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Journal articles on the topic 'Alexandra'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Rocha, Roosevelt. "Alexandre, O Grande, na Alexandra, de Lícofron." Classica - Revista Brasileira de Estudos Clássicos 33, no. 1 (May 31, 2020): 193–201. http://dx.doi.org/10.24277/classica.v33i1.901.

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Neste breve artigo farei um comentário detalhado dos versos 1435-45, da Alexandra, de Lícofron. Nesse poema, Cassandra, a filha do rei troiano Príamo e irmã de Páris Alexandre, faz uma série de profecias sobre o futuro de Troia e dos gregos que estão prestes a conquistar a cidade no momento em que ela profetiza. Dentre essas previsões, ela menciona rapidamente Alexandre, o Grande, que fará dormir os conflitos entre Ocidente e Oriente. O que pretendo fazer aqui é apresentar uma análise detalhada dos onze versos nos quais o conquistador macedônio é mencionado: com que metáforas e com que imagens ele é retratado, a que linhagens ele pertence e a que lugares ele é associado.

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2

Vanden Bosch, James. "Alexandra." Journal of Intergenerational Relationships 8, no. 2 (May 25, 2010): 196–97. http://dx.doi.org/10.1080/15350771003745148.

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3

Walach, Maria-Theresia, Greg Hunt, Alexandra Fogg, and Alexander Bader. "Autumn MIST 2019." Astronomy & Geophysics 61, no. 4 (August 1, 2020): 4.26–4.28. http://dx.doi.org/10.1093/astrogeo/ataa056.

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4

Białonowska, Magdalena. "Obiekty sztuki sakralnej we francuskich kolekcjach prywatnych w XIX wieku – wybrane przykłady." Liturgia Sacra. Liturgia - Musica - Ars 54, no. 2 (March 26, 2020): 617–37. http://dx.doi.org/10.25167/ls.1091.

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Artykuł dotyczy problematyki funkcjonowania obiektów sztuki sakralnej w kolekcjach powstających we Francji w 1. połowie XIX wieku. W kontekście wandalizmu Wielkiej Rewolucji Francuskiej zrodził się ruch teoretyków, którzy sprzeciwiali się destrukcji i opowiadali za ochroną zabytków jako pomników historii Francji. Ruch ten zainspirował wśród kolekcjonerów zainteresowanie sztuką sakralną, głównie średniowieczną. W artykule została przywołana postać Alexandre Lenoira (1761–1839), następnie kolekcje średniowiecznej sztuki sakralnej stworzone przez: Alexandra Du Sommerarda (1779-1842); Pierra Révoila (1776–1842); Alexandre’a Sauvageota (1781-1860); Louisa Fidela Debruge-Dumenila (1788–1838) oraz Jeana-Baptiste’a (1792–1871) i Louis (1827-1888) Carranda. Analiza zawartości i historii tychże kolekcji pozwoliła wysnuć wnioski na temat zmieniających się pobudek, dla których kolekcjonerzy 1. połowy XIX wieku gromadzili obiekty sztuki sakralnej, od potrzeby ratowania zabytków sztuki francuskiej po traktowanie ich jako materiał badawczy.

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5

Liebowitz, Etka. "Josephus’s Ambivalent Attitude towards Women and Power." Journal of Ancient Judaism 6, no. 2 (May 14, 2015): 182–205. http://dx.doi.org/10.30965/21967954-00602003.

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Scholars have long been bewildered by Josephus’s contradictory accounts of the reign of Queen Alexandra (76–67 B. C. E.), the only independent female Hasmonean ruler. While portraying her as a wise, skillful, and beloved ruler, Josephus also harshly criticizes her reign, holding her responsible for the downfall of Judea. A critical feminist historiographic approach to philological and textual analyses of Alexandra’s portrayal in Judean War and Judean Antiquities allows us to resolve this tension, by situating the case of Queen Alexandra within the context of Jewish history, Greco-Roman history, and gender discourse. Additional factors impacting upon Josephus’s differing evaluations of Queen Alexandra in War and Antiquities include cultural conditions, in particular the different attitudes of Roman and Hellenistic society toward women in power, and the challenge presented to traditional male political structures by the transfer of power to a female monarch. This finding may also contribute to a better understanding of portrayals of other leading women in antiquity.

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6

Loader, William. "Herod or Alexander Janneus? A New Approach to the Testament of Moses." Journal for the Study of Judaism 46, no. 1 (February 10, 2015): 28–43. http://dx.doi.org/10.1163/15700631-12340096.

