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Books on the topic 'Algorithmic art'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Argamon, Shlomo. The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning. Springer-Verlag Berlin Heidelberg, 2010.

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2

Tama Bijutsu Daigaku. Geijutsu Arugorizumu Kenkyūkai. 20-seiki konpyūta āto no kiseki to tenbō: Gendai arugorizumu āto no senkusha, gendai sakka no sakuhin, shisō = 20th century computer art: beginnings and developments : the work and thought of pioneers and contemporary practitioners of algorithmic art. Tama Bijutsu Daigaku Bijutsukan, 2006.

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3

Dorigo, Marco, Gianni Di Caro, and Michael Sampels, eds. Ant Algorithms. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45724-0.

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Quadflieg, Sven, Klaus Neuburg, and Simon Nestler, eds. (Dis)Obedience in Digital Societies. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839457634.

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Algorithms are not to be regarded as a technical structure but as a social phenomenon - they embed themselves, currently still very subtle, into our political and social system. Algorithms shape human behavior on various levels: they influence not only the aesthetic reception of the world but also the well-being and social interaction of their users. They act and intervene in a political and social context. As algorithms influence individual behavior in these social and political situations, their power should be the subject of critical discourse - or even lead to active disobedience and to th

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5

Joseph, O'Rourke. Art gallery theorems and algorithms. Oxford University Press, 1987.

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6

Doellgast, Virginia, Shruti Appalla, Dina Ginzburg, Jeonghun Kim, and Wen Li Thian. Global case studies of social dialogue on AI and algorithmic management. ILO, 2025. https://doi.org/10.54394/voqe4924.

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Employers are adopting and refining artificial intelligence (AI) and algorithm-based tools in the workplace, with wide-ranging implications for work and employment. This working paper examines case studies of social dialogue on AI at national, regional, sectoral, company, and workplace levels in Europe, North America, Asia, South America and the Caribbean, and Africa. Findings are organized around three distinct ‘action fields’ in which worker representatives have sought to influence strategies and outcomes associated with the growing use of AI and algorithms in the workplace. These include th

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7

Munerman, Viktor, Vadim Borisov, and Aleksandra Kononova. Mass data processing. Algebraic models and methods. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1906037.

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The monograph is devoted to mathematical and algorithmic support of mass data processing based on algebraic models. One of the most common classes of mass processing is considered - processing of highly active structured data. The construction of algebraic models of data and calculations and methods of proving their correspondence are analyzed. Three algebraic systems are studied, which can be used both as data models and as models of calculations. The algebraic and axiomatic methods of proving the correspondence of these models are investigated. A proof of their correspondence is given: homom

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8

Knuth, Donald Ervin. The art of computer programming. Addison-Wesley, 2009.

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9

Amos, Fiat, and Woeginger Gerhard, eds. Online algorithms: The state of the art. Springer, 1998.

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10

Voigt, Robert G. Where are the parallel algorithms? Institute for Computer Applications in Science and Engineering, NASA Langley Research Center, 1985.

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11

NATO Advanced Study Institute on Algorithms for Continuous Optimization--the State of the Art (1993 Il Ciocco, Italy and Barga, Italy). Algorithms for continuous optimization--the state of the art. Kluwer Academic, 1994.

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12

Ferreira, Afonso, and José D. P. Rolim, eds. Parallel Algorithms for Irregular Problems: State of the Art. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-6130-6.

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13

Spedicato, Emilio. Algorithms for Continuous Optimization: The State of the Art. Springer Netherlands, 1994.

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14

Afonso, Ferreira, Rolim José D. P, and Workshop and Summer School on Parallel Algorithms for Irregularly Structured Problems (1994 : Geneva, Switzerland), eds. Parallel algorithms for irregular problems: State of the art. Boston, 1995.

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15

Ferreira, Afonso. Parallel Algorithms for Irregular Problems: State of the Art. Springer US, 1995.

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16

Knuth, Donald Ervin. The art of computer programming: Combinatorial algorithms, Part 1. Addison-Wesley, 2011.

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17

Knuth, Donald Ervin. The art of computer programming: Generating all tuples and permutations. 2nd ed. Addison-Wesley, 2009.

