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Journal articles on the topic 'Alien abduction in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Zimmerman, Michael E. "The "Alien Abduction" Phenomenon." Philosophy Today 41, no. 2 (1997): 235–54. http://dx.doi.org/10.5840/philtoday19974121.

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2

Takhar, Jatinder, and Sandra Fisman. "ALIEN ABDUCTION IN PTSD." Journal of the American Academy of Child & Adolescent Psychiatry 34, no. 8 (1995): 974–75. http://dx.doi.org/10.1097/00004583-199508000-00005.

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3

Shopper, Moisy. "FEAR OF ALIEN ABDUCTION." Journal of the American Academy of Child & Adolescent Psychiatry 35, no. 5 (1996): 555–56. http://dx.doi.org/10.1097/00004583-199605000-00003.

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4

Fisman, Sandra, and Jatinder Takhar. "FEAR OF ALIEN ABDUCTION." Journal of the American Academy of Child & Adolescent Psychiatry 35, no. 5 (1996): 556–57. http://dx.doi.org/10.1097/00004583-199605000-00004.

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5

Kelley-Romano, Stephanie. "Mythmaking in Alien Abduction Narratives." Communication Quarterly 54, no. 3 (2006): 383–406. http://dx.doi.org/10.1080/01463370600878545.

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6

Forrest, David V. "Alien Abduction: A Medical Hypothesis." Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry 36, no. 3 (2008): 431–42. http://dx.doi.org/10.1521/jaap.2008.36.3.431.

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7

Sullivan-Bissett, Ema. "Unimpaired abduction to alien abduction: Lessons on delusion formation." Philosophical Psychology 33, no. 5 (2020): 679–704. http://dx.doi.org/10.1080/09515089.2020.1765324.

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8

Evans, James A., and Jacob G. Foster. "Algorithmic Abduction: Robots for Alien Reading." Critical Inquiry 50, no. 3 (2024): 375–401. http://dx.doi.org/10.1086/728933.

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9

Banaji, Mahzarin R., and John F. Kihlstrom. "The Ordinary Nature of Alien Abduction Memories." Psychological Inquiry 7, no. 2 (1996): 132–35. http://dx.doi.org/10.1207/s15327965pli0702_3.

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10

Clark, Steven E., and Elizabeth F. Loftus. "The Construction of Space Alien Abduction Memories." Psychological Inquiry 7, no. 2 (1996): 140–43. http://dx.doi.org/10.1207/s15327965pli0702_5.

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11

McNally, Richard J., and Susan A. Clancy. "Sleep Paralysis, Sexual Abuse, and Space Alien Abduction." Transcultural Psychiatry 42, no. 1 (2005): 113–22. http://dx.doi.org/10.1177/1363461505050715.

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12

Holden, Katharine J., and Christopher C. French. "Alien abduction experiences: Some clues from neuropsychology and neuropsychiatry." Cognitive Neuropsychiatry 7, no. 3 (2002): 163–78. http://dx.doi.org/10.1080/13546800244000058.

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13

Clark, Steven E., and Elizabeth F. Loftus. "The Psychological Pay Dirt of Space Alien Abduction Memories." Contemporary Psychology: A Journal of Reviews 40, no. 9 (1995): 861–63. http://dx.doi.org/10.1037/003955.

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14

Kuris, Armand M., and Mona Y. Luo. "Science fiction: The biology of the alien in Alien." Biochemist 45, no. 6 (2023): 14–17. http://dx.doi.org/10.1042/bio_2023_154.

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Parasites serve as a source of threatening outcomes for humans in many science fiction plots. Perhaps the most notable is the Xenomorph of the first Alien film (1979). Here, we use the film as the sole source of direct information to hypothesize its life cycle. We recognize a distinctive infective stage, the face-hugger. To further its development as an internal parasite in its human host, we conceive features of its physiology. It has an astonishing ability to manipulate the behaviour of its doomed host, before emerging as the famous chest-burster. It is clearly a parasitoid, requiring the de

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15

Hanikmah, Luluk. "THE BLUE ALIEN IN KOI MIL GAYA FILM: POPULAR LITERATURE." English Teaching Journal : A Journal of English Literature, Language and Education 4, no. 1 (2019): 10. http://dx.doi.org/10.25273/etj.v4i1.4356.

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<p>The purpose of this research is to<strong> </strong>describe<strong> </strong>the blue alien as the phenomenon Alien’s representation in science fiction of Bollywood and Bollywood’s action in bringing outer space alien to Indian culture that is represented in<em> Koi Mil Gaya </em>film. This research uses qualitative research. The researcher needs popular literature by Ida Rochani Adi to get what the author is willing to share her readers. It is also a way to the researcher to investigate why the author choose alien as the new character, and is ther

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16

Klemperer, Frances. "Sex with aliens: out of space or out of mind?" Psychiatric Bulletin 19, no. 4 (1995): 247. http://dx.doi.org/10.1192/pb.19.4.247.

