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Journal articles on the topic 'Alice Munro'

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Published: 4 June 2021
Last updated: 18 May 2024

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1

Hanson, Clare, and Coral Ann Howells. "Alice Munro." Yearbook of English Studies 31 (2001): 335. http://dx.doi.org/10.2307/3509471.

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2

Gorjup, Branko, and Coral Ann Howells. "Alice Munro." World Literature Today 73, no. 4 (1999): 746. http://dx.doi.org/10.2307/40155166.

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3

Ravitch, Michael. "Alice Munro." Yale Review 90, no. 4 (June 28, 2008): 160–70. http://dx.doi.org/10.1111/0044-0124.00668.

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4

Hoy, Helen. "Alice Munro: "Unforgettable, Indigestible Messages"." Journal of Canadian Studies 26, no. 1 (February 1991): 5–21. http://dx.doi.org/10.3138/jcs.26.1.5.

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5

MENDELSOHN, JANE. "FICTION IN REVIEW: ALICE MUNRO." Yale Review 102, no. 2 (2014): 159–70. http://dx.doi.org/10.1353/tyr.2014.0007.

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6

Garson, Marjorie. "Alice Munro and Charlotte Brontë." University of Toronto Quarterly 69, no. 4 (September 2000): 783–825. http://dx.doi.org/10.3138/utq.69.4.783.

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7

MENDELSOHN, JANE. "FICTION IN REVIEW: ALICE MUNRO." Yale Review 102, no. 2 (March 10, 2014): 159–70. http://dx.doi.org/10.1111/yrev.12147.

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8

Barber, Lester E. "Alice Munro: The Stories of Runaway." ELOPE: English Language Overseas Perspectives and Enquiries 3, no. 1-2 (June 20, 2006): 143–56. http://dx.doi.org/10.4312/elope.3.1-2.143-156.

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This essay will analyze and explicate the stories in Munro’s latest collection, Runaway, in order to present the reader with a description of her artistic interests, motifs and techniques in this work. The author finds remarkable similarities among the stories, even as they explore very different female characters and situations. The author notes the delicacy and precision with which Munro tracks the progress of her characters’ thoughts and feelings, often in a kind of interior dialogue with themselves. Love, or its absence, is the usual subject matter in the stories – most often between a woman and a man, but sometimes between parent and child – and the author shows how Munro’s characters deal with the “old confusions or obligations” engendered by this emotion. Finally, the author cites several examples in describing Munro’s style of presenting her characters, one typified by colloquial and self-deprecating dialogue, but punctuated at times by language of great poetic and emotional power.
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9

Hanson, Clare. "Alice Munro by Coral Ann Howells." Yearbook of English Studies 31, no. 1 (2001): 335–36. http://dx.doi.org/10.1353/yes.2001.0001.

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10

Thacker, Robert. "Introduction: “The Genius of Alice Munro”." American Review of Canadian Studies 45, no. 2 (April 3, 2015): 144–47. http://dx.doi.org/10.1080/02722011.2015.1045195.

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11

Redekop, Magdalene. "Alice Munro by Coral Ann Howells." ESC: English Studies in Canada 27, no. 3 (2001): 396–98. http://dx.doi.org/10.1353/esc.2001.0050.

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12

Bravo Gutiérrez, Emmanuel. "Aparente sosiego: los cuentos de Alice Munro." La Palabra y el Hombre, revista de la Universidad Veracruzana, no. 44 (October 17, 2018): 85–87. http://dx.doi.org/10.25009/lpyh.v0i44.2611.

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Los cuentos de Alice Munro, autora canadiense ganadora del premio Nobel de Literatura por su mérito como “maestra del cuento corto contemporáneo” en 2013, han sido vistos, engañosamente, como historias en las que no sucede nada. Sin embargo, Bravo Gutiérrez se encarga de desmentir tal hecho. Y a través del análisis de la estructura de “El amor de una mujer generosa”, demuestra que Alice Munro también exige un juego doble, donde cada línea debe ser leída con mucha atención para hallar el significado total de su texto; pues como Quiroga aconseja: en un buen cuento "las tres primeras líneas tienen casi la importancia de las tres últimas"; y los cuentos de Munro lo demuestran.
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13

Bigot, Corinne. "Alice Munro: Writing for Dear Life. Introduction." Commonwealth Essays and Studies 37, no. 2 (April 1, 2015): 5–9. http://dx.doi.org/10.4000/ces.4997.

