Relevant bibliographies by topics / Algorithmic art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Algorithmic art'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Algorithmic art"

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Nake, Frieder. "Algorithmic Art." Leonardo 47, no. 2 (2014): 108. http://dx.doi.org/10.1162/leon_a_00706.

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Edmonds, Ernest. "Algorithmic Art Machines." Arts 7, no. 1 (2018): 3. http://dx.doi.org/10.3390/arts7010003.

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Daudrich, Anna. "Algorithmic Art and Its Art-Historical Relationships." Journal of Science and Technology of the Arts 8, no. 1 (2016): 37. http://dx.doi.org/10.7559/citarj.v8i1.220.

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Mul, Geert, and Eef Masson. "Data-Based Art, Algorithmic Poetry." TMG Journal for Media History 21, no. 2 (2018): 170. http://dx.doi.org/10.18146/2213-7653.2018.375.

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The award-winning media artist Geert Mul (the Netherlands, 1965) has been making computer based artworks for over twenty-five years. A large portion of his oeuvre, and his more recent work in particular, relies heavily on existing images, often sourced online. With the help of image analysis software, Mul reworks the pictures into new combinations, attracted by the unexpected results that algorithmic operations produce, and the revelatory potential they hold. The artist refers to this work as ‘data-based art’ – a term revealing not only of his own process as a maker, but also of his take on ho
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Pandanwangi, Ariesa, Agus Prijono, and Ratnadewi Ratnadewi. "Generative Art sebagai Pembentuk Motif Geometris." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 8, no. 4 (2022): 1199. http://dx.doi.org/10.32884/ideas.v8i4.959.

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Designing motifs is still mostly done manually, using a pencil and then drawing on paper. The purpose of this research is to offer a solution in making geometric motifs by utilizing algorithmic art produced through computer technology. This method is a combination of the use of algorithmic art and the design used in making geometric motif designs. Algorithmic Art is a subset of generative art that is the result of an algorithmic process and is designed by the artist and usually uses a random process to generate variations based on external input. The results of this study are geometric motifs
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Chyrva, Anna. "Algorithmic Methods of Scientific Experiment in Modern Practices of Visual Art." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 45–50. https://doi.org/10.31866/2410-1176.43.2020.220065.

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The purpose of this article is to find out the peculiarities of the application of algorithmic methods of the artistic and scientific experiment in modern practices of visual art; to identify the role of algorithmic methods in creating new aesthetics, stylistics, and artistic language through art history analysis of the work of leading groups of contemporary art and design. The research methodology includes generalization, systematization, and comparison, which contribute to the identification of the leading algorithmic methods in modern art and project practices; art description and analysis
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Lai, Linda Chiu-han. "Algorithmic Art: Shuffling Space and Time." Transfers 9, no. 2 (2019): 112–18. http://dx.doi.org/10.3167/trans.2019.090208.

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Why are art-science dialogues important, and how should they take place? How do our everyday culture and institutional constructs define and delimit such possibilities? Why do contemporary art lovers still presume they are immune to and from scientific knowledge? How should a visitor of a media art event make sense of the machine work? Algorithmic Art: Shuffling Space & Time (AA) directed these questions to technical experts, artists, art lovers, and the public through a series of themed discussions and a six-hundred-square-meter indoor playground of machines and computational installation
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Ball, Andrew J. "Algorithmic Aesthetics." Screen Bodies 7, no. 2 (2022): v—vi. http://dx.doi.org/10.3167/screen.2022.070201.

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Though the authors in this general issue of Screen Bodies engage with a wide array of media, they express a shared group of concerns. Namely, how recent technological advancements and the big data cultures of the Information Age are altering social norms concerning the body, the subject, and intimacy. The first two articles focus on increasingly data-oriented cultures that have given rise to aesthetics derived from quantification and mathematics. In “Qualities Over Quantities: Metric and Narrative Identities in Dataveillant Art Practice,” Amy Christmas examines the “surveillant aesthetic” pres
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Greenfield, Gary R. "Evolving Expressions and Art by Choice." Leonardo 33, no. 2 (2000): 93–99. http://dx.doi.org/10.1162/0024094000552333.

