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Journal articles on the topic 'Alisher Navai'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Tojiboeva, Ozoda. "“Tarjebandi Khomisa” as a product of following Alisher Navoi." Golden Scripts 5, no. 1 (2023): 66–78. http://dx.doi.org/10.52773/tsuull.gold.2023.1/tink7424.

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Following the creative heritage of Alisher Navai is one of the traditions that was widely extended in later periods of Uzbek literature.In particular, the literary environment in Khorezm is influenced by all the poet’s poems in lyrical genres. The role of this region is also important in the creative processing and promotion of the epic “Khamsa”. The poets of Khorezm wrote ghazels under the influence of Alisher Navai, and because of the literary influence they went along the path of Tatabbu', Tahmis and Tazmin.The work of the talented poet Awaz Otar “Tarjebandi Khomisa” was written under the i

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2

BERTELS, E. E. "NAVAI AND ATTAR(part 2)." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 88–101. http://dx.doi.org/10.26739/2181-1490-2021-2-10.

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Corresponding member of the USSR Academy of Sciences, Doctor of Science, prof. E.E. Ber-tels substantiated with many theoretical and factual materials the originality of Alisher Navai’s poetry in his monograph "Navai and Attar", since when this monograph was written, Alisher Navai was considered not a poet, but a translator-imitator of the Persian-classical literature in Western European literature. "Navai and Attar" consists of three parts. The first part substantiates the relativity of the connec-tion between the Turkic literature and the Persian and the fallacy of the widespread opinion reg

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3

БЕРТЕЛЬС, Е. Э. "НАВОИЙ ВА АТТОР1". ALISHER NAVOIY INTERNATIONAL JOURNAL 1, № 1 (2021): 67–81. http://dx.doi.org/10.26739/2181-1490-2021-1-8.

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Corresponding member of the USSR Academy of Sciences, Doctor of Science, prof. E.E. Bertels substantiated with many theoretical and factual materials the originality of Alisher Navai’s poetry in his monograph “Navai and Attar”, since when this monograph was written, Alisher Navai was considered not a poet, but a translator-imitator of the Persian-classical literature in Western European literature.

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4

Mirzaeva, Zulkhumor Inomovna. "Modern Approaches to Reading "Majolis Un-Nafais" By Alisher Navai." International Journal of Social Science and Human Research 08, no. 01 (2025): 123–28. https://doi.org/10.5281/zenodo.14607736.

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Alisher Navai is considered as a founder of modern Uzbek language and Literature. His miraculous creation have been at the center of secular research conducted by orientalists. Studding his research began in the East since his lifetime while the first research on Navai works started in XVI century in the West. If we look through the history of studding Navai works, in some orientalists research, we can face with subjective views influenced by political and social ideology. For example, 1950s-1980s of the 20th century some foreign scholars tried to prove that Navai was a "tendential creator" by

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5

Ashurova, Shoira Shodiyevna, and Sarvinoz Ochilovna Ismailova. "CREATIVE LEGACY OF ALISHER NAVAI." ACADEMIC RESEARCH IN MODERN SCIENCE, no. 1 (January 29, 2022): 192–97. https://doi.org/10.5281/zenodo.5918202.

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The pen of the brilliant Uzbek poet, thinker and statesman Alisher Navai owns more than thirty artistic, scientific and journalistic works. Like many other poets of that time, Alisher Navai wrote his works  in two languages. However, the main works of the outstanding poet were written in the Turkic (Old Uzbek) language, and this raised the Uzbek classical literature to an unprecedented height.

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6

Quvonov, Zarif. "UNTIRING RESEARCHER OF ALISHER NAVAI." Theoretical & Applied Science 64, no. 08 (2018): 68–73. http://dx.doi.org/10.15863/tas.2018.08.64.12.

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7

Munira, Karimova. "ARABIC TITLES OF ALISHER NAVAI." ACADEMIC RESEARCH IN MODERN SCIENCE 1, no. 16 (2022): 220–22. https://doi.org/10.5281/zenodo.7571402.

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The article examines the titles of Hazrat Alisher Navoi's works. Special attention is paid to the fact that the great poet used a lot of Arabic words in his titles. Also, the originality of the names of the works and their alternatives in Uzbek language is compared.

