Relevant bibliographies by topics / Alexandre Dumas

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Alexandre Dumas'

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Published: 4 June 2021
Last updated: 25 May 2024

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Journal articles on the topic "Alexandre Dumas"

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Arrous, Michel. "Alexandre Dumas, Pauline." Studi Francesi, no. 144 (XLVIII | III) (December 15, 2004): 630–31. http://dx.doi.org/10.4000/studifrancesi.37932.

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de Becdelièvre, Romain. "Alexandre fuckin' Dumas." Vacarme 69, no. 4 (2014): 164. http://dx.doi.org/10.3917/vaca.069.0164.

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Sabourin, Lise. "Alexandre Dumas, Kean." Studi Francesi, no. 186 (LXII | III) (December 1, 2018): 508. http://dx.doi.org/10.4000/studifrancesi.15574.

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Callet-Bianco, Anne-Marie. "Alexandre Dumas, Gabriel Lambert." Studi Francesi, no. 168 (LVI | III) (December 1, 2012): 290. http://dx.doi.org/10.4000/studifrancesi.3795.

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Sabourin, Lise. "Alexandre Dumas, Correspondance générale." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 169–70. http://dx.doi.org/10.4000/studifrancesi.523.

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Sabourin, Lise. "Alexandre Dumas, Correspondance générale." Studi Francesi, no. 185 (LXII | II) (August 1, 2018): 338–39. http://dx.doi.org/10.4000/studifrancesi.13787.

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Sabourin, Lise. "Alexandre Dumas, Correspondance générale." Studi Francesi, no. 190 (LXIV | I) (April 1, 2020): 195. http://dx.doi.org/10.4000/studifrancesi.22906.

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Sabourin, Lise. "Alexandre Dumas, Le Spéronare." Studi Francesi, no. 151 (LI | I) (April 1, 2007): 194–95. http://dx.doi.org/10.4000/studifrancesi.26552.

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Sabourin, Lise. "Alexandre Dumas, Correspondance générale." Studi Francesi, no. 198 (LXVI | III) (December 1, 2022): 711. http://dx.doi.org/10.4000/studifrancesi.51466.

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Sabourin, Lise. "Alexandre Dumas, Correspondance générale." Studi Francesi, no. 199 (LXVII | I) (April 1, 2023): 175. http://dx.doi.org/10.4000/studifrancesi.53383.

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Dissertations / Theses on the topic "Alexandre Dumas"

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Dubrovic, Simone. "The Paternal Mystery of Alexandre Dumas." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1217414666.

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Katsikaros, Théodore. "Alexandre Dumas père et la Grèce." Paris, INALCO, 2000. http://www.theses.fr/2000INAL0025.

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Callet-Bianco, Anne-Marie. "Le roman cyclique chez Alexandre Dumas." Paris 4, 1993. http://www.theses.fr/1993PA040024.

