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1

Stevenson, Deborah. "All-American Muslim Girl by Nadine Jolie Courtney." Bulletin of the Center for Children's Books 73, no. 3 (2019): 107–8. http://dx.doi.org/10.1353/bcc.2019.0742.

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2

Dancer, Faye, and John Holway. "Confessions of an All-American Girl: Madonna's Model." NINE: A Journal of Baseball History and Culture 9, no. 1 (2000): 267–72. http://dx.doi.org/10.1353/nin.2001.0011.

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3

Tucker, Sherrie. ""And, Fellas, They're American Girls!": On the Road with the Sharon Rogers All-Girl Band." Frontiers: A Journal of Women Studies 16, no. 2/3 (1996): 128. http://dx.doi.org/10.2307/3346806.

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Bush, Elizabeth. "Take-Off: American All-Girl Bands during World War II (review)." Bulletin of the Center for Children's Books 60, no. 10 (2007): 405. http://dx.doi.org/10.1353/bcc.2007.0344.

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5

Cummings, Kelsey. "Gendered Choices: Examining the Mechanics of Mobile and Online Girl Games." Television & New Media 19, no. 1 (2017): 24–41. http://dx.doi.org/10.1177/1527476417697269.

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This article analyzes girl games, a subgenre of casual mobile and online games created and marketed for preteen girls. Through an examination of Barbie Fashionistas, Style Studio: Fashion Designer, and Central Park Wedding Prep, all of which are representative of traditional dress-up and makeover-oriented girl games, I explore how seemingly broad mechanics-based choices available to players within the games reinforce and respond to patriarchal ideologies, and argue that the mechanics of mobile and online girl games serve gendered and neoliberal ends both in game and in the larger context of North American gaming culture. Conducting close readings on and accounting for the mechanics of an understudied genre within the field to advocate for greater study of both game mechanics and girl games, I demonstrate how the availability of choice intrinsic in girl games provides opportunity to explore how players are constructed as neoliberal subjects.
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Lewis, Jan, and Frances B. Cogan. "All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America." Journal of American History 77, no. 2 (1990): 674. http://dx.doi.org/10.2307/2079251.

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7

Harris, Susan K., Frances B. Cogan, and Josephine Donovan. "All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America." American Literature 62, no. 2 (1990): 330. http://dx.doi.org/10.2307/2926928.

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8

Boylan, Anne M., and Frances B. Cogan. "All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America." History of Education Quarterly 30, no. 2 (1990): 257. http://dx.doi.org/10.2307/368674.

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9

Boydston, Jeanne, and Frances B. Cogan. "All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America." American Historical Review 96, no. 5 (1991): 1608. http://dx.doi.org/10.2307/2165427.

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10

Marshall, Elizabeth. "Red, White, and Drew: The All-American Girl and the Case of Gendered Childhood." Children's Literature Association Quarterly 27, no. 4 (2002): 203–11. http://dx.doi.org/10.1353/chq.0.1326.

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11

Monge-Rojas, Rafael, Tamara Fuster-Baraona, Carlos Garita-Arce, Marta Sánchez-López, Uriyoán Colon-Ramos, and Vanessa Smith-Castro. "How Self-Objectification Impacts Physical Activity Among Adolescent Girls in Costa Rica." Journal of Physical Activity and Health 14, no. 2 (2017): 123–29. http://dx.doi.org/10.1123/jpah.2016-0322.

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Background:In Latin America, more than 80% of adolescent girls are physically inactive. Inactivity may be reinforced by female stereotypes and objectification in the Latin American sociocultural context.Methods:We examined the influence of objectification on the adoption of an active lifestyle among 192 adolescents (14 and 17 years old) from urban and rural areas in Costa Rica. Analyses of 48 focus-groups sessions were grounded in Objectification Theory.Results:Vigorous exercises were gender-typed as masculine while girls had to maintain an aesthetic appearance at all times. Adolescents described how girls were anxious around the prospect of being shamed and sexually objectified during exercises. This contributed to a decrease in girls’ desire to engage in physical activities. Among males, there is also a budding tolerance of female participation in vigorous sports, as long as girls maintained a feminine stereotype outside their participation.Conclusion:Self-objectification influenced Costa Rican adolescent girls’ decisions to participate in physical activities. Interventions may include: procuring safe environments for physical activity where girls are protected from fear of ridicule and objectification; sensitizing boys about girl objectification and fostering the adoption of a modern positive masculine and female identities to encourage girls’ participation in sports.
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12

Kodó, Krisztina. "A Story of Two Cultures in Doreen Finn’s Night Swimming (2019)." Freeside Europe Online Academic Journal, no. 11 (2020): 1–5. http://dx.doi.org/10.51313/freeside-2020-2-11.