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Extraterrestrial kidnapping is in vogue. A dozen books are available that detail accounts by alleged victims. A telephone survey of almost 6000 Americans revealed that many reported ‘abduction by an alien’. BBC's Horizon programme sent Dr Susan Blackmore, psychologist and TV-troubleshooter for the paranormal, to investigate.

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17

Brake, Mark. "On the plurality of inhabited worlds: a brief history of extraterrestrialism." International Journal of Astrobiology 5, no. 2 (2006): 99–107. http://dx.doi.org/10.1017/s1473550406002989.

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This paper delineates the cultural evolution of the ancient idea of a plurality of inhabited worlds, and traces its development through to contemporary extraterrestrialism, with its foundation in the physical determinism of cosmology, and its attendant myths of alien contact drawn from examples of British film and fiction. We shall see that, in the evolving debate of the existence of extraterrestrial life and intelligence, science and science fiction have benefited from an increasingly symbiotic relationship. Modern extraterrestrialism has influenced both the scientific searches for extraterre

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18

Moore, Jonathan Jacob. "Starships and Slave Ships." Qui Parle 31, no. 1 (2022): 143–58. http://dx.doi.org/10.1215/10418385-9669525.

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Abstract Evidence suggests that the UFO/alien abduction phenomenon is exclusively experienced by white people in the United States. But while scholars have probed abductee narratives to surface political and symbolic anxieties for decades, none have thought of the phenomenon’s whiteness alongside the archival absence of Black abductees. Using abductee accounts, interdisciplinary studies of the UFO abduction phenomena, and critiques of Black subjectivity, this article attends to the ontological anxieties that permeate UFO abduction narratives and their choreographic resonance with the psychosom

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19

Romero, James. "The Earth through alien eyes." Physics World 35, no. 5 (2022): 21–24. http://dx.doi.org/10.1088/2058-7058/35/05/25.

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Aliens spying on us from across interstellar space is a classic trope of science fiction. But working out what those extraterrestrials might see if they pointed their telescopes at us could help in our quest for finding life on distant Earth-like planets, as James Romero explains.

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20

Alonso, Irene Sanz. "Ecofeminism and Science Fiction: Human-Alien Literary Intersections." Women's Studies 47, no. 2 (2018): 216–31. http://dx.doi.org/10.1080/00497878.2018.1430408.

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21

Ruppersburg, Hugh. "THE Alien Messiah in Recent Science Fiction Films." Journal of Popular Film and Television 14, no. 4 (1987): 158–66. http://dx.doi.org/10.1080/01956051.1987.9944222.

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22

Zaki, Hoda M. "Alien to femininity: Speculative fiction and feminist theory." Women's Studies International Forum 13, no. 3 (1990): 277–79. http://dx.doi.org/10.1016/0277-5395(90)90018-s.

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23

Ghazoul, Jaboury. "Alien Abduction: Disruption of Native Plant-Pollinator Interactions by Invasive Species1." BIOTROPICA 36, no. 2 (2004): 156. http://dx.doi.org/10.1646/q1570.

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24

Giulio, Perrotta. "Alien Abduction Experience: Definition, neurobiological profiles, clinical contexts and therapeutic approaches." Annals of Psychiatry and Treatment 4, no. 1 (2020): 025–29. http://dx.doi.org/10.17352/apt.000016.

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25

Ghazoul, Jaboury. "Alien Abduction: Disruption of Native Plant-Pollinator Interactions by Invasive Species." Biotropica 36, no. 2 (2004): 156–64. http://dx.doi.org/10.1111/j.1744-7429.2004.tb00308.x.

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26

Rogan, Alcena Madeline Davis. "Alien Sex Acts in Feminist Science Fiction: Heuristic Models for Thinking a Feminist Future of Desire." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 442–56. http://dx.doi.org/10.1632/003081204x20226.

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Even at their most bizarre, representations of alien sex are bound to reinscribe the terms of human desire. Thus there can be no representation of an alien sex act that is radically alien. However, for certain writers, this representational impasse provides an occasion for thinking through the limits of fictional and feminist representation. Through a reading of Monique Wittig's Les Guérillères, Samuel Delany's Trouble on Triton and Stars in My Pocket like Grains of Sand, and Angela Carter's The Passion of New Eve, I explore how alien sex is represented not only or even primarily in literal te

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27

Barclay, Bridgitte. "Space Cowboys and Alien Landscapes." Unbound: A Journal of Digital Scholarship 3, no. 1 (2023): 1–5. http://dx.doi.org/10.12794/journals.ujds.v3i1.220.