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14

Milder, Robert. "Differently: Alice Munro and the North American 1960s." University of Toronto Quarterly 91, no. 2 (June 1, 2022): 33–48. http://dx.doi.org/10.3138/utq.91.2.02.

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For Alice Munro, “the 1960s” extended in spirit a few years past the end of the decade and centred not upon racial conflict, riots in the cities, or protests against the Vietnam War but, rather, upon the situation of women of her generation as they came to terms with the social and sexual upheavals of the period. In returning to the 1960s decades later, Munro was exploring two related questions: how they were experienced by people like herself at the time and how, provisionally, they and fictionalized versions of herself as actors in them appear with distance. Although apolitical as a writer, Munro could not avoid politics in the home as sympathy with the women’s movement merged with that for other forms of contemporary protest, laying bare deep divisions between herself and her husband that found their way into themes in the fiction. Omniscient but non-committal in “Differently” (1989) and related stories set in the 1960s, and sympathetic toward her women but ironic about their missteps and confusions, Munro establishes a distance from fictionalized versions of her younger self without inscribing a moral viewpoint of her own. As she looks back on her characters, on the 1960s as a cultural phenomenon, and vicariously on herself as she felt and behaved at the time, Munro, too, seems to say, with wry aloofness, “Differently.”
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15

Cox, Ailsa. "David Staines (ed.), Alice MunroJennifer Murray, Reading Alice Munro with Jacques Lacan." Notes and Queries 65, no. 1 (January 15, 2018): 149–51. http://dx.doi.org/10.1093/notesj/gjx233.

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16

De Oliveira Mattos Bazzoli, Oíse. "espaço gótico no conto “A Wilderness Station” de Alice Munro." Revista do Sell 10, no. 2 (December 31, 2021): 42–58. http://dx.doi.org/10.18554/rs.v10i2.6038.

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O presente artigo propõe fazer uma análise do conto “A Wilderness Station”, de Alice Munro, a partir do espaço gótico do locus horribilis, ou seja, a atmosfera aterrorizante e assustadora, mostrando como os personagens são afetados pelos locais que habitam e seus arredores. A análise terá como fundamentação teórica as considerações de Justin D. Edwards sobre o gótico nos discursos da literatura canadense relacionados à subjetividade e identidade nacional e a concepção de Wolfgang Kayser sobre o grotesco que envolve a narrativa. Desse modo, propõe-se apresentar a presença da maquinaria gótica mais que um simples tema na obra de Alice Munro mas como o princípio organizador de sua escrita. Palavras-chave: Alice Munro; Literatura Gótica; Grotesco; Espaço do Medo.
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17

Campos, Thais Fernandes, and Gracia Regina Gonçalves. "Espantosa Graça: a inquietude do 'eu' em "Paixão", de Alice Munro." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 91–106. http://dx.doi.org/10.35921/jangada.v0i9.57.

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RESUMO: Alice Munro, escritora canadense e vencedora do Prêmio Nobel de Literatura de 2013, é reconhecida por sua relevante contribuição dentro dos estudos de gênero. A ficção de Munro tem proporcionado aos leitores interessantes e complexas personagens, em especial no que tange ao papel da mulher face ao seu amadurecimento e sua inserção social. Neste estudo, pretendo desenvolver uma leitura do conto “Paixão” (ano 2004) de Munro tendo em vista a visão crítica da autora, a qual desafia pressupostos ligados a padrões tradicionais e presentes tanto na construção do feminino, quanto do masculino. Para o desenvolvimento desse estudo conto com o apoio das reflexões de Elisabeth Badinter e Chris Weedom. PALAVRAS-CHAVE: Conto, Gênero, Padrões, Alice Munro. _____________________________ ABSTRACT: Alice Munro, a Canadian writer and winner of the 2013 Nobel Prize for Literature, is recognized for her relevant contribution to gender studies. Munro's fiction has provided readers with interesting and complex characters, especially in reference of the role of women in face of their growing and social insertion. In this study, I intend to develop a reading of the story "Paixão" (year 2004) by Munro in relation to the author's critical view expressed through male and female representations , which challenge assumptions linked to traditional gender patterns. For the development of this study I count on with the support of the reflections of Elisabeth Badinter and Chris Weedom. KEYWORDS: Short-story, Genre, Standards, Alice Munro.
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18