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Doreen Finn’s novel Night Swimming (2019) is set during the summer heatwave of 1976 Dublin. The story is narrated by the nine-year-old Irish girl, Megan, who lives in a large Victorian house with her mother (Gemma) and grandmother (Sarah). An American family rent their downstairs flat, and this encounter of two cultures provides the framework for the entire story in which American and Irish sensibilities, mentalities, stereotypical features, and cultural markers are set against each other. The motif that permeates the entire work is the metaphor “night swimming”, which highlights the notion of going against the expected norms set by society. The loss of innocence involved envelops all the characters one way or another, and to which all must react in their own way. In the end, all the characters are forced to “grow up” and come to terms with their lives and their environment.
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13

Kaminker, Marcia K., Lisa A. Chiarello, Margaret E. O'Neil, and Carol Gildenberg Dichter. "Decision Making for Physical Therapy Service Delivery in Schools: A Nationwide Survey of Pediatric Physical Therapists." Physical Therapy 84, no. 10 (2004): 919–33. http://dx.doi.org/10.1093/ptj/84.10.919.

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Background and Purpose. A nationwide survey was conducted to explore decision making among school-based physical therapists and to examine recommendations regarding the models, contexts, frequency, and intensity of physical therapy service delivery. Factors that the therapists considered important in making clinical decisions also were examined. Subjects and Methods. A survey instrument using a clinical case format was sent to all members of the American Physical Therapy Association's Section on Pediatrics who identified themselves as school-based therapists (N=1,154); 626 respondents, from all 50 states, completed the survey. Four case descriptions were presented in the survey: 2 preschool girls with developmental delay (1 with and 1 without cognitive impairment) and a boy with cerebral palsy (at 6 and 12 years of age). Results. Individual direct services were recommended by 52% to 55% of the respondents for both 4-year-old girls and for the boy at 12 years of age; 92% of the respondents recommended them for the boy at 6 years of age. The most prevalent choice (48%-73%) for the context of service delivery (location or environment) was a combination of integrated and isolated contexts. For those respondents who selected direct services (individual or group, or both), the mean recommended monthly frequency for the boy at 6 years of age (5.8) was more than twice that for the boy at 12 years of age (2.4). The mean suggested direct frequency for the girl with cognitive impairment (4.5) was greater than that for the girl without cognitive impairment (4). The students' functional levels were considered very to extremely important in decision making by 87% to 90% of the respondents. Discussion and Conclusion. Survey responses were relatively consistent with current literature regarding school practice and principles of motor learning. Recommendations varied for each case, regarding the models, contexts, frequency, and intensity of physical therapy service delivery.
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14

DuRose, Lisa. "How to Seduce a Working Girl: Vaudevillian Entertainment in American Working–Class Fiction 1890–1925." Prospects 24 (October 1999): 377–91. http://dx.doi.org/10.1017/s0361233300000429.

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“The city,” Theodore Dreiser explains at the beginning of Sister Carrie, “has its cunning wiles, no less than the infinitely smaller and more human tempter. There are larger forces which allure with all the soulfulness of expression possible in the most cultured human. The gleam of a thousand lights is often as effective as the pervasive light in a wooing and fascinating eye” (1). Dreiser's description here echoes many early 20th-century writers' anxieties about the rise of the modern city — from social reformers like Jane Addams and Jacob Riis to journalists and novelists as varied as Stephen Crane and Jean Toomer. But it is Dreiser's depiction of the city as a seducer, as an irresistible wooer, which finally arrives at the heart of the controversy. In the age that saw an increase in the most socially diverse wage seekers — newly arrived immigrants, Southern blacks who migrated North, and single, young women from the country — the city promises, only in the heat of passion, economic and social possibilities, a chance to live out the full contract of American democracy. And the city finds no better stage for its wooing of these new generations of Americans than that of the vaudeville theater.
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15

Gorman, Bob. "All-American Girls." NINE: A Journal of Baseball History and Culture 15, no. 2 (2007): 158–65. http://dx.doi.org/10.1353/nin.2007.0008.

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16

Holloway, Camara Dia. "Lovechild: Stieglitz, O'Keeffe, and the Birth of American Modernism." Prospects 30 (October 2005): 395–432. http://dx.doi.org/10.1017/s0361233300002106.

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During the 1910s, the photographer Alfred Stieglitz developed the ambition to create a modern American art and gathered a circle of artists and writers around him who were committed to his spiritual, nature-centered aesthetic. This group of American Moderns is now known as the second Stieglitz circle. A review of the cultural production of this group reveals that concepts of race played a central role in their construction of American modernism. This is especially evident in the discourse about artist Georgia O'Keeffe, who served as the symbol of the aspirations of this circle. Writing under the pseudonym, Search-Light, the writer Waldo Frank made the following observation about the work of O'Keeffe:Arabesques of branch, form-fugues of fruit and leaf, aspirant trees, shouting skyscrapers of the city — she resolves them all into a sort of whiteness: she soothes the delirious colors of the world into a peaceful whiteness.As indicated by the title of Frank's essay, “Georgia O'Keeffe: White Paint and Good Order,” the circle felt that O'Keeffe's arrangement of colors, the literal pigments that she used to make her paintings, achieved a harmonious pattern that represented the ideal world they imagined. The use of whiteness to describe their desired configuration of the world was even more apparent in an assessment of O'Keeffe's paintings by cultural critic Paul Rosenfeld:A white radiance is in all the bright paint felt by this girl… O'Keeffe makes us feel dazzling white in her shrillest scarlet and her heavenliest blue … This art is, a little, a prayer that the indifferent and envious world, always prepared to regard self-respect as an insult to its own frustrate and crushed emotions, may be kept from defiling and wrecking the white glowing place.
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17

Wang, Zhiyan, Jun Gao, Mei Tang, Mingyi Qian, and Lili Zhang. "Transferred Shame in the Cultures of Interdependent-Self and Independent Self." Journal of Cognition and Culture 8, no. 1-2 (2008): 163–78. http://dx.doi.org/10.1163/156770908x289260.

