Academic literature on the topic 'Alice Munro'

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Journal articles on the topic "Alice Munro"

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Hanson, Clare, and Coral Ann Howells. "Alice Munro." Yearbook of English Studies 31 (2001): 335. http://dx.doi.org/10.2307/3509471.

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Gorjup, Branko, and Coral Ann Howells. "Alice Munro." World Literature Today 73, no. 4 (1999): 746. http://dx.doi.org/10.2307/40155166.

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Ravitch, Michael. "Alice Munro." Yale Review 90, no. 4 (June 28, 2008): 160–70. http://dx.doi.org/10.1111/0044-0124.00668.

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Hoy, Helen. "Alice Munro: "Unforgettable, Indigestible Messages"." Journal of Canadian Studies 26, no. 1 (February 1991): 5–21. http://dx.doi.org/10.3138/jcs.26.1.5.

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MENDELSOHN, JANE. "FICTION IN REVIEW: ALICE MUNRO." Yale Review 102, no. 2 (2014): 159–70. http://dx.doi.org/10.1353/tyr.2014.0007.

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Garson, Marjorie. "Alice Munro and Charlotte Brontë." University of Toronto Quarterly 69, no. 4 (September 2000): 783–825. http://dx.doi.org/10.3138/utq.69.4.783.

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MENDELSOHN, JANE. "FICTION IN REVIEW: ALICE MUNRO." Yale Review 102, no. 2 (March 10, 2014): 159–70. http://dx.doi.org/10.1111/yrev.12147.

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Barber, Lester E. "Alice Munro: The Stories of Runaway." ELOPE: English Language Overseas Perspectives and Enquiries 3, no. 1-2 (June 20, 2006): 143–56. http://dx.doi.org/10.4312/elope.3.1-2.143-156.

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This essay will analyze and explicate the stories in Munro’s latest collection, Runaway, in order to present the reader with a description of her artistic interests, motifs and techniques in this work. The author finds remarkable similarities among the stories, even as they explore very different female characters and situations. The author notes the delicacy and precision with which Munro tracks the progress of her characters’ thoughts and feelings, often in a kind of interior dialogue with themselves. Love, or its absence, is the usual subject matter in the stories – most often between a woman and a man, but sometimes between parent and child – and the author shows how Munro’s characters deal with the “old confusions or obligations” engendered by this emotion. Finally, the author cites several examples in describing Munro’s style of presenting her characters, one typified by colloquial and self-deprecating dialogue, but punctuated at times by language of great poetic and emotional power.
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Hanson, Clare. "Alice Munro by Coral Ann Howells." Yearbook of English Studies 31, no. 1 (2001): 335–36. http://dx.doi.org/10.1353/yes.2001.0001.

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Thacker, Robert. "Introduction: “The Genius of Alice Munro”." American Review of Canadian Studies 45, no. 2 (April 3, 2015): 144–47. http://dx.doi.org/10.1080/02722011.2015.1045195.

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Dissertations / Theses on the topic "Alice Munro"

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Nicholson, Debra. "“Spelling”: Alice Munro and the Caretaking Daughter." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277154814.

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Bentley, Lucile. "Les empreintes des corps dans l'oeuvre d'Alice Munro." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20062.