Lorre-Johnston, Christine. "Charles E. May, ed., Critical Insights: Alice Munro." Commonwealth Essays and Studies 37, no. 2 (April 1, 2015): 117–18. http://dx.doi.org/10.4000/ces.5719.

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19

Jamieson, Sara. "Reading Alice Munro: 1973–2013 by Robert Thacker." University of Toronto Quarterly 87, no. 3 (August 2018): 383–84. http://dx.doi.org/10.3138/utq.87.3.65.

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20

Werden, Doug. "Alice Munro: Writing Her Lives by Robert Thacker." Western American Literature 42, no. 4 (2008): 436–37. http://dx.doi.org/10.1353/wal.2008.0022.

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21

Hermansson, Casie. "Alice Munro: Writing Her Lives (A Biography) (review)." University of Toronto Quarterly 76, no. 1 (2007): 592–93. http://dx.doi.org/10.1353/utq.2007.0112.

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22

DeFalco, Amelia. "Caretakers Caregivers: Economies of Affection in Alice Munro." Twentieth-Century Literature 58, no. 3 (2012): 377–98. http://dx.doi.org/10.1215/0041462x-2012-4001.

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23

Daziron, Héliane. "The Anatomy of Embedding in Alice Munro’s «Half a Grapefruit »." Recherches anglaises et nord-américaines 20, no. 1 (1987): 103–7. http://dx.doi.org/10.3406/ranam.1987.1171.

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Anatomie de l’enchâssement dans la nouvelle d’Alice Munro, «Halfa Grapefruit». Analyse du processus de gestation dans la nouvelle d’Alice Munro «Half a Grapefruit» à travers la forme stylistique de l’enchâssement.
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24

Bigot, Corinne. "David Staines, ed., The Cambridge Companion to Alice Munro." Commonwealth Essays and Studies 39, no. 1 (September 1, 2016): 127–28. http://dx.doi.org/10.4000/ces.4794.

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25

Thurston, Luke. "Reading Alice Munro with Jacques Lacan by Jennifer Murray." University of Toronto Quarterly 87, no. 3 (August 2018): 469–70. http://dx.doi.org/10.3138/utq.87.3.117.

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26

Thacker, Robert. "Ethics and Affects in the Fiction of Alice Munro." American Review of Canadian Studies 49, no. 3 (July 3, 2019): 464–92. http://dx.doi.org/10.1080/02722011.2019.1653699.

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27

Beran, Carol L. "Thomas Hardy, Alice Munro, and the Question of Influence." American Review of Canadian Studies 29, no. 2 (August 1999): 237–58. http://dx.doi.org/10.1080/02722019909481630.

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28

Warwick, Susan J. "Alice Munro: Paradox and Parallel by W. R. Martin." ESC: English Studies in Canada 14, no. 4 (1988): 481–86. http://dx.doi.org/10.1353/esc.1988.0068.

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29

Fan, Zixuan. "The Plights of Females in Passion by Alice Munro." Transactions on Social Science, Education and Humanities Research 6 (March 22, 2024): 350–53. http://dx.doi.org/10.62051/ggrjev62.