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One common criticism of algorithmic art is its slavish devotion to technical virtuosity at the expense of artistic intent and content. To address this problem, the author uses an algorithmic method known as “evolving expressions,” which both challenges the technical ability of the artist and also paves the way to “art by choice”—an art that re-creates what lies in the imagination by visualizing the creatures that live there, the creatures of our dreams.
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Slessor, Stephen, and Anne Sophie Voyer1. "Algorithmic Mimesis: Translation, Technology, Resistance." TTR 29, no. 2 (2018): 129–54. http://dx.doi.org/10.7202/1051016ar.

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Translation technologies often figure translation as a simple process of linguistic transfer from one code to another or as a question of selecting the correct matching segments from a database. The prominence of such technologies in the digital age has thus renewed discussions of fidelity and equivalence for translators. The critical attention given to broader cultural and textual contexts that came into focus with the cultural turn seems at risk of disappearing into cyberspace. However, the ongoing proliferation of textual production and reproduction also foregrounds the possibilities of var
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Dissertations / Theses on the topic "Algorithmic art"

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Jackson, Delbert Wayne. "A.I. - Algorithmic Interactions." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2528.

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This thesis will talk about how I created artwork when I started graduate school, how my artwork evolved as I explored what art making meant to me and how my thoughts about art making has developed. I will then conclude with talking about the artwork I produced for my thesis show and how that work was shaped by my previous observations and artworks.
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Margerison, Paul. "An algorithmic and interactive approach to computer art." Thesis, Open University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240001.

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Koutsomichalis, Marinos G. "A hypermedia and project-based approach to music, sound and media art." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11432.

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This thesis describes my artistic practice as essentially project-based, site-responsive and hypermediating. Hypermediacy—i.e. the tendency of certain media or objects to keep their various constituents separate from their structure—is to be understood as opaque, juxtaposed and after a recurring contiguity with different kinds of interfaces. Accordingly, and within the context of the various projects that constitute this thesis, it is demonstrated how, in response to the particular places I work and to the various people I collaborate with, different kinds of materials and methodologies are in
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Pemberton, Mark Russell. "The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/21196.

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Using musical examples, this research examines the function of generative structures in the creation and reception of artistic works and seeks to identify a dynamic principle operating across styles, media, and historical periods. Thus, it examines how formal, material, and ideational, content may afford aesthetic and non-aesthetic generativity. The research also seeks to diminish the role of dichotomous theoretical frameworks by adopting a systemic affordance-based approach that views artistic works as dynamic sets of creative, generative, and autopoietic actions. The thesis argues that aesth
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Anderson, Dustin Robert. "Two-Dimensional Computer-Generated Ornamentation Using a User-Driven Global Planning Strategy." DigitalCommons@CalPoly, 2008. https://digitalcommons.calpoly.edu/theses/15.

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Hand drawn ornamentation, such as floral or geometric patterns, is a tedious and time consuming task that requires much skill and training in ornamental design principles and aesthetics. Ornamental drawings both historically and presently play critical roles in all things from art to architecture; however, little work has been done in exploring their algorithmic and interactive generation. The field of computer graphics offers many algorithmic possibilities for assisting an artist in creating two-dimensional ornamental art. When computers handle the repetition and overall structure of ornament
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Gampe, Johanna. "De l'esthétique numérique : changements nés de la révolution numérique, vus à travers les études des médias, l'art sonore et la philosophie." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010549.

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Cette thèse explore les nombreux changements nés de la Révolution Numérique à travers l'esthétique. Elle aborde les questions essentielles en trois étapes: le discours, la création et la réception. La première partie rassemble les courants et les mots-clefs qui reflètent le discours principal dans son actualité et son historique. Une étude comparative analyse les approches esthétiques typiques. Que l'on étudie les nouveaux médias, l'art visuel, l'art numérique, le « computer art », l'art de l'information ou l'art du code: on cherche tous à définir les nouvelles qualités spécifiques du médium n
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Rapoport, Robert S. "The iterative frame : algorithmic video editing, participant observation & the black box." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8339bcb5-79f2-44d1-b78d-7bd28aa1956e.