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AbstractThe construal of the self is related to individuals' cognition, emotion and behavior. The aim of this study was to investigate shame in the context of interdependent-self and independent-self culture. 163 Chinese and 196 American college undergraduates completed a questionnaire about their reaction to 3 different scenarios about shameful events involving 5 different persons including self, mother, boy/girl friend, best friend and classmate. The participants reported the intensity of shame they felt in each of the situation and how close they were related to other people in the scenarios. The results demonstrated that there is a significant difference between Chinese and American participants on the levels of shame across all the scenarios, as well as for the persons involved in the scenario. It was also found that the intensity of shame was reduced as the relationship between the participants and the persons involved in the shameful events becomes remote in social distance. A significant correlation was found between closeness of relationship and intensity of shame felt. Implications for understanding cultural differences to emotions and future studies are discussed.
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Guevara-Aguirre, Jaime, Carolina Guevara, Alexandra Guevara, and Antonio AWD Gavilanes. "Branding of subjects affected with genetic syndromes of severe short stature in developing countries." BMJ Case Reports 13, no. 2 (2020): e231737. http://dx.doi.org/10.1136/bcr-2019-231737.

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In Ecuador, a developing South American country, subjects affected with genetic syndromes of severe short stature are commonly referred to as dwarfs or midgets. Furthermore, and because in earlier studies some patients had evidenced mental retardation, such abnormality is assumed to exist in all affected subjects. Herein, we present two discrete instances in which this type of branding occurs. The first is that of individuals with Laron syndrome who are still called ‘dwarfs’ and considered as having a degree of mental retardation despite evidence showing otherwise. A similar problem, that of a girl affected with a genetic syndrome of short stature, which might include mental retardation, is also discussed. Considering that stigmatising is a form of discrimination, it concerns us all. Hence, the use of derogatory terms such as midget, dwarf or cretin, that might unintentionally occur even when delivering the best and most devoted medical care, must be eliminated.
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Qazi, Asma Haseeb, Shazia Rose, and Muhammad Ismail Abbasi. "Canonizing Othering and Reassertion of Orientalism in Contemporary Anglophone Young Adult Fiction by American and European Writers of Pakistani Origin." Global Regional Review IV, no. II (2019): 181–89. http://dx.doi.org/10.31703/grr.2019(iv-ii).20.

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The present paper based on the theoretical underpinning of Graham Huggans The Postcolonial Exotic and Lisa Laus Re-Orientalism: The Perpetration and Development of Orientalism by Oriental explores the archetypal, essentialist and the stereotype representation in contemporary young adult fictions Skunk Girl (2009) by Sheba Karim and Wanting Mor (2010) by Rukhsana Khan, the American/European Pakistani authors. Both Huggan and Lau have traced the intended strategies deployed by the Anglophonic authors particularly those of global critical acclaim, winners of laurels andawards have asserted the notion of othering, whereupon getting the legitimation and license of global merchandising. All emerging genres including young adult fictions by Anglophone writers enthralled by the contemporary trend of global merchandising are treading in the footsteps of their seniors. It is the portrayal of these essentialist tropes in the young adult fictions, primarily by the aforementioned writers that the current paper intends to embark.
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20

Alghamdi, Amani Hamdan. "All American Yemeni Girls." American Journal of Islam and Society 22, no. 2 (2005): 121–24. http://dx.doi.org/10.35632/ajis.v22i2.1718.

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In her book, Loukia Sarroub offers an ethnographic account of the lives ofsix Yemeni-American girls by following them through public schools from1997-2002 to “obtain a deeper and richer understanding of their day-to-daylives at home and at school” (p. 19). By observing them in the school,home, malls, and mosque, as well as at their community’s social occasions,Sarroub investigates the tensions between their lives and identities in theAmerican public school system and their family lives at home, both in theUnited States and in Yemen, their land of origin.In the first chapter, Sarroub details the theories behind her ethnographicresearch, introduces the research background, reviews theresearch methodology, and gives an overview of the participants. In chapter2, she chooses Layla, one of the Yemeni-American girls, as a representativeof the group. As Sarroub explains, Layla struggled to find aspace for herself, because “it was not always clear to her whether she was an American or a Yemeni, and her attitude toward her home and schoollives reflected her consternation with both identities” (p. 30). Being anArab Muslim woman myself and living as a minority in a western society,I can relate to the struggle between gender roles. The girls’ roles areprescribed by culture and traditions, and their gender identity is constructedin ways that have been influenced by American society.Therefore, I expected the author to provide a more detailed analysis ofhow adolescents construct their gender identity in both Arab MuslimYemeni and secular American cultures ...
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Smith, Jocelyn. "The Politician/Celebrity and Fan(Girl) Pleasure: The Line Between Queen Hillary and Presidential Candidate Clinton." Persona Studies 3, no. 2 (2017): 35. http://dx.doi.org/10.21153/ps2017vol3no2art711.

