Academic literature on the topic 'Alexandrie moderne'
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Journal articles on the topic "Alexandrie moderne"
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Zając, Marian. "Eucharystia jako centrum celebracji chrześcijańskiej w ujęciu katechetycznej szkoły aleksandryjskiej." Vox Patrum 57 (June 15, 2012): 773–92. http://dx.doi.org/10.31743/vp.4173.
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In connection with noticed today decrease of meaning and number of participants of the Eucharistic celebration and disappearance its common and conscious experiences, author of the article in searching inspirations to solve this situation appeals to the Early Christian tradition of the Alexandrian Catechetical School of the III-V century. In this, exactly, school belief in real presence of Christ in the celebration of the Holy Eucharist and awareness of its consequences was a key value. The faced problem is figured out at the three chapters: 1. Eucharist – a celebrated mystery. 2. The Alexandrian Catechetical School in work for modern school of Eucharist (talked through multiple statements, science about Eucharist of aspect of real presence, sacrifice and fruits of experience four most famous its leaders: Clement of Alexandria, Origen of Alexandria, Athanasius of Alexandria and Cyril of Alexandria); 3. The Eucharist and catechetical mission.
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Slade, Darren M. "Patristic Exegesis: The Myth of the Alexandrian-Antiochene Schools of Interpretation." Socio-Historical Examination of Religion and Ministry 1, no. 2 (August 26, 2019): 155–76. http://dx.doi.org/10.33929/sherm.2019.vol1.no2.03.
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The notion that there existed a distinction between so-called “Alexandrian” and “Antiochene” exegesis in the ancient church has become a common assumption among theologians. The typical belief is that Alexandria promoted an allegorical reading of Scripture, whereas Antioch endorsed a literal approach. However, church historians have long since recognized that this distinction is neither wholly accurate nor helpful to understanding ancient Christian hermeneutics. Indeed, neither school of interpretation sanctioned the practice of just one exegetical method. Rather, both Alexandrian and Antiochene theologians were expedient hermeneuts, meaning they utilized whichever exegetical practice (allegory, typology, literal, historical) that would supply them with their desired theology or interpretive conclusion. The difference between Alexandria and Antioch was not exegetical; it was theological. In other words, it was their respective theological paradigms that dictated their exegetical practices, allowing them to utilize whichever hermeneutical method was most expedient for their theological purposes. Ultimately, neither Alexandrian nor Antiochene exegetes possessed a greater respect for the biblical text over the other, nor did they adhere to modern-day historical-grammatical hermeneutics as theologians would like to believe.
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Fadl, Laila Abu El Seoud Mohamed. "The City of Alexandria: Its Identity and Environment in the works of Alexandria’s Pioneer Painters." Academic Research Community publication 1, no. 1 (September 18, 2017): 9. http://dx.doi.org/10.21625/archive.v1i1.136.
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The unique location of Alexandria city in the Mediterranean Basin has attracted several artistic civilizations ever since the time of Ptolemy. This has been the case during the Roman era, and the subsequent eras throughout which Alexandria remained the window of Egypt and most of the Middle East to the European cultures and arts. As a result, Alexandria has witnessed the cultural and artistic renaissance during the second half of the nineteenth century and the first half of the twentieth century, since "Muhammad Ali" –and his family–permitted the foreign delegations to come and form colonies fused with the human component of Alexandria that had a unique character. Consequently, the foreign artists’ rooms were widely spread and the Alexandrian pioneers of painting art, of the first and second generations, studied under their supervision. Despite being trained by foreigners, their sense of belonging to the Egyptian identity or their participation in laying groundwork for a national art project deeply rooted in the heritage of the nation wasn’t affected. However, they were receptive to maturely cope with the modernity of the western schools of arts. Mahmoud Said, a painter, after completing the art foundation phase, employed his art to portray the modern Egyptian man as a national hero. This portrayal was possible through his use of environmental elements and characters. Seif Wanli was one of the most receptive Egyptian painters to the modern and contemporary western schools of art. He was allegedly known to be unconcerned with the issue of national identity; however, Alexandria kept its high rank in his art despite being characterized by global features. Adham Wanli remained loyal to his impressive and symbolic realism as Alexandria, with all its components, was the core of his artistic creativity. Hamid Aweys left his hometown and went to Alexandria and spent most of his age therein. His belonging to the identity and environment of that ancient coastal city was the same as that of the previously mentioned artists. He was inspired by the city’s environmental and cultural elements in a distinctive way.
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Zajceva, Irina. "Olympiodor of Alexandria – Scholarch of the Alexandrian School of Neoplatonism." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 4 (August 2021): 6–15. http://dx.doi.org/10.15688/jvolsu4.2021.4.1.
