Academic literature on the topic 'Ali Ahmed Bakathir'

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Journal articles on the topic "Ali Ahmed Bakathir"

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Muhi, Dr Maysoon Taher, Dr Maysam Bahaa Saleh, and Sufyan Awad Hasson. "The Character of Shylock as a Cultural Mark: Shakespeare's The Merchant of Venice and Bakathir's The New Shylock." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 3 (2019): 69–90. http://dx.doi.org/10.36473/ujhss.v58i3.912.

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This study aims to depict the image of the Jew by two different authors of various periods of time. Undoubtedly, the Image of the Jew had been discussed and depicted in many plays of famous and prominent authors, especially during The Renaissance Era, such as Christopher Marlowe in his brilliant artistic work The Jew of Malta. In addition to, William Shakespeare’s glorious piece of art The Merchant of Venice which is described by Dr. Mahmoud Shetywi, in his article “The Merchant of Venice in Arabic” as the play that is considered till now as the most prominent Elizabethan comedy that has been studied, performed and adapted by many universal and Arab modern and contemporary authors ; who one of them is the Yemeni author and playwright Ali Ahmed Bakathir with his adaptation of The Merchant of Venice which is called The New Shylock , in which he relates the traditional Elizabethan image of the Jew to the issue of (The Arab – Israeli Conflict). So, this study endeavors to show the genius dramatic techniques, that are used by both authors and the effect of Shakespeare on Bakathier. The New Shylock can be considered an adaptation of The Merchant of Venice with modern modifications and new concepts that serve the purpose of Bakathir. Accordingly, the researchers will rely on the theory of adaptation in excavating the treasures of both texts. Moreover, there are various (psychological, political, social and anthropological) aspects of depth that they tried to convey within their creation of the character of Shylock and what does this character really imply of the essential issues, to criticize and relate them to their own societies and times.
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Hassoon, Mohammed Naser. "The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World." Multicultural Shakespeare: Translation, Appropriation and Performance 23, no. 38 (2021): 43–57. http://dx.doi.org/10.18778/2083-8530.23.03.

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Since Najib al-Haddad and Tanyusʻ Abdu’s first Arabic versions of Romeo and Juliet and Hamlet at the end of the 19th century, the reception of Shakespeare in the Arab world has gone through a process of adaptation, Arabization, and translation proper. We consider the process of Arabization / domestication of Shakespeare’s plays since Najib al-Haddad’s adaptation of Romeo and Juliet and Tanyusʻ Abdu’s adaptation of Hamlet, to the achievements of Khalīl Mutran and Muhammad Hamdi. We underline, as particular examples of Shakespeare’s appropriation, the literary response of Ali Ahmed Bakathir, Muhammad al-Maghut and Mamduh Udwan, with a particular stress on Khazal al-Majidi and his adaptations of Shakespeare’s plays. All these writers reposition Shakespeare’s plays in an entirely different cultural space.
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Mohammad Alshawesh, Mahdi Yousef. "Al-Tanasu al-Qur’ani fi Si’ri Ali Ahmad Bakatsir." IJAS: Indonesian Journal of Arabic Studies 2, no. 2 (2020): 86. http://dx.doi.org/10.24235/ijas.v2i2.6842.

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Reflinaldi, Reflinaldi. "Abthal Al-Yarmuk: Upaya Rekonstruksi Semangat NasionalismeTimur dalam Melawan Hegemoni Barat." Diwan : Jurnal Bahasa dan Sastra Arab 9, no. 1 (2017): 645–59. http://dx.doi.org/10.15548/diwan.v9i1.137.

