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1

Balve, Johannes. Ästhetik und Anthropologie bei Alfred Döblin. Wiesbaden: Deutscher Universitätsverlag, 1990. http://dx.doi.org/10.1007/978-3-663-14668-1.

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2

Fluchtlinien des Politischen: Das Ende des Staates bei Alfred Döblin. Köln: Böhlau, 2003.

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3

Balve, Johannes. Ästhetik und Anthropologie bei Alfred Döblin: Vom musikphilosophischen Gespräch zur Romanpoetik. Wiesbaden: Deutscher Universitäts Verlag, 1990.

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4

Die Ordnung des Wahns: Zur Poetologie psychiatrischen Wissens bei Alfred Döblin. München: Fink, 1995.

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5

Dronske, Ulrich. Tödliche Präsens/zen: Über die Philosophie des Literarischen bei Alfred Döblin. Würzburg: Königshausen & Neumann, 1998.

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6

Brunn, Clemens. Der Ausweg ins Unwirkliche: Fiktion und Weltmodell bei Paul Scheerbart und Alfred Kubin. Oldenburg: Igel, 2000.

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7

Isermann, Thomas. Der Text und das Unsagbare: Studien zu Religionssuche und Werkpoetik bei Alfred Döblin. Idstein: Schulz-Kirchner, 1989.

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8

Kosmologie und Dichtung: Zum Verhältnis von Philosophie und Literatur bei Alfred North Whitehead. Bern: Peter Lang, 2001.

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9

Ertragsverläufe und Konkurrenz: Zum Verhältnis von Technik, Preis- und Verteilungstheorie bei Marshall im Vergleich zu anderen Denktraditionen. Frankfurt am Main: P. Lang, 1994.

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10

Glauben ist Wissen: Soteriologie bei Paulus und Barth in der Perspektive der Wissenstheorie von Alfred Schütz. Neukirchen-Vluyn: Neukirchener, 2007.

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11

Girkinger, Michael. Mensch und Gesellschaft in der frühen Tiefenpsychologie: Politik bei Sigmund Freud, Alfred Adler und Wilhelm Reich. Marburg: Tectum, 2007.

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12

Girkinger, Michael. Mensch und Gesellschaft in der frühen Tiefenpsychologie: Politik bei Sigmund Freud, Alfred Adler und Wilhelm Reich. Marburg: Tectum, 2007.

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13

Kreativität und Relativität der Welt beim frühen Whitehead: Alfred North Whiteheads frühe Naturphilosophie (1915-1922)-eine Rekonstruktion. Neukirchen-Vluyn: Neukirchener Verlag, 2010.

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14

Alex, Jürgen. Zur Entstehung des Computers: Von Alfred Tarski zu Konrad Zuse : zum Einfluss elementarer Sätze der mathematischen Logik bei Alfred Tarski auf die Entstehung der drei Computerkonzepte des Konrad Zuse : tertium non datur. Düsseldorf: VDI Verlag, 2007.

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15

Kosmik: Prozessontologie und temporale Poetik bei Ludwig Klages und Alfred Schuler : zur Philosophie und Dichtung der Schwabinger Kosmischen Runde. München: Telesma, 2007.

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16

Am Anfang war das Ende: Das Wirken von August und Alfred Schwingenstein beim Wiederaufbau der freien Presse in Bayern. München: Akademischer Verlag, 2001.

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17

China und Japan als Impuls und Exempel: Fernöstliche Ideen und Motive bei Alfred Döblin, Bertolt Brecht und Egon Erwin Kisch. Frankfurt am Main: P. Lang, 1986.

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18

Fournet, Claude. Itinéraires: Alfred Angeletti, Ben, Max Charvolen, Albert Chubac, Bernard Pagès, Armand Scholtès, Michou Strauch-Barelli, Gérald Thupinier, Gilbert Pedinielli, Geneviève Martin, Dominique Angel, Elisabeth Mercier, Henri Olivier. [Belfort]: Musées d'art et d'histoire de Belfort, 1993.