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8

Qobilov, Usmon. "Artistic interpretation of the image of Khizr in the poetry of Alisher Navoi." Golden Scripts 4, no. 3 (2022): 4–20. http://dx.doi.org/10.52773/tsuull.gold.2022.3/lxtp6683.

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This scientific article covers some aspects of the artistic interpre-tation of the image of Khizr, widely depicted in the poetry of Alisher Navai. It analyses the poetic tasks performed by the image of Khizr in the poet’s lyrics, and the artistic scenes created in this way. In this case, attention is paid to the artistic details related to the interpretation of the image of Khizr. Khizr is one of the plots and images linking the world of Uzbek and Eas-tern literature in general with the ideological and artistic side. It is evident that the question of depicting this figure in Uzbek literature

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9

Erkinov, Aftondil, and Abdumalik Qurbonov. "ALISHER NAVOI AND OTTOMAN TURKISH POETS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 82–91. http://dx.doi.org/10.26739/2181-1490-2021-1-9.

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In the dynasty of the Ottoman sultans (1299–1922), there was a great interest in the personality and heritage of the poet Alisher Navai (1441-1501). This interest, which arose during the poet’s lifetime, still exists today. The article highlights the imitation and follow-up of Ottoman poets to Navai’s poems. We are talking about the influence of Uzbek classical literature and especially the heritage of the Navai on the literature of the Ottoman dynasty. Ottoman poets imitated Nawai’s Hamsa poems and, as a result, created their own versions of the Nawai poems. They wrote poetry in Ottoman and P

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10

Salohi, Dilorom. "In the footsteps of the travels of the great genius." Infolib 28, no. 4 (2021): 72–76. http://dx.doi.org/10.47267/2181-8207/2021/4-092.

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The article presents opinions on the arrival in the middle of the ХУ century in the city of Samarkand of the great poet and statesman Alisher Navai. Historical facts concerning the life and work of the poet in this city are analyzed. Samarkand was a city where a religious and philosophical worldview was finally formed, the range of ideas about the Sufism of the young Navai expanded.

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11

Rajabova, Marifat, Hilola Safarova, Zilola Amonova, Mekhrigiyo Shirinova, and Madina Ibotova. "The world of subjects in "Nazm Ul-Javahir" by Alisher Navai." E3S Web of Conferences 538 (2024): 05023. http://dx.doi.org/10.1051/e3sconf/202453805023.

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"Nazm ul-Javahir" is a work of Alisher Navoi's poems. The wise words of Caliph Ali ibn Abu Talib were used as a basis for the poems in it. This article compares the sayings of Grace Ali and the poems of Alisher Navoi. Alisher Navoi's artistic interpretation and creative development of the topics presented in the wisdom during the analysis are studied. The expressions of such topics as modesty, courage, forgiveness, patience, justice, gentleness, generosity, kindness, faithfulness to a covenant, and loyalty to a friend are analyzed in wisdoms and poems.

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12

Erkinov, Aftondil. "Navoi’s manuscript of the Metropolitan Museum of Art and the question of its composition(905/1499-1500 years, calligrapher - Sultanali Mashhadi)." Golden Scripts 5, no. 1 (2023): 4–20. http://dx.doi.org/10.52773/tsuull.gold.2023.1/izjv1122.

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This article is about the manuscript of the collection of poetry of Alisher Navai, kept in the Metropolitan Museum of Art in New York. This collection was rewritten by the famous calligrapher Sultan Ali Mashkhadi in 905/1499-1500 in the city of Hirat. It is valuable because it is the product of the latest creative collaboration between Navai and Mashkhadi. Textological reasoning about the composition of this collection is given.

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Aftandil, ERKINOV. "SOME INFORMATION ABOUT THE WORLDWIDE MANUSCRIPTS OF THE WORKS OF ALISHER NAVOI: THE RUSSIAN FONDS." International journal of Alisher NAvoi 2, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7302548.

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To study foreign manuscripts of Alisher Navai's works, it is necessary to collect primary material about them. This article mentions upcoming plans in this direction and provides primary and general information in the form of a register of part of the manuscripts from some collections in Russia. In the future, they may take place in the compilation of a catalog of foreign manuscripts of Alisher Navoi's works.