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18

Galerie im Taxispalais (Innsbruck, Austria), ed. Variable Stücke: Strukturen, Referenzen, Algorithmen : 5. Juni bis 11. August 2002. Galerie im Taxispalais, 2002.

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19

Arikawa, S. Algorithmic learning theory: First International Workshop on algorithmic learning theory (Alt 90), Oct. 8-10, 1990, Tokyo, Japan. Springer, 1990.

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20

Rashid, Tariq. Make Your Own Algorithmic Art. Tariq Rashid, 2018.

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21

Wenz, Karin, and Mathias Fuchs. Digital Culture and Society: Vol 8, Issue 2/2022 - Algorithmic Art. Transcript Verlag, 2022.

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22

Ramsay, Stephen. An Algorithmic Criticism. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036415.003.0001.

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This chapter presents an “algorithmic criticism,” which seeks, in the narrowing forces of constraint embodied and instantiated in the strictures of programming, an analogue to the liberating potentialities of art. It proposes that we create tools—practical, instrumental, verifiable mechanisms—that enable critical engagement, interpretation, conversation, and contemplation. The chapter furthermore proposes that we channel the heightened objectivity made possible by the machine into the cultivation of those heightened subjectivities necessary for critical work. Moreover, this chapter argues that

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23

Tihanyi, Timea. Making and Breaking Rules with Algorithmic Forms and Tactile Processes: A Technoceramist's Adventures with Mathematical Thinking. Primedia eLaunch LLC, 2020.

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24

Advanced Algorithmic Approaches to Medical Image Segmentation: State-of-the-Art Applications in Cardiology, Neurology, Mammography and Pathology. Springer London, 2002.

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25

Burns, Kevin, Shlomo Argamon, and Shlomo Dubnov. Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning. Springer, 2014.

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26

Burns, Kevin, Shlomo Argamon, and Shlomo Dubnov. The Structure of Style: Algorithmic Approaches to Understanding Manner and Meaning. Springer, 2010.

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27

Singh, Sameer, and S. Kamaledin Setarehdan. Advanced Algorithmic Approaches to Medical Image Segmentation: State-of-the-Art Applications in Cardiology, Neurology, Mammography and Pathology. Springer, 2011.

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28

(Editor), Jasjit S. Suri, S. Kamaledin Setarehdan (Editor), and Sameer Singh (Editor), eds. Advanced Algorithmic Approaches to Medical Image Segmentation: State Of The Art Applications in Cardiology, Neurology, Mammography and Pathology. Springer, 2002.

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29

Haworth, Christopher. Technology, Creativity, and the Social in Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.13.

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This chapter surveys developments in the sociology of art and theories of mediation to examine the contribution of technical devices and institutions to musical creativity. In particular, it considers Actor-Network Theory as a means to analyse the contributions of ‘nonhuman actors’ to the social world of algorithmic music. Two case studies are discussed: the network music pioneers The Hub and the contemporary genre of live coding. The example of The Hub raises the question of technological change and the necessity of considering the external forces that bear on the instrumentarium of algorithm

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30

Bucher, Taina. Affective Landscapes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0005.

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Given the centrality of algorithms in the media landscape, how do they affect people’s everyday lives? Drawing on 35 interviews with social media users about their encounters with algorithms online, the chapter considers the barely perceived transitions in power that occur when algorithms and people meet. When do people encounter algorithms, and what responses and imaginations do these encounters generate? Analyzing specific situations in which users notice algorithmic mechanisms at work and start reflecting and talking about them, the chapter shows how the algorithmic output of social media b

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31

Eldridge, Alice, and Oliver Bown. Biologically Inspired and Agent-Based Algorithms for Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.18.

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This chapter examines a range of approaches to algorithmic music making inspired by biological systems, and considers topics at the intersection of contemporary music, computer science, and computational creativity. A summary of core precursor movements both within and beyond musical practice (A Life, cybernetics, systems art, etc.) sets the scene, before core models and algorithms are introduced and illustrated. These include evolutionary algorithms, agent-based modelling and self-organizing systems, adaptive behaviour and interactive performance systems, and ecosystemic approaches to composi

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32

cárdenas, micha. Poetic Operations. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022275.