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By the study of a collection of novel runaways, the paper can discover the Alice Munro depicts the growth process where some traditional women never give up seeking for the ideal life style in the patriarchal system. Thus, this thesis aims to discuss women’s growth process in Runaway to explore self-pursuit of women’s ideal life style and self-realization process from the perspective of feminism criticism involving a series of topics, such as voice right, self-consciousness, and gender issues. It not only provides new perspective of the study about Munro’s works, but also it is beneficial for readers to capture the profound connotation and to enjoy the artistic charm.
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30

Bigot, Corinne. "Alice Munro Country: Essays on Her Works I, J. R. (Tim) Struthers (ed.) (2020)." Short Fiction in Theory & Practice 10, no. 2 (October 1, 2020): 229–33. http://dx.doi.org/10.1386/fict_00029_5.

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Review of: Alice Munro Country: Essays On Her Works I, J. R. (Tim) Struthers (ed.) (2020) Toronto: Guernica Editions, 410 pp, ISBN 978-1-77183-455-3, p/bk, $29.95 CDN, ISBN 978-1-77183-436-0, EPUB, ISBN 978-1-77183-437-7, kindle Alice Munro Everlasting: Essays on Her Works II, J. R. (Tim) Struthers (ed.) (2020) Toronto: Guernica Editions, 459 pp., ISBN 978-1-77183-438-4, p/bk, $29.95 CDN, ISBN 978-1-77183-443-91, EPUB, ISBN 978-1-77183-440-7, kindle
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31

Brzozowski, Jerzy A., Ivone Maria Mendes Silva, and Janessa Pagnussat. "Sou uma rede de narrativas: aproximações entre Paul Ricoeur e Alice Munro." Trans/Form/Ação 45, no. 4 (December 2022): 93–116. http://dx.doi.org/10.1590/0101-3173.2022.v45n4.p93.

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RESUMO: Neste artigo, pretendemos abordar o papel da memória e da narrativa na constituição da identidade pessoal, a partir de conceitos teóricos da obra de Paul Ricoeur (em especial O si-mesmo como outro) e da análise do conto “O urso atravessou a montanha”, de Alice Munro. Esse movimento nos permitirá sublinhar a ideia de que, contrariamente ao que parte da literatura sobre identidade e narrativa tem sustentado, não é só aquilo que poderíamos chamar de autonarrativa que cumpre um papel na manutenção da identidade pessoal. Ao invés disso, recuperamos a ideia ricoeuriana de uma rede de narrativas ou emaranhado de histórias, na qual auto- e heteronarrativas se imbricam mutuamente, servindo de sustentáculos para as identidades constituídas sobre ela.
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32

Goldman, Marlene. "Autobiography in the Anthropocene. A Geological Reading of Alice Munro." European Journal of Life Writing 9 (December 28, 2020): BE75—BE92. http://dx.doi.org/10.21827/ejlw.9.37326.

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In the autobiographical stories of Nobel Prize award-winning author Alice Munro, questions of ontology and mortality are inextricably connected to matters of space and place. Fundamental existential dilemmas expressed in Munro’s corpus – signaled by the title of her second short story collection Who Do You Think You Are? – are linked to basic questions concerning orientation. Although autobiographical fiction frequently interweaves concerns about identity and deceased parents with recollections of ancestral spaces, as the literary critic Northrop Frye famously stated, the question ‘Where is here?’ is characteristic of the Canadian imagination. It is now also fundamental to the epoch of the Anthropocene. Although critics frequently praise Munro for her skill in presenting haunting, epiphanic moments, she is less often credited for her far less conventional tendency to tell stories covering years, even decades. My paper explores Munro’s preoccupation with these vast temporal arcs and their impact on her recursive autobiographical fiction. I argue that Munro’s penchant for ‘return and revision’ in her non-fictional works affords an opportunity for her protagonists and, by extension, her readers to revisit and ponder ancestral connections and the non-human dimensions of existence, which include sublime geological features and deep time.
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33

Chernova, Yu V. "TIMOTHY FINDLEY AND ALICE MUNRO AS DIAMONDS OF CANADIAN LITERATURE." Тrаnscarpathian Philological Studies 11, no. 2 (2019): 132–36. http://dx.doi.org/10.32782/tps2663-4880/2019.11-2.24.

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34

Mohar, Tjaša. "Translating Alice Munro: Culture-Specific Terms As a Translation Challenge." Philologia 14, no. 13-14 (2016): 97–104. http://dx.doi.org/10.18485/philologia.2016.14.13_14.9.

