Relevant bibliographies by topics / Aleksej Remizov

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Aleksej Remizov'

Author: Grafiati
Published: 22 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Aleksej Remizov.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Aleksej Remizov"

1

Kalafatics, Zsuzsanna. "Интерпретация смерти в книге Мышкина дудочка Алексея Ремизова." Slavica Wratislaviensia 167 (December 21, 2018): 275–83. http://dx.doi.org/10.19195/0137-1150.167.23.

Full text
Abstract:
Interpreting death in the novel The Flute for Mice Myshkina dudochka by Aleksey RemizovA well-known fact as it is, Aleksey Remizov composed his works triggered by autobiographical motives as short texts constituting various genres. In the montage produced, the former being observed as a creative principle, dream descriptions, narratives and obituary are arranged in a set. In The Flute for Mice, which is one of Remizov’s last novels, death appears on different levels on the level of the theme, motifs and genre. Mythological parallelisms being deciphered will contribute to outline the basic and persistent element of Remizov’s worldview: bodily death is seen as the transmutation of life/soul, furthermore the space of culture is not subordinated to the laws of time. Interpretacja śmierci w powieści Мышкина дудочка Aleksieja RemizowaStworzone na emigracji autobiograficzne utwory Aleksieja Remizowa złożone są z odmiennych gatunkowo krótkich tekstów zestawionych na zasadzie montażu. Zaliczają się do nich opowiadanie-nekrolog, wspomnienie o zmarłym, lament, opis snów i widzeń, które znajdujemy w jednym z ostatnich dużych utworów Remizowa — powieści Мышкина дудочка. Śmierć przenika całą tkankę utworu: pojawia się na płaszczyźnie tematycznej, ideowej i gatunkowej. Przy interpretacji mitologicznych paraleli uwidaczniają się zasadnicze elementy światopoglądu Remizowa, dla któ­rego śmierć ciała stanowi jedynie przejście życia do innych form, a przestrzeń kultury nie podlega prawom czasu.
APA, Harvard, Vancouver, ISO, and other styles
2

Beyer, Thomas R. "Russia's Odd Couple: Andrej Belyj and Aleksej Remizov." Russian Literature 58, no. 1-2 (July 2005): 1–27. http://dx.doi.org/10.1016/j.ruslit.2005.07.001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Heinrich Riggenbach. "Aleksej Remizov im Briefwechsel mit der Übersetzerin Fega Frisch." Wiener Slavistisches Jahrbuch 6 (2018): 143. http://dx.doi.org/10.13173/wienslavjahr.6.2018.0143.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Borisova-Yurkovskaya, Elena. "Смерть как событие повседневности в творчестве Алексея Ремизова и Василия Розанова." Slavica Wratislaviensia 167 (December 21, 2018): 263–73. http://dx.doi.org/10.19195/0137-1150.167.22.

Full text
Abstract:
Death as an everyday event in the works of Aleksey Remizov and Vasily RozanovThe paper addresses the topic of death in the works of Aleksey Remizov and Vasily Rozanov, the two iconic intellectuals of the early twentieth century in Russia. Based on the works of fiction, essays, articles and correspondence of two writers, study reveals and analyzes the similarities of their philosophical and aesthetics views. It shows how the phenomenon of death is depicted in everyday life and undergoes desacralization. It also includes polemic with the philosophical milieu of the epoch D. Merezhkovsky, P. Florensky and the literary tradition on the example of N. Gogol.Śmierć jako wydarzenie codzienności w twórczości Aleksieja Remizowa i Wasilija RozanowaArtykuł przedstawia temat śmierci w pracach Aleksieja Remizowa i Wasilija Rozanowa — dwóch ikonicznych intelektualistów początku XX wieku. Na materiale utworów literatury pięknej, esejów, artykułów i korespondencji pisarzy autor ujawnia i analizuje podobieństwa ich poglądów filozoficznych i estetycznych. Pokazuje przy tym, jak fenomen śmierci jest włączany do przestrzeni codzienności i ulega desakralizacji. Uwzględnia również polemikę ze środowiskiem filozoficznym epoki Dymitr Mierieżkowski, Paweł Florenski i tradycję literacką na przykładzie Nikołaja Gogola.
APA, Harvard, Vancouver, ISO, and other styles
5

Blishch, Natallia L. "А. M. Remizov and His Heirs: Secret Paths of Philological Prose of the Late 20th Century." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 81, no. 6 (2022): 34. http://dx.doi.org/10.31857/s160578800023668-0.