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In recent years a consensus has emerged that the Testament of Moses is to be dated in the early first century c.e., at least in its final form, and the primary basis for that consensus is the apparently perfect match between the reference to a ruler ruling for 34 years and the years of the reign of Herod the Great. While acknowledging that much can be explained on that presupposition, I have sought to show that a fit equally as strong as with Herod may be found when chapter 6 is read as alluding to the reign of Alexander Janneus and Alexandra Salome. The figure 34 matches with as much accuracy as one could expect. But much else also matches, including the fact that his sons did reign for shorter periods than their father, unlike Herod’s sons, and that many of the details, including depictions of depravity and assumptions of religious conflict, better match what we know of the reign of Alexander, Alexandra, and their sons.

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7

Sozina, Elena Konstantinovna. "“BETWEEN EUROPE AND ASIA.” ORIENTALIST NARRATIVES OF ALEXANDRA FUCHS: THE RHETORIC OF WRITING AND THE AUTHOR’S POSITION." Yearbook of Finno-Ugric Studies 14, no. 3 (October 2, 2020): 465–75. http://dx.doi.org/10.35634/2224-9443-2020-14-3-465-475.

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The article discusses ethnographic essays and novellas in the poems by Alexandra Andreevna Fuchs. The wife of a famous professor Karl Fuchs, she was resident of Kazan, hosted a literary salon, which was frequented by many local and visiting writers and poets, and met with Alexander Pushkin during his stay in the town. Alexandra Fuchs became the first Russian ethnographer writer; she purposefully traveled to places where the Chuvash, Mari (Cheremis), and Udmurts (Votyaks) lived, and wrote essays about the life, daily routine, manners and customs of these peoples drawing on her personal observations. Her essays took the form of letters and were often accompanied by response letters from her husband. They were published in the Kazan magazine Zavolzhsky Muravey [Zavolzhsky Ant], in the regional newspaper Kazanskie gubernskie vedomosti [Kazan Provincial Gazette], as well as in a number of separate books. The article analyzes the rhetorical peculiarities and author’s position of Alexandra Fuks’ essay writing. The analysis also involves ethnographic-fiction novellas (poems) by A. Fuchs, taken, according to her, “from the Tatar tradition”: ‘Princess Habiba’, ‘Founding of the city of Kazan’, a comment to which was written by her husband. These works fit into the tradition of the “Eastern novella”, popular in Russia since the eighteenth century. Depicting the exotic life of ancient Tatars and the peoples neighboring Kazan, Alexandra Fuchs sought to reconcile the orientation of the region to the East with the Orthodox-Imperial ideology which (in her view) was more advanced and progressive. Her sympathies as the author lay with female characters who contradicted traditional Muslim customs. Alexandra Fuchs’ essays and tales played a considerable role in awakening the interest of a Russian reader to the peoples of the empire, which preceded the mid-19th century rise of ethnography in science and literature.

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8

Neumann, Jens, and Edgar Rodtmann. "Körper: Alexandra." Figurationen 12, no. 1 (January 2011): 66. http://dx.doi.org/10.7788/figurationen.2011.12.1.66.

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9

Leigh Krietsch Boerner. "Alexandra Velian." C&EN Global Enterprise 100, no. 25 (July 18, 2022): 42–43. http://dx.doi.org/10.1021/cen-10025-cover12.

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10

Strasdin, Kate. "Fashioning Alexandra: A Royal Approach to Style 1863–1910." Costume 47, no. 2 (June 1, 2013): 180–97. http://dx.doi.org/10.1179/0590887613z.00000000023.

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For some sixty years Alexandra, Princess of Wales (1844–1925), later Queen Consort, lived at the heart of the British monarchy. Feted by her public and peers, she negotiated a careful and successful sartorial path through the many civic and social commitments of her long career. Her style was admired and copied by women, sometimes entering mainstream fashion, although her clothing choices were often informed by other considerations. This article explores Alexandra’s fashionability and how factors, such as her attitude to money and a need to mask physical imperfections also influenced the way she dressed. An examination of Alexandra’s surviving clothing and related documentary evidence can reveal not only what lay behind the creation of Alexandra’s regal, fashioned body but also cast new light on her biographical story.

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11

Kendall, Seth. "Alexandra Eckert, Alexander Thein (Edd.): Sulla. Politics and Reception." Gnomon 94, no. 3 (2022): 231–35. http://dx.doi.org/10.17104/0017-1417-2022-3-231.