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Cette thèse met en relation la représentation des corps dans l’œuvre d’Alice Munro avec le processus de l’empreinte tel qu’il a été mis au jour par Georges Didi-Huberman. La description des corps des personnages partage la même essence dialectique que l’empreinte : elle saisit une matière tout en laissant entrevoir le mouvement qui a donné naissance à la forme, elle est la conséquence d’un contact mais n’advient que dans la distance et son unicité fait signe vers le multiple. Le corps et son rapport au monde qui l’entoure met aussi en lumière une relation de ressemblance et de contact, une relation mutuelle que les mots eux-mêmes font transparaître dans une expression qui tend vers le lyrisme. Enfin, les corps représentés dans la fiction munrovienne ne sont pas de simples copies du réel mais sont véritablement créateurs en devenant les matériaux interpersonnels de la création artistique. Cette étude de la représentation des corps dans l’œuvre d’Alice Munro tente de montrer les enjeux de l’attention au corps, en particulier ceux du care, et comment cette attention influence l’écriture fictionnelle
This dissertation examines the relationship between the representation of bodies in Alice Munro’s work and the imprint process as characterized by Georges Didi-Huberman. The description of the characters’ bodies gives evidence of the same dialectical essence as imprints: it attempts to fix the body matter while making movement visible, it is the product of a contact but becomes apparent only from a distance and its unicity foreshadows its multiplicity. The body and its link to the world around also displays a relationship of resemblance and contact based on reciprocity. It is conveyed through words and an expression that tends to lyricism. Finally, bodies represented in Munro’s fiction are not mere copies of the real but are creative and interpersonal as they become the very material of artistic creation. This study of the representation of bodies in Alice Munro’s work attempts to show what being attentive to bodies entails, in particular in the context of care studies, and how this attention to bodies influences fictional writing
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Grieve, Meghan. "Writing women's lives, the fictional aesthetic of Alice Munro." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/MQ33384.pdf.

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Somerville, J. Christine. "Stories and storytelling in Alice Munro’s fiction." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25523.

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References to stories and storytelling appear throughout Alice Munro's five short story cycles: DANCE OF THE HAPPY SHADES, LIVES OF GIRLS AND WOMEN, SOMETHING I'VE BEEN MEANING TO TELL YOU, WHO DO YOU THINK YOU ARE? and THE. MOONS OF JUPITER. This thesis contends that stories--mentioned briefly or recounted at length--provide counterpoint to experience for Munro's characters. Oral and written stories influence them throughout life, but especially in youth, when they eagerly identify with, and imitate, fictional figures. In LIVES and WHO, storytelling becomes central because their protagonists are a writer and an actress. Occasionally, the narrators in all five works reflect on the difficulty of expressing truth in fiction, but SOMETHING raises this issue repeatedly. By embedding stories within her narratives, Munro imitates the workings of memory; moreover, she draws attention to her narratives as texts rather than glimpses of reality. A feminine perspective on narrative gradually emerges, in which the woman narrator sees her task not as imposing order, but as discovering order that already exists.
Arts, Faculty of
English, Department of
Graduate
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Bentley, Lucile. "Les empreintes des corps dans l'oeuvre d'Alice Munro." Electronic Thesis or Diss., Toulouse 2, 2018. http://www.theses.fr/2018TOU20062.

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Cette thèse met en relation la représentation des corps dans l’œuvre d’Alice Munro avec le processus de l’empreinte tel qu’il a été mis au jour par Georges Didi-Huberman. La description des corps des personnages partage la même essence dialectique que l’empreinte : elle saisit une matière tout en laissant entrevoir le mouvement qui a donné naissance à la forme, elle est la conséquence d’un contact mais n’advient que dans la distance et son unicité fait signe vers le multiple. Le corps et son rapport au monde qui l’entoure met aussi en lumière une relation de ressemblance et de contact, une relation mutuelle que les mots eux-mêmes font transparaître dans une expression qui tend vers le lyrisme. Enfin, les corps représentés dans la fiction munrovienne ne sont pas de simples copies du réel mais sont véritablement créateurs en devenant les matériaux interpersonnels de la création artistique. Cette étude de la représentation des corps dans l’œuvre d’Alice Munro tente de montrer les enjeux de l’attention au corps, en particulier ceux du care, et comment cette attention influence l’écriture fictionnelle
This dissertation examines the relationship between the representation of bodies in Alice Munro’s work and the imprint process as characterized by Georges Didi-Huberman. The description of the characters’ bodies gives evidence of the same dialectical essence as imprints: it attempts to fix the body matter while making movement visible, it is the product of a contact but becomes apparent only from a distance and its unicity foreshadows its multiplicity. The body and its link to the world around also displays a relationship of resemblance and contact based on reciprocity. It is conveyed through words and an expression that tends to lyricism. Finally, bodies represented in Munro’s fiction are not mere copies of the real but are creative and interpersonal as they become the very material of artistic creation. This study of the representation of bodies in Alice Munro’s work attempts to show what being attentive to bodies entails, in particular in the context of care studies, and how this attention to bodies influences fictional writing
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Licata, Chiara. "Il ciclo di racconti Nord-Americano : serialità e variazioni nell'opera di Alice Munro." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20014.