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14

Vazirakhon, Akhmedova, and Маftuna Ergasheva. "THE IMAGE OF ALISHER NAVAI IN HISTORICAL DRAMA." INTERNATIONAL SCIENCES, EDUCATION AND NEW LEARNING TECHNOLOGIES 1, no. 8 (2024): 21–26. https://doi.org/10.5281/zenodo.12569619.

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<em>In this article, the artistic interpretation of the image of Navoi was analyzed in historical dramas created in Uzbek drama of the independence period. In particular, the writer Muhammad Ali’s "Navai and Bayqaro", dramutrg Sh.Rizaev’s image of Navoi in the dramas" Iskandar " was analyzed and scientifically substantiated by analogy with each other.</em>

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15

Ahmedov, Hoshimjon Hakimovich. "Recommendations For The Study Of Alisher Navai’s Work “Nazmul Javohir” At The Levels Of Literary Education." American Journal of Social Science and Education Innovations 2, no. 08 (2020): 151–53. http://dx.doi.org/10.37547/tajssei/volume02issue08-22.

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The article provides guidelines for the study of the work “Nazmul-javohir” by Alisher Navai, a representative of the Uzbek classical literature in the system of literary education. The role of this work in Navai's work and his literary concept is also discussed.

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16

Binnatova, Almaz Ulvi, and Abdulhakimova Yulduz G’ofur Qizi. "THE COMPARISION OF INTRODUCTORY CHAPTERS ALISHER NAVAI AND MUHAMMAD FUZULI EPICS “LAYLI AND MAJNUN”." American Journal Of Philological Sciences 03, no. 04 (2023): 54–59. http://dx.doi.org/10.37547/ajps/volume03issue04-09.

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In the article, the introductory chapters of Alisher Navoi and Muhammad Fuzuli's epics "Layli and Majnun" are analyzed. These chapters were compared based on the similar and different perspectives of the authors.

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17

Khasanov, N. "Alisher Navai about Khoja Ahmad Yassawi and his followers." Journal of Oriental Studies 93, no. 2 (2020): 82–87. http://dx.doi.org/10.26577/jos.2020.v93.i2.10.

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18

Madaliyeva, Oysara. "MANUSCRIPTS OF NAVOI 'S DIVANS KEPT IN THE MAIN FUND OF THE INSTITUTE OF ORIENTAL STUDIES." Golden scripts 1, no. 2 (2019): 12–18. http://dx.doi.org/10.52773/tsuull.gold.2019.2/ezcr2619.

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This article presents to a comparative and typological study of about 160 manuscripts of divans by Alisher Navai, which are stored in the Main Fund of the Abu Rayhan Biruni Institute of Oriental Studies, Uzbekistan Academy of Sciences. By this study, the author demonstrates highly-valued divans were copied for 500 years in various regions of the historical Maverannahr and Khorasan. The magnificent poetry of Navai was patronized by the influential people of their time, and it had many admirers, followers, and fans. The wealthy community of the Islamic East patronized the production of Navoi’s d

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19

Et. al., A. G. Ganiev,. "Exploration Of Alisher Navai’s "Khamsa" With A Mind Map." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 4 (2021): 37–42. http://dx.doi.org/10.17762/turcomat.v12i4.467.

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In this article the principles of developing students' imagination and creative thinking in education are discussed. Special emphasis is placed on the fact that people have different thinking abilities, intellectual abilities. The comments on creative thinking in the article are analyzed on the basis of the epics in the work "Khamsa" by the great thinker of Uzbek classical literature Alisher Navai.

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20

Tanju, SEYHAN. "ART OF WORD UTAGE, WORD PEARL AND PLASE IN ALISHER NAVAI’S WORKS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 36–45. http://dx.doi.org/10.26739/2181-1490-2021-1-4.