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As Star Wars women Rey, Jyn Erso, Ahsoka Tano, and others build on Leia’s legacy, it is also important to celebrate the mid-century science fiction writer who influenced Star Wars earlier on – Leigh Brackett, Queen of Space Opera. Brackett not only wrote the first draft of The Empire Strikes Back (1980) before her death, but she also influenced American film and sf in the decades before. She was an accomplished screenwriter when Lucas approached her for The Empire Strikes Back, having written Rio Bravo (1959) and co-written The Big Sleep (1946) with William Faulkner, for example. And her pulps

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28

Bökös, Borbála. "Human-Alien Encounters in Science Fiction: A Postcolonial Perspective." Acta Universitatis Sapientiae, Film and Media Studies 16, no. 1 (2019): 189–203. http://dx.doi.org/10.2478/ausfm-2019-0010.

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Abstract An (un)conventional encounter between humans and alien beings has long been one of the main thematic preoccupations of the genre of science fiction. Such stories would thus include typical invasion narratives, as in the case of the three science fiction films I will discuss in the present paper: the Invasion of the Body Snatchers (Don Siegel, 1956; Philip Kaufman, 1978; Abel Ferrara, 1993), The Host (Andrew Niccol, 2013), and Avatar (James Cameron, 2009). I will examine the films in relation to postcolonial theories, while attempting to look at the ways of revisiting one’s history and

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29

Lipton, Peter. "Alien Abduction: Inference to the Best Explanation and the Management of Testimony." Episteme 4, no. 3 (2007): 238–51. http://dx.doi.org/10.3366/e1742360007000068.

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ABSTRACTThis paper considers how we decide whether to believe what we are told. Inference to the Best Explanation, a popular general account of non-demonstrative reasoning, is applied to this task. The core idea of this application is that we believe what we are told when the truth of what we are told would figure in the best explanation of the fact that we were told it. We believe the fact uttered when it is part of the best explanation of the fact of utterance. Having provided some articulation of this account of testimonial inference, the paper goes on to consider whether the account is inf

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30

Peter Lipton. "Alien Abduction: Inference to the Best Explanation and the Management of Testimony." Episteme: A Journal of Social Epistemology 4, no. 3 (2007): 238–51. http://dx.doi.org/10.1353/epi.0.0013.

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31

Wainschenker, Pablo, and Elizabeth Leane. "The ‘alien’ next door: Antarctica in South American fiction." Polar Journal 9, no. 2 (2019): 324–39. http://dx.doi.org/10.1080/2154896x.2019.1685178.

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32

De Cruz, Helen. "Cosmic Horror and the Philosophical Origins of Science Fiction." Think 22, no. 63 (2023): 23–30. http://dx.doi.org/10.1017/s1477175622000197.

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AbstractThis piece explores the origins of science fiction in philosophical speculation about the size of the universe, the existence of other solar systems and other galaxies, and the possibility of alien life. Science fiction helps us to grapple with the dizzying possibilities that a vast universe affords, by allowing our imagination to fill in the details.

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33

Kuzeev, S. E. "ON XENOPHOBIA IN SCIENCE FICTION." Juvenis scientia, no. 1 (2019): 52–55. http://dx.doi.org/10.32415/jscientia.2019.01.12.

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The article deals with how the notion of xenophobia is re-iterated in contemporary science fiction. First, the author provides a brief analysis of xenophobia as a cognitive phenomenon that is, on the one hand, built into the mass culture as an archetypal attitude and, on the other hand, symbolically disguised following the two prototypic scenarios-those of alienation and of appropriation. One of the central arguments of the article is that the quintessential sci-fi “alien” is based on the reinvented image of a Jew in the Western culture, while the narrative of “androids” draws on the historica

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34

Gorlée, Dinda L. "Kenneth L. Pike and science fiction." Semiotica 2015, no. 207 (2015): 217–31. http://dx.doi.org/10.1515/sem-2015-0043.

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AbstractKenneth L. Pike’s tagmemic explanation of his etic-emic equivalence corresponds to the notion of “approximate” translation. According to a weaker version of the Sapir-Whorf hypothesis, Pike’s cross-cultural and multilingual perspective of Bible translation approximates the duality and triadicity of Peirce’s immediate/emotional, dynamical/energetic, and final/logical interpretants. Pike’s astronautical examples of the artificial language Kabala-X translated into English and the science fiction story of the Earthmen who invaded Mars are fictional and creative artifacts of human-alien cry

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35

McNally, Richard J. "Explaining “Memories” of Space Alien Abduction and past Lives: An Experimental Psychopathology Approach." Journal of Experimental Psychopathology 3, no. 1 (2011): 2–16. http://dx.doi.org/10.5127/jep.017811.