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Ce travail porte sur trois sommes romanesques de Dumas : le cycle Valois, la trilogie et les mémoires d'un médecin. Ces œuvres se caractérisent par une architecture cyclique, animée par un double mouvement, prospectif et rétrospectif, qui détermine la lecture du tout. Le traitement des personnages se ressent nettement de cette organisation particulière, ainsi que celui du temps : on trouve chez Dumas deux temporalités différentes, une linéaire et une autre cyclique, qui coexistent constamment. Par ailleurs, l'organisation cyclique reflète la pensée historique de Dumas (et ses contradictions). Il s'inspire en effet de Vico et de sa conception d'une progression cyclique de l'humanité, fondée sur les notions de "coris" et "ricorsi". Mais il adhère avant tout, comme Michelet, à l'idée d'une histoire linéaire fondée sur un progrès irréversible. Au-delà du retour de situations similaires, les romans dumasiens illustrent l'évolution des différents groupes représentés : la famille royale et la noblesse courent à leur perte, cependant que le peuple acquiert une importance croissante. Parallèlement, la fiction retrace la mutation des systèmes de valeurs et des philosophies de l'action. D'un cycle a l'autre, le sens de l'histoire apparait plus difficile à saisir
This analysis is based on three romantic series by dumas: the Valois cycle, the trilogy and the memoirs of a physician. These works are characterized by a cyclic architecture, animated by a double movement, prospective and retrospective, which determines the reading of the whole. The handling of the characters is clearly felt through this singular structure, as is that of time: one finds in dumas two different approaches to time, one linear and another cyclic, which coexist constantly. Elsewhere, the cyclic structure reflects dumas' historical thinking (and its contradictions). On fact he gets his inspiration from Vico and from his conception of a cyclic progression of humanity, based on the ideas of "corsi" and "ricorsi". But above all he adheres, as does Michelet, to the idea of a linear history based on an irreversible progress. Beyond the reversal of similar situations, the dumas' novels illustrate the evolution different represented groups: the royal family and the nobility are heading for disaster, whereas the people are growing in importance. In a parallel way, fiction retraces the mutation of value systems and of philosophies of action. From one cycle to another, the sense of history seems to be more difficult to grasp
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Kim, Dong-Yoon. "L'éthique d'Alexandre Dumas dans la trilogie des mousquetaires." Aix-Marseille 1, 1991. http://www.theses.fr/1991AIX10029.

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Notre recherche a pour but de jeter un jour nouveau, sur le plan ethique, dans la trilogie des mousquetaires d'alexandre dumas (les trois mousquetaires, vingt ans apres, le vicomte de bragelonne). Elle est essentiellement axee sur quatre points. Primo, montrer l'importance particuliere de la transhistoricite des valeurs morales qui se sont accreditees au cours des siecles. Secundo, definir comment les trois courants moraux (heroique chevaleresque, romantique) ont donne naissance a l'ethique des mousquetaires de dumas. Tertio, decrire la naissance, l'apogee, le declin du "quatuor" a propos duquel le mythique est indissociablement lie a l'ethique. Quarto, mettre enfin l'accent sur l'historicisation des personnages qui s'impregnent profressivement des elements ideologiques du dux-septieme et du dix-neuvieme siecles
This research is aimed at throwing new light, from the ethical point of view, on alexandre dumas' trilogy (the three musketeers, twenty years after, the viscount of bragelonne). It is based essentially on four points. Firstly, to show the special importance of the historical transfer of moral values acquired over the centuries. Secondly, to define how the three moral currents (heroic, chivalric, romantic) gave birth to the ethics of dumas' musketeers. Thirdly, to describe the birth, the apogee, the decline of the "quatuor", to which the myth is inevitably associated with the ethics. Fourthly, to place the accent on the history-making of the persons involved who gradually were impregnated with ideological elements ofg the seventeeth and nineteenth centuries
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Fokam, Jimmy-Freeman. "La figure du Prince chez Alexandre Dumas dans Les Trois Mousquetaires, Vingt ans après, Le Vicomte de Bragelonne, Le Comte de Monte-Cristo et La Reine Margot." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040170.