Full text
Abstract:
The article deals with the creative refraction of Aleksey Remizov’s style in philological prose of the late 20th century. It is shown that it was Remizov who became the source of some philological ideas, as well as a “role model” of literary behavior for some writers. Remizov created a series of metaliterary books, where he offered a hermeneutic reading and a completely unexpected interpretation of the works of the classics. Many of his observations regarding the nature of creativity and “literary masks” were perceived by his attentive readers-philologists and dissolved in their individual styles. The section “Behind the mask of a fabulous thief” is dedicated to the style strategies of A. Sinyavsky. In the section “On the secret writing of the essayist”, some artistic techniques of A. Zholkovsky are analyzed. The article shows how writers and philologists in individual authors’ forms “reincarnate” Remizov’s stylistic techniques and strategies.
APA, Harvard, Vancouver, ISO, and other styles
6

Carden, Patricia, and A. M. Gracheva. "Aleksei Remizov: Issledovaniia i materialy." Russian Review 56, no. 1 (January 1997): 130. http://dx.doi.org/10.2307/131493.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Titarenko, S. D. "ARCHETYPES OF FEAR AND THE PROBLEM OF TRANSFORMATION OF THE GOTHIC HORROR IN A SYMBOLIST NOVEL." Culture and Text, no. 51 (2022): 55–69. http://dx.doi.org/10.37386/2305-4077-2022-4-55-69.

Full text
Abstract:
The article is dedicated to the research of gothic tradition transformation in symbolist novels of Fyodor Sologub, Valery Bryusov, Andrei Bely, Aleksey Remizov, Aleksey Skaldin and others. Archetipical and symbolic images and motifs of abyss, chaos, labyrinth and circle are analyzed. They define the change of the functions of gothic horror. The study looks at the problem of representation of ritual-mythological “rite de passage”, images of “dance macabre”, visual and sound symbols that represent existential and metaphysic fear.
APA, Harvard, Vancouver, ISO, and other styles
8

Wanner, Adrian. "Aleksei Remizov's Dreams: Surrealism Avant la Lettre ?" Russian Review 58, no. 4 (October 1999): 599–614. http://dx.doi.org/10.1111/0036-0341.00096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dowsett, Colin. "Aleksei Remizov's "The Clock" and the Russian Symbolist Novel." Modern Language Review 86, no. 2 (April 1991): 372. http://dx.doi.org/10.2307/3730537.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Smith, Marilyn Schwinn. "‘Bergsonian Poetics’ and the Beast: Jane Harrison's Translations from the Russian." Translation and Literature 20, no. 3 (November 2011): 314–33. http://dx.doi.org/10.3366/tal.2011.0034.

Full text
Abstract:
This paper traces Jane Harrison's study of Russian language, literature and culture to the shift in her understanding of primitive religion, from her adumbration of the theories Henri Bergson and Emile Durkheim in Themis (1912) to the translation of Aleksei Remizov's Russian animal tales in The Book of the Bear (1926). Formulated during the Great War, Harrison's theory regarding consciousness, language, and totemism postulated Russia as an antidote to the excesses of rationalism (often associated, in her writings, with Germany).
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Aleksej Remizov"

1

Mot, Magdalena. "Russianness in Aleksei Remizov's early writings." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99384.

Full text
Abstract:
This thesis examines three different collections from the early works of the Russian writer Aleksei Remizov (1887-1957): Posolon' (1907), Leimonarion (1907), and Besnovatye: Savva Grudtsyn and Solomoniia (1951). Each of them highlights a different approach taken by Remizov in preserving Russianness. In this analysis the concept of Russianness does not constitute a specific national or historical scheme. The reference is rather to a spiritual legacy, a condition of soul. Posolon' calls for the regaining of a lost cyclicity and looks back in time at the common folk's way of life. Leimonarion is one of the most expressive examples of the constant duality of Remizov's position on the dominant artistic and ideological ideas of the time; this collection looks at the old world through the new eyes of a modern era. "Savva Grudtsyn" and "Solomoniia" present a perpetual moral struggle, which pits the profanity of a secular world against the sacred values to which people ought to aspire.
The results of the study show that Remizov, using different themes and different literary genres, pursues one broad concern: Russianness. This theme permeates not only his literary language, but also the content of the works discussed here. In Leimonarion Russia is kept together by her people and their belief in salvation; in Posolon' Russia is all about folklore, joyful games, tales and rituals; in Besnovatye Russia is saved by the simplicity and purity of the iurodivye , the 'Holy fools.'
APA, Harvard, Vancouver, ISO, and other styles
2