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Machine learning is increasingly involved in both our production and consumption of video. One symptom of this is the appearance of automated video editing applications. As this technology spreads rapidly to consumers, the need for substantive research about its social impact grows. To this end, this project maintains a focus on video editing as a microcosm of larger shifts in cultural objects co-authored by artificial intelligence. The window in which this research occurred (2010-2015) saw machine learning move increasingly into the public eye, and with it ethical concerns. What follows is, o
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Kerr, Thorin. "Performing composition : developing a computer assisted composition system through live coding performance." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/32175/1/Thorin_Kerr_Thesis.pdf.

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This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software library for the purpose of encapsulating compositional ideas in software, and realising these ideas in performance through a live coding computer music practice. The thesis examines what artistic practice emerges through live coding and software development, and does this permit a blurring between the activities of music composition and performance. The role that software design plays in affecting musical outcomes is considered to ga
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Gambardella, Luca Maria. "Coupling ant colony system with local search." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209045.

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In the last decades there has been a lot of interest in computational models and metaheuristics algorithms capable to solve combinatorial optimization problems. The recent trend is to define these algorithms taking inspiration by the observation of natural systems. In this thesis the Ant Colony System (ACS) is presented which has been inspired by the observation of real ant colonies. ACS is initially proposed to solve the symmetric and asymmetric travelling salesman problems where it is shown to be competitive with other metaheuristics. Although this is an interesting and promising result, it
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Lavigne, Benjamin. "Le petit surhomme des jeux vidéo et la gamification du monde : sublimation de l'endoctrinement par l'interactivité ludique." Thesis, Université de Lorraine, 2020. http://www.theses.fr/2020LORR0142.

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En prenant une certaine distance sur l'univers des jeux vidéo et les capacités d'action (ou empowerment) qu'il offre au joueur, nous pouvons voir apparaître un squelette idéologique qui se détache assez nettement : l'idéologie du surhomme. Afin de tisser les liens qui unissent intimement les trois principales notions nietzschéennes au jeu vidéo, nous verrons que la « volonté de puissance » est la raison d’être des divertissements vidéoludiques ; le « surhomme » est le but du jeu vidéo ; l’«éternel retour» est la forme inhérente aux logiciels ludiques. Cette idéologie du surhomme présente dans
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Books on the topic "Algorithmic art"

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Argamon, Shlomo. The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning. Springer-Verlag Berlin Heidelberg, 2010.

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Tama Bijutsu Daigaku. Geijutsu Arugorizumu Kenkyūkai. 20-seiki konpyūta āto no kiseki to tenbō: Gendai arugorizumu āto no senkusha, gendai sakka no sakuhin, shisō = 20th century computer art: beginnings and developments : the work and thought of pioneers and contemporary practitioners of algorithmic art. Tama Bijutsu Daigaku Bijutsukan, 2006.

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Dorigo, Marco, Gianni Di Caro, and Michael Sampels, eds. Ant Algorithms. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45724-0.

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Quadflieg, Sven, Klaus Neuburg, and Simon Nestler, eds. (Dis)Obedience in Digital Societies. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839457634.

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Algorithms are not to be regarded as a technical structure but as a social phenomenon - they embed themselves, currently still very subtle, into our political and social system. Algorithms shape human behavior on various levels: they influence not only the aesthetic reception of the world but also the well-being and social interaction of their users. They act and intervene in a political and social context. As algorithms influence individual behavior in these social and political situations, their power should be the subject of critical discourse - or even lead to active disobedience and to th
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Joseph, O'Rourke. Art gallery theorems and algorithms. Oxford University Press, 1987.

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Doellgast, Virginia, Shruti Appalla, Dina Ginzburg, Jeonghun Kim, and Wen Li Thian. Global case studies of social dialogue on AI and algorithmic management. ILO, 2025. https://doi.org/10.54394/voqe4924.