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36

Carducci, Jessica. "A Freak Show in District 9." Digital Literature Review 3 (January 13, 2016): 136–48. http://dx.doi.org/10.33043/dlr.3.0.136-148.

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In District 9, the body of the main character, Wikus van de Merwe, becomes a battleground for the competing cultures of human and alien. But while it is widely recognized that the film is a science fiction metaphor for the Apartheid, less discussed are the parallels between Wikus’s story and that of the historical freak. This essay looks at the way in which Wikus’s transformation and clashing identities make him the star of Johannesburg’s own alien freak show.

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37

Hough, Peter, and Paul Rogers. "Individuals Who Report Being Abducted by Aliens: Investigating the Differences in Fantasy Proneness, Emotional Intelligence and the Big Five Personality Factors." Imagination, Cognition and Personality 27, no. 2 (2007): 139–61. http://dx.doi.org/10.2190/ic.27.2.e.

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This study explores individual differences in people claiming to have been abducted by aliens. A sample of 26 alien abductee experiencers (AAErs) plus 26 non-AAEr controls completed self-report measures of fantasy proneness, emotional intelligence, and the big five personality factors. Analysis of Covariance controlling of participants' level of educational attainment revealed no group differences in any of the three fantasy sub-scales (the vividness/realism of fantasies, escapist fantasies, and make-believe fantasies), any of the four EI sub-scales (optimism/mood regulation, the appraisal of

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38

Sergienko, Inna. "“DEMONS SWARMED LIKE THIS”: ALIEN IN THE CHILDREN’S FICTION OF YULIA VOZNESENSKAYA." Children's Readings: Studies in Children's Literature 24 (2023): 447–70. http://dx.doi.org/10.31860/2304-5817-2023-2-24-447-470.

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The main research question of the article is related to the representation of the category “alien” in the novels by Julia Voznesenskaya (1945–2015) written between 2002 and 2007: “Cassandra’s Way or Adventures with Macaroni”, “Julianna and the Game of Kidnapping”, “Julianna and Dangerous Games”, and “Julianna and the Game of ‘Stepmother and Daughter’”. These books represent a sample of Orthodox acute fiction for children and teenagers that emerged in the post-Soviet period. The article briefly characterises the context of the emergence of Voznesenskaya’s children’s prose, examines the specific

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39

Lomax, William. "The ‘Invisible Alien’ in the Science Fiction of Clifford Simak." Extrapolation 30, no. 2 (1989): 133–45. http://dx.doi.org/10.3828/extr.1989.30.2.133.

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40

Weiss, Thomas J. "The Bargain." After Dinner Conversation 3, no. 12 (2022): 48–66. http://dx.doi.org/10.5840/adc2022312112.

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Can atrocities happen without anyone having alterative choices to stop it? Does superior technology presuppose superior morality? In this work of philosophical short story fiction, the Rigel and the Musca are in a territorial race to the edge of the galaxy. Earth, a habitable planet with an underdeveloped civilization is needed for real estate development so it can support forty billion additional aliens. Vega is the alien real estate developer who has come to earth to offer a choice; support your colonization, and have technology shared with you prior to alien arrival, or fight us, and face y

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41

Jarzębski, Jerzy, and Benjamin Paloff. "The Cosmic Signals of Stanisław Lem." Polish Review 68, no. 2 (2023): 18–29. http://dx.doi.org/10.5406/23300841.68.2.03.

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Abstract Communicating productively with an alien intelligence, whether by traveling through space to another civilization or attempting to understand their messages received here on Earth, is so consistent a commonplace of cosmic science fiction that we might easily regard it as a defining feature of the genre. This essay argues, by contrast, that Stanisław Lem's fiction about space travel aims consistently to demonstrate the impossibility of such communication. Setting aside the obstacles that might prevent contact between alien intelligences, whether by positing a technological solution or

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42

Berthelier, Benoît. "Encountering the Alien: Alterity and Innovation in North Korean Science Fiction since 1945." Journal of Korean Studies 23, no. 2 (2018): 369–96. http://dx.doi.org/10.1215/21581665-6973369.

