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Relevant bibliographies by topics / Alfred Darimon

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Academic literature on the topic 'Alfred Darimon'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Alfred Darimon"

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Sucksdorf, Cristián. "Dinero y representación. Una relectura de la teoría del dinero de los Grundrisse." Tópicos, Revista de Filosofía, no. 70 (August 15, 2024): 251–80. http://dx.doi.org/10.21555/top.v700.2717.

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Este artículo aborda la teoría del dinero que Marx desarrolla en el cuaderno I de los Grundrisse a partir de una hipótesis de lectura general que denomino “problema de la representación”. Esta alude al proceso histórico de sustitución creciente de las interrelaciones fundantes de los cuerpos por su forma representada. El artículo muestra que este problema aparece, en primer lugar, en la crítica de Marx a Alfred Darimon, cuyo eje central son las contradicciones reales que “ponen” al dinero y que este, al mismo tiempo, determina; en segundo lugar, aparece respecto del carácter del dinero como “m

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Lanuza-Garay, Alfredo, and Alonso Santos Murgas. "Escarabajos longicornios (Coleoptera: Cerambycidae y Disteniidae) del Parque Nacional Darién, Panamá." Insecta Mundi, no. 633 (May 25, 2018): 1–11. https://doi.org/10.5281/zenodo.3708116.

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Lanuza-Garay, Alfredo, Murgas, Alonso Santos (2018): Escarabajos longicornios (Coleoptera: Cerambycidae y Disteniidae) del Parque Nacional Darién, Panamá. Insecta Mundi 633: 1-11, DOI: 10.5281/zenodo.3708116

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Lin, Shu-Kun. "Rock Art Glossary: A Multilingual Dictionary, Expanded Second Edition (First Edition 2001). Edited by Robert G. Bednarik, Ahmed Achrati, Tang Huisheng, Alfred Muzzolini, George Dimitriadis, Dario Seglie, Fernando Coimbra, Yakov A. Sher and Mario Consens. Australian Rock Art Research Association, Inc., Melbourne, 2010; 274 Pages, in English, Arabic, Chinese, French, German, Greek, Italian, Portuguese, Russian and Spanish, with Translation Tables. Price $A 38.00, ISBN 978-0-646-53471-8." Arts 2, no. 1 (2013): 44–45. http://dx.doi.org/10.3390/arts2010044.

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Divya, Menon. "On the Critical Dimensions of Marxian Political Economy, in An Anthology of Philosophical Studies, vol. 11, ed. Patricia Hanna (Athens: Athens Institute for Education and Research, 2017), pp. 57–66." June 9, 2017. https://doi.org/10.5281/zenodo.804556.

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Marx often reflects on his place within the history of philosophy and, more broadly, the history of social development. His is a critique of the total system and of the various forms that reveal it when comprehended as parts of a whole. This involves approaching the defining social relation of the epoch—that between labor and capital—through the unavoidable detours posed by its manifestations, and also the misapprehensions that attend these. The object of this essay will be to unpack the critical subtext of Marx’s notes on political economy so as to see how, cloaked in the very language of eco

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Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r

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Singley, Blake. "A Cookbook of Her Own." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.639.

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Introduction The recipe is more than just a list of ingredients and the instructions on how to prepare a particular dish. Recipes also are, as Janet Floyd and Laurel Foster argue, a form of narrative that tells a myriad of stories, “of family sagas and community, of historical and cultural moments and also of personal histories and narratives of self” (Floyd and Forster 2). Among the most intimate and personal sources of recipes are manuscript cookbooks. These typically contained original handwritten recipes created by the author as well as those shared by family and friends; some recipes were

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Books on the topic "Alfred Darimon"

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Isaacs, Bruce. The Art of Pure Cinema. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190889951.001.0001.

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Alfred Hitchcock’s notion of a “pure cinema” has continued to fascinate and perplex film audiences, critics, and theorists alike. The concept first emerged loosely in the 1920s, as European avant-garde artists and intellectuals grappled with the essence of the moving image as an aesthetic form. But what, precisely, was pure cinema as an artistic philosophy and style? How did it evolve within Hitchcock’s body of work, and how was a pure cinema artistic style then developed by the filmmakers who came after Hitchcock, such as Dario Argento and Brian De Palma? The Art of Pure Cinema connects film

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Book chapters on the topic "Alfred Darimon"

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Aumüller, Matthias. "Gegen den Zufall anschreiben. Zu Tradition und Funktion des unzuverlässigen Erzählens in Alfred Anderschs Efraim (1967)." In Abhandlungen zur Literaturwissenschaft. J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05764-8_11.

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ZusammenfassungDer Beitrag besteht aus drei Teilen. Zuerst wird erörtert, dass und inwiefern Anderschs Roman Efraim unzuverlässig erzählt ist. Die Zufallstheorie, die er über weite Strecken vertritt, soll als falsche Theorie verstanden werden. Im zweiten Teil wird dargelegt, welcher Tradition Andersch mit seiner Konzeption narrativer Unzuverlässigkeit folgt. Es ist nicht die Tradition Samuel Becketts, auf den im Roman wiederholt angespielt wird, sondern diejenige Max Frischs, auf den sich Andersch in Interview-Äußerungen auch selbst beruft. Im letzten Abschnitt werden drei Funktionen vorgestel

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Izzo, Sara. "Modelli teatrali dell’eccesso e della critica di potere nelle satire su Berlusconi di Dario Fo – il caso di Ubu roi di Alfred Jarry." In Dario Fo tra storia e politica. De Gruyter, 2024. http://dx.doi.org/10.1515/9783111452388-008.

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Hatch, Craig. "The Horror of Progressive rock: Goblin and Horror Soundtracks." In Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.003.0012.

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Audio is perhaps the most vital component in the construction of horror films; from the child’s lullaby in Profondo rosso/Deep Red (Dario Argento, 1975), Bernard Herrmann’s use of stingers in Psycho (Alfred Hitchcock, 1960), to the musique concrète of The Texas Chainsaw Massacre (Tobe Hooper, 1974), the canon of great horror films are inextricably tied and indebted to their soundtracks. And yet despite the importance of this audio-visual synchronicity, Italian horror soundtracks in particular have endured not only as part of the films they were made to complement, but also independently of the

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