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19

Internationales Alfred-Doeblin-Kolloquium Berlin 2011: Massen und Medien Bei Alfred Doeblin. Lang AG International Academic Publishers, Peter, 2014.

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20

Keppler-Tasaki, Stefan. Internationales Alfred-Doeblin-Kolloquium- Berlin 2011: Massen und Medien Bei Alfred Doeblin. Lang AG International Academic Publishers, Peter, 2014.

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21

Keppler-Tasaki, Stefan. Internationales Alfred-Doeblin-Kolloquium- Berlin 2011: Massen und Medien Bei Alfred Doeblin. Lang AG International Academic Publishers, Peter, 2014.

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22

Keppler-Tasaki, Stefan. Internationales Alfred-Doeblin-Kolloquium- Berlin 2011: Massen und Medien Bei Alfred Doeblin. Lang AG International Academic Publishers, Peter, 2014.

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23

Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Wien: Turia & Kant, 1992.

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24

Das Evangelium Unverkurzt Verkunden: Das Integrale Homiletik- Und Predigtverstandnis Bei Alfred Bengsch. Steyler Verlag, 2002.

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25

Denkfaule Hoffnung?: Anfragen an Erlosungsnarrationen Bei Alfred Doblin, Christine Lavant Und Friedrich Durrenmatt. Matthias Grunewald Verlag, 2017.

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26

Ben Nicholson Winifred Nicholson Christopher Wood Alfred Wallis William Staite Murray Art And Life. Philip Wilson Publishers Ltd, 2013.

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27

Rauwald, Johannes. Politische und literarische Poetologie des Imaginären: Zum Potenzial der Veränderungskräfte bei Cornelius Castoriadis und Alfred Döblin. Königshausen & Neumann, 2013.

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28

Wulf, Philipp. „Aber Tote weinen nicht“: Komisches Schreiben im Nachexil bei Alfred Polgar, Albert Drach und Georg Kreisler. J.B. Metzler, 2020.

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29

The Bel Canto Violin: The Life and Times of Alfredo Campoli 1906-1991. Ashgate Pub Ltd, 1999.

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30

Die Religise Erfahrung Der Realitt Oder Die Freiheit Der Selbstschpfung Zum Gottes Und Kreativittsbegriff Bei Alfred North Whitehead. Grin Verlag, 2007.

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31

Henning, Brian G. The Harvard Lectures of Alfred North Whitehead, 1925-1927. Edited by Joseph Petek and George Lucas. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474416931.001.0001.

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This second volume of the Critical Edition of Whitehead covers Whitehead’s second and third years of lectures at Harvard University and Radcliffe College. It reveals the development of his philosophy during the crucial period between the publication of Science and the Modern World and his delivery of the Gifford lectures that would become Process and Reality as he tested his theories in a classroom setting. These lectures challenge longstanding speculations about when exactly Whitehead developed some of his most famous metaphysical concepts, and how those concepts are to be properly interpreted against the wider backdrop of his life and thought. Also included is a transcript of the only known lecture Whitehead delivered on the topic of ethics, two mid-year exams given to his students, and nearly 2,000 footnotes that provide additional context for the lectures and alternative student accounts of key passages.
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32

Henning, Brian G., and Joseph Petek, eds. Whitehead at Harvard, 1924-1925. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461351.001.0001.

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This book examines the significance of Whitehead’s first year of lectures at Harvard, recently published in the first volume of The Edinburgh Critical Edition of the Complete Works of Alfred North Whitehead--The Harvard Lectures of Alfred North Whitehead, 1924–1925: Philosophical Presuppositions of Science (2017). After spending a long career in England teaching mathematics, including publishing the seminal Principia Mathematica with Bertrand Russell, Whitehead was invited to join the Harvard philosophy department in 1924 at the age of 63. He would produce his most important philosophical works after his move to America, including Science and the Modern World and Process and Reality. His first year of Harvard lectures, edited together from the notes of his students, show for the first time Whitehead in the midst of developing his metaphysics and ‘philosophy of organism’ that would appear in a more polished form in his published writings. These essays by leading Whitehead scholars discuss how long-standing interpretations of Whitehead’s philosophy can now be challenged or confirmed.
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33

Luo, Wei. &Laquo; Fahrten Bei Geschlossener Tur: Alfred Doblins Beschaftingung Mit China Und Dem Konfuzianismus (Europaische Hochschulschriften: Reihe 1, Deutsche Sprache Un). Peter Lang Publishing, 2004.

