Relevant bibliographies by topics / Alexander Paleologu

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Academic literature on the topic 'Alexander Paleologu'

Author: Grafiati
Published: 4 June 2025
Last updated: 23 June 2025

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Journal articles on the topic "Alexander Paleologu"

1

Grati, Aliona. "THE GOOD SENSE OR WHAT CAN COME OUT FROM THE LITERARY CRITIC'S INTELLIGENCE." Akademos 2 (August 9, 2019): 114–17. https://doi.org/10.5281/zenodo.3364355.

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This article offers an analysis of the concept of literary critique „good sense”, which is imposed by Alexandru Paleologu in 1972 and which generated the emulation in literary criticism from Romania. The text is implicitly a presentation of his the most well-known book, Bunul-simţ ca paradox (The Good sense as a paradox), which includes a collection of essays and personal meditations about art, morality and philosophy, more specifically their relationship with literature. The Good sense is a metaphor designed to support the concept of modernism, a sort of precautionary strategy, part of the integral language of the epoch, but which amounts to a general-valid level for all times. The Good sense is the synthesis of several qualities that the literary critic must possess, by reason, lucidity, moderation, consistency and wisdom. There are virtues that imply moral, of course, but Alexander Paleologu first analyzes them as „working” and „knowledge” techniques of the critic.
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2

UNGUREANU, Vasile. "Le diplomate Alexandru Paleologu." Analele Ştiinţifice ale Universităţii „Alexandru Ioan Cuza” din Iaşi, s.n., Istorie 69 (2024): 249–62. http://dx.doi.org/10.47743/asui-2023-0016.

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Alexandru Paleologu (March 14, 1919, Bucharest – September 2, 2005, Bucharest) was a very well-known Romanian public figure, especially for his work as a writer, essayist and literary critic, but also as a politician and former ambassador of Romania in Paris during the first months of 1990. His appointment as ambassador was a political one, since Alexandru Paleologu was not a career diplomat at that time. Less well known is the fact that Alexandru Paleologu was a career diplomat between August 1, 1946 and November 20, 1947.
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3

Patraș, Antonio, and Roxana Patraș. "For a noble and sentimental literature: N. Steinhardt and the essay as a form of freedom." Swedish Journal of Romanian Studies 7, no. 2 (2024): 95–111. http://dx.doi.org/10.35824/sjrs.v7i2.26127.

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N. Steinhardt, the author of Jurnalul fericirii [The Diary of Happiness], was not only an exquisite intellectual colporteur, but also an erudite essayist of astonishing spontaneity, who gave his intellectual discourse a remarkable cultural breadth, which places him in the same spiritual family as Alexandru Odobescu, Paul Zarifopol, Mihail Ralea, Alexandru Paleologu or Andrei Pleșu. In spite of the diversity of the themes addressed, the essays of the later monk of Rohia preserve a basic unity, revealed in a coherent modus cogitandi and a defensive ethos, intended to protect individual freedom through recourse to modesty and to what Paleologu called common sense as paradox. Reading Steinhardt’s essays is also a powerful antidote to laziness of thought, offering the reader the chance to escape from the narrow horizon of commonplaces. Leaving aside the prison memorial and the texts on religious subjects, which are permeated by the same essayistic vein, we highlighted the fact that Steinhardt understood literary criticism as an ingenious creative activity, polemically anti-positivist, susceptible to new and surprising cultural analogies, incessantly pleading for the rehabilitation of subjectivity, emotion and feeling as essential factors in the process of knowledge, from the perspective of a fundamental humanism drawing from Montaigne’s tradition.
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4

Firică, Ștefan. "O alianță literară. De la critica biografică la întoarcerea autorului." Revista de Istorie și Teorie Literară 17 (December 30, 2023): 52–62. http://dx.doi.org/10.59277/ritl.2023.17.06.

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In the milieu of interwar Romanian modernism, Șerban Cioculescu showed a particular interest in the making of literary biographies, which in the post-war decades resulted in a self-styled version of biographical criticism. This article follows the avatars of a heated debate developed in 1970-‘80s around the life and works of writer Mateiu I. Caragiale, involving, on the one hand, Alexandru George, Alexandru Paleologu, and N. Steinhardt, and on the other, Șerban Cioculescu and Eugen Simion. While the former group claims a textual hermeneutics devoid of biographical speculation, the latter supports the revival of biography-based analysis. Eugen Simion finds in Șerban Cioculescu’s approach a valuable ally, while preparing his book Întoarcerea autorului (The Return of the Author, 1981), to defy the mainstream anti-biographical orientation of Romanian criticism, and reintroduce, in the spirit of French theory (like Jean Starobinski or Serge Doubrovsky’s), the figure of the author in text interpretation.
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Books on the topic "Alexander Paleologu"

1

Urian, Tudorel. Viețile lui Alexandru Paleologu. Editura Vremea, 2010.

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2

Paleologu, Alexandru. Nostalgia Europei: Volum în onoarea lui Alexandru Paleologu. Polirom, 2003.

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3

Andreescu, Gabriel. Naționaliști, antinaționaliști--: O polemică în publicistica românească : Alexandru Paleologu, Fey Laszló, Daniel Vighi, Liviu Andreescu, Laurențiu Ulici, Dan Oprescu. Polirom, 1996.

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4

Sava, Iosif. Muzica și spectacolul lumii: 10 serate TV cu Mihai Șora, Sergiu Celibidache, Radu Palade, Alexandru Paleologu, Dan Grigore, Andrei Șerban, Cristian Tudor Popescu, Dan Setlacec. Polirom, 1998.

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5

Viețile lui Alexandru Paleologu. Editura Vremea, 2010.

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6

Invitații Eutherpei: 8 serate TV cu Alexandru Zub, Alexandru Paleologu, Dorin Tudoran, Mircea Dinescu, Ana Blandiana, Alina Mungiu, Gheorghe Buzatu, Florin Constantiniu, Ion Cristoiu, Cristian Popișteanu, Mircea Suciu, Stelian Tănase, Andrei Pleșu, Vladimir Tismăneanu, Mircea Mihăieș. Polirom, 1997.

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