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Dissertations / Theses on the topic 'Aleksandŭr'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Gordana, Todorić. "Поетика постмодернизмау драмама Александра Поповића(књижевни поступци, деконструкција темељних образаца, ново читање традиције)". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2015. http://www.cris.uns.ac.rs/record.jsf?recordId=91728&source=NDLTD&language=en.

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U našem radu pokušaćemo da, na korpusu drama za odrasle, koje su u štampanom obliku dostupne javnosti, izdvajanjem samo nekih interpretativnih problema, ukažemo na ono za šta pretpostavljamo da je po-etička osnova Popovićevog rukopisa. Njihova priroda nametnula je aparaturu i strategije koje pripadaju postmodernizmu. To je stoga što i sam pisac, verujemo, jeste postmoderni pisac.Pre svega, Popovićev opus hronološki posmatrano, interferira s postmodernizmom u srpskoj književnosti, pa nas zanima priroda veze ove dve pojave. Takođe, u Popovićevom delu zna
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Ebbinghaus, Andreas. "Puskin und Russland : Zur künstlerischen Biographie des Dichters /." Wiesbaden : O. Harrassowitz, 2004. http://catalogue.bnf.fr/ark:/12148/cb39264588s.

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3

Johnson, Oliver. "Aleksandr Laktionov: A Soviet Artist." Thesis, University of Sheffield, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490187.

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What did it mean to be a successful Soviet artist? Was Socialist Realism, the official art of the Soviet Union, simply the dictated ideological product of a totalitarian cultural policy, or were its producers progressive artists, harnessed to a great national tradition and liberated from the constraints of a market-driven art establishment? These are the two Cold War poles of contention that simplify the reality of a diverse and complex art establishment. Through an analysis of Aleksandr Laktionov, a popular and contentious Soviet artist who rose to prominence in the late 1940s, it is possible
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4

Dissinger, Bettina. "Die Opern von Aleksandr Dargomyžskij /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb37633892d.

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Sambeek-Weideli, Beatrice van. "Wege eines Meisterwerks : die russische Rezeption von Puškins "Evgenij Onegin /." Bern : P. Lang, 1990. http://catalogue.bnf.fr/ark:/12148/cb35553769k.

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Griffiths, Edmund. "Aleksandr Prokhanov and post-Soviet esotericism." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486972.

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Aleksandr Prokhanov (born 1938) is a highly controversial novelist as well as editing Zavtra, perhaps the leading 'patriotic' newspaper in today's Russia. His writing-both fiction and non-fiction-is marked by a persistent return to the same group of themes (Empire, resurrection, Stalin, Afghanistan) and by abundant 'conspiracy theories'. These characteristics, though, are not unique to Prokhanov: he is the most eloquent representative of a set of views and attitudes that commands much wider assent, and that bears many of the hallmarks of an emergent belief system. The cornerstone of this belie
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7

Breunig, Markus. "Aleksandr Sekackij und der Petersburger Fundamentalismus." Diss., Ludwig-Maximilians-Universität München, 2013. http://nbn-resolving.de/urn:nbn:de:bvb:19-169220.

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Der Philosophiedozent und Schriftsteller Aleksandr Sekackij ist Mitglied der Petersburger Fundamentalisten, einem seit 2001 bestehenden Zusammenschluss Petersburger Schriftsteller, der dem neoimperialen Lager zugerechnet wird. Bekannt ist die Gruppe vor allem durch einen offenen Brief an Vladimir Putin aus dem Jahre 2001. Darin fordern sie Putin auf, Car’grad und die Dardanellen zu erobern. Sekackij gilt als Vordenker der Gruppierung. Die Arbeit untersucht den Zusammenhang zwischen dem Petersburger Fundamentalismus und Sekackij und analysiert Sekackijs Subjektpositionen, die dieser in seinen W
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8

Ossipova, Olga Marghescou Mircea. "Structures utopiques dans la vie et dans la création d'Aleksandr Grin." Créteil : Université de Paris-Val-de-Marne, 2007. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0393952.pdf.

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Thèse de doctorat : Littérature générale et comparée : Paris 12 : 2006.<br>Version électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Titre provenant de l'écran-titre. Bibliogr. : 765 réf. Index.
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9

Stojanovic, Aleksandar [Verfasser]. "Texture prediction in video coding / Aleksandar Stojanovic." Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2013. http://d-nb.info/1047970694/34.

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10

Kissel, Wolfgang Stephan. "Der Kult des toten Dichters und die russische Moderne : Puskin - Blok - Majakovskij /." Köln : Böhlau, 2004. http://catalogue.bnf.fr/ark:/12148/cb39264389k.