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<p>Whenever there is a major political event and the #TheBachelor live-tweeting continues, or popular online media outlets such as Jezebel go ahead with their pre-planned celebrity gossip coverage, there is outrage: seemingly, it is impossible to keep up with—and care about—both the Kardashians and election campaigns. During the 2016 United States’ election, however, this outrage emerged from within campaign coverage, drawing a line between “serious political supporter” (who is interested in facts and policy) and “emotional fangirl” (who is interested in memes, feelings, and “girl power” above all).</p><p>Despite Donald Trump’s history of reality TV and non-political celebrity, Hillary Clinton’s supporters were called “fangirls” and accused of celebrity-worship, of solely getting their news from “pop” media like BuzzFeed—where foreign policy coverage is found alongside discussions of how “dead” we are from a Clinton eye-roll—and of allowing fandom to cloud political judgment. This paper is not engaging in the “fake news” debate; rather, this paper explores the intersection of political celebrity and politician in a moment when governmental politics, celebrity, social media, and reality TV are overlapping in unprecedented ways, as well as the intersection of “serious” political campaigning and fannish pleasure in an historic moment for women in American politics.</p>
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Posnock, Ross. "Henry James, Veblen and Adorno: The Crisis of the Modern Self." Journal of American Studies 21, no. 1 (1987): 31–54. http://dx.doi.org/10.1017/s002187580000548x.

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I hope to redeem the banality of the second half of my title by immediately particularizing the modern self of which I speak. Forced into high heels, skirts, and corsets, women suffer what Veblen calls “mutilation, undergone for the purpose of lowering the subject's vitality and rendering her permanently and obviously unfit for work.” Writing eight years after Veblen, Henry James inThe Amerian Scene, his account of his 1904 travels in America, finds that the American woman “in her manner of embodying or representing her sex” has become “a new human convenience, not unlike the ingenious mechanical appliances.” In 1947 inDialectic of EnlightenmentAdorno and Horkheimer speak of the manner in which a teenage American girl keeps “the obligatory date, the inflection on the telephone or in the most intimate situation…” as bearing witness to “man's attempt to make himself a proficient apparatus…personality scarcely signifies anything more than shining white teeth and freedom from body odor and emotions.” One thread connecting these images is the commodity status of women under late capitalism. All three moments can be said to register the depleted subjectivity of those who, in Adorno's words, “have escaped the sphere of production only to be absorbed all the more entirely by the sphere of consumption.” But this convergence should not obscure significant differences among all three writers, especially between Veblen on the one hand and James and Adorno on the other.
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23

P A, Anvar, and Dr A. J. Manju. "A Storehouse of Life Diversity in The Mango Season." SMART MOVES JOURNAL IJELLH 9, no. 4 (2021): 125–33. http://dx.doi.org/10.24113/ijellh.v9i4.10990.

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There are many types of religions and beliefs in India. There have been many works based on such variations. It is such an important novel based on Indian culture called The Mango Season written by AmulyaMalladi. The main focus of this novel is on the Brahmin system and the framework it exemplifies. The essence of this story is a girl who is born and raised according to the Brahmin faith and the events that take place around it. The story is written by taking the ideas of this theme as a writer and pointing out this character on many levels. Therefore, while reading this story, a variety of needs and suggestions may come out from the readers. The protagonist of the story is a girl named Priya who takes the story forward in many perspectives and ideas. AmulyaMalladi tells her to the readers about the changes that take place when she goes to the America for higher studies and stays away from Indian culture, as well as a tendency to adapt to the American tradition. As a girl growing in India and living in the United States, there have been a lot of changes showed up through this story.
 Indian writer Amulya Malladi’s novel The Mango Season (2003) is thereview over the format of a few days in Hyderabad in India. The story maintains Priya Rao, a twenty-seven-year-old Indian woman who returned back to her home place during the summertime in Mango Season but she has major problem and worries. Having life in America for the past seven years, Priya is worried to disclose her traditional Brahmin family the one secret she is hiding from them all the time: she is connected and getting married to an American man. Going through the whirlwind of ancient customs and rituals, deeply rooted prejudices, familiar caste systems, local culinary recipes, the full embodiment of Indian tradition, Priya must have the courage to tell the truth to her family. Mango Season is Malladi's second novel since the release of A Breath of Fresh Air in 2002, which explores themes of family, identity, nostalgia, marriage, national, cultural and culinary tradition. He was an IT professional who has lived in the United States for the past seven years and worked in Silicon Valley for the past three years.
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Moore, James Ross. "The Gershwins in Britain." New Theatre Quarterly 10, no. 37 (1994): 33–48. http://dx.doi.org/10.1017/s0266464x00000075.