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Employers are adopting and refining artificial intelligence (AI) and algorithm-based tools in the workplace, with wide-ranging implications for work and employment. This working paper examines case studies of social dialogue on AI at national, regional, sectoral, company, and workplace levels in Europe, North America, Asia, South America and the Caribbean, and Africa. Findings are organized around three distinct ‘action fields’ in which worker representatives have sought to influence strategies and outcomes associated with the growing use of AI and algorithms in the workplace. These include th
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Munerman, Viktor, Vadim Borisov, and Aleksandra Kononova. Mass data processing. Algebraic models and methods. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1906037.

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The monograph is devoted to mathematical and algorithmic support of mass data processing based on algebraic models. One of the most common classes of mass processing is considered - processing of highly active structured data. The construction of algebraic models of data and calculations and methods of proving their correspondence are analyzed. Three algebraic systems are studied, which can be used both as data models and as models of calculations. The algebraic and axiomatic methods of proving the correspondence of these models are investigated. A proof of their correspondence is given: homom
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Knuth, Donald Ervin. The art of computer programming. Addison-Wesley, 2009.

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Amos, Fiat, and Woeginger Gerhard, eds. Online algorithms: The state of the art. Springer, 1998.

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Voigt, Robert G. Where are the parallel algorithms? Institute for Computer Applications in Science and Engineering, NASA Langley Research Center, 1985.

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Book chapters on the topic "Algorithmic art"

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Artut, Selçuk. "Algorithmic Structures in Art." In Geometric Patterns with Creative Coding. Apress, 2023. http://dx.doi.org/10.1007/978-1-4842-9389-8_2.

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McMullen, Shannon, and Fabian Winkler. "Algorithmic Gardening." In The Routledge Companion to Mobile Media Art. Routledge, 2020. http://dx.doi.org/10.4324/9780429242816-15.

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De, Sourav, and Partha Bhowmick. "Digital Circlism as Algorithmic Art." In Advances in Visual Computing. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41914-0_8.

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Kuchen, Herbert. "Parallel Programming with Algorithmic Skeletons." In The Art of Structuring. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06234-7_49.

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Shanbaum, Phaedra. "Artificial Intelligence and Algorithmic Cultures." In Aesthetics, Gender, and Disability in Interactive Digital Art and Performance Art. Routledge, 2024. http://dx.doi.org/10.4324/9781003162896-2.

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Ackerman, Margareta, and David Loker. "Algorithmic Songwriting with ALYSIA." In Computational Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2_1.

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Verostko, Roman. "Algorithmic Fine Art: Composing a Visual Arts Score." In Explorations in Art and Technology. Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_12.

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Sioutas, Spyros, Efrosini Sourla, Kostas Tsichlas, and Christos Zaroliagis. "ART $$^+$$ + : A Fault-Tolerant Decentralized Tree Structure with Ultimate Sub-logarithmic Efficiency." In Algorithmic Aspects of Cloud Computing. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29919-8_10.

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Verostko, Roman. "Algorithmic Fine Art: Composing a Visual Arts Score." In Springer Series on Cultural Computing. Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0_7.

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Hoffmann, Frank, and Michael Kaufmann. "On the rectilinear art gallery problem algorithmic aspects." In Graph-Theoretic Concepts in Computer Science. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/3-540-53832-1_46.

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Conference papers on the topic "Algorithmic art"

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Ceric, Vlatko. "Algorithmic art: Technology, mathematics and art." In 2008 30th International Conference on Information Technology Interfaces (ITI). IEEE, 2008. http://dx.doi.org/10.1109/iti.2008.4588386.

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Papatheodorou, Theodoros, and Jessica Wolpert. "Algorithmic Amplification." In SIGGRAPH Art Gallery '24: ACM SIGGRAPH 2024 Art Gallery. ACM, 2024. http://dx.doi.org/10.1145/3641523.3665172.

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Nake, Frieder. "Creativity in algorithmic art." In Proceeding of the seventh ACM conference. ACM Press, 2009. http://dx.doi.org/10.1145/1640233.1640251.

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Baudry, Benoit. "Programming Algorithmic Art (Keynote)." In ‹Programming› '24: 8th International Conference on the Art, Science, and Engineering of Programming. ACM, 2024. http://dx.doi.org/10.1145/3660829.3661026.

