Relevant bibliographies by topics / Alexander Scriabine

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  2. Dissertations / Theses
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Academic literature on the topic 'Alexander Scriabine'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Alexander Scriabine"

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Parascandola, John. "Pharmaceutical Innovation: Revolutionizing Human Health. Ralph Landau , Basil Achilladelis , Alexander Scriabine." Isis 92, no. 1 (2001): 231–32. http://dx.doi.org/10.1086/385160.

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Janis, Ronald A. "Collaborating with Alexander Scriabine and the Miles Institute for Preclinical Pharmacology." Biochemical Pharmacology 98, no. 2 (2015): 318–21. http://dx.doi.org/10.1016/j.bcp.2015.06.017.

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OPIE, L. "Alexander Scriabine, Editor, New Cardiovascular Drugs 1985, Raven Press, New York (1985), p. 320." Journal of Molecular and Cellular Cardiology 19, no. 3 (1987): 331–32. http://dx.doi.org/10.1016/s0022-2828(87)80601-6.

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Lefer, Allan M. "New cardiovascular drugs 1987 Edited by Alexander Scriabine Raven Press, New York (1987) 271 pages, Illustrated, $69.00 ISBN: 0-88167-308-0." Clinical Cardiology 11, no. 3 (1988): 196. http://dx.doi.org/10.1002/clc.4960110316.

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Taruskin, R. "James M. Baker. The Music of Alexander Scriabin. New Haven and London: Yale University Press, 1986. Boris de Schloezer. Scriabin: Artist and Mystic. Translated from the Russian by Nicolas Slonimsky with an Introduction by Marina Scriabine. Berkeley and Los Angeles: University of California Press, 1987." Music Theory Spectrum 10, no. 1 (1988): 143–69. http://dx.doi.org/10.1525/mts.1988.10.1.02a00100.

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Listengarten, Julia. "Visual Aurality in Russian Modernist Experiments: Explorations in Synesthesia and Auditory Imagination." Recherches sémiotiques 35, no. 2-3 (2018): 77–96. http://dx.doi.org/10.7202/1051069ar.

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Russian modernist experiments in sensory communication include the interplay of sound and light in Alexander Scriabin’s symphonic mysteries as well as colored sounds in Wassily Kandinsky’s stage compositions. Inspired by various philosophical principles and creative methodologies, these artists explored the dialogue between the aural and the visual and its potential to influence the creative process and impact audience perception. This article seeks to assess the role of music and sound in synesthetic experiments of Scriabin and Kandinsky and place their theory and practice within the larger p
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Piechnat, Mateusz. "Scriabin – piano music in the context of the composer’s creative ideology. Part 2." Notes Muzyczny 2, no. 10 (2018): 103–21. http://dx.doi.org/10.5604/01.3001.0012.9814.

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The article is the second part of the text devoted to the profile and piano works of Alexander Scriabin. The composer had an extraordinary piano talent and the ability of coloured hearing. He worked out an innovative musical language based on a unique harmonic style. He was an unprecedented visionary of art, he had knowledge on philosophical topics, he was also a mystic who wanted to save the mankind thanks to his creative output. Throughout the period of around 20 years, Scriabin’s musical language transformed drastically, which is most fully shown in his piano pieces, especially miniatures a
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Kaiser, Carl. "Pharmaceutical Innovation. Revolutionizing Human Health Edited by Ralph Landau, Basil Achilladelis, and Alexander Scriabine. Chemical Heritage Press, Philadelphia. 1999. xxiii + 408 pp. 16 × 24 cm. ISBN 0-941901-21-1. $44.95." Journal of Medicinal Chemistry 43, no. 9 (2000): 1899–900. http://dx.doi.org/10.1021/jm000120h.

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Samson, T. J., and James M. Baker. "The Music of Alexander Scriabin." Journal of Music Theory 32, no. 2 (1988): 353. http://dx.doi.org/10.2307/843440.

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Pople, Anthony, and James M. Baker. "The Music of Alexander Scriabin." Music Analysis 7, no. 2 (1988): 215. http://dx.doi.org/10.2307/854057.

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Dissertations / Theses on the topic "Alexander Scriabine"

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Rossignol, Paule Renée Laure Lola. "Poétique de la sonate pour piano d'Alexandre Scriabine : Analyse, signification." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10114.

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Personnalité fascinante et originale, véritable figure de proue du courant musical moderne de la Russie au début du XXe siècle, Alexandre Scriabine a souvent été déconsidéré. Cette étude sur la poétique du piano chez Scriabine à travers ses dix sonates (douze en comptant les deux qui n'ont pas de numéro d'opus) essaiera de ne pas séparer la dimension pratique d'exécution de ses oeuvres et la dimension réflexive visant ici à découvrir la "poétique" qui leur est implicite. L'analyse centrale de l'ensemble du cycle des Sonates sera axée sur l'étude des formes, des morphologies, architectures musi
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Salley, Keith Phillip. "Scriabin the progessive : elements of modernism in the early works of Alexander Scriabin /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404343181&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 268-280). Also available for download via the World Wide Web; free to University of Oregon users.
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Lee, Kuo-Ying. "An Examination of Innovations in Alexander Scriabin’s Late Etudes for Piano." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407854/.