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Makswit, Jesko-Aleksander [Verfasser]. "Auswirkungen des Föderalismus im Glücksspielrecht. / Jesko-Aleksander Makswit." Berlin : Duncker & Humblot, 2015. http://d-nb.info/1238436498/34.

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12

Vasil’eva, Natalija V. "In memoriam Aleksandra Vasil’evna Superanskaja." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-150843.

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Am 12. März 2013 verstarb in Moskau im 84. Lebensjahr die international bekannte russische Sprachforscherin Aleksandra Vasiljevna Superanskaja. Über Jahrzehnte war sie die zentrale Persönlichkeit der russischen Onomastik.
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13

Carolinski, Flavia Cristina Moino. "Aleksandr Nikoláevitch Afanássiev e o conto popular russo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-12092008-170622/.

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A coletânea Contos populares russos, lançada de 1855 a 1863 em oito volumes, foi resultado do cuidadoso trabalho de Aleksandr N. Afanássiev (1826-1871), responsável pela reunião e publicação de cerca de 600 textos presentes nessa obra, que ganhou destaque por ser a primeira coletânea de contos populares russos de caráter científico, tornando-se assim um importante material de estudo, além de apresentar a poesia e o humor inerentes aos contos. Esta dissertação tem o objetivo de apresentar a trajetória desse pesquisador, que se dedicou não somente ao conto mas também a outras manifestações folcl
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14

Naumenko, Galina A. "The Mickiewicz subtext in Aleksandr Pushkin’s late poetry." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299117103.

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15

Zidarič, Walter. "Aleksandr S. Dargomyžskij et son opéra La Rusalka." Paris, INALCO, 1996. http://www.theses.fr/1996INAL0011.

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Cette thèse retrace la vie et la carrière du compositeur Alexandre Dargomyzskij (1813-1869) à une époque de profondes transformations pour la société russe. Sous le règne de Nicolas Ier, d'abord, il fut partie prenante du combat mené par la censure tsariste, le snobisme malveillant des aristocrates et l'hégémonie des modèles occidentaux. Le climat d'ouverture qui caractérisa, ensuite, le règne d'Alexandre II permit l'éclosion d'une culture musicale nationale qui joua un rôle de premier plan dans la société russe et devint, de plus en plus, un terrain de combat idéologique contrel'ingérence étr
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Siegel, Holger. "Aleksandr Ivanovic Turgenev (1784-1845) : ein russischer Aufklärer /." Köln : Böhlau, 2001. http://catalogue.bnf.fr/ark:/12148/cb39263224g.

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17

Vijvers, Willem Gerard. "Alexander Borodin een biografische studie /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam, 2007. http://dare.uva.nl/document/55097.

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18

Panfilowitsch, Igor. ""Mednyj vsadnik" Aleksandra Puškina istorija tolkovanij poėmy i ee soderžanie." München Sagner, 1993. http://d-nb.info/988307030/04.

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19

Perevertailenko, Dmytro Olexandrovich Grechaninov Aleksandr Tikhonovich. "The unpublished works for clarinet by Alexander Grechaninov preparing a performance edition of the Sonata no. 1 for clarinet and piano, op. 161 /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9052.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 15, 2004, Nov. 7, 2005, Nov. 8, 2006, and Apr. 9, 2008. Includes bibliographical references (p. 207-208).
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Germerdonk, Karin. "Sinfonie und Poeme : philosophische Grundlagen einer gattungsgeschichtlichen Wechselbeziehung im Werk Skrjabins /." Köln : [K. Germerdonk], 1995. http://catalogue.bnf.fr/ark:/12148/cb35826157j.

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Conradi, Wolfgang. "Puskin und die Bibel : Dargestellt an der Gavriiliada und dem Prorok /." Hamburg : Kovac, 2003. http://catalogue.bnf.fr/ark:/12148/cb392654266.

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Stupar, Aleksandar [Verfasser], and Sebastian [Akademischer Betreuer] Michel. "Soundtrack recommendation for images / Aleksandar Stupar. Betreuer: Sebastian Michel." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2013. http://d-nb.info/1053679750/34.

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23

Puzić, Aleksandar [Verfasser]. "Zeitauflösende Röntgentransmissionsmikroskopie an magnetischen Mikrostrukturen / vorgelegt von Aleksandar Puzić." Stuttgart : Max-Planck-Inst. für Metallforschung, 2007. http://d-nb.info/995391548/34.