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Overwhelmingly, the British reputation of George Gershwin is as a ‘serious’ composer: but this is liable to obscure not only the contributions he and his brother Ira made to the popular music theatre in Britain, but also, conversely, the British influences upon this seemingly all-American pair. George was profoundly influenced by that pre-eminent American Anglophile of his time, Jerome Kern, while British influences upon the semi-scholarly Ira extended far beyond W. S. Gilbert and P. G. Wodehouse. After ‘Swanee’ swept Britain in 1920, and George had honed his art and craft by writing the score for the West End revue, The Rainbow (1923), came the musical comedy, Primrose (1924) – its score his first to be published, and including some of his earliest orchestrations. A prototype of the frivolous comedies of the era, Primrose marked the first time the brothers were billed together as the Gershwins, since Ira had earlier written as ‘Arthur Francis’: it was also the immediate precursor of their first great Broadway hit, Lady, Be Good! Finally, in 1928, Ira collaborated, without George, on the London show That's a Good Girl – though Damsel in Distress, the brothers' last film musical, was a valedictory to the British-American musical comedy of the era. James Moore's earlier transatlantic study, of Cole Porter in Britain, appeared in NTQ30 (1992), and his Radio Two programme on the revue producer André Charlot was broadcast in October 1993.
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Rodgers, Beth. "MÉNIE MURIEL DOWIE'S A GIRL IN THE KARPATHIANS (1891): GIRLHOOD AND THE SPIRIT OF ADVENTURE." Victorian Literature and Culture 43, no. 4 (2015): 841–56. http://dx.doi.org/10.1017/s1060150315000285.

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Although she did not feature in W. T. Stead's influential 1894 essay “The Novel of the Modern Woman,” Ménie Muriel Dowie (1867–1945) was firmly established as one of the pre-eminent New Woman writers after the publication of Gallia in 1895. A controversial novel in which “the eugenic project is overt,” Gallia has been of some interest to scholars of the New Woman novel (Ledger 70). Despite this, Dowie remains one of the more obscure of the New Woman writers and her work beyond Gallia is seldom discussed. However, one hundred years after its first publication, Gallia was reprinted by Everyman in 1995. Helen Small's introduction to this edition also contains the fullest account of Dowie's life to date, in which the author is shown to be “every bit as defiant of convention as the heroine of her first novel” (xxvi). But, as Small points out in this introduction, it was her 1891 book A Girl in the Karpathians, a vivacious account of a summer of intrepid independent travel undertaken in 1890 when Dowie was twenty-two years old and unmarried, as opposed to Gallia that first established Dowie's considerable contemporary literary reputation. A Girl in the Karpathians enjoyed enthusiastic reviews and impressive sales. The Review of Reviews deemed it “[t]he most noticed, and in some respects most noticeable, book of the month” (“The New Books of the Month” 627). In the first year alone, the book went through five English, four American, and one German edition, and its author quickly became something of a literary celebrity (Small xxviii). According to John Sutherland, Dowie proudly claimed that the book received four hundred reviews, all unanimous in their praise (195).
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Savage, Gail. "From Good Time Girl to Damsel in Distress: Protecting the British War Bride in the United States, 1944–1950." Genealogy 4, no. 4 (2020): 114. http://dx.doi.org/10.3390/genealogy4040114.

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During the Second World War, the United Kingdom became an epicenter of transnational, especially transatlantic, marriages, but not all these marriages proved successful. As one disappointed English war bride on her way back home expressed herself, she was “Too shocked to bring her baby up on the black tracks of a West Virginia mining town as against her own home in English countryside of rose-covered fences.” This essay examines the government program developed to provide financial aid and legal advice to British women estranged from or abandoned by their American husbands from the passage of the 1944 Matrimonial Causes (War Marriages) Act to its winding down in 1950. The analysis draws upon a wide range of documents to survey the formulation and implementation of the government response and to consider some illustrative cases dealt with by British consular officials in the United States. These examples illuminate the gap between human behavior envisioned by policy-makers and the more varied behavior encountered by those who carried out the duties charged to them. The cases thus represent the nexus between state intervention and the individual experience of larger-scale social dynamics set off by war and the global movement of populations.
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Neilson, Leighann, and Erin Barkel. "“The gift that starts a home”: marketing of the hope chest in the USA." Journal of Historical Research in Marketing 12, no. 4 (2020): 473–502. http://dx.doi.org/10.1108/jhrm-03-2020-0015.

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Purpose This paper aims to present a history of the marketing of hope chests in the USA, focusing in particular on one very successful sales promotion, the Lane Company’s Girl Graduate Plan. The Girl Graduate Plan is placed within its historical context to better understand the socioeconomic forces that contributed to its success for a considerable period but ultimately led to decreased demand for the product. Design/methodology/approach The history of the marketing of hope or marriage chests draws upon primary sources located in the Lane Company Collection at the Virginia Museum of History and Culture. Secondary sources and images of advertising culled from Google image searches provided additional insight into the operation of the company’s Girl Graduate Plan. Findings While the Lane Company benefitted in the form of increased sales, profit and brand awareness and loyalty from prevailing socio-economic trends, which supported the success of its Girl Graduate Plan, including targeting the youth market, this promotion ultimately fell victim to the company’s failure to stay abreast of social changes related to the role of women in society. Research limitations/implications Like all historical research, this research is dependent upon the historical sources that are accessible. The authors combined documents available from the Virginia Historical Society archives with online searches, but other data sources may well exist. Practical implications This history investigates how one manufacturer, a leader in the North American industry, collaborated with furniture dealers to promote their products to young women who were about to become the primary decision makers for the purchase of home furnishings. As such, it provides an historical example of the power of successful collaboration with channel partners. It also provides an example of innovation within an already crowded market. Social implications The hope chest as an object of material culture can be found in many cultures worldwide. It has variously represented a woman’s coming of age, the love relationship between a couple and a family’s social status. It has also served as a woman’s store of wealth. This history details how changing social values influenced the popularity of the hope chest tradition in the USA. Originality/value The history of the marketing of hope chests is an area that has not been seriously considered in consumption histories or in histories of marketing practices to date, in spite of the continuing sentimental appeal for many consumers.
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Basri, Hasan. "Social condition of japanense geisha as reflectd in short story Madame Butterfly by John Luther Long." COMMICAST 2, no. 1 (2021): 15. http://dx.doi.org/10.12928/commicast.v2i1.2731.