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Orr, Genevieve. "Computational thinking through programming and algorithmic art." In SIGGRAPH 2009: Talks. ACM Press, 2009. http://dx.doi.org/10.1145/1597990.1598021.

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Rangel, André. "Re-Visiting and Re-Coding Classic Algorithmic Art." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.30.

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Lee, Rosemary. "The Limits of Algorithmic Perception: technological Umwelt." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.44.

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Carvalhais, Miguel, and Rosemary Lee. "Soundwalking and Algorithmic Listening." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.8.

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Yamshchikov, Ivan P., and Alexey Tikhonov. "I Feel You: What makes algorithmic experience personal?" In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.32.

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Blair, Kathryn, Pil Hansen, and Lora Oehlberg. "Participatory Art for Public Exploration of Algorithmic Decision-Making." In DIS '21: Designing Interactive Systems Conference 2021. ACM, 2021. http://dx.doi.org/10.1145/3468002.3468235.

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Reports on the topic "Algorithmic art"

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Marty, Frédéric, and Thierry Warin. Deciphering Algorithmic Collusion: Insights from Bandit Algorithms and Implications for Antitrust Enforcement. CIRANO, 2023. http://dx.doi.org/10.54932/iwpg7510.

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This paper examines algorithmic collusion from legal and economic perspectives, highlighting the growing role of algorithms in digital markets and their potential for anti-competitive behavior. Using bandit algorithms as a model, traditionally applied in uncertain decision-making contexts, we illuminate the dynamics of implicit collusion without overt communication. Legally, the challenge is discerning and classifying these algorithmic signals, especially as unilateral communications. Economically, distinguishing between rational pricing and collusive patterns becomes intricate with algorithm-
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Tipton, Kelley, Brian F. Leas, Emilia Flores, et al. Impact of Healthcare Algorithms on Racial and Ethnic Disparities in Health and Healthcare. Agency for Healthcare Research and Quality (AHRQ), 2023. http://dx.doi.org/10.23970/ahrqepccer268.

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Objectives. To examine the evidence on whether and how healthcare algorithms (including algorithm-informed decision tools) exacerbate, perpetuate, or reduce racial and ethnic disparities in access to healthcare, quality of care, and health outcomes, and examine strategies that mitigate racial and ethnic bias in the development and use of algorithms. Data sources. We searched published and grey literature for relevant studies published between January 2011 and February 2023. Based on expert guidance, we determined that earlier articles are unlikely to reflect current algorithms. We also hand-se
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Johansen, Richard A., Christina L. Saltus, Molly K. Reif, and Kaytee L. Pokrzywinski. A Review of Empirical Algorithms for the Detection and Quantification of Harmful Algal Blooms Using Satellite-Borne Remote Sensing. U.S. Army Engineer Research and Development Center, 2022. http://dx.doi.org/10.21079/11681/44523.

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Harmful Algal Blooms (HABs) continue to be a global concern, especially since predicting bloom events including the intensity, extent, and geographic location, remain difficult. However, remote sensing platforms are useful tools for monitoring HABs across space and time. The main objective of this review was to explore the scientific literature to develop a near-comprehensive list of spectrally derived empirical algorithms for satellite imagers commonly utilized for the detection and quantification HABs and water quality indicators. This review identified the 29 WorldView-2 MSI algorithms, 25
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Baader, Franz, and Rafael Peñaloza. Axiom Pinpointing in General Tableaux. Aachen University of Technology, 2007. http://dx.doi.org/10.25368/2022.159.

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Axiom pinpointing has been introduced in description logics (DLs) to help the user to understand the reasons why consequences hold and to remove unwanted consequences by computing minimal (maximal) subsets of the knowledge base that have (do not have) the consequence in question. The pinpointing algorithms described in the DL literature are obtained as extensions of the standard tableau-based reasoning algorithms for computing consequences from DL knowledge bases. Although these extensions are based on similar ideas, they are all introduced for a particular tableau-based algorithm for a partic
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Baader, Franz, and Rafael Peñaloza. Pinpointing in Terminating Forest Tableaux. Technische Universität Dresden, 2008. http://dx.doi.org/10.25368/2022.166.