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Furtado, Sylvia Beatriz Bezerra. "Images that resist: in the intensive Aleksander Sokurov film." Universidade Federal do CearÃ, 2010. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11178.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>The artistic phenomenon should be , first of all defined by the description of forces . In the forms , colors , sounds , materials , and in the special case of cinema mode these forces as part of automation mechanism images . In this sense Deleuze gives to the arts by assigning the role to detect the signs , capture them and make them sensitive . Such that we can no longer say about art as a place of production of meanings , but the trial of strength. It is, this field of think of art as material composition forces . Art does not r
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Mokrosz, Janusz. "Aleksander Zawadzki - działacz komunistyczny i wojewoda śląski (1945-1948)." Doctoral thesis, Katowice : Uniwersytet Śląski, 2014. http://hdl.handle.net/20.500.12128/5553.

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Główne pytanie badawcze na które starano się w niniejszej pracy odpowiedzieć odnosiło się do okoliczności w jakich to Zawadzki został powołany, a następnie odwołany z każdej z tych funkcji. Próbowano też ocenić jego rzeczywistego wpływu na przemiany zachodzące w wspomnianym okresie w obrębie formalnie podległego mu wówczas regionu. Prezentowane w dalszej części ustalenia nie są jednak pierwszą próbą wyjaśniania wszystkich pojawiających się przy okazji tak ukierunkowanej analizy niejasności. Częściowo starał się już je zinterpretować Henryk Rechowicz. Biografie Aleksandra Zawadzkiego, pióra teg
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Jankovic, Aleksandar [Verfasser]. "Die in Fehlstellung knöchern verheilte distale Radiusfraktur / Aleksandar Jankovic." Köln : Deutsche Zentralbibliothek für Medizin, 2010. http://d-nb.info/1001987748/34.

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27

Smirnova, Olga Aleksandrovna. "Opyt vdokhnoveniia v poezii Aleksandra Bloka." Thesis, Keele University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308598.

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Granat-Janki, Anna. "Forma w twórczości instrumentalnej Aleksandra Tansmana /." Wrocław : Akademia muzyczna, 1995. http://catalogue.bnf.fr/ark:/12148/cb369671677.

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Smorlesi, Anna Sofia <1995&gt. "Aleksandra Ekster: una parabola del colore." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20164.

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L’intento del presente lavoro è duplice: sottolineare come Aleksandra Ekster abbia rivestito un ruolo di trait d’union tra la nascente avanguardia russa e l’ambiente artistico francese nei primi anni ’10 del XX secolo e come l’innovativo impiego del colore, su una superficie bidimensionale come la tela e in uno spazio tridimensionale come la scena teatrale, sia la chiave di lettura privilegiata attraverso cui prendere in esame l’attività di questa poliedrica artista. La ricerca si articola in sei capitoli. I – vengono analizzati i primi esperimenti pittorici della Ekster, che risentono dell’i
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Oseev, Aleksandr [Verfasser]. "SAW based phononic crystal microfluidic sensor platform / Aleksandr Oseev." Magdeburg : Universitätsbibliothek, 2017. http://d-nb.info/114912430X/34.

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Ramos, Polyana de Almeida. "Gorie ot uma, de Aleksandr Gribóiedov tradução e aproximações." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-31052011-161733/.

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O presente trabalho é composto pela apresentação de A inteligência, que desgraça! (1825), do dramaturgo russo Aleksandr Serguéievitch Griboiédov, do universo em que foi escrita, bem como a tradução da obra-prima ao português. Essa primeira tradução carrega os dilemas inerentes à grandiosidade da linguagem e, sendo assim, o primeiro passo, na tradução da obra ao português, segue o caminho do significado para que, no futuro, o significante, complexo e rico, possa ser focado. Depois, tomamos o caminho do Teatro Russo do século XVIII e início do século XIX, seu universo neoclássico, e, ao final, a
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Engqvist, Maria. "Adaption: Översättning eller palimpsest? : Aleksandr Petrovs Son smešnogo čeloveka." Thesis, Stockholms universitet, Slaviska språk, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-143994.

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Denna magisteruppsats undersöker förhållandet mellan Fëdor Dostoevskijs Son smešnogo čelovekaoch Aleksandr Petrovs adaption av berättelsen. Adaptionen rymmer talrika referenser till några avDostoevskijs verk, liksom till Andrej Tarkovskijs film Stalker från 1979. Undersökningen har visat attDostoevskijs och Tarkovskijs konstnärskap möts genom Aleksandr Petrovs adaption, som bildar enhypertext genom filmens medium.
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Furtado, Sylvia Beatriz Bezerra. "Imagens que resistem: o intensivo no cinema de Aleksander Sokurov." reponame:Repositório Institucional da UFC, 2007. http://www.repositorio.ufc.br/handle/riufc/24566.