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Introduction. The domestic and foreign research literature pays great attention to Alexandrian Neo-Platonists of the 4th–6th centuries such as Hypatia, Ammonius son of Hermias, John Philoponus, but at the same time Olympiodorus, David the Invincible, Elias, Horapollon are given insufficient attention. This is largely due to lack of any reliable information in modern science, which reveals the life and professional path of these eminent intellectuals, as well as the fact that the majority of the few preserved works of these authors have not yet been translated into Russian and English. The author of the article aims to study the “intellectual portrait” of Olympiodorus without reconstruction or refinement of his curriculum vitae based on source analysis. Methods and materials. The Intellectual History and the micro-historical approach were chosen as the main methodological basis of this article. The work is based on the system-wide analysis and historical-biographical approach. The source base of the article consists of the extant Olympiodorus works in the book series “Commentaria in Aristotelem Graeca”. The historiography of the topic, for the most part, is represented by the works of Western European scientists: L. Westerink, S. Viano, N. Tarrant, etc., in particular. Russian Science almost did not study the personality of Olympiodorus: the only exceptions are small articles or just incorporation of information about him in the biographies of other well-known personalities. Analysis. The author argues for the thesis that Olympiodorus, contrary to the prevailing opinion in Russian science, was a smart executive and a good scientist who managed to preserve the traditions of the Neo-Platonic School of Alexandria by continuing to interpret classical works of Plato and Aristotle. Conclusion. Based on the analysis of Olympiodorus works, the author concludes that Olympiodorus of Alexandria has assumed the post of head of the Alexandrian Philosophical School of Neo-Platonism in the competition with John Philoponus, also he has been able to continue the activities in line with the tradition of Ammonius, son of Hermias while supporting political parity with the Church authorities and has furthermore become one of the first of Alexandrian intellectuals who used a classical scientific approach to interpret works of Plato and Aristotle without striving for their absolutization.
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Abou-Ayana, Fathy. "Italians in Modern Alexandria." Bulletin de la Société de Géographie d'Egypte 88, no. 1 (December 1, 2015): 69–75. http://dx.doi.org/10.21608/bsge.2015.90366.
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Alem, Branca Puntel Motta. "O “leitor a vir” em A Saca de Orelhas, de Alexandre O’Neill." Revista do Centro de Estudos Portugueses 31, no. 46 (December 31, 2011): 99. http://dx.doi.org/10.17851/2359-0076.31.46.99-108.
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<p> </p> <p>A necessidade de se instaurar uma nova poética, e com isso criar, ao mesmo tempo, “novas formas de leitura”, no intuito da “formação de novos leitores”, representaria, segundo Rosa Maria Martelo, uma constante da poesia moderna. Para isso, os poetas recorrem a diversas estratégias de atração do leitor, que não são, entretanto, pautadas em uma identificação do leitor com o poeta. Elas cumpririam seu papel por meio de inovações formais, de linguagem. Por outro lado, essas estratégias, na contemporaneidade, parecem voltar a reclamar uma cumplicidade com o leitor, porém de forma diversa da Modernidade. Alexandre O’Neill encontra-se a meio caminho entre a tradição moderna e a condição contemporânea, na medida em que dialoga com os preceitos da vanguarda modernista, por vezes a subvertendo. Em <em>A saca de orelhas</em>, livro de poemas de 1979, o poeta revê não apenas a tradição literária modernista, mas trabalha sobre uma herança mais vasta, e estabelece um tipo específico de relação com elementos do cotidiano, imagens do senso comum e da história do país, entre outros componentes que indicam a criação de laços, sejam de parentesco, históricos ou literários. O poeta se posiciona com freqüência de maneira a se opor a esses componentes de ordem variada. É o que fica claro pela análise do livro, que conta com três poemas intitulados “Acontrapelos”, os quais devem ser lidos invertendo os sentidos dos versos. A definição da nova poética parece realmente se dar por meio de um movimento de contestação, oposição ou reversibilidade dos sentidos. Este trabalho propõe investigar se, através dessa linha de composição dissonante, o poeta consegue encontrar seu lugar, estando ciente de que “Há uma gente que desponta do outro lado do vale./ (...) São meus semelhantes./Com eles vou desentender-me (mais que certo!),/mas a idéia que deles faço/ é ainda um laço.”</p> <p>Le besoin de créer une nouvelle poétique en créant au même temps “des nouvelles formes lecture”, dans le but de “former des nouveaux lecteurs”, réprésenterait, selon Rosa Maria Martelo, un mouvement continuel dans la poésie moderne. Pour ce faire, les poètes font appel à plusieurs stratégies de séduction du lecteur, qui ne sont pas, bien entendu, fondées dans une identification du lecteur avec le poète. Elles joueraient leur rôle grâce à des inovations formelles ou de langage. D’autre part, dans les temps contemporains, ces stratégies semblent requérir à nouveau la complicité avec le lecteur, mais, dans ce casci, d’une manière différente de celle pratiquée dans les temps modernes. Alexandre O’Neill se trouve entre la tradition moderne et la condition contemporaine dans la mesure où il dialogue avec les notions de l’avant-garde, toute en les bouleversant. Dans “A Saca de Orelhas”, livre de poèmes de 1979, le poète revoit non seulement la tradition d’avant-garde moderne, mais il travaille avec un héritage plus grand. D’ailleurs, il établit un type de rapport avec des éléments du quotidien, des images du sens commun et de l’histoire de Portugal, parmi d’autres composants qui indiquent la création de liaisons, comme les liens de parenté, historiques ou littéraires. Toutefois, fréquemment le poète nie ces composants. C’est ce qui ce travail propose d’examiner, spécifiquement dans les poèmes nommés “Acontrapelos”. La définition d’une nouvelle poétique nous paraît émerger par un mouvement de contestation, opposition ou réversibilité des sens.</p>
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Strauss, Ze’ev. "Yedidyah Ha-Alexandri and the Crisis of the Modern Jewish Age: Philo of Alexandria as an Exemplary Ḥasid in Naḥman Krochmal’s Thought." Religions 12, no. 6 (May 22, 2021): 377. http://dx.doi.org/10.3390/rel12060377.