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12

Scales, Joseph, and Cat Quine. "Athaliah and Alexandra: Gender and Queenship in Josephus." Journal of Ancient Judaism 11, no. 2 (October 29, 2020): 233–50. http://dx.doi.org/10.30965/21967954-12340011.

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Abstract Athaliah and Alexandra were the only two women to rule as queens of Judah/Judaea in their own right and both women’s reigns are reported in Josephus’ writings. Despite their uniqueness, however, Athaliah and Alexandra are rarely compared in scholarship; the former is usually dismissed, and focus centred on the latter. This article contends that there are historical similarities between the two, but literary differences. Josephus could have referred to Athaliah or used elements of her portrayal in his presentation of Alexandra but does not, creating the impression that Alexandra was completely different to her predecessor. It may be instructive, therefore, to consider why Josephus literarily isolates the queens and what this means for his interpretation of Alexandra.

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13

“Russia and America in the 21st Century”, Editor of the. "Alexandra Semenovna Terentieva." Russia and America in the 21st Century, no. 2 (2019): 0. http://dx.doi.org/10.18254/s207054760006134-4.

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14

Anderson, Kevin J. "Alexandra Gustave Eiffel." MRS Bulletin 19, no. 1 (January 1994): 46. http://dx.doi.org/10.1557/s0883769400038902.

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15

Heatwole, Joanna. "Alexandra Boulat VII." Afterimage 31, no. 6 (May 2004): 8. http://dx.doi.org/10.1525/aft.2004.31.6.8.

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16

Sant'Anna, Marilene Antunes, and Monica Ferreira de Farias. "ENTREVISTADA: ALEXANDRA LIMA." Lex Cult Revista do CCJF 6, no. 2 (2022): 16–23. http://dx.doi.org/10.30749/2594-8261.v6n2p16-23.

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17

journal "USA & Canada: economics, politics, culture", Editors. "Alexandra Semenovna Terentieva." USA & Canada: Economics – Politics – Culture, no. 8 (2019): 126. http://dx.doi.org/10.31857/s032120680006090-3.

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18

Delaunay, Jonathan. "Alexandra David-Neel." Ballast N° 4, no. 1 (July 1, 2015): 126–42. http://dx.doi.org/10.3917/ball.004.0126.

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19

Rhee, Margaret, and Samantha N. Sheppard. "Spotlight: Alexandra Juhasz." JCMS: Journal of Cinema and Media Studies 61, no. 2 (2022): 5–8. http://dx.doi.org/10.1353/cj.2022.0013.

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20

Martínez Silvente, María Jesús. "Lapierre, Alexandra: Artemisia." Boletín de Arte, no. 21 (July 3, 2019): 537–38. http://dx.doi.org/10.24310/bolarte.2000.v0i21.6540.

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La figura de Artemisia Gentileschi (1593-1653) -primera mujer pintora de incuestionable relevancia- ha permanecido injustamente alejada del estudio artístico y de la investigación hasta fechas bien recientes.

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21

Oberländer, Alexandra. "Alexandra Oberländer responds:." Kritika: Explorations in Russian and Eurasian History 19, no. 1 (2018): 232–33. http://dx.doi.org/10.1353/kri.2018.0013.

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22

Wright, Sue. "Obituary: Alexandra Korol." Current Issues In Language and Society 2, no. 3 (December 1995): 176. http://dx.doi.org/10.1080/13520529509615443.

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23

Shaw, Gina. "Alexandra Duffy, DO." Neurology Today 18, no. 23 (December 2018): 38–43. http://dx.doi.org/10.1097/01.nt.0000550498.62896.25.

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24

Mayer, A. M. "Alexandra Poljakoff-Mayber." Seed Science Research 9, no. 3 (March 1999): 263–64. http://dx.doi.org/10.1017/s0960258599000276.

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25

STRIGALEV, ANATOLII. "ALEXANDRA KORSAKOVA-RUDOVICH." Experiment 2, no. 1 (1996): 241–52. http://dx.doi.org/10.1163/2211730x96x00135.

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26

Landrea, Cyrielle. "Alexandra Eckert et Alexander Thein (éds.), Sulla. Politics and Reception." Anabases, no. 33 (April 10, 2021): 286–87. http://dx.doi.org/10.4000/anabases.12262.

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27

Horn, Fabian. "Charles McNelis, Alexander Sens: The Alexandra of Lycophron. A Literary Study." Gnomon 89, no. 8 (2017): 689–93. http://dx.doi.org/10.17104/0017-1417-2017-8-689.