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34

Helin, Jenny, Tor Hernes, Daniel Hjorth, and Robin Holt. Process is How Process Does. Edited by Jenny Helin, Tor Hernes, Daniel Hjorth, and Robin Holt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199669356.013.0001.

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Process philosophy originally referred to a small group of philosophers including Henri Bergson, William James, and Alfred North Whitehead as well as Heraclitus. These thinkers view the world processually, working from within things and reversing the relationship between ideas and life. This Handbook explores process philosophy’s relationships to organisation studies by focusing on five aspects: temporality, wholeness, openness and the open self, force, and potentiality. Each article considers the life and work of a specific philosopher, such as Jacques Derrida, Charles Sanders Peirce, George Herbert Mead, Mikhail Bakhtin, Hannah Arendt, and Jacquese Lacan, and how their work could potentially be used to think processually in organization and management studies.
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35

Mele, Alfred R. Two Libertarian Theories. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190659974.003.0010.

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This chapter explores the relative merits of two different event-causal libertarian views. One is Robert Kane’s well-known view, and the other is the “daring libertarian” view floated in Alfred Mele’s 2006 book, Free Will and Luck. It is argued that event-causal libertarians should prefer the latter view to Kane’s view. Special attention is paid to a problem that luck poses for libertarian theories—a problem that the two views at issue attempt to solve in different ways. The problem is applied both to the decisions of adults and to the decisions of young children. A suggestion about how human beings come to be in a position to perform their earliest free actions is developed.
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36

Stevenson, Robert Louis, and Ian Duncan. Kidnapped. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780199674213.001.0001.

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Your bed shall be the moorcock’s, and your life shall be like the hunted deer’s, and ye shall sleep with your hand upon your weapons.’ Tricked out of his inheritance, shanghaied, shipwrecked off the west coast of Scotland, David Balfour finds himself fleeing for his life in the dangerous company of Jacobite outlaw and suspected assassin Alan Breck Stewart. Their unlikely friendship is put to the test as they dodge government troops across the Scottish Highlands. Set in the aftermath of the 1745 rebellion, Kidnapped transforms the Romantic historical novel into the modern thriller. Its heart-stopping scenes of cross-country pursuit, distilled to a pure intensity in Stevenson’s prose, have become a staple of adventure stories from John Buchan to Alfred Hitchcock and Ian Fleming. Kidnapped remains as exhilarating today as when it was first published in 1886. This new edition is based on the 1895 text, incorporating Stevenson’s last thoughts about the novel before his death. It includes Stevenson’s ‘Note to Kidnapped’, reprinted for the first time since 1922.
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37

Powell, Thomas C. William James (1842–1910). Edited by Jenny Helin, Tor Hernes, Daniel Hjorth, and Robin Holt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199669356.013.0011.

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William James (1842–1910) contributed groundbreaking ideas to empirical philosophy, metaphysics, and psychology, and influenced some of the greatest minds of the twentieth century, including Edmund Husserl, Alfred North Whitehead, and Ludwig Wittgenstein. This chapter explores James’s contributions to management studies. Focusing on James’s first major work, Principles of Psychology (1890), the chapter traces his influence on three major streams of social research––process philosophy, phenomenology, and functionalism––and follows these streams as they flowed into research on organizations and management. James believed that experience could not be forced into static systems or grand unified theories, but was ‘a snowflake caught in the warm hand’. For social scientists, his work shows the virtues of embracing human experience in all its pluralism, and reawakening the mind to forgotten potentialities.
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38

Callahan, Dan. The Camera Lies. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197515327.001.0001.