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Undoubtedly, the last founding artist in the entire history of Turkish literature is Alisher Navai (1441-1501). Navai, who studied in deep-rooted cultural centers, learned the science, social, religious and artistic sciences of the period from famous teachers, and gained inspiration from Sufis such as Kemal Tevbetî, Ebul-Lays Semerkandî and Abdurrahman Jami, guided the culture, science, civilization and art life of his country. When his verse and prose works are examined in terms of philology, it is indisputable that he is a master of Turkish with all his subtleties and rhetoric, that he has c

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21

Shomusarov, Shorustam, and Madiyor Fatilloev. "Linguopoetic Analysis of Arabic Lexical Unit "Umr" (Life) in Alisher Navai's Epic "Hayrat Ul-Abror"." International Journal of Multicultural and Multireligious Understanding 8, no. 3 (2021): 389. http://dx.doi.org/10.18415/ijmmu.v8i3.2498.

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This article provides a brief overview of linguopoietics and analyzes the word “’umr” (life) found in the poem “Hayrat ul-abror” by Alisher Navai. It has been found that, this word appears seventeen times in the text without any suffixes, and the literal meaning and grammatical role of all cases in the text are determined.

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22

Fatilloev, Madiyor, and Shomusarov Sh. "Linguopoetic Analysis Of The Arabic Lexical Unit "Malak" In The Epic "Hayrat Ul-Abrar" By Alisher Navai." American Journal of Social Science and Education Innovations 2, no. 09 (2020): 493–98. http://dx.doi.org/10.37547/tajssei/volume02issue09-74.

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This article provides a brief overview of linguopoietics and analyzes the word “malak” found in the poem “Hayrat ul-abrar” by Alisher Navai. It has been found that, this word appears eighteen times in the text without any suffixes, and the literal meaning and grammatical role of fifteen cases in the text are determined.

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23

Атаниязова, Муборак. "OLIM SHARAFIDDINOV AND ISSSUES OF NAVAI STUDYING." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 137–45. http://dx.doi.org/10.26739/2181-1490-2021-1-14.

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This article is devoted to the study of the history of Navoi studies. It analyzes the scientific views of Olim Sharafiddinov on Navoi studies, the views of the literary scholar on the classics, in particular, the poetics of Alisher Navoi. It also discusses the scholar’s views on Eastern poetics on the example of the poet’s works. At the same time, the contributions of Eastern and Western scholars to the science of Navoi are revealed. Issues related to theoretical and historical poetics are also covered

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24

Razzoqov, Alisher. "Interpretation of Transcendental Meaning Related to the Symbol "Idol" in the Creation of Alisher Navai." Golden Scripts 4, no. 1 (2022): 18–35. http://dx.doi.org/10.52773/tsuull.gold.2022.4.1/gsav3867.

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In this article, the number of meanings of the term “idol” as a transcendental symbol in Alisher Navoi's poetry are studied. Originally, the usage of this word in Alisher Navoi's work in its primary meaning, that is to say, in its own sense, examined on the example of fragments and verses in epics and lyrical works. Then, its artistic expression of meanings such as the manifestation of the qualities of self, concupiscence and the true love of holiness as a special mystical expressions are analyzed. In order to reveal fully the essence of symbol and symbols such as lover, scholar, shaikh, zunna

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Mamadaliyeva, Feruza, Maftuna Mashrabjonova, and Mashhura Yordamova. "IDEAS OF HUMANISM IN THE CREATIONS OF ABDURAHMAN JAMII AND ALISHER NAVAI." MODERN SCIENCE AND RESEARCH 3, no. 2 (2024): 137–41. https://doi.org/10.5281/zenodo.10631320.

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<em>This article reflects the ideas of humanitarianism in the works of the great thinkers of the East, Alisher Navoi and his teacher, friend, Abdurahman Jami. In addition, the best examples of the works of lyric poets are presented.</em>

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Eshonboboyev, Abdurasul. "ALISHER NAVOI AS A THEORIST OF NORTH EASTERN LITERATURE." Golden scripts 1, no. 2 (2019): 7–11. http://dx.doi.org/10.52773/tsuull.gold.2019.2/apcq1832.

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This article deals with the poetic work and the critical literary genre created by Alisher Navai of the XX century in Herat. Navai’s creation on the literary critique genre has presented a new tendency in analyzing the literary works of his contemporaries.For instance, Navai’s “Majalis un-nafais” is a critical literary work devoted mostly to analyzing of scholars’ works written in Persian. The great poet invents two types of critical genre in the Islamic literary world. The author further examines Navai’s critical method-ology as a unique work of art presenting traditional themes and genres. A

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27

Rahmatov, Mardon. "The syntactic-semantic features of takrirs in the lyrical works of Alisher Navoi." Uzbekistan:language and culture 5, no. 3 (2022): 36–49. http://dx.doi.org/10.52773/tsuull.uzlc.2022.3/jyvb6756.