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Ma recherche vise à étudier la nouvelle anglo-américaine par rapport à une forme à laquelle elle est inextricablement liée, le cycle de nouvelles, qui, à mi-chemin entre histoire et roman, est érigé en une série d'histoires interconnectées et qui présente certains éléments récurrents (personnages, lieu, thèmes). La réflexion sur le cycle de nouvelles, considéré comme un genre en tant que tel, donnera la priorité à l’analyse de l’oeuvre d’Alice Munro placée dans une perspective comparative, en relation et en continuité, non seulement avec le travail d’écrivains canadiens "maîtres" du genre, mais aussi avec la tradition du cycle de nouvelles américaine
My research aims at studying the Nord-American short story in relation to a form to which it is inextricably linked, the short story cycle, which, halfway between history and novel, is set as a series of interconnected stories presenting some recurring elements (characters, place, themes). The reflection on the short story cycle will give priority to the analysis of Alice Munro's work placed in a comparative perspective, in relation and continuity, not only with the work of 'Canadian writers' masters' of the genre, but also with the tradition of the American short story cycle
Il presente lavoro si propone di analizzare la forma narrativa del ciclo di racconti, mettendone in luce le caratteristiche in relazione all’opera di Alice Munro. Il corpus narrativo di Munro, formato da quattordici raccolte in un arco temporale che copre più di quarant’anni (la prima raccolta, Dance of the Happy Shades esce ne 1968 e l’ultima, Dear Life nel 2012), ben si presta a questo tipo di studio. Nell’ arco della sua prolifica opera Munro ha esplorato le potenzialità della forma breve, rimodulando progressivamente i confini fra i generi, scomponendone le prospettive e gli esiti possibili ora nella direzione della novella modernista (cara a scrittrici come Katherine Mansfield ed Eudora Welty), ora nella creazione di cicli di storie o di serie di racconti interconnessi, destrutturando o risemantizzando la nozione di brevità e di genere letterario. Il lavoro, che si presenta come un case study, si propone un duplice obiettivo: quello di estendere la nozione di ciclo di racconti e di includerla in quella di “politesto” , (ossia quella categoria critica che concepisce l’opera letteraria, la raccolta di racconti ad esempio, come processo aggregativo mettendo in luce tutti quei legami intertestuali e intratestuali che i singoli testi intrattengono fra di loro) e quello di applicare questa categoria all’opera di Alice Munro, ovvero studiare, con gli strumenti della teoria della letteratura e della comparatistica, i rapporti tra i racconti, nella loro natura intra ed intertestuale, e tra le raccolte stesse analizzate sulla base della loro natura politestuale
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Rothlin, Sara. "Allmänmänsklig skuld? : En studie av idéer om skuld i Alice Munros noveller." Thesis, Uppsala universitet, Teologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-219610.

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2013 års nobelpristagare i litteratur var Alice Munro. Hennes noveller är ofta enkla skildringar av ”vanliga människors liv” och hur specifika händelser från t.ex. deras barndom på ett mer eller mindre tydligt sätt påverkat deras liv i olika riktningar. Hur de berörts och utvecklats av dessa. Det handlar om moraliska dilemman och livsöden. Munro lyckas i sitt berättande beröra många av de existentiella frågorna, och ändå möta berättelserna "rakt upp och ner”; hon moraliserar inte över händelserna hon målar upp. Jag tyckete mig dock bakom de moraliska valen och livsödena skymta skuld och skuldkänslor i berättelserna, även om det inte uttalades. Det fick mig att tänka kring skuld… varför är det så svårt att tala om? Vad är skuld överhuvudtaget? När möter vi den, och varför? Jag bestämde mig för att börja nysta i dessa frågor, åtminstone litegrann. Resultatet blev denna uppsats, som berör ämnet skuld – vad det är, och vilken roll det kan ha i berättelser om mänskligt liv.
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Naddi, Nadia. "The Countryside and the City in Alice Munro’s stories “Fiction” and “Wenlock Edge”." Thesis, Högskolan Kristianstad, Sektionen för lärande och miljö, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-13126.