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In Poetic Operations artist and theorist micha cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis. Understanding algorithms as sets of instructions designed to perform specific tasks (like a recipe), she breaks them into their component parts, called operations. By focusing on these operations, cárdenas identifies how trans and gender-non-conforming ar

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33

Bucher, Taina. If...Then. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.001.0001.

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IF … THEN provides an account of power and politics in the algorithmic media landscape that pays attention to the multiple realities of algorithms, and how these relate and coexist. The argument is made that algorithms do not merely have power and politics; they help to produce certain forms of acting and knowing in the world. In processing, classifying, sorting, and ranking data, algorithms are political in that they help to make the world appear in certain ways rather than others. Analyzing Facebook’s news feed, social media user’s everyday encounters with algorithmic systems, and the discou

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34

Vassiliadis, Vassilios, and Georgios Dounias. Algorithmic Trading based on Biologically Inspired Algorithms. Edited by Shu-Heng Chen, Mak Kaboudan, and Ye-Rong Du. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199844371.013.11.

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The chapter discusses algorithmic trading, which refers to any automated process, consisting of a number of interconnected components, whose main aim is to perform financial transactions of any kind. Its chief advantage lies in the fact that human intervention is minimized to an acceptable extent. This is quite desirable because nowadays numerous factors affect financial decisions. Financial managers are able to deal with a limited amount of information. There are many ways to implement algorithmic trading systems. This chapter aims to highlight the efficiency of biologically inspired methodol

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35

Liljefors, Max, Gregor Noll, and Daniel Steuer, eds. War and Algorithm. Rowman & Littlefield International, 2019. https://doi.org/10.5040/9798881816315.

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New military technologies are animated by fantasies of perfect knowledge, lawfulness, and vision that contrast sharply with the very real limits of human understanding, law, and vision. Thus, various kinds of violent acts are proliferating while their precise nature remains unclear. Especially man–machine ensembles, guided by algorithms, are operating in ways that challenge conceptual understanding. War and Algorithm looks at the increasing power of algorithms in these emerging forms of warfare from the perspectives of critical theory, philosophy, legal studies, and visual studies. The contrib

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36

Bucher, Taina. Programming the News. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0006.

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Algorithmic power and politics stems in part from how algorithms acquire the capacity to disturb and to compose new sensibilities as part of situated practices, particularly in terms of how they become invested with certain political and moral capacities. Looking at how algorithms materialize in the institutional setting of the news media, the chapter considers how algorithms are made to matter. Based on field observations and 20 interviews with digital editors and managers at leading Scandinavian news organizations the chapter explores how institutional actors are responding to the proliferat

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37

Ngah, Nurul Haslinda, Azralmukmin Azmi, Mohd Nazri Ibrahim, Muriati Muda, Noraniah Abdul Aziz, and Nur Hafizah Ghazali. PROBLEM SOLVING AND COMPUTER PROGRAMMING. 2024th ed. PENERBIT UNIVERSITI MALAYSIA PERLIS, 2024. http://dx.doi.org/10.58915/bk2023.021.

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Problem Solving and Computer Programming is a definitive resource that takes readers on a journey through the world of problem solving and computer programming using C++ language. This book serves as a comprehensive guide for beginners and intermediate programmers, providing them with the necessary skills and knowledge to excel in the field. With a practical and hands-on approach, the book starts by introducing fundamental problem-solving techniques and algorithmic thinking. Readers learn how to analyze problems, break them down into smaller subproblems and devise efficient solutions. Through

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38

Algorithm Image Art. Atropos Press, 2024.

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39

Aradau, Claudia, and Tobias Blanke. Algorithmic Reason. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192859624.001.0001.

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Are algorithms ruling the world today? Is artificial intelligence making life-and-death decisions? Are social media companies able to manipulate elections? As we are confronted with public and academic anxieties about unprecedented changes, this book offers a different analytical prism to investigate these transformations as more mundane and fraught. Aradau and Blanke develop conceptual and methodological tools to understand how algorithmic operations shape the government of self and other. While disperse and messy, these operations are held together by an ascendant algorithmic reason. Through

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40

Bucher, Taina. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0007.