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Syntactic repetition is one of the language units that make up the syntactic structure of the text of poetry of Alisher Navai's works. Such devices are not exist in modern Uzbek language (in poetry). Therefore, it is very important to study and know the role, function of their classical lyric art. The syntactic units are specially entered in the structure of the text of poetry by the poet and subjected to his own poetic purposes, so it does not seem as an extra line in composition of the poetic text. The study of such unusual devices used in lyrical works of Alisher Navai – the study of syntac

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Razzoqov, Alisher. ""Lison ut-tayr" composition andharmony of images." Golden Scripts 5, no. 2 (2023): 93–110. http://dx.doi.org/10.52773/tsuull.gold.2023.2/eabw8047.

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This article analyzes Alisher Navai's work "Lison ut-Tayr" from a mystical point of view. Alisher Navai's unique views on Sufism and his Naqshbandi doctrine are given the importance in the solution of the scien-tific problem posed before the article. Paying attention to the uniqueness of the composition of the work, it is based on the analysis that every section, every detail reflects Alisher Navai's first Islamic and mystical worldview. The importance of stories about the famous historical figures in the history of Islam in the introduction of the work to the correct understanding of the myst

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Ibrokhim, Khakkul. "NOTION “TARK” AND ITS INTERPRETATION IN THE POETRY OF NAVAI." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 47–52. http://dx.doi.org/10.26739/2181-1490-2021-1-5.

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The article concerns a scientific analysis of renunciation notion, playing an important role in the oriental classic literature, and its interpretations in the poetry of Alisher Navoi. There is an elucidation of renunciation state from the viewpoint of generality of Sufism and literary criticism, in the past and the present. Renunciation from the worldly life, renunciation from afterlife and self-renunciation are important statuses in the appeasement of passion,and in the heart soothing.

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Abdulhakimova, Yulduz. "Compositional Structure of Navai and Fuzuli's Epic Poems." Golden scripts 3, no. 4 (2021): 76–91. http://dx.doi.org/10.52773/tsuull.gold.2021.4/tfsf2926.

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The article discusses the emergence of the legend of Layli and Majnun in the form of epics in Turkish and Persian literature, which was passed from language to language among the Arab peoples. The idea that the Majnun is a historical figure or a fabricated character is supported by the views of scholars. The two great epics in Turkish literature, Alisher Navoi and Muhammad Fuzuli's "Layli and Majnun" are compared. As a result, of our comparisons, opinions and conclusions about the weight, genre, composition, individuality of the protagonist and events of both epics are expressed. The similarit

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31

Axtamovna, Gulova Anorgul. "The category of being arif per irfani views of alisher navai." ACADEMICIA: AN INTERNATIONAL MULTIDISCIPLINARY RESEARCH JOURNAL 11, no. 1 (2021): 1109–14. http://dx.doi.org/10.5958/2249-7137.2021.00145.2.

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Ismoilov, Ilyos, and Abdug'ani Nasriddinov. "The Study of the Work “Iskandarnoma” by Nizami in Uzbek Literature." Uzbekistan: language and culture 1, no. 4 (2019): 41–50. http://dx.doi.org/10.52773/tsuull.uzlc.2019.4/hvdl2540.

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The literature of both the Uzbek and Azerbaijani have a common history. From time immemorial, the literature of these both peoples have evolved is influencing each other. In this regard, the influence of ,,Khamsa’’ by Nizami Ganjavi on Uzbek literature, especially Alisher Navai, is a par-ticular issue. The article refers to the history, features, and perspectives of this issue in Uzbek literature studies. Having researched the investigated works so far in Uzbek literature, the article emphasize the importance of a comparative work.

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Alimov, Ozod. "Task of textual scholar and responsibility of original text." Golden Scripts 4, no. 1 (2022): 36–60. http://dx.doi.org/10.52773/tsuull.gold.2022.4.1/hgeq5572.