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The present article sets out to answer the question of the extent to which Naḥman Krochmal’s reappraisal of Philo of Alexandria in the light of his Jewish faith reflects a deep spiritual crisis that was engulfing the Maskilic world: the encroaching expansion of modern Hasidism with its transformed understanding of traditional Judaism among Eastern European communities. To this end, a major component of Krochmal’s Jewish historical thought as expressed in his masterful unfinished work Guide of the Perplexed of the Modern Age can be revealed. The examination employs two methods in order to uncover the intent behind Krochmal’s fragmentary presentation of Philo: exploring his utilization of Dähne’s Geschichtliche Darstellung der jüdisch-alexandrinischen Religionsphilosophie to demonstrate the congruence of Philo’s thought with Tannaitic ethics and drawing on similar depictions of Philo found among his circles and pupils. The study claims that Krochmal’s revival of Philo as a key Jewish thinker is politically mobilized for an ideological assault on the Hasidim, with whom the Maskilim had ongoing conflicts. Reconstructing his portrayal of Philo as a paragon of Second Temple Judaism, the paper argues that Krochmal projects his own spiritual crisis from the Maskilic settings of nineteenth-century Galicia onto the Jewish reality of first-century Alexandria, thus reproducing a valiant image of Philo as the embodiment of the Maskilic consciousness that was grappling with the ancient, overly theoretical Hasideans of his days.
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Torre, Esteban. "La métrica de Rubén Darío: teoría y praxis." Rhythmica. Revista Española de Métrica Comparada, no. 15 (February 2, 2018): 147. http://dx.doi.org/10.5944/rhythmica.21194.
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Se lleva a cabo en este trabajo un detenido análisis de la teoría métrica de Rubén Darío, confrontada con la praxis de su propia poesía. Se abordan tres cuestiones fundamentales: la noción de verso libre, las posibles segmentaciones del alejandrino moderno y la aclimatación a la lengua española del hexámetro griego y latino.A close analysis of Rubén Darío’s metrical theory, as set against his own poetic practice, is undertaken in this study. Three fundamental issues are addressed: the notion of free verse, possible segmentations within the modern alexandrine, together with the assimilation of the Greek and Latin hexameter into the Spanish language.
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See, Scott W. "A Small Town in Modern Times: Alexandria, Ontario." History: Reviews of New Books 20, no. 4 (June 1992): 139. http://dx.doi.org/10.1080/03612759.1992.9950578.
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Bavaresco, Agemir. "DIREITO PÚBLICO EM ALEXANDRE KOJÈVE." Síntese: Revista de Filosofia 36, no. 114 (April 6, 2010): 107. http://dx.doi.org/10.20911/21769389v36n114p107-130/2009.
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O Direito Público em Alexandre Kojève, apresentado no trabalho, segundo a sua obra Esboço de uma Fenomenologia do Direito, tem no desejo antropogênico o estatuto básico para a constituição do reconhecimento intersubjetivo que é um processo dialético, baseado na figura do senhor e do escravo da Fenomenologia do Espírito de Hegel. Da luta pelo reconhecimento, portanto, da intersubjetividade, resultará a relação jurídica arbitrada por um terceiro imparcial. Considerando que o modelo metodológico hegelo-kojèviano é pertinente para compreender o fenômeno jurídico, em que medida este método e estatuto teórico-prático contribuem para a superação do Direito moderno, centrado na garantia subjetiva dos direitos fundamentais? Qual é o alcance e o limite do conceito de Direito Público kojèviano na dimensão constitucional e administrativa? A posição kojèviana sobre o Direito público, no seu duplo aspecto, constitucional e administrativo é, eminentemente, política. Considerando a distância entre o contexto sócio-político em que Kojève escreveu seu Esboço, e o posterior debate jusfilosófico constitucionalista do Estado Democrático de Direito, cabe reconhecer a contribuição kojèviana na perspectiva de um Direito intersubjetivo comunitarista.Abstract: The Public Law in Alexander Kojève which is focused in this work, as stated in Kojève’s Sketch of a Law Phenomenology, has in the anthropogenical desire the basic statute for the constitution of the intersubjective recognition which is a dialectical process based in the image of master and servant in Hegel’s Phenomenology of Spirit. From the fight for recognition, therefore from the intersubjectivity, the juridical relation mediated by an impartial third will overcome. Taking into account that the methodological hegelo-kojèvian model is appropriate for understanding the juridical model, in what measure this method and theoretical and practical statutes contribute towards the overcoming of the modern Law, moving forward to a communitarist intersubjective Law? Which are the range and the limit of the concept of Kojève’s Public Law in the constitutional and administrative dimension? Kojève’s position on the public Law, in its double aspect, constitutional and administrative, is prominently political. Considering the distance between the social and political contexts in which Kojève wrote his Sketch, and the posterior constitutionalist jusphilosophic debate of the Law Democratic State, it is worth recognizing Kojève’s contribution in the possibility of a communitarist intersubjective Law.