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Le mot prince au XIXème siècle correspond à un titre, une fonction, un état ou une façon de vivre. Alexandre Dumas, comme bien d’autres auteurs avant lui, va construire ses œuvres (La trilogie des Trois Mousquetaires, La Reine Margot, Le Comte de Monte-Cristo) autour de cette thématique. Mais son prince aura quelques originalités. La première partie de ce travail de recherches présente ce prince par nature, son aspect physique, sa grande voix de commandeur, et son regard pénétrant. Le prince a un physique impressionnant. Soit il est très beau, soit très fort, soit il a beaucoup de charme, soit il a cette aura qui fait de lui un homme exceptionnel, soit il a et il est cela à la fois. Son caractère est celui d’un grand homme : force morale et/ou spirituelle, volonté et audace, travailleur, rusé et stratège, mémoire et connaissance, réserve et mystère, dissimulation, fierté et hauteur, perspicacité ou clairvoyance, bonté, renaissance et métamorphose, baraka. La deuxième partie définit le gouvernement du prince, c’est-à-dire son pouvoir, le pouvoir de la princesse, et les rapports entre prince et princesse. La troisième partie définit le prince-héros. Il s’agit de préciser l’état du prince de Dumas dans l’histoire et l’Histoire, de signaler son besoin de l’Autre, de définir clairement le contexte littéraire : romantisme, réalisme, baroque et classicisme, et de dire précisément quel est l’apport personnel de Dumas dans la définition du prince et quels sont les éléments qui se retrouvent chez son prince. C’est un prince qui aura vécu dans les temps baroque, classique et romantique, qui aura toutes ces caractéristiques et qui ressemblera aussi au créateur du mythe de d’Artagnan. La figure du prince de Dumas, c’est celle du héros princier, c’est celle de celui qui fait l’Histoire, c’est celle de celui qui a l’essence divine ; c’est celle du Christ
The word prince on the XIXth century means rank, a fonction, a state or a way of life. Alexandre Dumas, like many other writers before him, will build his novels (Les Trois Mousquetaires, Vingt ans après, Le Vicomte de Bragelonne, La Reine Margot, Le Comte de Monte-Cristo) around this subject. But his prince will have some specificities. The first part of this work of research presents this prince by nature, his look, his big voice, commander voice, and his deep stare. Prince has an amazing body. Either he is handsome, or very strong, or charming, or he’s got this aura which makes him exceptional, or he is all that. His nature is the nature of a bigman : moral strength and/or spiritual, will and daring, worker, crafty aud strategist, memory and knowledge, reservation and mystery, concealment, pride and haughtiness, shrewdness or clearsightedness, kindness, rebirth and metamorphosis, baraka. The second part defines prince’s gouverment, that means his power, princess power, and prince and princess relationships. The third part definies the prince-hero. We specify the state of Dumas’ prince in the history and the History, we signal his need of the Other, we define clearly the literary context : romanticism, realism, baroque, classicism, and we say precisely what is personnal Dumas contibution on prince definition and what elements be found again in his prince. This prince has lived during baroque, classic and romantic times. This prince will have all these characteristics and will look like d’Artagnan myth creator. Dumas’ prince figure is the one of prince-hero, the one of the man who makes History, the one of the man who has divin essence, the one of the Christ
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Anselmini, Julie. "Le roman d'Alexandre Dumas père : une poétique du merveilleux." Grenoble 3, 2006. http://www.theses.fr/2006GRE39038.

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Dumas recourt abondamment aux formes traditionnelles du merveilleux (le merveilleux païen, chrétien, le féerique hérité du conte, la magie, les monstres et les prodiges), qu'il adapte au goût moderne tout en jouant sur la nostalgie d'une croyance en la sacralité du monde. Il s'empare aussi de mythes contemporains comme le progrès illimité des sciences, la toute-puissance de l'argent ou le charme de l'Ailleurs, il contribue fortement à modeler la figure du surhomme et il arpente le terrain encore largement inexploré des états psychiques hors normes. Lié au projet de réenchanter un monde sénescent, le choix du merveilleux sert l'efficacité narrative et démultiplie le plaisir du lecteur. Pris au piège d'un roman qui lui renvoie indéfiniment le spectacle de son émerveillement, celui-ci est cependant convié à réfléchir aux dangers du ravissement romanesque. Enfin, si le roman veut ensorceler le lecteur, c’est pour l'émanciper : en ressuscitant magiquement une histoire dont il révèle le sens politique, et en créant un légendaire visant à célébrer et à fonder, le merveilleux le guide vers une société idéale que les pouvoirs prophétiques du surhomme font surgir ici et maintenant. Au cœur de la poétique dumasienne, le merveilleux est l'expression efficace d'une vision et d’un engagement
Dumas frequently resorts to traditional forms of the marvellous (the pagan or Christian marvellous, the fairy tale, magic, monsters and wonders), which he adapts to modern taste while playing with nostalgia for a belief in the sacredness of the world. He also invokes contemporary myths such as the unlimited progress of the sciences, the all-powerful influence of money or the lure of distant places, he strongly contributes to shaping the figure of the superman and he travels the still largely unexplored territory of paranormal psychic states. Tied to the project of re-enchanting a senescent world, the choice of the marvellous makes the narrative more effective and multiplies the reader's pleasure. Trapped in a novel that endlessly reflects the spectacle of his or her wonderment, the reader, however, is invited to ponder on the dangers of novelistic rapture. In the end, if the novel seeks to bewitch the reader, it does so in order to emancipate him or her: by magically resuscitating a story whose political meaning it reveals, and by creating a legendary world that aims at celebration and foundation, the marvellous guides the reader towards an ideal society that the prophetic powers of the superman calls forth here and now. In the heart of Dumas's poetics, the marvellous effectively expresses a vision and a commitment
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Durand, Frédérick. "Le transfert culturel du roman-feuilleton français dans le réseau de la presse québécoise du XIXe siècle : contre-légitimation de la déviance et de l'excès dans l'imaginaire littéraire /." Trois-Rivières : Université du Québec à Trois-Rivières, 2003. http://www.uqtr.ca/biblio/notice/resume/17567739R.html.