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The transformation of the scientific heritage of Alisher Navai from the old Uzbek script into the current alphabet, a radical renewal of its level and quality, the correct understanding of obsolete words, the interpreta-tion of some words and religious terms are one of the most pressing is-sues in the field of textual and source studies. The latest editions of Navai’s works differ little from previous editions. The situation with foreign pub-lications is also unsatisfactory. There are many shortcomings in these edi-tions. The errors and omissions in these publications have not comprehen-sively

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Ismoilov, Ilyos. "The Mirror Of Iskandar." Golden scripts 1, no. 4 (2019): 68–98. http://dx.doi.org/10.52773/tsuull.gold.2019.4/xgfn3626.

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Alisher Navoi mastered the best literary masterpieces created in his time as a representative of the literary environment of the 15th century, mastered the experience and traditions of artistic creativity, and as a result, developed them successfully, and most importantly, he had a natural talent for artistic creativity. In addition, the historical period required the appearance of a great Turkish writer in Khurasan and Movarounnakhr. These factors united in the creation of a great artist, such as Alisher Navoi, who made an invaluable contribution to the spiritual world of mankind. Navoi studi

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Ismoilov, Ilyos. "The first religious-historical sources of Iskander theme." Golden Scripts 5, no. 1 (2023): 35–52. http://dx.doi.org/10.52773/tsuull.gold.2023.1/llxz9797.

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The genesis of Iskandar theme is related to the distant past, and it has a history of twenty centuries even when compared to the period of Alisher Navai (15th century). The basis of the topic is the life and work of the famous Macedonian ruler Alexander (356-323 BC). Most plot lines, characters, motives, episodes and interpretations are directly or indirect-ly connected with this core. But a group of experts and researchers who have studied the history of the issue believe that the genesis of the topic was even before the birth of Alexander. They hypothesize that a revelation (dream) in the pr

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36

Salokhiy, Dilorom Isomiddin kizi. "ISSUES OF ARTISTIC SKILLS IN THE POETRY OF ALISHER NAVOI." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 1 (2021): 53–62. http://dx.doi.org/10.26739/2181-1490-2021-1-6.

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The article discusses the artistic skill of Alisher Navoi and the problems of the poet’s lyrical style. The author analyzes the originality of the poet’s lyrical style on the material of his own collections of poems composed and edited by his own - “Badoy ul-Bidoya” (“Rare Beginnings”), “Navadyr un-nihoya” (“The Beginnings of the End”) and “Khaza’ine ul-Maani” (“Treasure of Thoughts”). The poet’s artistic and aesthetic views are most vividly reflected in his artistic techniques to create the image of the lyrical hero, in the application of aruz technique, also in the verses of social content.

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37

Dadaboyev, Khamidulla. "STRUCTURAL CONSTRUCTION OF LEXEME “TORTMOQ” IN OLD UZBEK LITERARY LANGUAGE DURING ALISHER NAVAI PERIOD." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 9–16. http://dx.doi.org/10.26739/2181-1490-2021-1-1.

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This article is devoted to the analysis of the semantic structure of the common Turkic word “tortmoq” “pull, drag” on the example of factual materials recorded in the ancient Turkic, Old Turkic and Old Uzbek written monuments. The analysis showed that intralinguistic and extralinguistic factors, the possibilities of the Uzbek language in the process of expressing the meaning of this vocabulary, as well as the mastery of word usage by one author or another, played a certain role in the formation and development of the semantic scale of the lexeme. The conclusions can be used in enriching the po

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38

Nuriddinov, Nodir. "“BAHJAT UL-LUGAT” IS AN IMPORTANT LEXICOGRAPHIC SOURCE ON THE WORKS OF ALISHER NAVAI." Theoretical & Applied Science 117, no. 01 (2023): 476–79. http://dx.doi.org/10.15863/tas.2023.01.117.36.

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Malikov, Akrom. "Textual features of hymns ending with alif in “Gharayib us-sigar”(Based on Topkаpi, Paris and Dushanbe copies)". Golden Scripts 4, № 1 (2022): 79–95. http://dx.doi.org/10.52773/tsuull.gold.2022.4.1/qnkq8741.