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Though he was known for saying, “Actors are cattle,” Alfred Hitchcock had highly specific ideas about film acting, which he saw in terms of contrast and counterpoint. Hitchcock was a theorist of acting, which he proved in some of his lesser-known 1930s interviews, and he has not been given his due as a director of actors. He felt that the camera was duplicitous and that it could be made to lie, and so he loved his actors to look one way and to be another, or to do one thing and suggest another. The best Hitchcock actor was one, the Master said, who could “do nothing well,” to which he always added that this was actually difficult to do. This book will analyze actors in Hitchcock films, exploring what acting for Hitchcock entailed and what acting is and can be in the cinema.
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39

Mayer, Ralf, and Alfred Schäfer, eds. Populismus - Aufklärung - Demokratie. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748903871.

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‘Populism’ unites different political positions and strategies that can’t be summed up in a concept which clearly encapsulates all those heterogeneous phenomena. The contributions in this volume therefore address a strategic space in which analyses of populist movements also locate themselves. They, too, take a stance on the problem of democratic representation when they deal with the populist reference to the ‘people’. Social conflict scenarios and the problems of democratic legitimation strategies and functional processes must be taken into account when discussing the populist challenge. This makes critical positioning or the appeal to an enlightened form of rationality difficult: they remain entangled in problems of authorisation and representation; they refer to justifications which presuppose that common ground which threatens to be lost; and they themselves must be wary of the emotions and resentments that they criticise. With contributions by Floris Biskamp, Tino Heim, Cornelia Koppetsch, Jürgen Link, Ralf Mayer, Kolja Möller, Karin Priester, Alfred Schäfer, Astrid Séville, Fabio Wolkenstein
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40

Odin, Steve. Whitehead’s Perspectivism as a Basis for Environmental Ethics and Aesthetics. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456320.003.0008.

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There exist parallels between the Buddhist concept of Indra’s Net and the notion of moral perspective-taking. According to Alfred North Whitehead’s process metaphysics, the aesthetic continuum of nature is an organization of perspectives, whereby each occasion is akin to a Leibnizian monad, or metaphysical point, each functioning as a living mirror that reflects the entire universe from its own unique standpoint as a microcosm of the macrocosm. The metaphysical perspectivism underlying Whitehead’s ecological concept of nature along with a brief consideration of how Whitehead’s perspectivism illuminates the Japanese aesthetic concept of nature can be visualized by the poetic metaphor of Indra’s Net. Whitehead’s Leibnizian perspectivism was reformulated by George Herbert Mead, and later by Lawrence Kohlberg and Jürgen Habermas and can be integrated into an ethical procedure for moral perspective-taking, whereby free moral agents learn to put themselves into the perspectives of others in the community.
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41

McLean, Ralph. James Thomson and ‘Rule, Britannia’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736233.003.0004.

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The image of Britannia long pre-dated the eighteenth century, but throughout its history she was often viewed as the victim of outside aggression rather than as the defender of the realm. This chapter demonstrates how Thomson’s refashioning of Britannia, most notably in the masque Alfred, which he and David Mallet wrote for the young Prince Frederick, created an imperial icon that was subsequently used to export a brand of maritime patriotism across Britain’s expanding Empire. Thomson’s Britannia, representing both the Scottish and the English contribution to the British state, celebrates the Anglo-Scottish Union and the impact that this Union had on liberty and commerce. Such was the popularity of Thomson’s vision of Britannia that it inspired repeated imitations, emulations, and parodies, and continues to be a part of the British cultural memory in the twenty-first century.
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42

Kuepers, Wendelin. Maurice Merleau-Ponty (1908–1961). Edited by Jenny Helin, Tor Hernes, Daniel Hjorth, and Robin Holt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199669356.013.0026.