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35

Skagert, Ulrica. "Harold Bloom's (ed.) Modern Critical Views: Alice Munro." American Studies in Scandinavia 42, no. 1 (March 1, 2010): 119–21. http://dx.doi.org/10.22439/asca.v42i1.4475.

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36

Das, Shruti, and Deepshikha Routray. "Dialectics of Trauma in the Short Stories of Alice Munro." SCHOLARS: Journal of Arts & Humanities 3, no. 2 (August 28, 2021): 89–97. http://dx.doi.org/10.3126/sjah.v3i2.39426.

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This paper argues that difficult relationships in human life followed by memories, introspection, retrospection, foreshadow, flashback, and awful remembrances are coloured by pain and trauma. Unresolved trauma affects the way one perceives others and oneself in relation to others, which has a significant impact on relationships and often results in behaviour that is not conducive to healthy relationships. Complicated, disordered feelings and distressing emotions that give rise to anxiety find an expression in relationships, either overtly or covertly. This paper will focus on how the characters, suffering from anxiety due to stressed relationships, in the short stories in The Progress of Love, written by Alice Munro, employ defence mechanisms to repress their trauma and project a different version of themselves as responsible individuals who are capable of leading a normal life. The dialectic of trauma covertly present in the narrative will be unravelled using Judith Herman’s theory of trauma. Further, this analysis will investigate and foreground how the underlying trauma finds indirect expression in complicated relationships.
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37

Thacker, Robert. "The Cambridge Companion to Alice Munro edited by David Staines." University of Toronto Quarterly 87, no. 3 (August 2018): 386–87. http://dx.doi.org/10.3138/utq.87.3.67.

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38

Carrington, Ildikó De Papp. "Review Essay: A Borderline Case: The Fiction Of Alice Munro." American Review of Canadian Studies 21, no. 4 (December 1991): 459–69. http://dx.doi.org/10.1080/02722019109481100.

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39

Hesford, Walter. "Alice Munro Opens Wide the Gate for her Three Floras." Caliban, no. 57 (October 1, 2017): 101–22. http://dx.doi.org/10.4000/caliban.2743.

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40

Mandal, Anil Kumar, and Dr Arjun Kumar. "Socio-Cultural reality of Canadian Women in the fiction of Alice Munro." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 170–72. http://dx.doi.org/10.22161/ijels.76.23.

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Throughout this paper I have systematized and studied in critical terms, a range of Alice Munro mainly women-centric short stories, with an in-depth study of their living condition under the traditional social conventions. Being concerned about women Munro in her fiction has recreated the world of Canadian women, with its true picture of the Canadian society, with culture, custom and environment. She has continuously wrote about the invaluable document of human relationship, as well as female experience under social values and expectation. In her work, Munro explores women's role in different situation of life as a young girl, a career women, a lover, wife or mother. In each of these roles Canadian women found a reflection of their selves mirrored in Munro's chronical of women's social history down the decades. She writes about past experiences of her childhood, cultural traits and social structure that she minutely observed in her different age group. Her subjects are rural landscape, lives of girls and women, their coming of age, love, hate, marriage, suffering and stuff of rural life with reference to small town locality. Lake Huron, Otawa Valley and Wowanash County. Munro's strength, as a short story writer, is the range of her portraits of a variety of female characters from childhood to old age. In this way, most of the girls and women of Munro, as the main protagonists, confront, challenges at personal, familial and social level. However, they all are not alike; some are submissive and introvert and feeble while others bold, rebellious and self-indulgent who are real girls and women of Munrovian model, search their original self, and who put aside all their pretentions, show the Canadian society, alternatively, to the world what they, in reality are. Muro is a realistic writer, her character a represent cultural reality of rural Canadianness of her age. Del and Rose are Munrovian iconic characters, with whom she reveals her own childhood, youth and maturity and they have been transfigured in her favorite books Lives of Girls and Women and Beggar Maid intentionally. Protagonists of Dance and Progress are modelled on herself.
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41

Jarrett, Mary. "Women’s Bodies in Alice Munro’s The Progress of Love." Recherches anglaises et nord-américaines 22, no. 1 (1989): 83–88. http://dx.doi.org/10.3406/ranam.1989.1206.

