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Journal articles on the topic 'Alfred Kubin'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 March 2023

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1

Esman, Aaron H. "Alfred Kubin, 1877–1959." American Journal of Psychiatry 166, no. 5 (2009): 529. http://dx.doi.org/10.1176/appi.ajp.2009.08121869.

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2

Gonçalves, Simone Pereira, and Alfred Kubin. "O outro lado, de Alfred Kubin." Cadernos de Literatura em Tradução, no. 11 (May 1, 2010): 243–57. http://dx.doi.org/10.11606/issn.2359-5388.i11p243-257.

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3

SMIRNOVA, Y. S. "Illustrations by Alfred Kubin in Simplicissimus magazine." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 1-1 (2022): 211–15. http://dx.doi.org/10.37485/1997-4663_2022_1_1_211_215.

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4

SMIRNOVA, Y. S. "Illustrations by Alfred Kubin in Simplicissimus magazine." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 1-1 (2022): 211–15. http://dx.doi.org/10.37485/1997-4663_2022_1_1_211_215.

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5

Hanlin, Todd C., and Phillip H. Rhein. "The Verbal and Visual Art of Alfred Kubin." South Atlantic Review 55, no. 1 (1990): 162. http://dx.doi.org/10.2307/3199898.

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6

Zohn, Harry, and Phillip H. Rhein. "The Verbal and Visual Art of Alfred Kubin." World Literature Today 63, no. 4 (1989): 680. http://dx.doi.org/10.2307/40145625.

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7

Salter, Ronald, and Phillip H. Rhein. "The Verbal and Visual Art of Alfred Kubin." German Quarterly 64, no. 4 (1991): 574. http://dx.doi.org/10.2307/406681.

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8

Kramer, Robert, and Philip H. Rhein. "The Verbal and Visual Art of Alfred Kubin." German Studies Review 13, no. 1 (1990): 179. http://dx.doi.org/10.2307/1431085.

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9

Martynova, D. O. "«The Great Neurosis» of Jacques Loysel and Alfred Kubin." Vestnik of Saint Petersburg State University of Culture, no. 3 (44) (September 2020): 144–49. http://dx.doi.org/10.30725/2619-0303-2020-3-144-149.

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On the example of the work «The Great Neurosis» by the French sculptor Jacques Loysel and «Europe» by the Austrian graphic artist Alfred Kubin, it is described and analyzed how artists gave characteristics of changes in their eras, using the same visual image associated with a mental illness. It is proved that while Loysel’s artwork was associated with the latest discoveries in medicine, then Kubin’s artwork was reinterpreted in a new way, reflecting the problems and experiences of the «lost generation». From this it follows that the example of the works «The Great Neurosis» and «Europe» by Lo

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10

Barbosa, Maria Aparecida. "Estalos nas vigas - Literatura e desenhos de Alfred Kubin." Caderno de Letras, no. 29 (November 6, 2017): 35. http://dx.doi.org/10.15210/cdl.v0i29.9277.

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O propósito deste artigo é documentar a pesquisa em andamento sobre a literatura e a arte visual de Alfred Kubin. Procede a um levantamento das afinidades dessa obra, pensando no grupo expressionista Cavaleiro Azul, do qual ele participou nos primórdios, e também no ensaio de Ernst Jünger que o eleva a síntese da geração de artistas do expressionismo. Das afinidades com a vanguarda ressalta-se a linguagem que estende o campo semântico da palavra ao sentido da visão com a recorrência à descrição de imagens da pintura. Aponta igualmente a correspondência com o artista brasileiro Oswaldo Goeldi.

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11

Furness, Raymond S. "Cartographer of darkness: the nightmare world of Alfred Kubin." Word & Image 6, no. 1 (1990): 18–40. http://dx.doi.org/10.1080/02666286.1990.10435419.

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12

Protar, Camille. "Écran et roman sur la scène. Réflexion croisée sur trois spectacles de Krystian Lupa." Studia Universitatis Babeş-Bolyai Dramatica 65, no. 2 (2020): 281–95. http://dx.doi.org/10.24193/subbdrama.2020.2.14.