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28

Zhurcheva, O. V., and L. A. Andreeva. "ALEXANDRA BOSTROM – CHILDREN'S WRITER." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 82 (2022): 87–94. http://dx.doi.org/10.37313/2413-9645-2022-24-82-87-94.

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Тhe article attempts to indicate the place and significance of A.L. Bostrom as a children's writer of the late XIXth – early XXth centuries, and for the first time outlined ways to analyze the writer's works intended for children's reading, which inscribe a significant page in the history of children's literature in the region. Here we consider the poetics of her two books, which can be described as a book for girls "Two little Worlds", where the formation of the psychology and character of a little girl takes place under the influence of a change in the socio-cultural context; and a book for boys “How Yura gets to know the life of animals”, where the main element is the popularization and practical application of scientific knowledge about nature. In the process of studying regional literature, the need to popularize forgotten names became obvious, which includes the name of the writer A.L. Bostrom. Her work at one time met the needs for high-quality prose for children, and, most importantly, it was an example of a special, female "useful" writing for children. The manner of narration, the image of a woman as the first mentor of a small child, to some extent, should have served as a model for the behavior of enlightened parents.

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29

Lima C., Pablo. "ALEXANDRA Y. AIKHENVALD: Evidentiality." Onomázein Revista de lingüística filología y traducción 17 (2008): 185–90. http://dx.doi.org/10.7764/onomazein.17.07.

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30

McCormack, Bruce Lindley. "Response to Alexandra Pârvan." International Journal of Systematic Theology 24, no. 1 (January 2022): 47–55. http://dx.doi.org/10.1111/ijst.12543.

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31

Perkins, David D. "Alexandra Putrament, 1926-2003." Fungal Genetics Reports 50, no. 1 (December 1, 2003): 21. http://dx.doi.org/10.4148/1941-4765.1157.

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32

Weisheit, Ralph. "Book Review: Alexandra Natapoff." Criminal Justice Review 36, no. 1 (January 27, 2011): 106–8. http://dx.doi.org/10.1177/0734016810384382.

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33

Spisak, April. "Salvage by Alexandra Duncan." Bulletin of the Center for Children's Books 67, no. 10 (2014): 512–13. http://dx.doi.org/10.1353/bcc.2014.0427.

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34

Martaus, Alaine. "Suspicion by Alexandra Monir." Bulletin of the Center for Children's Books 68, no. 6 (2015): 322–23. http://dx.doi.org/10.1353/bcc.2015.0099.

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35

Martaus, Alaine. "Passenger by Alexandra Bracken." Bulletin of the Center for Children's Books 69, no. 5 (2016): 244. http://dx.doi.org/10.1353/bcc.2016.0021.

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36

Schultz, Keren Blankfeld. "Alexandra Cousteau Wades In." Scientific American 18, no. 4 (September 2008): 10. http://dx.doi.org/10.1038/scientificamericanearth0908-10c.

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37

Spisak, April. "Blight by Alexandra Duncan." Bulletin of the Center for Children's Books 70, no. 11 (2017): 493–94. http://dx.doi.org/10.1353/bcc.2017.0538.

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38

Kropp, R. "Großfürstin Alexandra Nikolajewna Romanowa." Pneumologie 72, no. 08 (February 21, 2018): 588–89. http://dx.doi.org/10.1055/s-0043-123353.

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39

Coulter, Alexandra. "INTERVIEW TO ALEXANDRA COULTER." ARTSEDUCA. Revista electrónica de educación en las Artes, no. 22 (2019): 94–97. http://dx.doi.org/10.6035/artseduca.2019.22.6.

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40

Miller, Ann. "Alexandra Rose Anne Nairn." Australian Veterinary Journal 71, no. 2 (February 1994): 63. http://dx.doi.org/10.1111/j.1751-0813.1994.tb06169.x.

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41

Martin-Jones, Marilyn. "Alexandra Jaffe – In memoriam." Linguistics and Education 49 (February 2019): 102–3. http://dx.doi.org/10.1016/j.linged.2019.01.001.

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42

Quealy-Gainer, Kate. "Lore by Alexandra Bracken." Bulletin of the Center for Children's Books 74, no. 4 (2020): 163. http://dx.doi.org/10.1353/bcc.2020.0810.

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43

Braun, Tina. "Peace profile: Alexandra Kollontai." Peace Review 10, no. 2 (June 1998): 295–300. http://dx.doi.org/10.1080/10402659808426158.