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In this undergraduate thesis, the writer discusses short story Madam Butterfly written by John Luther Long. This study is aimed: (1) to describe the Geisha social life condition in Japanese society as reflected in Madame Butterfly (2) to describe the social class in Japanese society in 1903s as reflected in Madam Butterfly. In doing this research, the writer uses descriptive qualitative method which refers to description of things, characters, meaning and symbols. There are two types of data in this study.The findings of the research show that Geisha in Japan through Cho Cho San the main character in Madame Butterfly was a reflection of Geisha’s life condition in Japanese society. The writer conclude that Social condition of Geisha in Japan in 1930s are an entertainer because they are has been train for accompany all of the guests. Serve the drink, singing, dancing and playing music instrument were the Geisha’s job while accompany the guest. The guest also did some flirting to the Geisha. In 1930s American missionary and American Navy enter Japan for some mission, there are also American people who married Japanese girl. Beside the Geisha social life condition, there are two class in Japanese society that exist in 1903s Kazoku (Nobleman) and Heinin (Proletar). The social class in Japan in that time is very contrast between the Nobleman and Ploretar. Madam Butterfly include to high class people because of she married to a foreigner because according to Japanese, if they married a foreigner it can rise their social status.
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Katharopoulos, Efstathios, Natascia Di Iorgi, Paula Fernandez-Alvarez, et al. "Characterization of Two Novel Variants of the Steroidogenic Acute Regulatory Protein Identified in a Girl with Classic Lipoid Congenital Adrenal Hyperplasia." International Journal of Molecular Sciences 21, no. 17 (2020): 6185. http://dx.doi.org/10.3390/ijms21176185.

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Congenital adrenal hyperplasia (CAH) consists of several autosomal recessive disorders that inhibit steroid biosynthesis. We describe a case report diagnosed with adrenal insufficiency due to low adrenal steroids and adrenocorticotropic hormone excess due to lack of cortisol negative feedback signaling to the pituary gland. Genetic work up revealed two missense variants, p.Thr204Arg and p.Leu260Arg in the STAR gene, inherited by both parents (non-consanguineous). The StAR protein supports CYP11A1 enzyme to cleave the side chain of cholesterol and synthesize pregnenolone which is metabolized to all steroid hormones. We used bioinformatics to predict the impact of the variants on StAR activity and then we performed functional tests to characterize the two novel variants. In a cell system we tested the ability of variants to support cholesterol conversion to pregnenolone and measured their mRNA and protein expression. For both variants, we observed loss of StAR function, reduced protein expression and categorized them as pathogenic variants according to guidelines of the American College of Medical Genetics and Genomics and the Association for Molecular Pathology. These results fit the phenotype of the girl during diagnosis. This study characterizes two novel variants and expands the list of missense variants that cause CAH.
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Abramovic, Dusan, Radivoj Brdar, and Marko Vidosavljevic. "Closed reduction and percutaneous fixation offemoral neck fractures in children." Srpski arhiv za celokupno lekarstvo 132, suppl. 1 (2004): 72–76. http://dx.doi.org/10.2298/sarh04s1072a.

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Fracture of the femoral neck is a rare injury in children but remains difficult problem and challenge with high rate of complications. Having in mind recommendations of the American Academy of Orthopaedic Surgeons, our effort was to improve treatment approach. In the period 1999 to 2004, five patients, aged 5 to 14 years, were treated by closed reduction and percutaneous pinning. All patients sustained high energy trauma and displaced femoral neck fractures, out of which two were transcervical, two cervicotrochanteric and one intertrochanteric. Procedures were performed under image amplifier. Hip decompression was achieved by needle aspiration via a subadductor approach. Three smooth Kirschner wires appeared to be stable and least aggressive fixation device, easy for applying and subsequent removal. We insisted on urgent treatment, anatomic alignment, stabile fixation and hip decompression. Excellent results were obtained in four patients who had undergone immediate treatment. Poor outcome with vascular necrosis in a five-year-old girl was attributed to five-day treatment delay. Suggested treatment, simple and applicable in practice, is aimed at reducing pathologic mechanisms crucial for development of complications.
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Baumgartner, Kabria. "Searching for Sarah: Black Girlhood, Education, and the Archive." History of Education Quarterly 60, no. 1 (2020): 73–85. http://dx.doi.org/10.1017/heq.2019.49.