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FURTADO, Sylvia Beatriz Bezerra. Imagens que resistem: o intensivo no cinema de Aleksander Sokurov. 2007. 229f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2007.<br>Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-08-04T11:00:45Z No. of bitstreams: 1 2007_tese_sbbfurtado.pdf: 1141924 bytes, checksum: 14027805361c89643d42aeafc48ad609 (MD5)<br>Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-08-04T19:31:41Z (GMT) No. of bitstreams: 1 2007_tese_sbbfurtado.pdf: 1141924 bytes, checksu
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Figini, Ambra. "Aleksandra Kollontaj e la nuova donna sovietica." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/11362/.

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Questa tesi si propone di fare luce sulla figura e sulle idee di Aleksandra Michajlovna Kollontaj (San Pietroburgo 1987 – Mosca 1952), attivista per i diritti delle donne, bolscevica e membro del partito comunista sovietico, nel quadro della storia dell’Unione Sovietica dal 1917 all’inizio degli anni ’30 del Novecento. Verrà presentato l’articolo "Novaja ženščina", in cui l’autrice delinea un modello per tutte le future cittadine sovietiche: la cosiddetta 'donna nuova', che rifiuta la 'schiavitù' del ruolo esclusivo di madre e moglie e afferma la propria libertà attraverso il lavoro e l’impegn
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Gogłoza, Aleksandra [Verfasser]. "Polish Datives - an Applicative Analysis / Aleksandra Gogłoza." Berlin : Humboldt-Universität zu Berlin, 2021. http://d-nb.info/1231275014/34.

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Wang, Xifan [Verfasser], Aleksander [Akademischer Betreuer] Gurlo, Aleksander [Gutachter] Gurlo, and Paolo [Gutachter] Colombo. "Photoinduced thiol-ene click chemistry assisted additive manufacturing and freeze casting of polymer-derived ceramics / Xifan Wang ; Gutachter: Aleksander Gurlo, Paolo Colombo ; Betreuer: Aleksander Gurlo." Berlin : Universitätsverlag der TU Berlin, 2019. http://d-nb.info/1196200122/34.

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Meyer-Fraatz, Andrea. "Das Eigene und das Fremde : Kulinarisches bei Aleksandr S. Puškin." Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6791/.

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Roberts, Graham H. J. "The metafiction of Konstantin Vaginov, Aleksandr Vvedensky, and Daniil Kharms." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335707.

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Zaichenko, Aleksandr [Verfasser]. "Theoretische Beschreibung der Sauerstoffredoxchemie in Alkali/Sauerstoff-Batteriematerialien / Aleksandr Zaichenko." Gießen : Universitätsbibliothek, 2020. http://d-nb.info/1223462501/34.

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Tardivo, Marie-Aude. "Aleksandr Solzhenitsyn's 'The Gulag Archipelago' : the self before the law." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368977.

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Oliveira, Deise de. "Ensaios de Anna Akhmátova sobre Aleksandr Púchkin: diálogo entre escriores." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-04042018-170614/.

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Este trabalho propõe um estudo e a tradução direta dos ensaios escritos por Anna Akhmátova sobre a vida e a obra do escritor Alexander Púchkin. Tomar-se-á como bibliografia fundamental, portanto, o volume 6 da C (Coleção Completa) da autora. Tais ensaios têm o objetivo de preencher uma lacuna presente tanto nos estudos futuros sobre a poética de Anna Akhmátova quanto de Aleksandr Púchkin. Para tanto, a análise da obra também será contemplada, bem como o aprofundamento da vida e obra dos escritores à luz dos recursos teóricos e interpretativos oferecidos por Mikhail Bakhtin, Dominique Combe e
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Teplova, Natalia. "Traduire Pouchkine en France et au Japon au XXe siècle." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102216.

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Divided into six chapters, our thesis examines the translation of Evgenyi Onegin, a novel in verse by Aleksandr Pushkin, in France and Japan in the 20th century. In Chapter 1, we introduce our methodological approach, including the eight elements of our translation analysis: the by-who, the who, the what, the for-who, the when, the why, the where, and the how. In Chapter 2, after a brief biography of the Russian poet, we examine his central work Evgenyi Onegin, and its unique structuro-phono-semantic synthesis. The first French mention of Pushkin was in the 19th century, and the 'transfer-rela
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Aleksandrov, Aleksandar Staykov [Verfasser]. "Myocardial deformation imaging in patients with inflammatory cardiomyopathy / Aleksandar Staykov Aleksandrov." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2017. http://d-nb.info/1148425624/34.

