Relevant bibliographies by topics / Alexander Scriabin

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Alexander Scriabin'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Alexander Scriabin"

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SHUMILIN, DMITRIY. "The Minor Mode in Alexander Scriabin’s Last Works: 150th Anniversary of Alexander Scriabin." Временник Зубовского института, no. 4 (2021): 168–82. http://dx.doi.org/10.52527/22218130_2021_4_168.

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Samson, T. J., and James M. Baker. "The Music of Alexander Scriabin." Journal of Music Theory 32, no. 2 (1988): 353. http://dx.doi.org/10.2307/843440.

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Pople, Anthony, and James M. Baker. "The Music of Alexander Scriabin." Music Analysis 7, no. 2 (1988): 215. http://dx.doi.org/10.2307/854057.

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Topilin, D. I. "Alexander Scriabin. An elite composer." Muzyka. Iskusstvo, nauka, praktika, no. 4 (2022): 52–61. http://dx.doi.org/10.48201/22263330_2022_40_52.

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Trifunović, Branislava. "The Scriabin postcard: The importance of Alexander Nikolayevich Scriabin in the intellectual circles of the Russian fin de siècle." Zbornik Akademije umetnosti, no. 10 (2022): 188–201. http://dx.doi.org/10.5937/zbaku2210188t.

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Due to the rich and stylistically heterogeneous artistic creativity of Alexander Nikolayevich Scriabin, his affinity towards various philosophical and religious narratives, as well as to his interest and accomplishments in the domain of poetry, the discourse created around the name and works of Scriabin has been abundant with exceptional diversity in artistic, critical and ideological context. Contemporary researchers, dealing with such often conflicting views on the art and worldview of Alexander Scriabin, are faced with numerous issues and doubts. In this paper, two questions are posed that
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Listengarten, Julia. "Visual Aurality in Russian Modernist Experiments: Explorations in Synesthesia and Auditory Imagination." Recherches sémiotiques 35, no. 2-3 (2018): 77–96. http://dx.doi.org/10.7202/1051069ar.

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Russian modernist experiments in sensory communication include the interplay of sound and light in Alexander Scriabin’s symphonic mysteries as well as colored sounds in Wassily Kandinsky’s stage compositions. Inspired by various philosophical principles and creative methodologies, these artists explored the dialogue between the aural and the visual and its potential to influence the creative process and impact audience perception. This article seeks to assess the role of music and sound in synesthetic experiments of Scriabin and Kandinsky and place their theory and practice within the larger p
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Trifunovic, Branislava. "Composer of the revolution: Scriabin’s idea of the Mysterium - the total work of art." Muzikologija, no. 26 (2019): 161–81. http://dx.doi.org/10.2298/muz1926161t.

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The purpose of this paper is to demonstrate that Alexander Scriabin with his conception of the total work of art, named Mysterium, unconsciously provided the artistic vision of revolutionary claims, anticipating the October Revolution of 1917. Since the first decade of the 20th century, the revolutionary conscience was a singular feature of the Russian intelligentsia, so the concept of Mysterium was, in such social climate, a concept of force that prompted the artist to seek a better world. Just like avant-garde artists - whose actions are an intervention in social systems - in his Mysterium S
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Guenther, Roy J. "The Music of Alexander Scriabin . James M. Baker ." Journal of the American Musicological Society 41, no. 1 (1988): 194–99. http://dx.doi.org/10.1525/jams.1988.41.1.03a00090.

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Witztum, Eliezer, and Vladimir Lerner. "Alexander Nikolaevich Scriabin (1872–1915): Enlightenment or illness?" Journal of Medical Biography 24, no. 3 (2016): 331–38. http://dx.doi.org/10.1177/0967772014537151.

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Dyatlov, D. A. "THE LAST OPUS OF ALEXANDER SCRIABIN AS A MUSICAL "SKETCH" OF THE MYSTERY." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 86 (2022): 63–73. http://dx.doi.org/10.37313/2413-9645-2022-24-86-63-73.

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The article is devoted to the last piano opus by A.N. Scriabin - Five Preludes Op. 74 - in whose music one can see a certain artistic intention associated with the general idea of Scriabin - a musician and thinker. For a number of years the composer was completely absorbed in the idea of the Mystery. The grandiose plan involved the involvement of all mankind in a synthetic action in which civilization and culture would come to an end of their existence. The ecstatic feeling was to become the condition of unity in the last act of creation. The obvious impracticability of the Mystery was express
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Dissertations / Theses on the topic "Alexander Scriabin"

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Salley, Keith Phillip. "Scriabin the progessive : elements of modernism in the early works of Alexander Scriabin /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404343181&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 268-280). Also available for download via the World Wide Web; free to University of Oregon users.
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Song, Soomi. "The Development of Expressionism in Alexander Scriabin’s Piano Sonatas." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535701694022433.

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Lee, Kuo-Ying. "An Examination of Innovations in Alexander Scriabin’s Late Etudes for Piano." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407854/.