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"Screen and Novel on Stage: a Cross Reflection on three Krystian Lupa’s Shows. Through the analysis of three shows – City of dream based on The Other Side by Alfred Kubin, Gargoyles and Cutting Timber based on Thomas Bernhard’s novels – this article aims at highlighting the specificity of on-stage video in Krystian Lupa’s work. Best known for his adaptations of long novels focusing on conscience and interiority, Lupa supersedes a basic use of video and uses it as a real means for the exploration of the characters’ psyche. More than a mere visual element facilitating the transition from novel t

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13

Margotton, Jean-Charles. "Alfred Kubin et le monde du rêve : Die andere Seite." Cahiers d’études germaniques 33, no. 2 (1997): 105–18. http://dx.doi.org/10.3406/cetge.1997.1423.

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14

Sola Jiménez, Rocío. "Meditaciones sobre lo humano en lo animal. “Ali, der Schimmelhengst”, el autorretrato equino de Alfred Kubin." Boletín de Arte, no. 40 (November 27, 2019): 207–17. http://dx.doi.org/10.24310/bolarte.2019.v0i40.5663.

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El Expresionismo alemán se caracterizó, entre otros muchos aspectos, por la introducción de lo espiritual y del concepto de empatía dentro de la práctica artística. Con el paso de los años, estas ideas se extendieron más allá del ámbito estético, aplicándose a la percepción de la naturaleza y del reino animal. El artista austriaco, Alfred Kubin, uno de los fundadores del grupo El Jinete Azul, continuará la estela que dejó el colectivo tras su disolución en 1914. Casi dos décadas después, Kubin retomó el ideario expresionista en una de sus obras más curiosas: “Ali, der Schimmelhengst”, una pequ

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15

Schmeer, Ernst H. "Homöopathie in der modernen Kunst - Gedanken zu einer Zeichnung von Alfred Kubin." Allgemeine Homöopathische Zeitung 243, no. 02 (2007): 68–69. http://dx.doi.org/10.1055/s-2006-936631.

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16

Szymyslik, Robert. "La traducción de mundos ficticios en la literatura entre el alemán y el español: el caso de Die andere Seite. Ein phantastischer Roman de Alfred Kubin." mAGAzin Revista intercultural e interdisciplinar, no. 28 (2020): 69–82. http://dx.doi.org/10.12795/magazin.2020.i28.06.

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El presente artículo se centra en la indagación de la traducción de las estructuras narrativas denominadas «mundos ficticios» en la modalidad literaria entre el alemán y el español. De forma concreta, en él se pretenden analizar los mecanismos que pueden aplicarse al trasvase de los elementos específicos que actúan como cimientos de los mundos ficticios entre entornos socioculturales. La transferencia funcional de estos componentes garantiza que los receptores meta sean capaces de concebir mentalmente una nueva realidad narrativa, por lo que es fundamental que esta tarea se lleve a cabo eficie

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17

Banachowicz, Joanna Małgorzata. "On the “Other Side” of the World of Imagination: An Artistic Dialogue Between Radek Knapp and Alfred Kubin." Transfer. Reception Studies 4 (2019): 137–48. http://dx.doi.org/10.16926/trs.2019.04.08.

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18

Fanetti, Giulia. "Il demiurgo è ibrido, ovvero ermafrodita. Letture postasburgica e postcoloniale di «Die andere Seite» di Alfred Kubin." Studia theodisca 28 (November 4, 2021): 25–42. http://dx.doi.org/10.54103/1593-2478/16671.

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The Other Side narrates the story of an anachronistic regime built up in Asia with remains of Decadent Europe. Before its collapse, due to the impossibility of existing against history and nature, the narrator concludes: «The demiurge is a hybrid». This paper studies the identity of the demiurge in order to clarify the meaning of this alienating statement. In doing so, it recognizes that the extraordinary regime reflects many features of the Habsburg myth; and also, that as an “experiment of Austria” it needs to take place elsewhere, where the western repressed dreams of power can be fulfilled

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19

Ksenofontova, Alexandra. "Once again into the cabinets of Dr. Caligari: Evil spaces and hidden sources of the Caligari screenplay." Journal of Screenwriting 10, no. 3 (2019): 261–77. http://dx.doi.org/10.1386/josc_00003_1.