Dissertations / Theses on the topic "Alexandrie moderne"
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Ippolito, Jean-Christophe. "Le mythe d'Alexandrie dans la littérature moderne et contemporaine de 1798 à nos jours." Paris 4, 1993. http://www.theses.fr/1993PA040185.
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On s'attache à montrer dans cette thèse comment le mythe d’Alexandrie, après l'expédition de Bonaparte, a permis l'éclosion d'une littérature, dans la mesure où les mythes meurent en créant des romans, et des poèmes. On étudie comment s'opère une création mythique continue jusqu'à nos jours, en examinant les différentes composantes du mythe qui, dans l'espace et dans le temps, s'organisent en différents mythèmes (la sensualité, etc. ). On s'aperçoit que ce mythe est en fait une projection du regard occidental dont les présupposés et les obsessions déforment et altèrent la vision de la ville. Ce même regard, en se référant à l'image de la ville antique comme à un archétype de la civilisation occidentale, transforme la ville en un mythe littéraire qui exprime en particulier son hantise de la décadence. A cette vision imaginaire idéologiquement orientée s'oppose la réalité souvent décevante des relations de voyage et le point de vue arabe moderne illustré par Naguib MahfûzIn this thesis, our purpose is to show how the myth of Alexandria, after Bonaparte’s invasion, permitted the birth of a literature, in so far as myths, by dying, create novels or poems. One studies how the process of a continuous mythic creation operates throughout our times, in examining the different elements of the myth; these elements, in space and time, organize themselves in various "mythems" (sensuality, etc. ). One finds out that this myth is in fact a projection of an occidental point of view, whose prejudices and obsessions alter the vision of the city. This very same point of view, by referring to the image of the antic city as an archetype of the occidental civilization, transforms the city into a literary myth which expresses in particular its obsession with decadence. This imaginary ideologically oriented vision stands in contrast to the often-deceptive reality of travel writings as well as of the Arabic point of view expressed by Naguib Mahfuz
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Kuntz, Cécile. "Alexandrie, au fil des plans : études sur la cartographie d'Alexandrie : milieu du XIXe siècle - milieu du XXe siècle." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2112.
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La cartographie d’Alexandrie constitue une source documentaire inestimable et incontournable pour l’étude de l’histoire de la ville. La présente recherche cartographique propose à partir d’un ensemble de 122 plans, issus d’un corpus de près de 700 plans, d’étudier l’histoire des représentations d’Alexandrie du milieu du XIXe siècle au milieu du XXe siècle, selon quatre perspectives : les plans publiés dans les annuaires et les guides, la production cartographique de la famille Nicohosoff, les plans d’assurance ainsi que la réorganisation de la ville pendant la Première Guerre mondiale. La cartographie a été associée à d’autres sources historiques, telles que les mémoires et les relations de voyage, les gravures, les photographies, dont les photographies aériennes, la presse, les guides et les annuaires, ainsi qu’à des archives familiales et à une importante prospection sur le terrain.Une contextualisation des plans, par l’identification ou la vérification de l’auteur, de la date, et le cas échéant de l’ouvrage source, ainsi qu’une comparaison des plans entre eux permet de mieux appréhender ces documents et de les utiliser d’une manière plus adaptée. Une attention toute particulière est portée aux auteurs. Il s’agit ainsi de lier l’histoire des hommes à l’histoire de la ville. D’autres thèmes ont été également abordés tels que ceux des copies incessantes, avec l’identification d’un certain nombre de ces sources, de la concurrence, du droit de propriété et des différents acteurs de la cartographieThe cartography of Alexandria represents an invaluable and essential documentary source for the study of the town’s history. The present research is based upon an ensemble of 122 maps chosen from a corpus of almost 700 and intends to study the history of representations of Alexandria from the mid-19th century until the mid-20th century from four perspectives: maps published in almanacs and guidebooks; the cartographic production of the Nicohosoff family; insurance plans; and those developed in relation to the redevelopment of the town during the First World War. The cartography has been associated with other historical sources, such as memoires and travelogues, engravings and photography, including aerial photography, the press, guidebooks and almanacs, as well as family archives and wide-scale investigation on the ground.Setting the maps in context, though identifying or verifying the author, the date and, if not, the source work, alongside comparisons between maps will allow for a better understanding of the documents and manner of their most appropriate use. Particular attention is paid to the authors in order to link the history of men with the history of the town. Other themes are also tackled, such as that of the incessant copying, with the identification of a certain number of these sources, the competition involved, proprietary rights and the different actors within the cartography
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Navet-Grémillet, Marie-Cécile. "Penelope S. Delta et Alexandrie : une femme grecque à la confluence des langues et des cultures." Montpellier 3, 1998. http://www.theses.fr/1998MON30008.