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Salley, Keith Phillip. "Scriabin the progessive : elements of modernism in the early works of Alexander Scriabin /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404343181&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 268-280). Also available for download via the World Wide Web; free to University of Oregon users.
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Coulloudon, Virginie. "Illusions siberiennes : l'echec du gouvernement koltchak novembre 1918-janvier 1920." Paris, EHESS, 1997. http://www.theses.fr/1997EHES0105.

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Le 18 novembre 1918, les membres du parti constitutionnel-democrate (k. D. ) s'associent a plusieurs atamans cosaques et a une poignee d'officiers monarchistes pour renverser le gouvernement russe provisoire issu d'un compromis entre les partis politiques non-bolcheviques. Choisi pour sa fermete, l'amiral koltchak est nomme "gouverneur supreme" de russie ; propulse a la tete des armees blanches, il se donne comme objectif de renverser le pouvoir bolchevique. Ecartele entre des interets divergents, alexandre koltchak ne parviendra pourtant pas a se maintenir au pouvoir plus de treize mois. Dura
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Schlüter, Okke. "A. A. Sachovskoj als Vaudevilleautor im Russland Aleksandrs I. : ein "homme de théâtre" zwischen Programmatik und Pragmatismus /." Hamburg : Kovac, 2002. http://catalogue.bnf.fr/ark:/12148/cb39075372z.

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Zerwes, Erika Cazzonatto 1980. "A fotografia eloquente : arte e politica em Aleksandr Rodchenko (1924-1930)." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/282033.

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Orientador: Iara Lis Franco Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-11T21:48:18Z (GMT). No. of bitstreams: 1 Zerwes_ErikaCazzonatto_M.pdf: 7142214 bytes, checksum: 5ff053df25eee0a0095af8bfefeba586 (MD5) Previous issue date: 2008<br>Resumo: Buscou-se com este estudo analisar as fotografias produzidas pelo construtivista russo Aleksandr Rodchenko, entre 1924 e 1930, a partir de suas tramas internas, e a relação entre as imagens e o engajamento político do artista. Em sua concepç
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48

Walmsley, Keith. "Between two worlds : the fairy-tale novels of Aleksandr Fomich Vel'tman." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/7051.

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Between Two Worlds: The Fairy-Tale Novels of Aleksandr Fomich Vel'tman is a thesis devoted to four of the author's novels published during the 1830s and 1840s: Koshchei bessmertnyi (1833), Svetoslavich, vrazhii pitomets (1835), Serdtse i Dumka (1838) and Novyi Emelia, ili Prevrashcheniia (1845). It argues for the typological unity of these works based on their prominent use of fairy-tale structures and motifs, and analyses them against the backdrop of their nineteenth-century context, relating them to the emergence and development of the ‘Romantic fairy tale' as a literary genre throughout Eur
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49

Gulfo, Andrea <1987&gt. "Mišen' di Vladimir Sorokin e Aleksandr Zel’dovič. Una proposta di traduzione." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4674.

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Il lavoro consiste nella proposta di traduzione del film russo Mišen’, scritto da Vladimir Sorokin e Aleksandr Zel’dovič e diretto da quest’ultimo. Una breve introduzione in lingua russa pone le basi del lavoro e ne descrive ogni singolo capitolo, il primo dei quali è dedicato allo scrittore russo Vladimir Sorokin. Dopo una breve biografia vengono esaminate le opere dell’autore, riservando una maggiore attenzione ai romanzi, alle sceneggiature e ad alcune raccolte di racconti. Infine, si passa a esaminare lo stile dello scrittore. Il secondo capitolo è dedicato all’analisi del film preso in es
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50

Mosele, Isabella <1995&gt. "Il Moskovskij tekst negli anni ’20. I racconti di Aleksandr Kuprin." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19095.

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L’oggetto del seguente elaborato è uno studio del “Moskovskij tekst” (московский текст), e una traduzione di cinque racconti dello scrittore russo Aleksandr Ivanovič Kuprin (1870-1938), all’interno dei quali si possono riscontrare le caratteristiche del “testo moscovita”. La tesi è articolata in cinque capitoli. Nel primo capitolo sarà affrontata la nascita e lo sviluppo del “Moskovskij tekst”, le cui origini risalgono già al XIX secolo nonostante se ne inizi a parlare solamente nella prima metà del XX secolo. Il secondo capitolo invece si focalizzerà sul “Moskovskij tekst” nei primi anni
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