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Abstract From the translations of Soviet sci-fi and biographies of foreign scientists published in popular science magazines after liberation, to the exotic settings and strange technologies of contemporary novels, the history of science fiction in North Korea is marked by an engagement with the strange, the foreign, and the novel. Retracing the history of the genre from 1945 to the present time, this essay attempts to understand how North Korean science fiction has managed its constitutive alterity. In so doing, it explores tales of space travel fused with socialist realist production novels,

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43

Huang, Xiuqi. "Universe of Pluralism: Extraterrestrial Intelligence in Liu Cixin's Short Stories." Science Fiction Studies 51, no. 2 (2024): 238–57. http://dx.doi.org/10.1353/sfs.2024.a931154.

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ABSTRACT: This paper examines extraterrestrial intelligence in the short stories of Chinese science fiction writer Liu Cixin and their relation to the alien civilization in Liu's immensely successful Remembrance of Earth's Past trilogy. I will discuss the topic from three aspects: extraterrestrial intelligence's role as both metaphorical and literal mirrors in Liu's short stories; various alien worldviews and existential states that derive their conflicting diversity from the scientific and humanistic divide in the literary tradition of Chinese science fiction; aliens that represent either the

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44

Van Engen, Dagmar. "How to Fuck a Kraken." Humanimalia 9, no. 1 (2017): 121–51. http://dx.doi.org/10.52537/humanimalia.9619.

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Recent theories in posthumanism and animal studies have shown how race, gender, and sexuality help constitute the boundaries of the human and the animal as such. This essay argues that vertebrate land animals have most frequently formed the basis for racialized human-animal comparisons and the gender-sexual paradigms that underwrite them, and proposes instead a turn to invertebrate sea animals. In speculative fiction, these alien creatures offer a more complex interface for the racialized gender and sexual registers of human-animal imaginaries. In particular, erotic monster fiction by Alice Xa

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45

Nilson, Maria. "Mammor, monster och maskiner. Representationer av kvinnor i science fiction-film." Tidskrift för genusvetenskap 25, no. 4 (2022): 39–51. http://dx.doi.org/10.55870/tgv.v25i4.4054.

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From the expandingfield of popularscience fiction this artide concentrates on three sf-films: Star Tre k: First Contact (1999), Terminator 2: ludgement Day(199i) and Alien Resurrection (1997). In all three films we find different variations on a stereotype representation of femininity. The artide begins with a discussion of populär culture and the images we meet everyday, and stresses the importance of remembering which genre one works with. Three common tropes are analysed: the mother, the monster and the machine. In Star Trek: First Contactwe find the borg-queen; a variation of the evil she-

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46

Błaszkiewicz, Bartłomiej. "On the Idea of the Secondary World in Susanna Clarke’s Piranesi." Anglica. An International Journal of English Studies, no. 30/1 (September 1, 2021): 111–32. http://dx.doi.org/10.7311/0860-5734.30.1.08.

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The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of t

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47

Bould, Mark. "Book Review: Alien Zone II: The Spaces of Science-Fiction Cinema." Public Understanding of Science 9, no. 3 (2000): 341–42. http://dx.doi.org/10.1177/096366250000900307.

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48

Jr., Jack Boozer,. ": Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema . Annette Kuhn." Film Quarterly 45, no. 1 (1991): 61–63. http://dx.doi.org/10.1525/fq.1991.45.1.04a00230.

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49

Rieger, Marc Oliver. "The “alien” alien in Stanislaw Lem’s Solaris and its manifold echoes in the world of literature." Papers in Literature, `10 (July 30, 2022): 91–102. http://dx.doi.org/10.31648/pl.7857.

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Stanislaw Lem has left a remarkable impact on world literature in science fiction and beyond. One of the reasons for this is his – often radical – approach to exploring new topics and philosophical concepts. In this article, we study his concept of an unknowable intelligence that eludes all scientific approaches by humans who try to understand its motivations, reasoning and functioning; an “alien” alien, as it is most clearly presented in Lem’s 1961 novel Solaris. Echoes of this radical concept can be found, albeit often in a highly diluted form, in a number of subsequent works by various writ

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50

McLeod, Ken. "Space oddities: aliens, futurism and meaning in popular music." Popular Music 22, no. 3 (2003): 337–55. http://dx.doi.org/10.1017/s0261143003003222.

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Despite the rampant popularity of space, alien and futuristic imagery in popular culture, little scholarship has recognised the impact of such themes on popular music. This article explores the complex relationship between the numerous uses of space, alien and techno futuristic themes in popular music and the construction of various marginalised identities. Arranged roughly chronologically from early 1950s rock and roll to late 1990s techno, I discuss how many artists, such as Bill Haley, David Bowie and George Clinton, have used such imagery to promote various nonconformist ideologies and ide

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