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Pénélope Delta (1873-1941) s'inscrit parmi les écrivains liés à l'Alexandrie des temps modernes. Inconnue à l'étranger, elle est réputée en Grèce comme première démoticiste de la littérature enfantine et comme auteur engagé dans les luttes qui ont jalonné la Grèce de son temps. Or, elle a passé l'essentiel de sa vie, et la part la plus marquante, dans cette cité cosmopolite, ouverte sur le monde, mais isolée entre mer et désert. A travers ses oeuvres autobiographiques en cours de publication, cette femme qui se voulait grecque avant tout se révèle une véritable Alexandrine. De la ville mythique de Cavafy, Durrell, Forster, Ungaretti et Tsirkas, la fille du richissime et omnipotent Em. Benaki donne une autre image : une Alexandrie au quotidien, vue par une enfant puis une femme prisonnière de la haute bourgeoisie alexandriote qui fondait sa richesse et son pouvoir sur le commerce du coton. Vision aussi partielle et partiale que les autres. Longtemps restée en marge et redécouverte récemment à l'occasion de la question macédonienne qui occupe largement son oeuvre, c'est sous un autre angle que Pénélope Delta apparaît dans ses relations avec son Alexandrie natalePenelope Delta (1874-1941) must be looked as one of the writers linked to modern Alexandria. Unknown abroad, she is famous in Greece for having been the first person who wrote in demotic for children and as an author she was involved in the fights that punctuated Greece's history in her own time. In fact, she sent the most important part of her life in this cosmopolitan city, open to the world but apart, between sea and sand. Reading her autobiography in process of publishing, one would discover as a true Alexandrine this woman who wanted above all to be recognized as a Greek. The mythic town of Cavafy, Durrell, Forster, Ungaretti and Tsirkas is pictured in another way by the daughter of wealthy and powerful Emmanuel Benákis : an everyday Alexandria, seen by a child and then a woman from the jail of the Alexandriot upper-class whose richness and power was based on tie cotton trade. Vision as partial as the others. Left on the fringe for a long time and recently brought back to topical literature with the Macedonian problem widely exposed in her books, Penelope Delta is revealed from another point of view through her relationships with her birthplace, her own Alexandria
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Duclos, Alexandre. "Des formes modernes de cosmopolitisme." Paris 1, 2008. http://www.theses.fr/2008PA010577.
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Ce doctorat a pour ambition de connaître et d'apprendre à connaître les formes modernes de cosmopolitisme, c 'est-a. -dire les visions du monde et de l'humain en genèse dans les sociétés modernes. Nous partons du postulat que ces sociétés entretiennent une relation problématique avec la définition du monde et de l'humain. Notre démarche consiste à élaborer un concept utile théoriquement et pratiquement pour identifier dans les sociétés modernes les visions du monde et de l 'humain qui se construisent et comprendre les modalités de telles constructions sociales (en l'occurrence, a. New York. Pristina et Alexandrie) Nous chercherons à comprendre comment ces manières de penser et de sentir déterminent le sens des actions sociales. Avant de penser une forme d'acosmisme inhérent aux sociétés modernes ou une éventuelle crise de la culture, il s'agit pour nous de comprendre comment les visions du monde et de l'humain se construisent à l'échelle de sociétés concrètes et cohérentes.
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Strasdin, Kate. "Fashioning Alexandra : a sartorial biography of Queen Alexandra 1844-1925." Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/366831/.
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In the second half of the 19th century, Alexandra Princess of Wales and later Queen Consort to her husband Edward VII became one of the most recognizable women of the period. Her image was circulated around the globe by the million and her every movement recorded daily in The Times. Despite her contemporary celebrity, she has become a lesser-known figure in modern history. With little in the way of political influence, Alexandra recognized that her ppearance in public was powerful. She used clothes throughout her life to both display and disguise herself. despite the centrality of dress in her life, no other study has ever examined her remaining items of clothing until now. This thesis considers in detail those garments that have survived from Queen Alexandra’s wardrobe, most of which, owing to their geographic spread, have never been studied before. This object-led approach allows an analysis of a life, which has been considered before in more traditional biographies. However, the close examination of the garments and of Alexandra’s approach to her clothing reveals aspects never before considered. It has also prompted the consideration of previously under researched areas such as royal laundry, the role of the dresser and the logistics of 19th century royal travel. As a multi-disciplinary project it has shed new light onto Alexandra’s life and dispelled certain apocryphal stories which only the material culture itself could reveal.