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Roberts v. City of Boston is a well-known legal case in the history of US education. In 1847, the Boston School Committee denied Sarah C. Roberts, a five-year-old African American girl, admission to the public primary school closest to her home. She was instead ordered to attend the all-black Abiel Smith School, about a half-mile walk from her home. In March 1848, Sarah's father, Benjamin, sued the city of Boston for denying Sarah the right to attend the public school closest to her home. The case wound its way through the courts, eventually reaching the Massachusetts Supreme Judicial Court. In 1850, Chief Justice Lemuel Shaw ruled in favor of the city of Boston, affirming that the Boston School Committee had “not violated any principle of equality, inasmuch as they have provided a school with competent instructors for the colored children, where they enjoy equal advantages of instruction with those enjoyed by the white children.” And thus, the doctrine of separate but equal was born in Massachusetts.
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Evans, Raymond. "‘Aper than Ape’: A 1950s Teenage Memoir." Queensland Review 19, no. 2 (2012): 164–72. http://dx.doi.org/10.1017/qre.2012.19.

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My cousin Harvey was beginning to annoy the crap out of me. It was mid-1956 and I had just turned twelve. Harvey had been saying it all morning, over and over, like he was mesmerised: ‘Elvis the Pelvis, Elvis the Pelvis’, with a stupid grin on his face. It had been on the front page of the Courier-Mail that day – a story about a new American singer who wiggled his pelvis like a girl. There was even a little cartoon of someone contorting himself like Plastic Man. But the more Harvey said it, the more stupid it sounded. It was starting to coalesce into one ridiculous word: ‘Elvisdapelvis, Elvisdapelvis’. I shouted, ‘Will you cut it out? That is not his real name, you know. It's just what the papers say.’ Harvey picked up the paper again: ‘But it's funny. Look at him wriggling. Elvisdapelvis.’ We went down into the backyard to play badminton, but he wouldn't stop. ‘Elvis!’ he called out as he threw the shuttlecock up; and then, ‘da PELVIS!’ as he served it like a missile at me over the net. ‘If you don't shut up, I'm not playing,’ I said. ‘He's just another one they've all got it in for. You haven't even heard him yet.’
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Hilton, K. C. "All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America. By Frances B. Cogan (Athens, Georgia: University of Georgia Press, 1989. x plus 298 pp. $35.00 cloth, $14.95 paper.)." Journal of Social History 24, no. 2 (1990): 414–16. http://dx.doi.org/10.1353/jsh/24.2.414.

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Gikandi, Simon. "Paule Marshall and the search for the African diaspora." New West Indian Guide / Nieuwe West-Indische Gids 73, no. 1-2 (1999): 83–88. http://dx.doi.org/10.1163/13822373-90002586.

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[First paragraph]The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender. DOROTHY HAMER DENNISTON. Knoxville: University of Tennesee Press, 1995. xxii + 187 pp. (Paper US$ 15.00)Toward Wholeness in Paule Marshall's Fiction. JOYCE PETTIS.Charlottesville: University of Virginia Press, 1995. xi + 173 pp. (Cloth US$ 29.50)Black and Female: Essays on Writings by Black Women in the Diaspora. BRITA LINDBERG-SEYERSTED. Oslo: Scandinavian University Press, 1994. 164 pp. (Paper n.p.)Literary history has not been very kind to Paule Marshall. Even in the early 1980s when literature produced by African-American women was gaining prominence among general readers and drawing the attention of critics, Marshall was still considered to be an enigmatic literary figure, somehow important in the canon but not one of its trend setters. As Mary Helen Washington observed in an influential afterword to Brown Girl, Brownstones, although Marshall had been publishing novels and short stories since the early 1950s, and was indeed the key link between African-American writers of the 1940s and those of the 1960s, she was just being "discovered" in the 1980s. While there has always been a small group of scholars, most notably Kamau Brathwaite, who have called attention to the indispensable role Marshall has played in the shaping of the literary canon of the African Diaspora, and of her profound understanding of the issues that have affected the complex formation and survival of African-derived cultures in the New World, many critics have found it difficult to locate her within the American, African-American, and Caribbean traditions that are the sources of her imagination and the subject of her major works. Marshall has embraced all these cultures in more profound ways than her more famous contemporaries have, but she has not gotten the accolades that have gone to lesser writers like Alice Walker. It is indeed one of the greatest injustices of our time that Walker's limited understanding of the cultures and peoples of the African Diaspora has become the point of reference for North American scholars of Africa, the Caribbean, and South America while Marshall's scholastic engagement with questions of Diaspora has not drawn the same kind of interest.
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Petry, Alice Hall. "Frances B. Cogan, All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America (Athens & London: The University of Georgia Press, 1989, $35.00). Pp. 298. ISBN 0 8203 1062 X." Journal of American Studies 24, no. 3 (1990): 464–65. http://dx.doi.org/10.1017/s0021875800034095.

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Feldman, Keith P. "Framed in Black." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 156–63. http://dx.doi.org/10.1632/pmla.2017.132.1.156.