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This article analyzes the text of praise poems of Alisher Navai, which begins with the letter “Alif” in the first divan of “Khazayn ul-Maoniy” – “Gharoyib us-sigar”. Three copies of Devon's manuscripts preserved in Dushanbe (1990), Istanbul (Revan 808) and Paris (Turc 317) are comparatively studied. There also applied for a critical text prepared by H. Suleiman. In terms of reliability, the article examines from the literary practical and theoretical point of view and textual criticism. The author explores the differences between the copying of gazelles, as well as their content. There also de

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Izzatillayev, Parviz. "Comparative analysis of “Hasht bihisht” and “Majolis un-nafois”." Golden Scripts 4, no. 3 (2022): 36–58. http://dx.doi.org/10.52773/tsuull.gold.2022.3/knmo5557.

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This article compares the work of Alisher Navai “Majolis un-nafois” and its Persian translation, “Hasht bihisht”. The study lists the strengths and weaknesses of the translator, Hakim Shah Qazvini, one by one, based on reliable sources. For example, Hakim Shah Qazvini, in his translation not translated from the original Turkish text “Majolis un-nafois” as Fakhri Hiroti did, but made many changes in the translation as a result which he deviated from the original Turkish text. At the same time, the mistakes and shortcomings of the translator were considered, and with the help of Tashkent edition

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Gulandom, YULDASHEVA. "CULTURAL ENVIROMENT OF THE EPOC OF ALISHIR NAVAI (BASED ON THE BOOK "TIMURIDS IN TRANSITION" OF MARIA SUBTELNY)." International journal of Alisher Navoi 2, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7302572.

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This article is seeking to discuss about Maria Subtelny’s book “Timurids in Transition: TurkoPersian Politics and Acculturation in Medieval Iran” talks about the Turko-Mongolian and Persian state administration in the 14-15 centuries Central Asia. The founder of the great Timurid dynasty Amir Timur established a legitimate empire with Turko-Mongolian yasa rules to a sedentary form of government with Persian-Islamic features. The transition required an enormous effort from Timur to transform a nomadic empire into a centralized, sedentary state. In doing so Timur accomplished t

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Ashirboyev, Samixon. "Syntax of simple sentences in compound sentence transformation in Alisher Navoi’s prose works." Golden Scripts 5, no. 1 (2023): 79–91. http://dx.doi.org/10.52773/tsuull.gold.2023.1/gqgv1114.

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In traditional Uzbek linguistics, in later period, the number of cases of considering subordinate clauses as complex sentences increased. From this point of view caused various discussions. At that time, such sentences were considered as simple sentences in the transformation of a compound sentence; in this article, using the example of the prose works of Alisher Navai, such sentences are considered from the point of view and analyzed on the basis of existing theoretical ideas. In the article, such sentences are treated as the simple sentences in a compound transformation, the scientific views

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Islamovich, Sayfullaev Anvar. "Teaching Interpreting: Tashkent State University of Uzbek Language and Literature Experience." International Journal of Linguistics, Literature and Translation 3, no. 12 (2020): 56–62. http://dx.doi.org/10.32996/ijllt.2020.3.12.7.

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The purpose of this study is to suggest some effective ways of training interpreters and to share the experience of Tashkent state university of Uzbek Language and Literature named after Alisher Navoi with the same purpose of interpreter training. More specifically, it deals with theoretical views of different scholars about simultaneous interpreting to understand what actions the process of simultaneous interpreting involves and what skills a person is required to have in order to carry out this task. Training simultaneous interpreting is very complicated and complex task because it involves

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Aysara, MADALIEVA. "TEXTUAL STUDY OF GHAZALS IN "TERMA DEVAN" OF ALISHER NAVOY (BASED ON 16TH CENTURY MANUSCRIPTS)." International journal of Alisher NAvoi 2, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7302574.

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After the creation of «Khaza'in al-ma'ani», which included most of the poetic heritage of Alisher Navoi, «Selected Divans» began to appear as a selection of his poems. In the Main Fund of the Abu Rayhan Biruni Institute of Oriental Studies, Uzbekistan Academy of Sciences there are 9 manuscripts of the «Selected Divans» of Navoi dating back to the 16th century. This article compares ghazals, which are part of four out of nine divans. The results are compared with the «Khaza'in alma'ani» divans. It also shows the dynamics of changes

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NAVOI, HISTORICAL WORKS OF ALISHER. "HISTORICAL WORKS OF ALISHER NAVOI." American Journal of Philological Sciences 4, no. 11 (2024): 142–49. https://doi.org/10.37547/ajps/volume04issue11-26.