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Alexander Scriabin (1872-1915) stands as one of the most unconventional twentieth-century Russian composers, particularly with respect to his piano works. The overwhelming majority of Scriabin's compositions—sixty-seven of his seventy-four published works—were written for solo piano. His etudes from 1905 forward are revolutionary, especially compared with his earlier Chopinesque style. Among Scriabin’s twenty-six etudes, his Op.49, No. 1 (1905), Op.56, No. 4 (1908) and the last three etudes of Op.65 (1912) date from his last period of composition. In the Op.49 etude, Scriabin started to abando
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Song, Soomi. "The Development of Expressionism in Alexander Scriabin’s Piano Sonatas." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535701694022433.

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Yunek, Jeffrey. "Scriabin's transpositional wills| A diachronic approach to Alexander Scriabin's late piano miniatures (1910 -- 1915)." Thesis, Louisiana State University and Agricultural & Mechanical College, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576178.

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Barany-Schlauch, Elizabeth A. "Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1239362920.

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Coelho, Luís Miguel Carvalhais Figueiredo Borges. "Alexander Scriabin: the definition of a new sound space in the crisis of tonality." Doctoral thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/19157.

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This dissertation describes the new compositional system introduced by Scriabin in 1909– 1910, focusing on Feuillet d’Album op. 58, Poème op. 59, nº1, Prélude op. 59, nº2 and Promethée op. 60. Based upon exhaustive pitch and formal analysis the present study (a) claims the inexistence of non-functional pitches in all analysed works, (b) shows that transpositional procedures have structural consequences on the “basic chord”, and (c) for the first time advances an explanation on the intrinsic relation between the sonata form and the slow Luce line in Promethée op. 60; RESUMO: Sob o título de
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Sukhina, Nataliya. "Alexander Scriabin (1871-1915) piano miniature as chronicle of his creative evolution, complexity of interpretive approach and its implications /." Thesis, Recital, recorded Feb. 27, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6048.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 22, 2004, Mar. 28, 2005, Feb. 27, 2006, and Nov. 26, 2007. Includes bibliographical references (p. 82-86).
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Secor, Tyler. "Mystic Chord Harmonic and Light Transformations in Alexander Scriabin's Prometheus." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13442.

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This thesis seeks to explore the voice leading parsimony, bass motion, and chromatic extensions present in Alexander Scriabin's Prometheus. Voice leading will be explored using Neo-Riemannian type transformations followed by network diagrams to track the mystic chord movement throughout the symphony. Bass motion and chromatic extensions are explored by expanding the current notion of how the luce voices function in outlining and dictating the harmonic motion. Syneathesia will also be examined as a composition device used to create the light, harmony, and drama of Prometheus.
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KEE, SOONBOK. "Elements of Continuity in Alexander Scriabin's Musical Language: An Analysis of Selected Piano Preludes." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1204677896.

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Books on the topic "Alexander Scriabine"

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The music of Alexander Scriabin. Yale University Press, 1986.

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M, Baker James. The music of Alexander Scriabin. Yale University Press, 1986.

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The performing style of Alexander Scriabin. Ashgate, 2011.

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Ruckman, Robert Craig. The etudes of Alexander Scriabin: A performance perspective. UMI, 1987.

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Kelkel, Manfred. Alexandre Scriabine: Un musicien à la recherche de l'absolu. Fayard, 1999.

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Das Auge hört mit: Die Idee der Farblichtmusik und ihre Problematik, beispielhaft dargestellt an Werken von Alexander Skrjabin und Arnold Schönberg. P. Lang, 1996.

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Alexander, Scriabin Piano Competition (1st 1995 Nizhniĭ Novgorod Russia and Moscow Russia). Pervyĭ Mezhdunarodnyĭ konkurs pianistov imeni Aleksandra Nikolaevicha Skri͡a︡bina: Nizhniĭ Novgorod, Moskva, i͡a︡nvarʹ-fevralʹ 1995 = First Alexander Scriabin Piano Competition : Nizhny Novgorod, Moscow, January-February, 1995. s.n., 1995.

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Leikin, Anatole. The Performing Style of Alexander Scriabin. Routledge, 2016. http://dx.doi.org/10.4324/9781315554761.

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Notebooks of Alexander Skryabin. Oxford University Press, Incorporated, 2018.

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Leikin, Anatole. Performing Style of Alexander Scriabin. Anatole Leikin. Taylor & Francis Group, 2016.

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Book chapters on the topic "Alexander Scriabine"

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Pouradier, Maud. "SCRIABINE, Alexandre." In Les théoriciens de l'art. Presses Universitaires de France, 2017. http://dx.doi.org/10.3917/puf.talon.2017.03.0625.

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"SCRIABIN, ALEXANDER." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-421.

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Altenmüller, Eckart. "Alexander Scriabin." In Music, Neurology, and Neuroscience: Historical Connections and Perspectives. Elsevier, 2015. http://dx.doi.org/10.1016/bs.pbr.2014.11.031.

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"ALEXANDER SCRIABIN." In Nicolas Slonimsky: Writings on Music. Routledge, 2003. http://dx.doi.org/10.4324/9780203970294-15.

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"ALEXANDER SCRIABIN (ALEKSANDR NIKOLAYEVICH SKRYABIN)." In The Classical Music Lover's Companion to Orchestral Music. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv9b2wqr.56.

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Conference papers on the topic "Alexander Scriabine"

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Lee, Kuo-Ying. "The Technological Revolution of the Coloured Organ in Alexander Scriabin’s Fifth Symphony, Prometheus, Poem of Fire." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.022.

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