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Mendes, Maria Lúcia Dias. "No limiar da História e da Memória: um estudo de \'Mes Mémoires\', de Alexandre Dumas." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-01112007-143905/.

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A tese faz uma leitura da obra Mes mémoires de Alexandre Dumas a partir da visão de Georges Gusdorf sobre as escrituras do eu. A pesquisa parte da hipótese de que mesmo sendo uma obra memorialística mescla interesses e técnicas utilizadas por Dumas em outras obras. No início, as idéias de Philippe Lejeune e de Georges Gusdorf são apresentadas, e o conceito de memória esboçado. Devido à profunda ligação entre memória e História, analisou-se as mudanças ocorridas no início do século XIX na historiografia e literatura francesas, influenciadas por Walter Scott e como Dumas as assimilou em sua obra. Depois, procura discernir quais foram os recursos narrativos empregados para a construção da obra, os temas recorrentes e as técnicas vindas de outros gêneros praticados pelo autor. Discute a imagem que o autor deseja fixar para si e para a sua geração. No final, apresenta-se uma biografia de Victor Hugo que, como outras, foi inserida nessa obra multifacetada de Dumas. Conclui-se que em Mes mémoires Alexandre Dumas narra a sua trajetória harmonizando interesses e características já presentes em outras obras, movido pelo desejo de eternizar em suas memórias a memória da França de seu tempo.
The thesis revises the book Mes mémoires, written by Alexander Dumas, adopting Georges Gusdorf\'s vision of the writes of the self. The research assumes the initial premise that, even being a memory book, it brings together interests and techniques used by Dumas in other works. At the beginning, the ideas of Philippe Lejeune and Georges Gusdorf are presented and the concept of memory is explained. Because of the deep linking between memory and History, the changes occurred in French historiography and literature during the beginning of century XIX, influenced by Walter Scott and assimilated by Dumas, are studied. Further, it seeks to understand the narrative resources used to build the memories, the recurrent issues and the techniques that the author rescued from previous writes. It also analyses the image that Dumas desires to fix for himself and for his generation. Finally, the thesis presents a biography of Victor Hugo that, as others, was included in this multifaceted work of Dumas. The conclusion is that Mes mémoires of Alexander Dumas tells its trajectory putting together interests and characteristics already presents in his complete works, moved by the desire to eternize in his memories the Memories of France and of his time.
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Schopp, Claude. "L'Exil et la mémoire Alexandre Dumas à Bruxelles (1851-1853) /." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37601115x.

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Akiki, Karl. "La recette du roman populaire, facon Alexandre Dumas." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00913451.