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This article poses a question previously overlooked in the tremendous body of research on Das Cabinet des Dr. Caligari: why does the cabinet take such a prominent place in the title alongside the protagonist? The question is approached through a reading of the Caligari screenplay, which reveals that its narrative can be fruitfully conceived as a struggle of ‘evil spaces’. Pursuing the origins of this original spatial structure, the article uncovers a close connection between the script and the popular fantasy novels of the early twentieth century, in particular the only novel by the Austrian g

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20

Choi, Min jae. "A Study on the Hole Images in the Works of Symbolist Painter Alfred Kubin: Based on Sigmund Freud’s Uncanny." Journal of Contemporary Art Studies 26, no. 1 (2022): 91–113. http://dx.doi.org/10.29330/jcas.2022.06.26.1.91.

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21

Maszewski, Zbigniew. "Bianca Looks from above the Book: Readings on the Margin of Bruno Schulz’s Ex-Libris for Stanisław Weingarten." Text Matters, no. 2 (December 4, 2012): 130–43. http://dx.doi.org/10.2478/v10231-012-0059-2.

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The bookplate which Bruno Schulz designed in 1919 for his friend, Stanisław Weingarten, anticipates the motifs of his later literary work: a book, the Book, a collection of books reflecting the collector’s preferences but dependent on the laws undermining the notions of authorship and ownership. Standing on the margin of the artistic and literary scene, Pierrot/Schulz acknowledges the relatedness of his and Weingarten’s “private” vision with the recurrent, universal themes of world art and literature. The scene designed for the emblem of Weingarten’s library demonstrates Schulz’s awareness tha

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22

Varetska, Sofiya. "Picturesque of Literature and Literature of Fine Arts in Works of Twice Exceptional Expressionists." Pitannâ lìteraturoznavstva, no. 102 (December 28, 2020): 134–47. http://dx.doi.org/10.31861/pytlit2020.102.134.

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The article considers a problem of the arts interaction, which is a characteristic feature of German expressionism. It analyzes works of gifted expressionists, which are fulfilling themselves not only as writers, but as painters too and vice versa. All attention is paid to such figures of expressionism as Oscar Kokoschka, Franz Kafka, Alfred Kubin. The article argues that the power of talent of such artists is so great that self-realization in one of the arts is not enough for them, and therefore they actively use the opportunity to reveal the facets of their giftedness not only verbally, but

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23

Krämer, Günter, and Peter Wolf. "Epilepsy as a key feature in two works of fantastic literature by Alfred Kubin and Hermann Weyl: With a brief review of epilepsy in fantastic literature." Epilepsy & Behavior 111 (October 2020): 107191. http://dx.doi.org/10.1016/j.yebeh.2020.107191.

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24

Vansant, Jacqueline. "Zeitwesen: Autobiographik österreichischer Künstlerinnen und Künstler im Spannungsfeld von Politik und Gesellschaft 1900–1945: Eine Studie zu Alfred Kubin, Oskar Kokoschka, Aloys Wach, Erika Giovanna Klien und Margret Bilger by Birgit Kirchmayr." Journal of Austrian Studies 54, no. 2 (2021): 148–51. http://dx.doi.org/10.1353/oas.2021.0032.

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25

Inderwildi, Hilda. "Le diable fatigué et la fabrique de destruction : les incarnations du diable dans la littérature fantastique de la première moitié du XXe siècle. Autour de Die andere Seite (Alfred Kubin, 1909) et Die Stadt hinter dem Strom." Cahiers d’études germaniques 63, no. 63 (2012): 421–40. http://dx.doi.org/10.4000/ceg.11057.

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26

Domingues Lopes, Jorge, and Alfred Métraux. "Mitos e contos dos índios Kayapó (Grupo Kuben-Kran-Kegn)." Revista Brasileira de Linguística Antropológica 13 (July 28, 2021): 477–507. http://dx.doi.org/10.26512/rbla.v13i01.38989.

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Trata-se de um conjunto de 26 mitos e contos dos índios Kayapó (Grupo Kuben-Kran-Kegn), registrados pelo antropólogo Alfred Métraux em suas missões científicas no Brasil, publicados pela primeira vez, em francês, no ano de 1960.

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27

Bajer, Ewelina. "Terapia słowem – „opowiedziane malarstwo” Alfreda Kubina." Białostockie Studia Literaturoznawcze, no. 8 (2016): 231–48. http://dx.doi.org/10.15290/bsl.2016.08.15.

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28

Woźniak, Kamila. "Demiurgiczne wymiary rzeczywistości. Na marginesie powieści Alfreda Kubina i Jana Weissa." Bohemistyka, no. 1 (March 15, 2017): 22. http://dx.doi.org/10.14746/bo.2017.1.2.

