Journal articles: 'Alessandro'

1

Amerini, Fabrizio. "Alessandro di Alessandria su natura e soggetto della metafisica." Quaestio 5 (January 2005): 477–93. http://dx.doi.org/10.1484/j.quaestio.2.301842.

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2

Weil, Mark S., and Jennifer Montagu. "Alessandro Algardi." Art Bulletin 70, no. 2 (June 1988): 351. http://dx.doi.org/10.2307/3051125.

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3

Gautier Dalché, Patrick. "Alessandro Scafi." Revue de l'histoire des religions, no. 236 (March 1, 2019): 167–69. http://dx.doi.org/10.4000/rhr.9454.

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4

Magrini, N., and R. Smith. "Alessandro Liberati." BMJ 344, feb16 1 (February 16, 2012): e1101-e1101. http://dx.doi.org/10.1136/bmj.e1101.

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5

Watts, Geoff. "Alessandro Liberati." Lancet 379, no. 9812 (January 2012): 214. http://dx.doi.org/10.1016/s0140-6736(12)60092-0.

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6

D’Amico, Roberto. "Alessandro Liberati." Intensive Care Medicine 38, no. 5 (March 27, 2012): 912. http://dx.doi.org/10.1007/s00134-012-2527-y.

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7

Fini, Giancarlo. "Alessandro Bertoluzza." Biospectroscopy 5, no. 3 (1999): 131–32. http://dx.doi.org/10.1002/(sici)1520-6343(1999)5:3<131::aid-bspy2>3.0.co;2-s.

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8

Hurst, J. Willis, W. Bruce Fye, and Clyde Partin. "Alessandro Volta." Clinical Cardiology 25, no. 11 (November 2002): 541–43. http://dx.doi.org/10.1002/clc.4960251112.

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9

Reinhardt, Angela. "alessandro frola." tanz 15, no. 6 (2024): 14. http://dx.doi.org/10.5771/1869-7720-2024-6-014.

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10

Gould, Stephen Jay. "A Renaissance victory for the dual Alessandro." Paleobiology 28, no. 3 (2002): 304–7. http://dx.doi.org/10.1666/0094-8373(2002)028<0304:arvftd>2.0.co;2.

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Kepler famously remarked of his great Florentine friend that he could never keep sufficiently straight a man whose first name so resembled his last: Galileo Galilei. Others have labored under (or benefited from) this duality, and this third essay of my series tells a tale of the most obscure, yet highly significant, character that I have ever encountered from the early history of our science: the Neapolitan scholar (1461–1523) who called himself Alessandro ab Alessandro, or Alexander de Alexander, or Alessandro degli Alessandro—all meaning (roughly) Alexander from the family of Alexander.

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11

Lautner, Peter. "Alessandro di Afrodisia." Ancient Philosophy 17, no. 2 (1997): 501–5. http://dx.doi.org/10.5840/ancientphil199717265.

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12

Smith, Richard Langham, L'Europa Galante, Fabio Biondi, Nicholas McGegan, and Emma Kirkby. "Alessandro Scarlatti: Maddalena." Musical Times 135, no. 1819 (September 1994): 576. http://dx.doi.org/10.2307/1003314.

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13

Ross, Andrew C. "Alessandro Valignano, SJ." Missiology: An International Review 27, no. 4 (October 1999): 503–13. http://dx.doi.org/10.1177/009182969902700409.

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14

Balducci, Alessandro. "Alessandro Balducci — Italy." disP - The Planning Review 51, no. 1 (January 2, 2015): 48–49. http://dx.doi.org/10.1080/02513625.2015.1038061.

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15

Maria, Luigi Santa. "Obituary: Alessandro Bausani." Indonesia Circle. School of Oriental & African Studies. Newsletter 17, no. 47-48 (March 1989): 61–62. http://dx.doi.org/10.1080/03062848908729705.

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16

Reynolds, Joyce. "Professor Alessandro Stucchi." Libyan Studies 23 (1992): i—iii. http://dx.doi.org/10.1017/s0263718900001709.

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17

Smith, Neil T. "Alessandro Perini - Alessandro Perini, The Expanded Body. Kairos, 0015061 KAI." Tempo 76, no. 301 (July 2022): 99–100. http://dx.doi.org/10.1017/s004029822200016x.

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18

Breda, Nadia. "Eduardo Kohn, Come pensano le foreste, traduzione di Alessandro Lucera, Alessandro Palmieri, prefazione di Emanuele Coccia, Milano, Nottetempo, 2021, pp. 439." Anuac 11, no. 2 (November 27, 2022): 279–84. http://dx.doi.org/10.7340/anuac2239-625x-5403.