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Axiom pinpointing has been introduced in description logics (DLs) to help the user to understand the reasons why consequences hold and to remove unwanted consequences by computing minimal (maximal) subsets of the knowledge base that have (do not have) the consequence in question. The pinpointing algorithms described in the DL literature are obtained as extensions of the standard tableau-based reasoning algorithms for computing consequences from DL knowledge bases. Although these extensions are based on similar ideas, they are all introduced for a particular tableau-based algorithm for a partic
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Lorenz, Markus. Auswirkungen des Decoy-Effekts auf die Algorithm Aversion. Sonderforschungsgruppe Institutionenanalyse, 2022. http://dx.doi.org/10.46850/sofia.9783947850013.

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Limitations in the human decision-making process restrict the technological potential of algorithms, which is also referred to as "algorithm aversion". This study uses a laboratory experiment with participants to investigate whether a phenomenon known since 1982 as the "decoy effect" is suitable for reducing algorithm aversion. For numerous analogue products, such as cars, drinks or newspaper subscriptions, the Decoy Effect is known to have a strong influence on human decision-making behaviour. Surprisingly, the decisions between forecasts by humans and Robo Advisors (algorithms) investigated
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Baader, Franz, and Rafael Peñaloza. Blocking and Pinpointing in Forest Tableaux. Technische Universität Dresden, 2008. http://dx.doi.org/10.25368/2022.165.

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Axiom pinpointing has been introduced in description logics (DLs) to help the used understand the reasons why consequences hold by computing minimal subsets of the knowledge base that have the consequence in consideration. Several pinpointing algorithms have been described as extensions of the standard tableau-based reasoning algorithms for deciding consequences from DL knowledge bases. Although these extensions are based on similar ideas, they are all introduced for a particular tableau-based algorithm for a particular DL, using specific traits of them. In the past, we have developed a genera
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Lewis, Dustin, ed. A Compilation of Materials Apparently Reflective of States’ Views on International Legal Issues pertaining to the Use of Algorithmic and Data-reliant Socio-technical Systems in Armed Conflict. Harvard Law School Program on International Law and Armed Conflict, 2020. http://dx.doi.org/10.54813/cawz3627.

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This document is a compilation of materials that at least appear to be reflective of one or more states’ views on international legal issues pertaining to the actual or possible use of algorithmic and data-reliant socio-technical systems in armed conflict. In September of 2018, the Harvard Law School Program on International Law and Armed Conflict (HLS PILAC) commenced a project titled “International Legal and Policy Dimensions of War Algorithms: Enduring and Emerging Concerns.”[1] The project builds on the program’s earlier research and policy initiative on war-algorithm accountability. A goa
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Baader, Franz, Jan Hladik, and Rafael Peñaloza. PSpace Automata with Blocking for Description Logics. Aachen University of Technology, 2006. http://dx.doi.org/10.25368/2022.157.

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In Description Logics (DLs), both tableau-based and automatabased algorithms are frequently used to show decidability and complexity results for basic inference problems such as satisfiability of concepts. Whereas tableau-based algorithms usually yield worst-case optimal algorithms in the case of PSpace-complete logics, it is often very hard to design optimal tableau-based algorithms for ExpTime-complete DLs. In contrast, the automata-based approach is usually well-suited to prove ExpTime upper-bounds, but its direct application will usually also yield an ExpTime-algorithm for a PSpace-complet
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10

Lewis, Dustin, Naz Modirzadeh, and Gabriella Blum. War-Algorithm Accountability. Harvard Law School Program on International Law and Armed Conflict, 2016. http://dx.doi.org/10.54813/fltl8789.

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In War-Algorithm Accountability (August 2016), we introduce a new concept—war algorithms—that elevates algorithmically-derived “choices” and “decisions” to a, and perhaps the, central concern regarding technical autonomy in war. We thereby aim to shed light on and recast the discussion regarding “autonomous weapon systems” (AWS). We define “war algorithm” as any algorithm that is expressed in computer code, that is effectuated through a constructed system, and that is capable of operating in relation to armed conflict. In introducing this concept, our foundational technological concern is the
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