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Bazzoli, Oíse de Oliveira Mattos [UNESP]. "O espaço na configuração das personagens em contos de Alice Munro." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141499.

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Esta pesquisa tem como objetivo principal analisar, sob o ponto de vista da narratologia, três contos: “The Peace of Utrecht”, “Meneseteung” e “Fiction”, presentes, respectivamente, nas coletâneas Dance of the Happy Shades (1968), Friend of my Youth (1991) e Too Much Happiness (2009), da escritora canadense contemporânea Alice Munro, vencedora do Prêmio Nobel de Literatura em 2013, cujos contos, elaborados de forma renovada, são caracterizados pelos finais em aberto, contém descrições realistas do sudoeste de Ontário, retratam cenas familiares que facilitam a introdução do estranho, do misterioso, do desconhecido e até fantástico. Esta união, do familiar e do estranho, cria um senso de ironia e duplicidade de observação em relação a lugares e às pessoas, permitindo que se explore a luta canadense com a identidade evidenciada na escritora. A ambivalência que Munro sente como escritora é uma de suas preocupações pessoais que contribuem para essa profundidade emocional e vivacidade em sua ficção. Algumas de suas melhores histórias expressam sentimentos que provocam questionamentos em qualquer leitor mais sensível e que são, ao mesmo tempo, explorações e descobertas da própria emoção da autora. Para o desenvolvimento deste estudo, apoiamo-nos nas reflexões de Osman Lins, Bachelard, Ozíris Borges Silva no que diz respeito à espacialização da narrativa, como também em estudos de Bakhtin que explora a ideia de cronotopo. Também constitui objetivo identificar os momentos de epifania e os elementos góticos que atuam na configuração das personagens de Munro.
The main goal of this paper is to analyse, from the point of view of narratology, three short stories: “The Peace of Utrecht”, “Meneseteung” and “Fiction”, present, respectively, in the collections Dance of the Happy Shades (1968), Friend of my Youth (1991) and Too Much Happiness (2009), from the contemporary Canadian writer Alice Munro, winner of the 2013 Nobel Prize in Literature, whose short stories, elaborated in a renewed way, are characterized by open ends, have realistic descriptions of southwest Ontario, depict familiar scenes that facilitate the introduction of the strange, the mysterious, the unknown and even the fantastic. This connection of the familiar and the strange, creates a sense of irony and duplicity in observation concerning places and people, allowing that the Canadian fight for identity is evidenced. The ambivalence Munro feels as a writer is one of her personal concerns that contribute to emotional and vivacious depth in her fiction. Some of her best stories show feelings that raise a lot of questions in any sensitive reader and that are, at the same time, the writer´s explorations and discoveries. To the development of this study, we will base our reflections in Osman Lins, Bachelard and Ozíris Borges Silva concerning narrative space as well as Bakhtin that explores the idea of cronotopos. It is also the aim of the paper to identify the epiphanic moments and the gothic elements that act in the description of Munro´s characters.
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Alves, Narayana Anunciato [UNESP]. "Associação e memória em The moons of Jupiter, de Alice Munro." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/145481.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Emerging Leaders in the Americas Program (ELAP)
Este trabalho tem como objetivo demonstrar que o ponto central unificador dos contos Chaddeleys and Flemings e The Moons of Jupiter, do volume The Moons of Jupiter, de Alice Munro, é o uso das associações que ligam o retorno ao passado através da narrativa de uma protagonista adulta, que reconta alguns fatos ocorridos em sua infância e em sua vida familiar. Nesta trajetória, o que é revelado é o conflito feminino na busca por outros papeis além de esposa e mãe. As estratégias narrativas usadas pela autora canadense para obter este resultado estão fundamentadas no uso da memória por suas personagens. Para demonstrar como isso funciona no texto de Munro, os estudos freudianos são utilizados na análise, enfatizando o trabalho e a força do inconsciente manifesta no exercício de anamnese da protagonista-narradora.
This thesis aims to demonstrate that the unifying central point of the short stories Chaddeleys and Flemings and The Moons of Jupiter, from the volume The Moons of Jupiter, by Alice Munro, is the use of associations that link the return to the past through the narrative of the adult protagonist, who retells some facts occurred in childhood and those related to family life. In this trajectory, what is revealed is the women's conflict by seeking other roles than that of wife and mother. The narrative strategies used by the Canadian author to achieve this result are founded in the use of memory by her characters. To show how that works in Munro's text, Freudian studies are used in the analysis, emphasizing the work of the unconscious force manifested in the exercise of anamnesis of the protagonist-narrator.
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Books on the topic "Alice Munro"