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Üner, Alexandra [Verfasser]. "Von der Scharia zum modernen Rechtsstaat : Unter besonderer Berücksichtigung der Haymatlozen / Alexandra Üner." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1122004281/34.
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Harmer, Anita. "The palaeo and modern function of playa systems adjacent to Lake Alexandrina as evaporation basins for salt /." Title page, contents and abstract only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arh287.pdf.
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Mengistu, Yoseph. "He was annointed because he was incarnated : Cyrillo-Alexandrian orthodoxy in the view of modern Ethiopian theologians." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/16804/.
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That Christianity came to Ethiopia in the fourth Century at the time of King Ezana was fairly established by reliable historical accounts and archaeological findings. The arrival of Christianity also marked the introduction of Cyrillo-Alexandrian Christology. Athanasius the Great ordained the first bishop of Axum but it was his distant successor Cyril that had the final say on Ethiopian Christology through the translation of his polemical works against Nestorius of Constantinople into Ge’ez by the Nine Saints. Their work was seminal in firmly establishing Cyrillo-Alexandrian Christology in Ethiopia. In the view modern Ethiopian theologians, the arrival of the Jesuit missionaries in the 16th century was a challenge to Cyrillo-Alexandrian tradition by promoting a Chalcedonian alternative. The strategic mistakes committed by the Jesuits aside, the main reason for Ethiopian theologians rejection of Roman Catholicism was its perceived incompatibility with Cyrillian Christology. It was the same commitment to and the quest for Cyrillo-Alexandrian orthodoxy on the part of modern Ethiopian theologians that led to bloody christological disputes that lasted for over three hundred years and the formation of schools of thoughts (cultures) after the expulsion of the Jesuits. The driving force for the development of Ethiopian Christology was loyalty to the Cyrillo-Alexandrian tradition rather than theological innovations triggered by the need to address the challenges of the society. One of the schools of thought, Karra Haymanot, was declared authentic representative of the Cyrillo-Alexandrian tradition at the Council of Borumeda in 1878 to the dismay and persecutions of the other groups; namely, Qïbat and S’ägga. It was, however, the contention of this thesis that the underlying factor behind the decisions of Borumeda was political considerations rather than theological reflections and we propose that all the three traditions sufficiently meet the requirements Cyrillo-Alexandrian orthodoxy.
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Panciarelli, Antonio. "A ordem natural do fado: discurso e personagem em fado alexandrino." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/14781.
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This dissertation belongs to area of literature and literary criticism and deals specifically about analysis of Romanesque prose in Fado Alexandrino, by António Lobo Antunes. In this study, we sought to make an immanent analysis of the work, however without disregarding the ideological, political, historical and social aspects that permeate the romance and are of fundamental importance to the understanding of the fable. The analysis presents a theoretical-analytical procedure, in a way that the privileged theoretical aspects were applied, by aiming: to identify in the romance the characteristics that define it as a post-modern literature; to approach the hybridization of genders: prose and poetry, the polyphony of voices, and also the aspects of intertextuality and, of course, the strong political and social contents. The results obtained allow concluding that Fado Alexandrino cannot be characterized only as Romanesque prose nor framed in a predetermined structure. It is a complex construction in which the author uses features of hybridism, heteroglossy and interdiscursivity elements radiographed by Mikhail Bakhtin and by him denominated as prosaic practices that different uses of language make of discourse, offering them as manifestation of plurality. At last, we can affirm that Fado Alexandrino is a work that gives voice to characters that speak, discuss ideas and seek to reposition themselves in a country that attempted a transformation in ten years that has not occurred for five centuries
Esta dissertação pertence à área da literatura e crítica literária e trata, especificamente, da análise da prosa romanesca em Fado Alexandrino, de António Lobo Antunes. Procurou-se, neste estudo, fazer uma análise imanente da obra sem, entretanto, desconsiderar os aspectos ideológicos, políticos, históricos e sociais que permeiam o romance e que têm fundamental importância para a compreensão da fábula. A análise apresenta um procedimento teórico-analítico, de forma que os aspectos teóricos privilegiados foram aplicados tendo em vista: identificar no romance as características que o definem como obra literária pós-moderna; abordar a hibridização dos gêneros prosa e poesia, a polifonia de vozes, além dos aspectos de intertextualidade e, claro, do forte conteúdo político, histórico e social. Os resultados obtidos permitem concluir que Fado Alexandrino não pode ser caracterizado apenas como prosa romanesca, nem enquadrado em uma estrutura predeterminada. Trata-se de uma complexa construção em que o autor utiliza recursos de hibridismo, heteroglossia e interdiscursividade B elementos esses Aradiografados@ por Mikhail Bakhtin e por ele denominados como práticas prosáicas que diferentes usos da linguagem fazem do discurso, oferecendo-os como manifestação de pluralidade. Pode-se afirmar, enfim, que Fado Alexandrino é uma obra que dá voz a personagens que falam, discutem idéias e procuram reposicionar-se em um país que experimentou, em dez anos, uma transformação que não acontecia havia cinco séculos
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Menezes, Hugo Lenes. "A formação da prosa moderna em lingua portuguesa : o lugar de Garrett e Herculano." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270154.