Friedman, Julia P. "Alexei Remizov's threshold art : the illustrated albums of the 1930s /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174602.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

BADOLATI, MARIA TERESA. "Leggenda, realtà e finzione nell’opera di A. M. Remizov: un’analisi di "Podstrižennymi glazami"." Doctoral thesis, 2022. https://hdl.handle.net/11573/1662025.

Full text
Abstract:
La mia ricerca è dedicata all’opera di Aleksej Michajlovič Remizov (1877-1957), poliedrico e prolifico scrittore, grafico e calligrafo russo dall’esperienza creativa solitaria e isolata, emigrato, dal 1921, in Europa, dapprima a Berlino e poi definitivamente a Parigi. La produzione artistica remizoviana è straordinariamente copiosa ed eterogenea, di difficile interpretazione critica e filologica e di non semplice inquadramento letterario. La tesi, pertanto, analizza dapprima la ricezione della figura e dell’opera di Remizov in Europa e in Russia nell’ambito degli studi letterari e critici del secolo scorso e di quelli attuali, presentando lo stato dell’arte e riflettendo sulla sua collocazione nella storia letteraria russa, di cui solo oggi è riconosciuto come uno dei più originali rappresentanti. Nel ripercorrere la travagliata vicenda esistenziale e artistica di Remizov attraverso quella compositiva e narrativa dei suoi testi pseudo-autobiografici e “memorialistici” – che, nella loro totale sfasatura temporale ed eterogeneità, comprendono il periodo dal 1877 al 1954 –, in cui lo scrittore rivive e reinterpreta in maniera originale il proprio iter esistenziale e creativo, si è approfondito, dunque, il complesso rapporto tra vita, letteratura e storia nel ciclo denominato "Legenda o samom sebe" (Leggenda su me stesso). L’opera remizoviana è infatti una confessione lirica, un testamento poetico e, al contempo, una leggenda, una fiaba su se stesso, in cui ogni cosa è sottoposta a una ripensamento mitologico, dalla sua venuta al mondo, alla creazione artistica, fino al suo stesso cognome. La ricerca si concentra, poi, sull’analisi di "Podstrižennymi glazami" (Con gli occhi rasati, 1951), testo, fra quelli del ciclo, dedicato all’infanzia e all’adolescenza dello scrittore (1877-1897), principio e apogeo della sua Legenda. Ritenuto la chiave interpretativa della strategia mitopoietica remizoviana, questo libro costituisce, infatti, l’espressione globale del credo artistico dello scrittore, un complesso sistema semiotico su diversi livelli, ricco di codici di culture passate e moderne, occidentali e orientali, di rimandi mitologici, leggendari e intertestuali che ci si propone di decifrare: ad esso non sono stati infatti dedicati studi monografici, né è stato finora tradotto in italiano. L’analisi testuale prende le mosse dal paratesto e, nello specifico, dallo "strano" ed emblematico titolo, "Con gli occhi rasati", alla cui metafora-metonimia può ricondursi la motivazione dell’intero testo: proprio dalla particolare ottica visuale remizoviana, data dalla sua gravissima miopia congenita, scaturisce, infatti, la percezione straniata e insolita, deformata e deformante, intuitiva, esperienziale ed emozionale, attraverso cui lo scrittore vede e descrive il proprio mondo. In Remizov la vista è indissolubilmente connessa, poi, al concetto di memoria “interiore”, “profonda”, matrice e perno strutturante della narrazione. L’analisi si rivolge, dunque, al suggestivo sottotitolo, "Nodi e viluppi della memoria": proprio la memoria, pluristratificata e plurilivellare, genera i diversi spazi semantici del testo e i corrispondenti piani narrativi, a cui sono connessi temi, motivi, simboli, immagini, analizzati, nel dettaglio, attraverso il filtro del procedimento letterario, formulato per primo da Šklovskij, dello “straniamento”. Ed ancora, proprio lo “straniamento” viene esaminato sul piano dell’espressione, quale emerge tanto nella struttura compositiva del libro, quanto nell’uso creativo del linguaggio. Viene soprattutto approfondita la componente uditiva, sonora del testo e il suo ruolo sia a livello di composizione e struttura, sia di sintassi e lessico, sia, infine, della concezione remizoviana della parola poetica nella "teoria del modo russo", derivante dalla sua visione dell’evoluzione della lingua e della letteratura russa. Il testo di Podstrižennymi glazami costituisce proprio il risultato dell’applicazione pratica di questa teoria. Infine, ci si sofferma sull’analisi delle coordinate spazio-temporali “reali” del testo, la Mosca dell’ultimo quarto del XIX sec., in cui si svolge tutta l’azione: nel suo processo mitopoietico totalizzante, Remizov ha creato un mito personale della propria città, attuando una “sacralizzazione” dello spazio storico-geografico. Si analizza quindi la rappresentazione di Mosca, la sua funzione estetico-artistica, simbolica e strutturale nel testo stesso.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Aleksej Remizov"