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Alexander Scriabin (1872-1915) stands as one of the most unconventional twentieth-century Russian composers, particularly with respect to his piano works. The overwhelming majority of Scriabin's compositions—sixty-seven of his seventy-four published works—were written for solo piano. His etudes from 1905 forward are revolutionary, especially compared with his earlier Chopinesque style. Among Scriabin’s twenty-six etudes, his Op.49, No. 1 (1905), Op.56, No. 4 (1908) and the last three etudes of Op.65 (1912) date from his last period of composition. In the Op.49 etude, Scriabin started to abando
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Barany-Schlauch, Elizabeth A. "Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1239362920.

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Coelho, Luís Miguel Carvalhais Figueiredo Borges. "Alexander Scriabin: the definition of a new sound space in the crisis of tonality." Doctoral thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/19157.

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This dissertation describes the new compositional system introduced by Scriabin in 1909– 1910, focusing on Feuillet d’Album op. 58, Poème op. 59, nº1, Prélude op. 59, nº2 and Promethée op. 60. Based upon exhaustive pitch and formal analysis the present study (a) claims the inexistence of non-functional pitches in all analysed works, (b) shows that transpositional procedures have structural consequences on the “basic chord”, and (c) for the first time advances an explanation on the intrinsic relation between the sonata form and the slow Luce line in Promethée op. 60; RESUMO: Sob o título de
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Sukhina, Nataliya. "Alexander Scriabin (1871-1915) piano miniature as chronicle of his creative evolution, complexity of interpretive approach and its implications /." Thesis, Recital, recorded Feb. 27, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6048.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 22, 2004, Mar. 28, 2005, Feb. 27, 2006, and Nov. 26, 2007. Includes bibliographical references (p. 82-86).
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Cull, Logan P. "The Mysteries of Spirit: Cross-Currents in Russian Modernism (Alexander Scriabin & Nikolai Shperling)." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1494013315151203.

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KEE, SOONBOK. "Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896.

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Hoffman, Brian D. "Tonal mirages a multifaceted view of tonality in the early transitional pieces of Alexander Scriabin /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204809598.

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Thesis (Master of Music)--University of Cincinnati, 2008.<br>Advisor: Title from electronic thesis title page (viewed May 8, 2008). Includes abstract. Keywords: Steven Cahn (Advisor); David Berry (Committee Member); Catherine Losada (Committee Member) Includes bibliographical references.
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HOFFMAN, BRIAN D. "Tonal Mirages: a multifaceted view of tonality in the early transitional pieces of Alexander Scriabin." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204809598.

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Books on the topic "Alexander Scriabin"

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The music of Alexander Scriabin. Yale University Press, 1986.

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M, Baker James. The music of Alexander Scriabin. Yale University Press, 1986.

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The performing style of Alexander Scriabin. Ashgate, 2011.

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Ruckman, Robert Craig. The etudes of Alexander Scriabin: A performance perspective. UMI, 1987.

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Das Auge hört mit: Die Idee der Farblichtmusik und ihre Problematik, beispielhaft dargestellt an Werken von Alexander Skrjabin und Arnold Schönberg. P. Lang, 1996.

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Alexander, Scriabin Piano Competition (1st 1995 Nizhniĭ Novgorod Russia and Moscow Russia). Pervyĭ Mezhdunarodnyĭ konkurs pianistov imeni Aleksandra Nikolaevicha Skri͡a︡bina: Nizhniĭ Novgorod, Moskva, i͡a︡nvarʹ-fevralʹ 1995 = First Alexander Scriabin Piano Competition : Nizhny Novgorod, Moscow, January-February, 1995. s.n., 1995.

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Kelkel, Manfred. Alexandre Scriabine: Un musicien à la recherche de l'absolu. Fayard, 1999.

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Carpenter, Ellon D. Alexander Scriabin: A Guide to Research. Taylor & Francis Group, 2000.

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Leikin, Anatole. The Performing Style of Alexander Scriabin. Routledge, 2016. http://dx.doi.org/10.4324/9781315554761.

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Notebooks of Alexander Skryabin. Oxford University Press, Incorporated, 2018.

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Book chapters on the topic "Alexander Scriabin"

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Altenmüller, Eckart. "Alexander Scriabin." In Music, Neurology, and Neuroscience: Historical Connections and Perspectives. Elsevier, 2015. http://dx.doi.org/10.1016/bs.pbr.2014.11.031.

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"ALEXANDER SCRIABIN." In Nicolas Slonimsky: Writings on Music. Routledge, 2003. http://dx.doi.org/10.4324/9780203970294-15.

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"SCRIABIN, ALEXANDER." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-421.

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"ALEXANDER SCRIABIN (ALEKSANDR NIKOLAYEVICH SKRYABIN)." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.56.

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"Alexander Scriabin (Aleksandr Nikolayevich Skryabin) (1872–1915)." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300242720-054.

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Pouradier, Maud. "SCRIABINE, Alexandre." In Les théoriciens de l'art. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0625.

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Conference papers on the topic "Alexander Scriabin"

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Lee, Kuo-Ying. "The Technological Revolution of the Coloured Organ in Alexander Scriabin’s Fifth Symphony, Prometheus, Poem of Fire." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.022.

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