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Orientador: Paulo FranchettiTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente trabalho estuda as origens da prosa moderna em língua portuguesa, a emergência do gênero romance em terras lusas e, de modo mediato, o impacto do discurso prosístico de Almeida Garrett e Alexandre Herculano na narrativa lusófona subseqüente. Diferentemente do que dá a entender a tradição crítica, que privilegia somente algumas facetas da obra dos dois autores acima referidos, num campo valorativo especificamente literário, Garrett ocupa um lugar fundador não apenas por inaugurar a narrativa de atualidade em Portugal, e sim por ser um dos instauradores da prosa burguesa. Do mesmo modo, a importância de Herculano não pode reduzir-se ao fato de ele introduzir a ficção histórica no seu país, pois o seu papel, assim como o de Garrett, é decisivo na elaboração da prosa moderna em vernáculo. Outro ponto enfocado nesta tese é a constituição do público do romance, na primeira fase do romantismo lusitano, para o que Garrett e Herculano, acompanhando a valorização, ao longo dos séculos XVIII e XIX, da função educativa da forma romanesca, contribuíram com uma verdadeira pedagogia da leitura por meio da construção da narrativa ficcional
Abstract: The present work studies the origins of modern prose in the Portuguese language, the emergence of the novel as a genre in Lusitanian lands, and, as mediation, the impact of the discourse of Almeida Garrett and Alexandre Herculano on subsequent Lusiphone narrative. Differently from what comes to light in the critical tradition, which privileges only some facets of the oeuvre of the two above cited authors within a specifically evaluative literary field, Garrett occupies a founding place not only for inaugurating the narrative of the present time in Portugal, but also as one of the founders of the bourgeois prose. In a similar way, the importance of Herculano cannot be reduced to the fact that he introduces the historical fiction in his country, as he plays a decisive role, as well as Garrett, in the elaboration of modern prose in the vernacular. Another point focused on here is the creation of a reading public for the novel during the first phase of the Portuguese Romanticism, to which Garrett and Herculano, by means of the construction of fictional narrative, contribute a true pedagogy of reading, which accompanies the valorization of the educational function attributed to the Romanesque form throughout the eighteenth and the nineteenth centuries
Doutorado
Literatura Portuguesa
Doutor em Teoria e História Literária
Books on the topic "Alexandrie moderne"
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Walter. The Alexandreis. Toronto, Ont., Canada: Pontifical Institute of Mediaeval Studies, 1986.
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A small town in modern times: Alexandria, Ontario. Montreal: McGill-Queen's University Press, 1991.
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Rayside, David M. A small town in modern times: Alexandria, Ontario. Montreal: McGill-Queen's University Press, 1991.
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McNeelywith, Ian F. Reinventing knowledge: From Alexandria to the Internet. New York: W. W. Norton, 2008.
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Alexandre Kojève and the outcome of modern thought. Lanham, Md: University Press of America, 2004.
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Devlin, F. Roger. Alexandre Kojève and the outcome of modern thought. Lanham, MD: University Press of America, 2005.
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McNeely, Ian F. Reinventing knowledge: From Alexandria to the Internet. New York: W. W. Norton, 2008.
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Villes invisibles de la Méditerranée: Naples, Alexandrie et Tanger. Paris: L'Harmattan, 2010.
Find full textBook chapters on the topic "Alexandrie moderne"
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Federman, David. "Brazilian Alexandrite." In Modern Jeweler’s Consumer Guide to Colored Gemstones, 14–17. Boston, MA: Springer US, 1990. http://dx.doi.org/10.1007/978-1-4684-6488-7_2.
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Federman, David. "Russian Alexandrite." In Modern Jeweler’s Consumer Guide to Colored Gemstones, 18–21. Boston, MA: Springer US, 1990. http://dx.doi.org/10.1007/978-1-4684-6488-7_3.
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Akkerman, Nadine. "The Postmistress, the Diplomat, and a Black Chamber?: Alexandrine of Taxis, Sir Balthazar Gerbier and the Power of Postal Control." In Diplomacy and Early Modern Culture, 172–88. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230298125_11.
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Andrews, Jean. "Josefa de Ayala e Cabreira’s St Catherine of Alexandria altarpiece and female empowerment 1." In Representing Women’s Political Identity in the Early Modern Iberian World, 105–24. Abingdon, Oxon ; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781351010122-5.
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Wilson, Raymond J. "Time in Post-Modern Fiction: Time’s Arrow, The French Lieutenant’s Woman, and “The Alexandria Quartet”." In Temporality in Life as Seen Through Literature, 395–413. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/1-4020-5331-2_25.