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When conceptualizing the power and politics of algorithms it is important to blend an understanding of their material substrates with an understanding of the multiple ways of perceiving, feeling, acting, and knowing which congeal around algorithms as an object of social concern. The concluding chapter revisits some of the key questions of the book and looks at how algorithmic power and politics can be understood if power and politics are not necessarily about imposing force from above. The chapter serves to summarize the key contributions of the book in terms of: (1) providing an understanding

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41

Bucher, Taina. Life at the Top. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0004.

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Algorithms play a fundamental role in governing the conditions of the intelligible and the sensible online. If users provide the data, the techniques, and procedures to make sense of it, to navigate, assemble, and make meaningful connections among individual pieces of data is increasingly being delegated to various forms of algorithms. In the case of the world’s biggest and most used social media platform, Facebook, algorithmic mechanisms shape the concerted distribution of people, information, actions, and ways of seeing and being seen. The chapter investigates how this kind of algorithmic in

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42

Dean, Roger T., and Alex McLean, eds. The Oxford Handbook of Algorithmic Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.001.0001.

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Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. The book is organised into four sections, the first grounding the topic in the history, philosophy and psychology of algorithmic music. The second section asks 'what can algo

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43

Bucher, Taina. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0001.

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Algorithms and software are starting to catch the interest of social scientists and humanities scholars, having become somewhat of a buzzword in media and communication studies during the past years. Yet we are only at the beginning of understanding how algorithms and computation more broadly are affecting social life and the production and dissemination of knowledge as we know it. The introductory chapter sketches the contours of an algorithmic media landscape as it is currently unfolding by focusing on the ways in which Facebook friendships are programmatically organized and shaped through a

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44

Spiegel, Laurie. Thoughts on Composing with Algorithms. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.26.

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In this chapter Laurie Spiegel, a pioneer of algorithmic logic in music composition, considers various reasons to use algorithms, including their function as descriptors, generators and adjuncts to creative musical practises. Self-simulation (notably, of decision making processes) is juxtaposed against the sonification of external information and various other uses of algorithms are also described. Human input may be minimal or extensive for the logic used to specify parameters of individual sonic events, variations in global informational entropy, inherent structuring or to achieve variation

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45

Bleakley, Chris. Poems That Solve Puzzles. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853732.001.0001.

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Algorithms are the hidden methods that computers apply to process information and make decisions. The book tells the story of algorithms from their ancient origins to the present day and beyond. The book introduces readers to the inventors and events behind the genesis of the world’s most important algorithms. Along the way, it explains, with the aid of examples and illustrations, how the most influential algorithms work. The first algorithms were invented in Mesopotamia 4,000 years ago. The ancient Greeks refined the concept, creating algorithms for finding prime numbers and enumerating Pi. A

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46

Satpathy, Suneeta, Sachi Nandan Mohanty, and Pabitra Kumar Tripathy. Art of Algorithm Design. Taylor & Francis Group, 2021.

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47

Satpathy, Suneeta, Sachi Nandan Mohanty, and Pabitra Kumar Tripathy. Art of Algorithm Design. Taylor & Francis Group, 2021.

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48

Satpathy, Suneeta, Sachi Nandan Mohanty, and Pabitra Kumar Tripathy. Art of Algorithm Design. Taylor & Francis Group, 2021.

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49

Satpathy, Suneeta, Sachi Nandan Mohanty, and Pabitra Kumar Tripathy. Art of Algorithm Design. Taylor & Francis Group, 2021.

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50

Bucher, Taina. The Multiplicity of Algorithms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190493028.003.0002.

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Algorithms exist and operate on multiple levels. They are technical as much as they are social, cultural as much as they are functional. The chapter examines the multiplicity of algorithms, arguing for an expanded view on algorithms that takes it variable ontology into account. Providing the conceptual groundwork by merging perspectives from computer science, social sciences, and the humanities, the chapter explains the different meanings of algorithms as technical entities, and phenomena of social concern, respectively. Algorithms do not merely have power and politics; they are fundamentally

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