1

Sergeev, O. V. Alekseĭ Remizov-uznik snov: Poėtika snovideniĭ v proze A.M. Remizova, 1890-1910-kh godov. Moskva: Moskovskiĭ pedagog. universitet, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zavgorodni͡ai͡a, Galina. Alekseĭ Remizov: Stilʹ skazochnoĭ prozy : monografii͡a. I͡Aroslavlʹ: "Litera", 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Remizov, Alekseĭ. Alekseĭ Remizov: Vozvrashchenie materialy k vystavke. Moskva: Izdatelʹstvo "Tri Kvadrata", 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Grachëva, A. M. Alekseĭ Remizov i drevnerusskai͡a︡ kulʹtura. Sankt-Peterburg: D. Bulanin, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Remizov, Alekseĭ. Aleksei Remizov's Prud (The mere): The final text of the novel. [Berkeley, CA]: Berkeley Slavic Specialties, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nachtailer, Slobin Greta, and Amherst Remizov Symposium (1985), eds. Aleksej Remizov: Approaches to a protean writer. Columbus, Ohio: Slavica Publishers, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Slobin, Greta N. Aleksej Remizov: Approaches to a Protean Writer (Ucla Slavic Studies). Slavica Pub, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Slobin, Greta N. Images of Aleksei Remizov. Amherst College, Mead Art Museum, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

M, Grachëva A., D'Amelia Antonella, Institut russkoĭ literatury (Pushkinskiĭ dom), and Università degli studi di Salerno. Dipartimento di studi linguistici e letterari., eds. Alekseĭ Remizov: Issledovanii︠a︡ i materialy. Sankt-Peterburg: In-t russkoĭ lit-ry RAN, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Alekseĭ Remizov: Issledovanii͡a︡ i materialy. Sankt-Peterburg: Dmitriĭ Bulanin, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Aleksej Remizov"

1

Denissova, Elena. "Remizov, Aleksej." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19748-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Werder, Ilse von, and Elena Denissova. "Remizov, Aleksej: Krestovye sëstry." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19749-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Smith, Marilyn Schwinn. "Aleksei Remizov’s English-language Translators:." In A People Passing Rude, 189–200. Open Book Publishers, 2012. http://dx.doi.org/10.2307/j.ctt5vjsk8.17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schwinn Smith, Marilyn. "Aleksei Remizov’s English-language Translators: New Material." In A People Passing Rude: British Responses to Russian Culture. Open Book Publishers, 2012. http://dx.doi.org/10.11647/obp.0022.13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Aleksei Remizov’s Pliashushchii demon – tanets i slovo: Cultural Memory, Dreams and Demons." In Facets of Russian Irrationalism between Art and Life, 352–69. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004311121_016.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Drews-Sylla, Gesine. "Von Martyn Zadeka über Puškin und Gogol’ bis zum Affenorden: Aleksej Remizovs Traumpoetik und ihre Kontexte." In Das nächtliche Selbst, 312–41. Wallstein Verlag, 2020. http://dx.doi.org/10.5771/9783835344808-312.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Chapter IIIB. Double Consciousness and Bilingualism in Aleksei Remizov’s Story “The Industrial Horseshoe” and the Literary Journal Chisla." In Russians Abroad, 180–98. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618116994-011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography