Relevant bibliographies by topics / Alison Riley

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Alison Riley'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Alison Riley"

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Oliveira, Francisco. "MIKE RILEY, ALISON COTGRAVE AND MICHAEL FARRAGHER (EDS.): BUILDING DESIGN, CONSTRUCTION AND PERFORMANCE IN TROPICAL CLIMATES." Proyecto, Progreso, Arquitectura, no. 26 (2022): 118–19. http://dx.doi.org/10.12795/ppa.2022.i26.07.

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Βαμβακίδου, Ιφιγένεια. "Βιβλιοπαρουσίαση: Karl Aubrey & Alison Riley (2024). "Κατανοώντας και αξιοποιώντας παιδαγωγικές θεωρίες". Τζιόλα." Διάλογοι! Θεωρία και πράξη στις επιστήμες αγωγής και εκπαίδευσης 10 (20 грудня 2024): 275–77. https://doi.org/10.12681/dial.39275.

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Οι συγγραφείς Karl Aubrey & Alison Riley του βιβλίου "Κατανοώντας και αξιοποιώντας παιδαγωγικές θεωρίες" με σαφήνεια, επιχειρήματα και παραδείγματα μας εισάγουν στη χρονολογική παρουσίαση επώνυμων στοχαστών του τελευταίου αιώνα, με θεματικές για την πρώιμη/προσχολική, Α/θμια, Β/θμια, Γ/θμια και την εκπαίδευση ενηλίκων. Το βιβλίο απευθύνεται στο αναγνωστικό κοινό που ενδιαφέρεται για την τυπική ή την άτυπη εκπαίδευση και τη μάθηση, για την έρευνα, την κριτική και συνθετική σκέψη. Οι παιδαγωγικές θεωρίες και οι σχολές σκέψης για τον συμπεριφορισμό, τον κονστρουκτιβισμό, την ανθρωπιστική σχολ
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Kieran, Aoibhe. "Understanding and Using Challenging Educational TheoriesKarl Aubrey & Alison RileySage Publications Ltd., 2017ISBN: 978-1-47395-580-6; 232pp; Paperback; £22.99." DECP Debate 1, no. 166 (2018): 51. http://dx.doi.org/10.53841/bpsdeb.2018.1.166.51.

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Sanchez, Ileine, Hayley Roth, Brad Screnci, et al. "Abstract 6305: Bispecific claudin 18.2 and GPRC5D antibodies with potent cell-killing activity for cancer therapeutics." Cancer Research 83, no. 7_Supplement (2023): 6305. http://dx.doi.org/10.1158/1538-7445.am2023-6305.

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Abstract Tumor-associated antigens with little or no expression in healthy tissue are attractive targets for anti-tumor modalities including T cell-engaging bispecific antibodies. CLDN18.2 is a transmembrane adhesion protein undetectable in most healthy adult tissues but highly expressed in gastric, pancreatic, esophageal, and lung cancers. GPRC5D is a G protein-coupled receptor that is absent from most healthy tissues except for hair follicles but expressed on multiple myeloma cells. Both CLND18.2 and GPRC5D are novel oncology targets with no clinically approved therapies against them. Using
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Roman, Hałaj, and Osiadacz Barbara. "Woolly ash aphid – is the alien bug posing a threat to European ash trees? – a review." Plant Protection Science 53, No. 3 (2017): 127–33. http://dx.doi.org/10.17221/138/2016-pps.

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Prociphilus (Meliarhizophagus) fraxinifolii (Riley, 1879) (Hemiptera: Eriosomatidae) is an alien species in Europe that has been spreading quickly there. This paper presents the origin and current occurrence, classification, description, identification, and biology of this species. It also discusses the harmfulness and threats, especially the impact on host- plants and ecosystem, invasion rate and facilitating factors.
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Sammons, Sarah, Amanda Van Swearingen, Laura Noteware, et al. "Abstract PO5-20-02: Secondary BRain metastases prevention after Isolated intracranial progression on trastuzumab/pertuzumab or T-DM1 in pts with aDvanced human epidermal Growth factor receptor 2+ brEast cancer with addition of Tucatinib (BRIDGET)." Cancer Research 84, no. 9_Supplement (2024): PO5–20–02—PO5–20–02. http://dx.doi.org/10.1158/1538-7445.sabcs23-po5-20-02.

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Abstract Background: Despite treatment with trastuzumab-based therapy, up to half of patients with HER2+ advanced/metastatic breast cancer (MBC) will develop brain metastases (BrM). First-line therapy for advanced HER2+ MBC remains a taxane, trastuzumab, pertuzumab (TP) which demonstrates poor brain permeability. Isolated brain relapse with stable or absent extracranial disease remains a clinical problem in both the adjuvant (Untch et al., ESMO 2019 Congress) and metastatic settings (Noteware et al., Breast Cancer Res Treat. 2023). Current guidelines recommend continuing current systemic thera
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Abashnik, Uliana. "“THE SUBSTANCE”: BODY HORROR VS. AGEISM AND SEXISM." Journal of V. N. Karazin Kharkiv National University, Series "Philosophy. Philosophical Peripeteias", no. 71 (December 23, 2024): 161–69. https://doi.org/10.26565/2226-0994-2024-71-14.

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This article critically analyzes the main features of the latest body horror film “The Substance” (2024) by the famous modern French screenwriter and director Coralie Fargeat in the philosophical and anthropological aspects. The focus is on the manifestation and perception of the phenomenon of horror in all its components: fear, panic, horror, trembling, disgust, ugliness, etc. First, the main stages of the emergence and development of films in the body horror subgenre from the beginnings to the present are briefly indicated. Further, the peculiarities of the development of horror film themes
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"16th Annual General Meeting." Geological Curator 5, no. 8 (1994): 335–40. http://dx.doi.org/10.55468/gc705.

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Thursday 14 December 1989 at the University Museum, Oxford. Thirty members were present. 1. Apologies for absence Alison Armstrong, Bryan Cooper, Tony Cross, Mandy Edwards, Dorothy Hardy, Bob King, Wendy Kirk, Peter Knight, John Martin, Kate Pontin, Tim Riley, Mike Taylor, Steve Tunnicliffe, Geoff Tresise, and Martin Warren. 2. Minutes of the 15th Annual General Meeting 1988 They were approved and signed by the Chairman. 3. Matters arising Di Smith asked about the launch of the Rescue - a Heritage on the Rocks leaflet and the formation of a joint committee as mentioned in the PRO'S 1988 Report
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Brien, Donna Lee. "Demon Monsters or Misunderstood Casualties?" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2845.

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Over the past century, many books for general readers have styled sharks as “monsters of the deep” (Steele). In recent decades, however, at least some writers have also turned to representing how sharks are seriously threatened by human activities. At a time when media coverage of shark sightings seems ever increasing in Australia, scholarship has begun to consider people’s attitudes to sharks and how these are formed, investigating the representation of sharks (Peschak; Ostrovski et al.) in films (Le Busque and Litchfield; Neff; Schwanebeck), newspaper reports (Muter et al.), and social media
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"Acknowledgment of Abstract Graders." Circulation 126, suppl_21 (2012). https://doi.org/10.1161/circ.126.suppl_21.a401.

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Abbara, Suhny Georgiou, Demetrios naka, yoshifumi Abbott, Brian Gerszten, Robert Nakagawa, Yoshihisa Abbott, Geoffrey . Gewillig, Marc Nakamura, Kazufumi Abe, Jun-ichi Ghali, Jalal K. Nakamura, Yasuyuki Abella, Benjamin S. Ghanayem, Nancy Nakanishi, Toshio Abraham, Theodore Ghanayem, Nancy Nakatani, Toshio Abraham, William T. Ghosh, Shobha Narayan, Sanjiv M. Achenbach, Stephan Giachelli, Cecilia M. Natale, Andrea Acker, Michael A. Gidding, Samuel S. Natarajan, Rama Ackerman, Michael J. Gidding, Samuel S. Nattel, Stanley Adams, M. Jacob Gilchrist, Ian Nazarian, Saman Adams, Ted Giles, Thomas D.
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Dissertations / Theses on the topic "Alison Riley"

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Gough, Kerry. "Alien receptions : boundary contagion, generic pollution and Ripley as a shifting cultural signifier." Thesis, University of Nottingham, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523059.

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Díaz, Murillo Patricia Gisele. ""A veces para crear, uno debe primero destruir" : la estética de lo orgánico en el cine : cambios y continuidades del universo que comparten Alien y Prometheus de Ridley Scott." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2015. http://tesis.pucp.edu.pe/repositorio/handle/123456789/6130.

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El cine siempre me hipnotiza. Desde pequeña tuve una enorme facilidad para entregarme a la convención y dejarme llevar por aquello que veo en la pantalla, sin mayores pretensiones. Tal vez es un hábito heredado de mi abuela, a quien le encantaban las películas del cine de oro mexicano, o heredado de mis padres, que eran asiduos al cine de desastre de los setenta y al cine de terror. En realidad, es difícil saber. Lo único seguro es que lo disfruto mucho. Mi gusto por el terror y la ciencia ficción empezó temprano. Cuando nació mi hermana menor, mi mamá me regaló un televisor de 9 pulgad
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Books on the topic "Alison Riley"

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author, Sours Patricia, ed. Common law legal English and grammar: A contextual approach. Hart Publishing, 2014.

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Cocci, Stefano. Alien: Misteri, inquietudini e segreti del film cult di Ridley Scott. Ultra, 2019.

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Jason, Smith C., ed. Alien woman: The making of Lt. Ripley. Continuum, 2004.

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C, Ximena Gallardo. Alien woman: The making of Lt. Ellen Ripley. Continuum, 2004.

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Harrison, Zac. Space plague. Curious Fox, 2013.

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Crispin, A. C. Alien resurrection: Novelization. Warner Books, 1997.

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Crispin, A. C. Alien - die Wiedergeburt: Der Roman zum Film. Heyne, 1997.

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Crispin, A. C. Alien resurrection: Novelization. Warner Books, 1997.

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Crispin, A. C. Alien resurrection. Warner Books, 1997.

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Foster, Alan Dean. Aliens. Warner Books, 1986.

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Book chapters on the topic "Alison Riley"

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Zanin, Andrea. "Ellen Ripley." In Alien and Philosophy. John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119280873.ch14.

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Christian, Alexander. "Is Ellen Ripley a Feminist?" In Alien and Philosophy. John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119280873.ch15.

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Miller, Bronwyn. "Remediating Ripley." In Alien Legacies. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197556023.003.0012.

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Abstract This chapter examines Ellen Ripley’s adaption into video games and traces the evolution of Ripley’s representation in this medium, since the character’s first video game appearance in 1984, by comparing Alien Resurrection (1997) in its respective film and video game (2000) form. After comparatively analysing the film and game, the study explores how gaming tropes are continuing to problematically structure the representation of Ellen Ripley or female avatars within the Alien game franchise and where there has been resistance to these tendencies. This research demonstrates that adoptin
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Sorensen, Eli Park. "Between Friends and Enemies: Ridley Scott’s Alien." In Science Fiction Film. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481847.003.0002.

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In a political sense, what happens to our understanding of the political if we no longer need it? Ridley Scott’s sci-fi classic Alien (1979) has often been read through feminist and psychoanalytic approaches, but such approaches essentially draw attention away from the literalness of the film’s political dimension, which comes close to the problem Carl Schmitt used to explain his concept of the state of exception. During the state of exception, the sovereign may legally suspend the social contract or the constitution in order to protect, defend, and preserve them. However, in the absence of da
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Kamm, Frances A. "“Must Be a Chick Thing”." In Alien Legacies. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197556023.003.0009.

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Abstract In his 1979 review, Vincent Canby calls Alien a “Gothic set in space”: in this chapter I will reflect upon the implications of describing the film as “Gothic,” arguing that the franchise engages with the traditions of the Female Gothic, specifically. The Female Gothic is typically defined by stories in which a central female protagonist is imperiled within isolated locations, usually because of a villainous male figure and/or patriarchal structures more broadly. Alien evokes this narrative patterning as the film comes to center on Ripley as the heroine, resisting the sexualized threat
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LoBrutto, Vincent. "Son of Prometheus." In Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0026.

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Scott became enthused about continuing the Alien films and began planning several. For his next feature film project, he decided on the film that became Alien: Covenant, returning to presenting the name of the series in the title. The story follows a group of colonists looking to create a world better than the one they had on earth. When they reach their new home, the Alien makes its presence known and begins killing off crew members one by one, just as in the original film. Also as in the inaugural movie, there is a strong female character who takes charge and again is responsible for destroy
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LoBrutto, Vincent. "Prequel?" In Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0022.

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After many years had gone by since he directed Alien, and sequels had been released by other film directors, Ridley Scott decided he would finally revisit the original movie in the franchise. Prometheus is the only sequel to Alien not to use that word in the title. The film is a departure from the series in that it is less a horror film and more a philosophical venture into the beginnings of humankind and the meaning of life. Prometheus was a huge box office success despite the fact that the narrative is very convoluted and not all the many questions the film poses are answered. Nonetheless, t
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Walden, Kim. "“Building Better Worlds”." In Alien Legacies. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197556023.003.0006.

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Abstract As transmedia film franchising developed with its characteristic reboots, sequels, prequels, and shared cinematic universes, promotion costs rose in an increasingly crowded and competitive marketplace. As a consequence, film marketeers have devised correspondingly creative approaches to promotion using the online environment and social media. This chapter considers the evolution of online film marketing, as blockbusters transformed into transmedia franchises expanding their storytelling across media platforms. Through an examination of the award-winning promotional campaigns for Ridle
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Evans, Carrie Lynn. "Fractal Patterns Out of Chaos in Ridley Scott’s Alien, Prometheus, and Covenant." In Alien Legacies. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197556023.003.0003.

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Abstract Ridley Scott, director of Alien (1979), returned to the franchise thirty years later with the prequels Prometheus (2012) and Alien: Covenant (2017), which further examine the origin and evolution of the lethal xenomorph. This chapter reads the trilogy through the lens of chaos theory as applied metaphorically to literature. The fractal pattern of themes that emerges from this approach allows a better apprehension of their multi-layered and refractional interconnections, culminating in the character arc of the genocidal android David. Connecting David’s development to this pattern is i
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LoBrutto, Vincent. "Alienation." In Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.003.0006.

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Ridley Scott decides to adapt Tristan and Isolde for his next film, with producer David Puttnam on board and a completed screenplay. In 1977 it is placed in development at Paramount. Scott sees Star Wars and is devastated to learn that the movie incorporated many of the ideas he had had for his project. 20th Century Fox puts Scott on a list of possible directors for Alien. Scott is selected and signs onto the dark science fiction/horror film. The movie concerns a beast aboard a spaceship that devours the crew members one by one. The remaining member, a strong and capable woman, manages to elim
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