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Through her descriptions of women's bodies in her collection The Progress of Love, Alice Munro explores sexual and social conventions, and tracks the progress of time which is her particular preoccupation.
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42

Nischik, Reingard M. "Alice Munro: Nobel Prize-winning Master of the Contemporary Short Story." Études canadiennes / Canadian Studies, no. 77 (December 1, 2014): 7–25. http://dx.doi.org/10.4000/eccs.437.

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43

Rogalus, Paul W. "Controlling the Uncontrollable: The Fiction of Alice Munro (review)." MFS Modern Fiction Studies 36, no. 2 (1990): 249–50. http://dx.doi.org/10.1353/mfs.0.0661.

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44

James, Patrick. "Systems of Canadian Studies: The Case of Literature and Alice Munro." American Review of Canadian Studies 40, no. 3 (August 4, 2010): 429–37. http://dx.doi.org/10.1080/02722011.2010.496908.

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45

Fladd, Nadine. "Alice Munro, Charles McGrath, and the Shaping of “The Turkey Season”." American Review of Canadian Studies 45, no. 2 (April 3, 2015): 174–86. http://dx.doi.org/10.1080/02722011.2015.1062303.

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46

Weinhouse, Linda. "Alice Munro: Hard-Luck Stories or There is No Sexual Relation." Critique: Studies in Contemporary Fiction 36, no. 2 (January 1995): 121–29. http://dx.doi.org/10.1080/00111619.1995.9935247.

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47

Hamilton, Craig. "Style and Blending in ‘The Peace of Utrecht’ by Alice Munro." Etudes de stylistique anglaise, no. 8 (March 1, 2015): 217–30. http://dx.doi.org/10.4000/esa.936.

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48

Abdulmuttalib, Zeinab. "Constructing Childhood through Remembrance in Selected Short Stories by Alice Munro." Critical Survey 35, no. 1 (March 1, 2023): 77–93. http://dx.doi.org/10.3167/cs.2023.350105.

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Abstract This article attempts to study a selection of short stories by the contemporary Canadian writer Alice Munro (1931–) focusing on the theme of childhood. It examines the representation of childhood as remembered by adult narrators. The research approaches the stories through the theories of narratology and psychoanalysis. The concepts of the narrator in addition to Freud's theorisation about childhood memories are especially utilised to explore the childhood memories of the adult narrators. The stories selected for this study are ‘The Ottawa Valley’ (1974), ‘Chaddeleys and Flemings’ (1979), ‘The Progress of Love’ (1985) and ‘The Eye’ (2012) with adult narrators.
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49

Cox, Ailsa. "‘The extremely private literary giant’: Alice Munro’s poetics of humility." Short Fiction in Theory & Practice 10, no. 2 (October 1, 2020): 209–27. http://dx.doi.org/10.1386/fict_00028_1.

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When the Nobel Prize committee awarded the laureateship to Alice Munro in October 2013, someone or something called ‘Alice Munro’ was immediately placed under a media spotlight. She had, over the years, accrued what Lorraine York has called ‘reluctant celebrity’, regularly gathering literary prizes, but making relatively few personal appearances. In the first decade of the twenty-first century she had become more visible in public whilst still retaining a degree of ambivalence. This ambivalence was evident in the brief interviews she gave in the weeks after the announcement, following which she returned to her private life and the retirement from writing that she had already announced. This article combines an interrogation of Munro’s humble public persona with an investigation into her poetics of short fiction, referring to her published texts and interviews. It concludes with some personal reflections on writing about a living author at the end of her career.
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50

Gadpaille, Michelle, and Tjaša Mohar. "Celebrating the Precise, the Paradoxical and the “Pret-ty-Trick-y” in Alice Munro’s Fiction." ELOPE: English Language Overseas Perspectives and Enquiries 19, no. 1 (June 23, 2022): 9–12. http://dx.doi.org/10.4312/elope.19.1.9-12.

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