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19

Michálková Slimáčková, Jana. "Alessandro Poglietti in Moravia." Musicologica Olomucensia 34, no. 2 (February 9, 2023): 53–70. http://dx.doi.org/10.5507/mo.2022.013.

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20

Kieven, Elisabeth. "An Italian Architect in London: The Case of Alessandro Galilei (1691–1737)." Architectural History 51 (2008): 1–31. http://dx.doi.org/10.1017/s0066622x00003002.

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‘I will carry with me the best architect in Europe.’ With these bold words Robert, first Viscount Molesworth, announced to his wife his arrival in Ireland in the company of the young Italian architect and engineer Alessandro Galilei in May 1717. Lord Molesworth could not know that, twenty years later, Galilei would be indeed one of the best-known architects in Europe, after having built in Rome, to the order of Pope Clement XII Corsini (1730–40), the facade of San Giovanni in Laterano (St John Lateran), the Cappella Corsini in the same church and the facade of San Giovanni dei Fiorentini.Galilei was born on 25 August 1691, in Florence, the eldest son of the notary Giuseppe Maria Galilei and his wife Margherita Merlini. The Galilei family could trace their lineage to the Buonaiuti, who in the fourteenth century twice held the post of ‘Gonfaloniere della Giustizia’, then the most important position in the city government. They took the surname Galilei from the last Gonfaloniere in their family, the master of philosophy and medicine, Galileo (early fifteenth century). Even into the sixteenth century, members of the family belonged to the town council. The most famous bearer of the name was without doubt Galileo Galilei (1564–1641), from whom Alessandro was not directly descended but to whom he was remotely related. Although Alessandro’s father, Giuseppe, who in 1707 and 1711 was Proconsul of Notaries, counted himself as one of the nobili, the standing of the old patrician families had been considerably reduced under the Medici Grand Dukes because they did not actually hold a landed title. Financial decline seems also to have damaged the prestige of Alessandro’s branch of the family.

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21

Ponthoreau, Marie-Claire. "Questions à Alessandro Pizzorusso." Revue internationale de droit comparé 57, no. 4 (2005): 971–91. http://dx.doi.org/10.3406/ridc.2005.19388.

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22

Uboldi, Anna. "Alessandro Dal Lago, Serena." Questions de communication, no. 31 (September 1, 2017): 466–67. http://dx.doi.org/10.4000/questionsdecommunication.11246.

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23

Graeme, Roland. "Alessandro. George Frideric Handel." Opera Quarterly 7, no. 3 (1990): 182. http://dx.doi.org/10.1093/oq/7.3.182.

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24

Santa-Maria, Luigi. "Alessandro Bausani (1921-1988)." Archipel 38, no. 1 (1989): 13–16. http://dx.doi.org/10.3406/arch.1989.2583.

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25

Rudoni, Elia R. "L’opus florentissimumdi Alessandro Severo." Philologus 156, no. 1 (June 2012): 140–49. http://dx.doi.org/10.1524/phil.2012.0008.

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26

Salih, Jasmin. "Alessandro Sanna: Illustrator – Italy." Bookbird: A Journal of International Children's Literature 54, no. 2 (2016): 35. http://dx.doi.org/10.1353/bkb.2016.0063.

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27

Moretta, Lorenzo, and Alberto Mantovani. "Alessandro Moretta 1953–2018." Nature Immunology 19, no. 4 (March 21, 2018): 315. http://dx.doi.org/10.1038/s41590-018-0075-5.

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28

Del Giudice. "Alessandro Falassi (1945-2014)." Journal of American Folklore 128, no. 509 (2015): 349. http://dx.doi.org/10.5406/jamerfolk.128.509.0349.

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29

Bernardini, Aurora F. "Entrevista com Alessandro Baricco." Revista de Italianística, no. 14 (December 30, 2006): 213. http://dx.doi.org/10.11606/issn.2238-8281.v0i14p213-216.

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30

Moretta, Lorenzo, and Eric Vivier. "Alessandro Moretta (1953–2018)." Immunity 48, no. 4 (April 2018): 601–2. http://dx.doi.org/10.1016/j.immuni.2018.03.021.

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31

Pistoia, Vito, Guido Ferlazzo, and Angelo Vacca. "Alessandro Moretta (1953-2018)." European Journal of Immunology 48, no. 4 (April 2018): 562–63. http://dx.doi.org/10.1002/eji.201870067.

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32

Paolucci, Giulio, and Susanna Sarti. "Alessandro François a Vulci." Mélanges de l'École française de Rome. Antiquité, no. 135-2 (January 1, 2023): 317–31. http://dx.doi.org/10.4000/mefra.15185.