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Le roman populaire est souvent associé à une littérature de seconde zone, gravitant autour des Lettres nobles. C'est surtout son public qui est décrié puisqu'il s'agit d'un lectorat de consommation qui impose à l'auteur un mode d'écriture particulier. Toutefois, certains auteurs comme Alexandre Dumas ont réussi à dépasser ce mépris en étant reconnus par la nation française. Pour cet écrivain prolifique, la reconnaissance voit le jour dans les couloirs sombres du Panthéon. Ses œuvres, elles, demeurent sur le parvis! Ce travail a l'ambition de montrer que l'écriture dumasienne détient un poids littéraire des plus considérables à travers sa sollicitation par les foules. Deux œuvres retiennent notre attention vu qu'elles sont connues de tous mais pas nécessairement lues par tous : Le Comte de Monte-Cristo et Les Trois Mousquetaires. Après un constat premier sur la réception double accordée à ces romans, nous analyserons leur imaginaire (personnages, espaces et scènes de genre) d'une part et leur structure narratologique (morphologie, narrateur et narration) d'autre part. Cette lente dissection tentera de comprendre, à partir de sa deuxième et de sa troisième partie, le mécanisme de l'attrait exercé par la plume de Dumas sur la grande masse des lecteurs. L'on aboutit ainsi à des ingrédients particuliers qui sont la signature de l'auteur. Néanmoins, force nous est de constater que cette recette est partagée par d'autres écrivains. Elle permet à la littérature populaire de regagner ses galons et d'affirmer sa légitimité.
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Books on the topic "Alexandre Dumas"

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Alexandre Dumas. Paris]: Gallimard, 2014.

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Schopp, Claude. Alexandre Dumas. Paris: Éditions de l'Herne, 2020.

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Alexandre Dumas inattendu. Monaco: Rocher, 2008.

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Schopp, Claude. Dictionnaire Alexandre Dumas. Paris: CNRS, 2010.

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Christian, Chelebourg, ed. Alexandre Dumas "raconteur". Paris: Lettres modernes Minard, 2005.

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Fiorina, Jocelyn. Alexandre Dumas, l'Italia nel cuore: Alexandre Dumas, l'Italie au cœur. Roma: Edizioni Segni d'autore, 2021.

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Alexandre Dumas et associés. Paris: Bartillat, 2002.

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Alexandre, Dumas. Grand album Alexandre Dumas. Paris: Hachette, 1985.

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Alexandre, Dumas. Alexandre Dumas en Russie. Le Port-Marly: Les Amis d'Alexandre Dumas, 2006.

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Henry, Gilles. Alexandre Dumas en Normandie. Condé-sur-Noireau: C. Corlet, 1993.

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Book chapters on the topic "Alexandre Dumas"

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Sanders, Valerie R., and Joanne Wilkes. "Alexandre Dumas." In The Selected Works of Margaret Oliphant, Part III Volume 14, 167–84. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513247-18.

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Sanders, Valerie R., and Joanne Wilkes. "‘Alexandre Dumas’." In The Selected Works of Margaret Oliphant, Part III Volume 14, 165–66. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513247-17.

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Wild, Gerhard. "Dumas fils, Alexandre." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3469-1.

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KLL. "Dumas fils, Alexandre: La dame aux camélias." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3470-1.

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Wild, Gerhard. "Dumas père, Alexandre Davy de la Pailleterie." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3471-1.

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Wehinger, Brunhilde, and KLL. "Dumas père, Alexandre Davy de la Pailleterie: Les trois mousquetaires." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3472-1.

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KLL. "Dumas père, Alexandre Davy de la Pailleterie: Le comte de Monte-Cristo." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3473-1.

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Paraschas, Sotirios. "‘Tous pour un, un pour tous’: Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy." In Reappearing Characters in Nineteenth-Century French Literature, 163–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-69290-6_5.

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Bonafos, Alexandre. "Der Lockruf der Geschichte: Die Reisen von Charles Nodier und Alexandre Dumas und die Konstruktion historischer Landschaften in Frankreich." In Reisen in die Vergangenheit, 47–76. Köln: Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412514716.47.