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44

Price, Michelle. "Alexandra Symonds, M. D." American Journal of Psychoanalysis 52, no. 4 (December 1992): 375–77. http://dx.doi.org/10.1007/bf01253088.

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45

Skloot, F. "Alexandra at the Bedside." JAMA: The Journal of the American Medical Association 280, no. 17 (November 4, 1998): 1478—a—1478. http://dx.doi.org/10.1001/jama.280.17.1478-a.

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46

Valentim, Jorge Vicente. "Cinco voltas na Bahia e um beijo para Caetano Veloso, de Alexandra Lucas Coelho." Convergência Lusíada 31, no. 43 (April 30, 2020): 128–32. http://dx.doi.org/10.37508/rcl.2020.n43a405.

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Livro resenhado: COELHO, Alexandra Lucas. Cinco voltas na Bahia e um beijo para Caetano Veloso. Lisboa: Caminho, 2019. COELHO, Alexandra Lucas. Cinco voltas na Bahia e um beijo para Caetano Veloso. Rio de Janeiro: Bazar do Tempo, 2019.

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47

Brisson, Geneviève. "Plurilingualism and Transnational Identities in a Francophone Minority Classroom." Jeunesse: Young People, Texts, Cultures 10, no. 2 (December 2018): 73–99. http://dx.doi.org/10.3138/jeunesse.10.2.73.

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In francophone minority schools in British Columbia, Canada, significant numbers of students are plurilingual. In this paper, I explore their attempts to negotiate transnational identities in a grade six classroom. Plurilingual students may use different resources to negotiate subject positions, but I focus on how one student, Alexandra—an eleven-year-old plurilingual student who spoke French, English, and Polish—used her linguistic and cultural resources to negotiate subject positions as transnational. My analysis showed that Alexandra’s subject positions as transnational were not accepted or valorized as legitimate.

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48

Edwards, Shona, and Alexandra Sudlow-Haylett. "Out of time: (Re)working disabled graduate employability." Journal of Teaching and Learning for Graduate Employability 14, no. 2 (October 9, 2023): 104–16. http://dx.doi.org/10.21153/jtlge2023vol14no2art1802.

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As interest in disability employment increases across the world following the COVID-19 pandemic, understanding the employability of disabled graduates becomes an imperative for governments, universities and employers alike. This article investigates employability through the lens of the lived experience of disabled graduates, with one author (Alexandra) serving as a case study. Alexandra’s experience in higher education has been defined by living in crip time, a unique disabled experience of time as non-linear. Alexandra’s story describes how surviving within institutions which operate on normative understandings of time as linear, chronological, and inextricably tied to productivity has caused harm to disabled students. Disabled students are made to feel as though they are ‘falling behind time,’ ‘wasting time,’ and ‘losing time,’ resulting in a struggle to ‘catch up time,’ which impacts upon their wellbeing, confidence, and their sense of self. This struggle disadvantages disabled students from spending time building their ‘employability skills’ throughout their degree. As disabled students complete their studies and seek graduate employment, they come into further contact with industry who further compound harm through placement experiences and the graduate hiring process by not accommodating for crip time. This case study poses conventional mentoring programmes as a site in which disabled students such as Alexandra face barriers to engagement. We argue for a co-designed model of accessible, non-hierarchical peer mentoring, where crip time is accommodated and supported. Such accessible mentoring may serve as an effective intervention and an opportunity for disabled students to develop essential employability skills.

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49

Göpfert, Eberhard, and Alexandra Kaiser. "Rezension von: Kaiser, Alexandra, Hall im Blick - Stadtansichten einmal anders betrachtet." Württembergisch Franken 89 (January 12, 2023): 287. http://dx.doi.org/10.53458/wfr.v89i.4981.

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Alexandra Kaiser: Hall im Blick. Stadtansichten einmal anders betrachtet. Publikation anlässlich der Ausstellung vom 26. September bis 21. November 2004 im Hällisch-Fränkischen Museum Schwäbisch Hall. Hrsg. im Auftrag des Förderkreises Hällisch-Fränkisches Museum e.V. von Herta Beutter, Alexandra Kaiser und Armin Panter, Schwäbisch Hall (Oskar Mahl) 2004, 143 S., zahlr. Abb. in Farbe und Schwarzweiß

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50

Horn, Fabian. "Zur Häufung von Kulttiteln in Lykophrons Alexandra." Hermes 149, no. 2 (2021): 166. http://dx.doi.org/10.25162/hermes-2021-0015.

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