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Ostle, Robin. "The Cosmopolitan Alexandrian." In Studying Modern Arabic Literature. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748696628.003.0002.
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This chapter describes Alexandria and Mustafa Badawi's early life in the city. Badawi was born in Alexandria in 1925 and spent most of the first half of his life there. He was one of the first cohort of students in the new University of Alexandria (then known as Faruq I University), which became an independent university in 1942. After providing a background on Alexandria, the chapter considers some of the authors who contributed to the rise of modern Arabic literature, including Adib Ishaq, Georges Zananiri, Michel de Zogheb, and Constantine Cavafy. It then turns to one of the most influential Alexandrian personalities on the young Badawi, Ahmad Zaki Abu Shadi, best known for his contribution to Arabic poetry in the Romantic period. It also looks at two Alexandrian painters, Mahmud Saʻid and Muhammad Nagi, whose works depict social life in the city between the two world wars.
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Ramadan, Yasmine. "Of Other Cities." In Space in Modern Egyptian Fiction, 73–115. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474427647.003.0003.
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This chapter expands the literary map beyond the boundaries of Cairo and moves to the coastal city of Alexandria. A city that was largely absent from the literary landscape throughout much of the twentieth century, the writers of this generation place it front and center in their fiction. Here the work of two natives of the city, Edwar al-Kharrat and Ibrahim Abdel Meguid, who both produced “Alexandrian Trilogies” provides the impetus for this chapter. Both writers shift the focus away from the city of Cairo and present the city of Alexandria not only as the possible alternative for the Cairene exile (as in Naguib Mahfouz’s 1967 novel Miramar) but as a city with a complicated past and present. In works that blend autobiography and fiction, realism and the fantastic, the two novelists contend with the city’s colonial, cosmopolitan, and post-revolutionary contexts, calling into question Cairo’s position of dominance.
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"Die Bibliothek von Alexandria." In Mekkas der Moderne, 79–86. Köln: Böhlau Verlag, 2010. http://dx.doi.org/10.7788/boehlau.9783412212681.79.
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"TRANSLATIONS IN MODERN LANGUAGES." In Philo of Alexandria, 19–44. BRILL, 1988. http://dx.doi.org/10.1163/9789004312753_004.
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"TRANSLATIONS INTO MODERN LANGUAGES." In Philo of Alexandria, 11–17. BRILL, 2000. http://dx.doi.org/10.1163/9789004313231_004.
Full textConference papers on the topic "Alexandrie moderne"
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Potter, William R. "Photodynamic therapy from alexandrite to xenon." In Modern Technologies Applied to Medical Practice, edited by Roy F. Potter. SPIE, 1990. http://dx.doi.org/10.1117/12.22361.
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Marotta, Anna, Vincenzo Cirillo, Claudio Rabino, and Ornella Zerlenga. "Rappresentare l’architettura fortificata per narrare e valorizzare il territorio della frontiera alessandrina." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11473.
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Representing fortified architecture to narrate and enhance the Alexandrian territory borderThe Piemonte cultural territory is also characterized by the significant presence of complex defensive systems, grouped by types and orographic configuration. Specifically,this paper will address asystematic and unitary re-reading of the territory of the Alessandria area, which includes: the sixteenth-century Cittadella di Casale, of the Gonzagas; the Citadel of Alexandria (1732), by Giulio Ignazio Bertola; Valenza and its fortifications (from the “Spanish” period with interventions by Gaspare Beretta, also interested in the fort / Castello Tortona); that of Gavi (restored “in the modern” by Gaspare Maculano known as Fiorenzuola, the friar who condemned Galileo). Following thirty years international research, the objectives of the work are twofold: the first aims to physically connect in this system a “network” of thematically dedicated tourist itineraries, through documentary paths that reconstruct historical events, construction phases and transformation, (in similitude with the ECCOFORT project, in the province of Verona). Following other works, by the authors already dedicated to the Alexandrian, through the advanced 3D modeling (like the one carried out in the reconstruction of the fort of Gavi) the second objective of the present contribution will follow the same restoring and reconstructive procedure. Through digitalized anastylosis, even dynamized, the Castle of Tortona will be rebuilt on the basis –among other things– of the conspicuous documentation (dated 1799, the year of the Napoleonic siege, followed by demolition, in 1801) found at the Osterreichisches Staatsarchiv, Kriegsarchiv of Vienna. The critical reconstruction is now made possible thanks to the precious wealth of knowledge, matured over the decades by Marotta, Zerlenga, Abello: with (indexed) data, including metrics, graphics and visual returns. Drawing between real and virtual, it will be possible to reconnect individual episodes, comparable and critically selected information, by means of congruently connected interventions, both physically and digitally. Finally, in a project of knowledge, conservation and valorisation, the “local” dimension dialogues and integrates with the European dimension.
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Silva, Rafael José Ramos. "A “Memoria do Pirarucu” de Alexandre Rodrigues Ferreira: do nascimento da moderna ciência à legitimação da classificação lineana." In IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.474.
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