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Buchholtz, Mirosława, ed. Alice Munro. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9.

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Alice Munro. Manchester: Manchester University Press, 1998.

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Blodgett, E. D. Alice Munro. Boston: Twayne Publishers, 1988.

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May, Charles E. Alice Munro. Ipswich, Mass: Salem Press, 2013.

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Alice Munro. Tavistock: Northcote House in association with the British Council, 2004.

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Harold, Bloom, ed. Alice Munro. New York: Chelsea House, 2009.

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Martin, W. R. Alice Munro: Paradox and parallel. Edmonton, Alberta, Canada: University of Alberta Press, 1987.

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Alice Munro: Paradox and parallel. Edmonton: University of Alberta Press, 1987.

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Gianfranca, Balestra, Ferri Laura, Ricciardi Caterina, and Frank Iacobucci Centre for Italian Canadian Studies., eds. Reading Alice Munro in Italy. Toronto: Frank Iacobucci Centre for Italian Canadian Studies, 2008.

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The fiction of Alice Munro: An appreciation. Westport, Conn: Praeger Publishers, 2008.

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Book chapters on the topic "Alice Munro"

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Kreutzer, Eberhard. "Munro, Alice." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14377-1.

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Buchholtz, Mirosława. "Reading and Interviewing of Alice Munro." In Alice Munro, 1–9. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_1.

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Ventura, Héliane. "The Question of Sources: Teaching Texts Versus Hypotexts." In Alice Munro, 117–22. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_10.

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Staines, David. "Teaching Alice Munro in Canada." In Alice Munro, 123–24. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_11.

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Beppu, Keiko, and Anca-Raluca Radu. "Alice Munro in Japan and Germany: Interviews." In Alice Munro, 125–30. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_12.

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Salska, Agnieszka, and Lucyna Aleksandrowicz-Pędich. "Teaching Alice Munro in Poland: Interviews." In Alice Munro, 131–39. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_13.

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Koneczniak, Grzegorz. "Alice Munro at Polish Universities: An Analysis of Selected Academic Texts, Including BA, MA and PhD Theses." In Alice Munro, 141–49. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_14.

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Buchholtz, Mirosława. "The Lesson of the Mistress: From “The Office” to “To Reach Japan”." In Alice Munro, 151–61. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_15.

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Filipczak, Dorota. "Gender and Space in “The Albanian Virgin”." In Alice Munro, 13–21. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_2.

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Burszta, Jędrzej. "Images of Past and Present: Memory and Identity in Alice Munro’s Short-Story Cycles." In Alice Munro, 23–35. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24061-9_3.

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Conference papers on the topic "Alice Munro"

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Rodrigues Oliveira, Eliana. "Raça e Gênero em "O maravilhoso mundo de Alice"." In III Arvorecer Negro. ,: Even3, 2022. http://dx.doi.org/10.29327/iiiarvorecernegro.304888.

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