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33

Santoni, François. "ALESSANDRO MAGNO NEL DIALOGO TRA ROMANI E GRECI." Grecorromana 4 (December 26, 2022): 65–78. http://dx.doi.org/10.53382/issn.0719-9902.40.

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L’obiettivo di questo lavoro è di andare oltre gli strumenti analitici di imitatio, aemulatio e comparatio dedicati allo studio delle ricezioni romana della figura di Alessandro Magno, indagando sull’uso della sua immagine nelle interazioni tra Romani e Greci. Considerando che la maggior parte delle ricezioni che ci vengono trasmesse dalle fonti sono legate agli usi dell’immagine di Alessandro destinati ad un pubblico, si possono individuare situazioni in cui il Macedone rappresenta uno strumento di dialogo, e talvolta di negoziazione tra Romani e Greci. Per i primi, l’intento è di ottenere l’adesione delle comunità ellenistiche alla loro politica o ai loro magistrati, per i secondi si tratta di conseguire dei vantaggi dai loro legami con Alessandro.

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34

Quinlan-McGrath, Mary. "Caprarola's Sala della Cosmografia." Renaissance Quarterly 50, no. 4 (1997): 1045–100. http://dx.doi.org/10.2307/3039404.

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Il pontificato non vuol esser cercato, e chi lo cerca non lo trovaPaul III Farnese to Cardinal Alessandro FarneseThe Massive Palazzo Farnese at Caprarola looms over its plain, a mute witness to the former power of the family (fig. 1). The rocca was initiated by the first Cardinal Alessandro (Pope Paul III) and fully and magnificently developed by the second Cardinal Alessandro, his grandson. Inside, its decoration boasts of family deeds and silently eliminates family failures. Much of the decoration was minutely described by contemporaries, and documents and decoration have been carefully studied by modern scholars. However one of the major halls, that which evoked the greatest contemporary admiration, the Sala della Cosmografia, can profitably be looked at again (figs. 2-4, 8, 9).

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35

Kuchina, Natalia. "The theatricality and cinematography of Alessandro Baricco's literary works." Филология: научные исследования, no. 1 (January 2024): 1–8. http://dx.doi.org/10.7256/2454-0749.2024.1.69488.

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The subject of the study is stylistic and genre techniques that go beyond literary traditions. The object of the research is the early works of Alessandro Baricco, the novels "Silk" and "Sea-Ocean", the scenario - monologue "1900: the legend of the pianist", the novel – scenario "Smith & Wesson" ("Smith & Wesson"), the novel "City". The research is going to show individual features and artistic techniques that allow achieving the greatest imagery, to identify innovative features of Alessandro Baricco's poetics. Baricco's literary narrative is completed by elements imitating acoustic and visual effects, which allows the reader to build suggestive images in mind, intense with visual and sound effects. This article research two types of works by Alessandro Baricco: those that were originally written not only for reading, but also for staging in the theater; and those where elements of theatricality and cinematography are implicitly inscribed in the text. The scientific novelty of the work is due to show various aspects related to the individuality of the author's thinking. The works of Alessandro Baricco are characterized by syncretism. The writer weaves elements from the theater and cinema into the narrative canvas, which makes his prose highly suggestive. It is also possible to talk about two author's strategies: a detailed description of the visual and sound accompaniment of the action, or half-hints aimed at the gradual recognition of interwoven theatrical and cinematic techniques, hints that help the reader understand what is happening. The results of the study can serve to expand interest to the work of Alessandro Baricco and further research his literature works as a whole with the diverse activities of Baricco in the world of culture.

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36

Giaquinto, Alessandro. "die vergangenheit des anderen." tanz 14, Jahrbuch (2023): 40–43. http://dx.doi.org/10.5771/1869-7720-2023-jahrbuch-040.

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37

Grgić Maroević, Iva, and Sandra Milanko. "MATE ZORIĆ ON ALESSANDRO MANZONI." Folia linguistica et litteraria XI, no. 33 (2020): 161–76. http://dx.doi.org/10.31902/fll.33.2020.8.

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The article focuses on Mate Zorić’s scientific production dedicated to Manzoni and to the reception of The Betrothed among Croatian writers and readership. His critical interest is due to Manzoni’s close ties to Marko Kažotić and Niccolò Tommaseo, writers amply studied by Zorić since the 1950s. A third reason of his critical interest, discussed in this article, is Manzoni’s popularity among the Croatian readership through the translations of his works. The merit of Zorić is not only that of having identified the first attempt at translating Manzoni’s masterpiece in the archives of the National and University Library in Zagreb, but also of having applied the results of the studies of Croatian and Comparative Literature to the studied material. Attributing (along with the literary critic Emil Štampar) the translation published in 1875-1876 to the Croatian writer and translator Josip Eugen Tomić, Zorić also illustrates “the echoes of Manzoni” in the formation and flourishing of the Croatian historical novel. Mate Zorić’s work continues to stimulate further research on the subject from the perspectives of Comparative Literature and Translation Studies.