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Tulisan ini mengungkap adanya upaya rekonstruksi semangat nasionalisme dunia Timur dalam melawan hegemoni Barat yang terefleksi dalam naskah drama Abthal Al-Yarmuk karya Ali Ahmad Bakatsir. Melalui tokoh Khalid bin Walid yang menjadi sentral cerita, Bakatsir merumuskan beberapa kerangka yang menjadi jalan pembuka semangat nasionalisme Timur. Melalui dialog dan alur yang sederhana, Bakatsir meneriakkan persatuan bagi dunia Timur. Ia menekankan pentingnya meramu strategi dan taktik untuk keluar dari hegemoni Barat yang berujung pada inferioritas masyarakat Timur. Selain itu, ia juga menyiratkan pentingnya konsistensi dan menjaga optimisme masyarakat Timur dalam upaya keluar dari hegemoni Barat.
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Reflinaldi, Reflinaldi. "Abthal Al-Yarmuk: Upaya Rekonstruksi Semangat NasionalismeTimur dalam Melawan Hegemoni Barat." Diwan 9, no. 17 (2017): 645–59. http://dx.doi.org/10.15548/diwan.v9i17.137.

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Tulisan ini mengungkap adanya upaya rekonstruksi semangat nasionalisme dunia Timur dalam melawan hegemoni Barat yang terefleksi dalam naskah drama Abthal Al-Yarmuk karya Ali Ahmad Bakatsir. Melalui tokoh Khalid bin Walid yang menjadi sentral cerita, Bakatsir merumuskan beberapa kerangka yang menjadi jalan pembuka semangat nasionalisme Timur. Melalui dialog dan alur yang sederhana, Bakatsir meneriakkan persatuan bagi dunia Timur. Ia menekankan pentingnya meramu strategi dan taktik untuk keluar dari hegemoni Barat yang berujung pada inferioritas masyarakat Timur. Selain itu, ia juga menyiratkan pentingnya konsistensi dan menjaga optimisme masyarakat Timur dalam upaya keluar dari hegemoni Barat.
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Nuri Keyzeghāni, Sayyed Mahdi, Abbas Ganjali, and Mahbuobeh Heydarabadi. "Investigation of the political and social issues in ‘Larva and Dragon’ by Ali Ahmad Bakathir." Journal of New Critical Arabic Literature 8, no. 15 (2019): 31–56. http://dx.doi.org/10.29252/mcal.2019.1281.

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Romadhoni, M. "Dirasah Sikulujiyah Adabiyah Sigmund Freud Fi Syakhshiyah “Samiyah” Fi Masrahiyah Qitath wa Firan Li Ali Ahmad Bakatsir." Journal of Arabic Literature (Jali) 2, no. 1 (2021): 79–98. http://dx.doi.org/10.18860/jali.v2i1.10368.

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This study aims to determine the form and causes of the characterization of the character "Samiyah" in the drama "Kucing and Tikus". Using descriptive qualitative methods through a literary psychology approach, this study consider the data in the form of words in the conversational quotes from the drama "Kucing and Tikus". The results of the Freudian personality-psychoanalysis theory show that samiyah is more dominant in the ego which is her natural character from id such as emotional, materialism, riya and ambitious. Superego has regulated or controled attitude and behavior, namely hardworking, obedient, fair, and not easily get provoked.
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Ghaleb Rashed, Redhwan Qasem. "The Image of Woman in Ali Ahmad Bakathir’s Literary World: A study of Selected Plays." Arab World English Journal For Translation and Literary Studies 3, no. 1 (2019): 113–26. http://dx.doi.org/10.24093/awejtls/vol3no1.9.

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Qasem Ghaleb Rashed, Redhwan. "The Image of Woman in Ali Ahmad Bakathir’s Literary World: A Study of Selected Plays." SSRN Electronic Journal, 2019. http://dx.doi.org/10.2139/ssrn.3337251.

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Al-Moghales, Mashhoor Abdu. "Girish Karnad’s Tughlaq and Ali Ahmed Bakathir’s Sir Al-Hakim bi-Amr Allah: A Study of the Inhuman Faces of Tyranny." English Language and Literature Studies 4, no. 2 (2014). http://dx.doi.org/10.5539/ells.v4n2p30.

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Dissertations / Theses on the topic "Ali Ahmed Bakathir"

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Seleem, Amany Youssef. "The Interface of Religious and Political Conflict in Egyptian Theatre." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373973567.

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Book chapters on the topic "Ali Ahmed Bakathir"

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"The Religious Drama of Egypt’s Ali Ahmed Bakathir." In Religion, Theatre, and Performance. Routledge, 2011. http://dx.doi.org/10.4324/9780203135020-14.

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