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The article examines the work of Navoi as a classic historian of the Timurid Renaissance, and also talks about such historical works as “Tarihi Muluki Ajam” and “Tarihi Anbiyo wa Hukamo”, which he skillfully wrote. The names and works of famous historians of the East who lived in the past and in their time are mentioned, or “Rauzat us-safo”, VII book of Mirkhond, written under the auspices of Navoi. Navoiʼs book “Tarihi anbiyo va hukamo” analyzes the verdicts dedicated to Hakim Lukmoni and Hakim Fizogurs. Tarihi Muluki Ajam is said to cover the history of Peshdadi, Kayani, Ashkan and the Sasan

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Akhmadova, Karima Shavkat kizi. "CHINA IN THE WORKS OF ALISHER NAVOI." Journal of Central Asian Social Studies 02, no. 03 (2021): 43–46. http://dx.doi.org/10.37547/jcass/volume02issue03-a7.

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The article is devoted to the study of the work of the great poet Alisher Navoi, his contribution to world culture. Particular attention is paid to the relationship between China and Uzbekistan in the cultural sphere based on the work of Alisher Navoi.

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Hayitov, Shavkat Ahmadovich. "ALISHER N ALISHER NAVAIY ABOUT RINDI H Y ABOUT RINDI HAROBATIY." Scientific Reports of Bukhara State University 3, no. 4 (2019): 197–203. http://dx.doi.org/10.52297/2181-1466/2019/3/4/10.

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The article is based on the text of Alisher Navaiy, which is explaining the essence of loyalty. According to Alisher Navoi, there is an event for everything in the world. Only divine destiny is careless. Any cloth is useless in the face of the mighty hand of destiny written by the Ancient Secretary.The authon in that puocess of the analysis tried to show ideal features of personality, like librety, honesty, humility, fidelity, generosity, insistence and fongiveness

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Abduraimova, Xafiza, and Ilyos Ismoilov. "Alisher Navoiy g‘azaliyotida Xizr obrazi talqinlari." Узбекистан: язык и культура 1, no. 1 (2024): 98–119. http://dx.doi.org/10.47689/ulac-vol1-iss1-y2024-pp98-119.

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Turkiy adabiyot, xususan, o'zbek adabiyoti tarixida Alisher Navoiyning o'rni beqiyos. Shu maqolada Alisher Navoiyning g'azallari, liri-kasidagi obrazlar mohiyatiga yetishga harakat qilinib, uning badiiy tasvir-lari hamda talqinlarining sabablari bir qadar ochib berilgan. Maqola uchun aynan Xizr obrazining tanlab olinishi tasodif emas. Xizr turkiy xalqlar mifologiyasi, fblklori, adabiyotida juda ham mashhur shaxs hisoblanadi. Shu qadar mashhurligidan maqol va matallarga obraz bo'lib xizmat qilgan. Turkiy adabiyotning ulkan ustuni bo'lgan Alisher Navoiyning ushbu obrazga munosabati, albatta, qiz

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Berdiev, Norali. "Alisher navoi and hajj." ACADEMICIA: An International Multidisciplinary Research Journal 11, no. 5 (2021): 255–59. http://dx.doi.org/10.5958/2249-7137.2021.01371.9.

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G., Muhammadjonova. "ARTISTIC PERCEPTION AND RISING IMAGE OF NAVOI." Journal of Central Asian Social Studies 02, no. 03 (2021): 1–7. http://dx.doi.org/10.37547/jcass/volume02issue03-a1.

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The article highlights the role of the image of a creative person in illuminating the author's ideological and artistic intentions on the example of the great thinker, the sultan of poetic property Alisher Navoi. The development of the image of Navoi in Uzbek literature is studied on the basis of Isajon Sultan's work "Alisher Navoi" and the comparison of novels created before him. The function of poetic methods and means in illuminating the creative human psyche is proved on the basis of artistic analysis.

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