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38

Crosta (book author), Alice, and Patrizia Bettella (review author). "Alessandro Manzoni nei paesi anglosassoni." Quaderni d'italianistica 35, no. 2 (July 22, 2015): 284–87. http://dx.doi.org/10.33137/q.i..v35i2.23631.

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39

Niño Rodríguez, Antonio. "Alessandro Seregni, El antiamericanismo español." Mélanges de la Casa de Velázquez, no. 38-2 (November 15, 2008): 276–78. http://dx.doi.org/10.4000/mcv.684.

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40

Ciambelli, Patrizia, and Daniele Jalla. "Alessandro Roccavilla, ethnographe par hasard." Le Monde alpin et rhodanien. Revue régionale d’ethnologie 31, no. 1 (2003): 169–90. http://dx.doi.org/10.3406/mar.2003.1814.

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41

López Noriega, Mauricio. "Alessandro Baricco, Homero, Ilíada: [reseña]." Estudios: filosofía, historia, letras 4, no. 76 (2006): 159. http://dx.doi.org/10.5347/01856383.0076.000173687.

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42

Grgić Maroević, Iva, and Sandra Milanko. "MATE ZORIĆ ON ALESSANDRO MANZONI." Folia linguistica et litteraria XI, no. 33 (2020): 161–76. http://dx.doi.org/10.31902/fll.33.2020.8.

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The article focuses on Mate Zorić’s scientific production dedicated to Manzoni and to the reception of The Betrothed among Croatian writers and readership. His critical interest is due to Manzoni’s close ties to Marko Kažotić and Niccolò Tommaseo, writers amply studied by Zorić since the 1950s. A third reason of his critical interest, discussed in this article, is Manzoni’s popularity among the Croatian readership through the translations of his works. The merit of Zorić is not only that of having identified the first attempt at translating Manzoni’s masterpiece in the archives of the National and University Library in Zagreb, but also of having applied the results of the studies of Croatian and Comparative Literature to the studied material. Attributing (along with the literary critic Emil Štampar) the translation published in 1875-1876 to the Croatian writer and translator Josip Eugen Tomić, Zorić also illustrates “the echoes of Manzoni” in the formation and flourishing of the Croatian historical novel. Mate Zorić’s work continues to stimulate further research on the subject from the perspectives of Comparative Literature and Translation Studies.

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43

Adani, Roberto. "Professor Alessandro Caroli (1933–2021)." Journal of Hand Surgery (European Volume) 47, no. 3 (December 13, 2021): 335. http://dx.doi.org/10.1177/17531934211064213.

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44

Romagnani, Gian Paolo. "Alessandro Galante Garrone storico civile." PASSATO E PRESENTE, no. 92 (June 2014): 91–108. http://dx.doi.org/10.3280/pass2014-092007.

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45

BANI, Luca. "Cesare Cantù e Alessandro Manzoni." Giornale storico della letteratura italiana 190, no. 629 (January 2013): 94–109. http://dx.doi.org/10.1484/j.gsli.5.129311.

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46

Motte, Warren. "Mr. Gwyn by Alessandro Baricco." World Literature Today 88, no. 5 (2014): 74–75. http://dx.doi.org/10.1353/wlt.2014.0146.

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47

Becchi, Paolo. "Alessandro Baratta filosofo del diritto." RITORNO AL DIRITTO, no. 7 (February 2009): 67–81. http://dx.doi.org/10.3280/rit2008-007010.

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48

Pollard, John. "Alessandro Torlonia: the Pope’s banker." Journal of Modern Italian Studies 23, no. 5 (October 20, 2018): 678–79. http://dx.doi.org/10.1080/1354571x.2018.1535944.

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49

Rowell, Charles H., Agostino R. Strina, and Alessandro Cesar. "An Interview with Alessandro Cesar." Callaloo 19, no. 3 (1996): 719–24. http://dx.doi.org/10.1353/cal.1996.0140.

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50

KING, R. G. "CLASSICAL HISTORY AND HANDEL'S 'ALESSANDRO'." Music and Letters 77, no. 1 (February 1, 1996): 34–63. http://dx.doi.org/10.1093/ml/77.1.34.

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Journal articles on the topic 'Alessandro'

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