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29

Campolina, Alessandro Gonçalves. "Performing Flights: Perspectivism and Shamanic Epistemology in the Amazon." Process Studies 51, no. 2 (2022): 169–84. http://dx.doi.org/10.5406/21543682.51.2.02.

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Abstract Alfred North Whitehead famously compares the philosophical method of knowledge acquisition with the process of flying an airplane. Likewise, “shamanic flight” marks stages of cognitive processing in navigation through perceptible and imperceptible worlds. This article focuses on the cosmovision of the Amazon people Huni Kuin, the Whiteheadian method of imaginative rationalization, and the concept of Amerindian perspectivism. This study also investigates shamanism as an experience of knowledge generation. Furthermore, “shamanic flight,” as an ecstatic technique experienced in many dive

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30

Mäkelin, Marianne, and Lotta Hautamäki. "Luonnon spekulatiivinen problematisointi." Tiede & edistys, no. 4 (February 7, 2022): 249–65. http://dx.doi.org/10.51809/te.114363.

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Tieteenfilosofi Isabelle Stengers on yksi keskeisistä hahmoista monilajisuuden tutkimuksen teoretisoinneissa. Stengersin ajatteluun, etenkin siltä osin kuin sitä on hyödynnetty monilajisuuden tutkimuksessa, on merkittävällä tavalla vaikuttanut Alfred North Whiteheadin spekulatiivinen filosofia. Jäljitämme Stengersin ja Whiteheadin filosofioiden ja empiirisen monilajisuuden tutkimuksen yhteisiä juonteita. Nämä yhteydet koskevat sitä, kuinka keskenään erilaiset olennot tulevat toistensa huomion ja tiedon kohteiksi ja merkityksellisiksi toisilleen. Artikkeli perustuu kirjallisuuskatsaukseen Steng

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31

Кушнарева, А. В. "Life of clairvoyant of decadence: introduction in the biography of Alfred Kubin." Искусство Евразии, no. 2(3) (October 12, 2016). http://dx.doi.org/10.25712/astu.2518-7767.2016.02.008.

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Статья посвящена биографии малоизученного в России австрийского художника, иллюстратора и писателя Альфреда Кубина. Художник был участником таких творческих объединений, как «Новое мюнхенское художественное объединение» и «Синий всадник». Василий Кандинский восхищался его творчеством и ставил Кубина в ряд с известными символистами, в частности, с Морисом Метерлинком. Кубин проявил себя как плодотворный художник, он издал несколько альбомов печатной графики, а также проиллюстрировал несколько десятков книг, среди которых произведения Ф.М. Достоевского, Н.В. Гоголя, Э. По, Гофмана, Жана Поля, Ге

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32

Haman, Brian. "Brian Haman. Review of "Alfred Kubin: Drawings, 1897–1909" by Annegret Hoberg." caa.reviews, March 31, 2009. http://dx.doi.org/10.3202/caa.reviews.2009.31.

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33

Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle : Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." Comicalités, September 28, 2013. http://dx.doi.org/10.4000/comicalites.1680.

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34

Przybysławski, Artur. ""Błękitne oczy" Alfreda Kubina." Hybris 1 (January 1, 2001). http://dx.doi.org/10.18778/1689-4286.01.07.

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35

Syrjälä, Pauliina. "Kantelepelimannit Arvi, Aarne ja Alfred." Etnomusikologian vuosikirja 30 (December 4, 2018). http://dx.doi.org/10.23985/evk.70101.

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Tämä artikkeli käsittelee suomalaisen kanteleperinteen yhtä lajia, tikkusoittoa. Aihetta on tähän saakka tutkittu vain vähän, vaikka arkistoaineiston perusteella perinteisten tikkusoittotyylien kirjo on ollut laaja. Näkökulmani tässä artikkelissa on musiikkianalyyttinen, mutta arkistoaineiston tutkiminen on tapahtunut ensisijaisesti soittamalla havainnoiden.  Artikkelin kysymyksenasettelu kytkeytyy tikkusoiton perinnetyyleihin ja niiden tutkimiseen soittamalla. Tarkastelen kolmen tikkusoittoperinnettä edustavan pelimannin henkilökohtaista tyyliä. Millaisina nämä soittotyylit näyttäytyvät

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