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Maurice Merleau-Ponty’s phenomenology highlights the bodily, embodied dimensions and forms of non- or post-representational knowing for understanding organizational phenomena and realties as processes. In addition, it focuses on a re-embodied organization and a corresponding sense-based organizational practice. This chapter first considers Merleau-Ponty’s biography and intellectual life before discussing the significance of his ideas for process philosophy as well as organizational theory and practice. In particular, it examines some key concepts such as the living body and dynamic embodiment beyond empiricism and idealism, reversible flesh as elemental carnality and formative medium and chiasm, as well as wild being and be(com)ing. It also looks at Merleau-Ponty’s connections with two other process thinkers, Alfred North Whitehead and Gilles Deleuze. Finally, it assesses the significance of his process-philosophical phenomenology and ontology for organization studies.
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43

Cleaver, Laura. Charting History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198802624.003.0005.

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The final chapter examines histories constructed around diagrams, focusing on genealogies. These works could show the relationships between contempor-aries and their descendants, and allowed for the construction of generational time, rather than histories ordered by year. The makers of these visually appealing diagrams often struggled to reconcile different histories. Particular individuals within genealogies were sometimes selected for emphasis, serving as orientation points for the viewer. Some histories identified Woden as the ancestor of the seven Anglo-Saxon kings of the heptarchy. Others placed emphasis on Alfred as the king who had united England under one rule. Some diagrams associated genealogy within larger conceptions of time, from creation to the Last Judgement. The idea that human lives existed in a world ordered by God raised the possibility that man might be able to predict the future, and the chapter concludes with some of the rare surviving imagery associated with prophecy.
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44

Gatta, John. The Place of Imagination. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190646547.003.0004.

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“Imagination,” a word evidently central to the vocation and sensibility of English Romantic poets, is likewise invoked often as a defining term in American literary history. But what are the theological implications of this crucial category, beginning with Coleridge’s seminal statements about it? How might the human faculty of imagination—often but doubtfully associated with an abstractly ethereal quality of mind—bear upon concrete facts of the world humans experience? And how, in the light of philosophic perspectives, together with Wendell Berry’s provocative reflections on “imagination in place,” might Imagination be understood as integral with the phenomenology of place? Such questions are addressed here by means of themes bearing on the Earthiness of Imagination, the Contemplative Reach of Imagination, and Numinous Layers of Place as Palimpsest. Literary texts analyzed to develop these themes include Whitman’s verse and works by two contemporary writers—poet Marilyn Nelson and novelist Alfred Véa.
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45

Igl, Natalia. Poetics of Perception. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0009.

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This chapter examines the interrelation of cognitive linguistic principles, specific textual and narrative strategies, and—as a third domain—contemporary poetological positions by means of an analysis of two novels of the German movement “Neue Sachlichkeit.” It sheds light on the strategies of perspectival embedding and points out its relevance for the characterization of modern literary aesthetics. After a first historical outline regarding the key status of perception and perspective in modernist aesthetics, the chapter discusses the cognitive linguistic principle of perspectivization and the inherent potential of multiperspectivity in narrative that results from the constitutive double-layered structure of narrative discourse. This provides the basis to analyze the specific strategies of foregrounding multiperspectivity by means of viewpoint splitting and deictic shift, polyphony and multimodality in two modernist novels by Alfred Döblin and Irmgard Keun that can be understood as strategies of perspectival embedding and addressed as “aesthetics of observation.”
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46

Gatta, John. Sacred Sites and Geographies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190646547.003.0005.

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This chapter’s reflection on an array of sacred sites and geographies opens with commentary on spatially rooted orientations of the genius loci as variously represented in texts by Marilynne Robinson, Thoreau, Richard Tillinghast, Black Elk, Melville, and others. Writers have often envisioned both watercourses and mountains as vehicles of spirited presence. And the striking liminality of place dramatized in Melville’s Moby-Dick becomes inseparable from that novel’s deep-diving interrogation of the world’s potentially sacred character. The hallowed aura of American battlegrounds and burial grounds is memorably confirmed through the ritualizing rhetoric of Lincoln’s Gettysburg Address. Wastelands, too, contain a spiritual fecundity variously evoked in nonfictional writings by Ed Abbey, Terry Tempest Williams, and Kathleen Norris. Even a metropolis like New York can be envisioned as a scene of grace-amid-struggle in writings by Dorothy Day, James Baldwin, and Alfred Kazin—from the respective faith-inspired standpoints of Roman Catholicism, disaffected Protestant Christianity, and Judaism.
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47

Barber, Michael D. Schutz and Gurwitsch on Agency. Edited by Dan Zahavi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198755340.013.18.

