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1904-, Carpentier Alejo, ed. Alejo Carpentier y la radio. Letras Cubanas, 2003.

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Collard, Patrick. Cómo leer a Alejo Carpentier. Ediciones Júcar, 1991.

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Buscarons, Mónica. Alejo Carpentier, Gabriel García Márquez. Editorial Técnica, 1988.

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Book chapters on the topic "Alejo Carpentier"

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Wild, Gerhard. "Carpentier, Alejo." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3009-1.

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Herhaus, Ernst, and KLL. "Carpentier, Alejo: El acoso." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3012-1.

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Graf-Riemann, Elisabeth, and KLL. "Carpentier, Alejo: Concierto barroco." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3014-1.

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Wild, Gerhard. "Carpentier, Alejo: Los pasos perdidos." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3011-1.

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Wild, Gerhard. "Carpentier, Alejo: El recurso del método." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3015-1.

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MacAdam, Alfred. "D. H. Lawrence and Alejo Carpentier." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xii.29mac.

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Montiel, Marco Katz. "Theme: Alejo Carpentier Sets the Stage." In Music and Identity in Twentieth-Century Literature from Our America. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137433336_5.

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Wild, Sabine, and KLL. "Carpentier, Alejo: El reino de este mundo." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3010-1.

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Fuentes Rojo, Aurelio, and KLL. "Carpentier, Alejo: El siglo de las luces." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3013-1.

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Schwalb, Susanne. "Carpentier, Alejo: El arpa y la sombra." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3016-1.

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Conference papers on the topic "Alejo Carpentier"

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Barbieri, Márcia Benedita. "A desterritorialização em Os passos perdidos de Alejo Carpentier." In VIII Semana de Orientação Filosófica e Acadêmica. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-027.

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PESHKOV, D. I. "THE MAIN ASPECTS OF THE LATIN AMERICAN WORLDVIEW IN THE NOVELS OF ALEJO CARPENTIER “THE KINGDOM OF THE EARTH”, “LOST TRACKS” AND “THE AGE OF ENLIGHTENMENT”." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_328.

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This article will focus on how the novels of Alejo Carpentier “The Kingdom of the Earth”, “Lost Tracks”, “The Age of Enlightenment” revealed the main aspects of the Latin American worldview. Despite the fact that the original aspects of Latin American literature appeared already in the XVII century, the first attempts to comprehend the key features of the Latin American world appeared already in the twentieth century. The first structured cultural concept of Latin America was created by the Cuban writer Alejo Carpentier. To understand the Latin American worldview, he introduced the concept of
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