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"Alexandre Dumas. Acté." In Vivre l’Antiquité, 127–30. Ausonius Éditions, 2016. http://dx.doi.org/10.4000/books.ausonius.10853.

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Conference papers on the topic "Alexandre Dumas"

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Schunck, Aline, Carolina de Oliveira Silva, and José Márcio Ferreira da Rocha. "Entre a rua e o museu: a impermanência da arte no espaço urbano em duas poéticas de Alexandre Orion." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3433.

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URSACHI, Rodica. "The contribution of the architect Alexandru Bernardazzi in the constitution of the constructive-plastic aspect of the city of Chisinau." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p272-277.

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The evolution of the architecture of Chisinau from the end of the 19th century to the beginning of the 20th century was conditioned by different historical, political, economic factors, etc., which imposed a certain stylistic typology of eclectic nature. The conceptual-decorative aesthetics of the buildings generally reflect the synthesis of two basic styles, interpreted in a rich variation of plastic forms - neoclassicism and the "Modern" style. During that period, several architects with training in the field and extensive knowledge in "historical" architecture were active. One of the architects who left his mark on the image of Chisinau is Alexandru Bernardazzi. Among the buildings made in a "classical" language can be named: Rascanu-Derojinschi Palace, etc. The "modern" stylistic peculiarities are visible in: the City Duma Building, etc., which are characterized by a pronounced eclectic aspect.
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Viriato, Marcos Felipe Alves da Silva, Silvia Aparecida Mikami Goncalves Pina, and Evandro Ziggiatti Monteiro. "PROMOVENDO O SENSO DE COMUNIDADE." In IV SIMPÓSIO NACIONAL DE GESTÃO E ENGENHARIA URBANA. ANTAC, 2023. http://dx.doi.org/10.46421/singeurb.v4i00.3624.

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Este estudo apresenta uma abordagem humanizadora de projeto em Arquitetura e Urbanismo que considera o atendimento das necessidades e aspirações do ser humano em seu habitat. As comunidades Cohousing são um constructo de comunidade sustentável que apresenta padrões socioespaciais dedicados às interações humanas. As estratégias de projeto Cohousing apresentam potencialidades para promover o senso de comunidade em processos de reabilitação urbana. Assim, o objetivo deste trabalho é identificar e analisar as estratégias de projeto Cohousing que promovem o senso de comunidade, visando à sua valorização em processos de reabilitação urbana. Foram selecionadas duas comunidades Cohousing na Inglaterra para o estudo de caso, com análise visual e gráfica dos elementos desta arquitetura associados a 28 parâmetros de projeto (patterns) de Christopher Alexander. Os resultados permitem a extração de sete categorias de projeto Cohousing que sintetizam a promoção do senso de comunidade para serem valorizadas, de maneira geral, em processos de reabilitação urbana. Essa valorização destaca as potencialidades de projeto Cohousing, cujos benefícios transcendem a esfera física para a geração de capital social e o senso de comunidade em espaços urbanos deteriorados.
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Reports on the topic "Alexandre Dumas"

1

Schopp, Claude, Àngels Santa, and M. Carme Figuerola Cabrol. Napoleón, visto y revisado por Alexandre Dumas. Edicions de la Universitat de Lleida, 2021. http://dx.doi.org/10.21001/luc.23.24.14.

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Schopp, Claude. Napoléon, vu et revu par Alexandre Dumas. Edicions de la Universitat de Lleida, 2021. http://dx.doi.org/10.21001/luc.23.24.13.

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3

Aragón Ronsano, Flavia. Estudio sobre la escritura colaborativa decimonónica: Auguste Maquet / Alexandre Dumas. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/luc.25.26.03.

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Frigerio, Vittorio. "Le seul qui ne m’ait jamais attaqué". Alexandre Dumas et Pier Angelo Fiorentino, amis et collaborateurs. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/luc.25.26.04.

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