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Aron Gurwitsch and Alfred Schutz differ over the paramount reality, with Schutz stressing the importance of meaningful action in everyday life and Gurwitsch the perception of objects in objective time. On the ego, Schutz and Husserl rightly argue for its epistemological accessibility, while Gurwitsch defends a non-egological consciousness that seems counterpoised to the self-appropriating, agential ego of Husserl and Schutz. However, Gurwitsch’s endorsement of Sartre’s non-egological consciousness might have facilitated a rapprochement with the agency to be found in Schutz’s and Husserl’s egological accounts. John Drummond’s criticisms of Gurwitsch’s phenomenalist account of the object suggest an object less appropriate for interaction with the bodily agency that Schutz highlights. Gurwitsch pays less attention to agency insofar as he extends his noematic focus to the ultimate ontological suppositions of various orders of being. The differences between Schutz and Gurwitsch on agency result from their diverging overarching strategies within a common phenomenological framework.
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48

Elliott, Paul. Studying the British Crime Film. Liverpool University Press, 2014. http://dx.doi.org/10.3828/liverpool/9781906733742.001.0001.

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Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centred on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).
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49

Friedrichs, Werner, and Sebastian Hamm, eds. Zurück zu den Dingen! Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845298023.

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The objects which surround us are more significant than just being objects. They are interwoven within a network of practices, inscriptions, iconographies, references and constellations. Only by means of and together with objects do we become what we are. This fact is widely ignored when educational processes are didactically designed. Instead, political education is still based on a representative relationship which keeps objects at bay in a passive state. In this way, however, the constitution of political subjectivity in the network of social materiality—political education—remains confined to the concept of a purely cognitive development. To meet the challenges of our present time, political education should no longer be schematised within the framework of didactically prepared knowledge building. Political education also has to be contrived as a performative statement of democratic subjectivity in the network of social and political materiality. With contributions by Iris Clemens & Christian Heilig | Roger Häußling | Alfred Schäfer | Sören Torrau | Martin Repohl | Nikolaus Lehner | Simon Clemens & Marco Schmandt | Adrianna Hlukhovych | Hakan Gürses | Armin Scherb | Werner Friedrichs | Carsten Bünger & Kerstin Jergus | Gustav Roßler | David Salomon | Sönke Ahrens | Markus Gloe & Frederik Achatz | Moritz Frischkorn | Sven Rößler | Olaf Sanders | Kerstin Meißner | Nico Wangler
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50

Herle, Anita, and Jude Philp, eds. Recording Kastom. Sydney University Press, 2020. http://dx.doi.org/10.30722/sup.9781743326480.

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Recording Kastom brings readers into the heart of colonial Torres Strait and New Guinea through the personal journals of Cambridge zoologist and anthropologist Alfred Haddon, who visited the region in 1888 and 1898. Haddon's published reports of these trips were hugely influential on the nascent discipline of anthropology, but his private journals and sketches have never been published in full. The journals record in vivid detail Haddon's observations and relationships. They highlight his preoccupation with documentation, and the central role played by the Islanders who worked with him to record kastom. This collaboration resulted in an enormous body of materials that remain of vital interest to Torres Strait Islanders and the communities where he worked. Haddon's Journals provide unique and intimate insights into the colonial history of the region will be an important resource for scholars in history, anthropology, linguistics and musicology. This comprehensively annotated edition assembles a rich array of photographs, drawings, artefacts, film and sound recordings. An introductory essay provides historical and cultural context. The preface and epilogue provide Islander perspectives on the historical context of Haddon’s work and its significance for the future.
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