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I've had Nina Simone's “sinnerman” on repeat for months. The propulsive force of Simone's 1965 live version of this gospel song drives its ten-minute ferocity straight into the contemporary American zeitgeist. As she tells her audience in the lead-up to a lesser-known performance of the song, recorded in 1961, Simone learned “Sinnerman” when she was a “little bitty girl in revival meetings. It happened when my mother and lots more like her tried to save souls.” The song's judgment-day tale of redemption's refusal is told doubly, both by the sinner—“I cried rock / don't you see I need you, rock”—and by those from whom the sinner begs, if not forgiveness, then simply some measure of mercy from the divine justice to come: “Oh sinnerman, where you gonna run to?” The break in the middle of the 1965 recording strips the song down to Simone's handclaps on the second and fourth beats. All that remains is the tenuous intensity of the time neither of redemption nor of damnation but merely of “accompaniment” in the in-between (Tomlinson and Lipsitz). Called forth from that time, in all of Simone's live recordings, and missing from those of Les Baxter or the Weavers just a few years earlier, comes the insurgent cry for “Power!” over and over, to the point of near exhaustion.
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Mack, Kimberly. "She's A Country Girl All Right." Journal of Popular Music Studies 32, no. 2 (2020): 144–61. http://dx.doi.org/10.1525/jpms.2020.32.2.144.

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Classically trained vocalist, songwriter, multi-instrumentalist, and 2017 MacArthur “Genius” Fellow Rhiannon Giddens has in recent years enjoyed increased visibility in the contemporary country music world. In 2016, she was a featured singer on Eric Church's top-ten country hit, “Kill a Word,” and she won the Steve Martin Prize for Excellence in Banjo and Bluegrass that same year. Giddens also had a recurring role as social worker Hanna Lee “Hallie” Jordan on the long-running musical drama Nashville in 2017 and 2018. While Giddens now enjoys a certain degree of acceptance in the country music world, she has not always felt included in the various largely white, contemporary American roots scenes. As such, she continues to speak out to audiences and the press about the erasure of African Americans from histories of string music, bluegrass, country, and other styles and forms of American roots music. Using Giddens's 2017 International Bluegrass Music Association (IBMA) keynote, and the Carolina Chocolate Drops' music video for the song “Country Girl” from 2012's Leaving Eden, I demonstrate that Giddens effectively reclaims American old-time string music and country culture as black, subverting historically inaccurate racialized notions of country music authenticity.
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Heck, Amy M., Karim Anton Calis, Jennifer R. McDuffie, Suzanne E. Carobene, and Jack A. Yanovski. "Additive Gastrointestinal Effects with Concomitant Use of Olestra and Orlistat." Annals of Pharmacotherapy 36, no. 6 (2002): 1003–5. http://dx.doi.org/10.1345/aph.1a353.

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OBJECTIVE: To report a case of significant additive gastrointestinal effects with concomitant use of orlistat and an olestra-containing snack food. CASE SUMMARY: A 16-year-old African American girl with type 2 diabetes, hypercholesterolemia, and hypertension was participating in a pilot study that tested the safety and efficacy of orlistat. After 2 weeks of orlistat treatment, the patient presented to the clinic with complaints of soft, fatty/oily stools, flatus with discharge, abdominal pain, increased flatus, and fecal incontinence. On further questioning, it was determined that she was also consuming approximately 5 ounces of olestra-containing potato chips on a daily basis. The patient eliminated olestra from her diet and returned to the clinic with substantially diminished gastrointestinal adverse effects, despite continuing to take orlistat. DISCUSSION: This is the first published case describing additive gastrointestinal effects after concurrent use of orlistat and olestra. Education about the potential for serious additive gastrointestinal adverse effects is important to prevent premature and unnecessary discontinuation of orlistat therapy. Awareness of this potential interaction could be especially important for patients with underlying disease states in which severe gastrointestinal symptoms could result in significant complications. CONCLUSIONS: This case illustrates that significant gastrointestinal distress may result after olestra consumption during orlistat therapy. All patients receiving orlistat for the management of obesity should be properly educated about this potential drug—food interaction.
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O'Brien, Margot, Mairwen K. Jones, and Ross G. Menzies. "Danger Ideation Reduction Therapy (DIRT) for Intractable, Adolescent Compulsive Washing: A Case Study." Behaviour Change 21, no. 1 (2004): 57–65. http://dx.doi.org/10.1375/bech.21.1.57.35974.

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AbstractThis paper describes the first trial of danger ideation reduction therapy (DIRT) in an adolescent patient with severe, treatment resistant obsessive-compulsive disorder (OCD). This case study also represents the first published data on DIRT for any individual outside the Anxiety Disorders Clinic at the University of Sydney, where the treatment package was originally developed. KP was a 16-year-old girl with a 4-year history of obsessive-compulsive disorder. She was primarily concerned with contamination and presented with associated washing and avoidance behaviour. KP met Diagnostic and Statistical Manual of Mental Disorders (DSM-IV; American Psychiatric Association [APA], 1994) criteria for OCD, oppositional defiant disorder and major depressive disorder. She had also had previous diagnoses of attention-deficit/hyperactivity disorder and motor tics. KP had received considerable treatment for OCD prior to the current trial, including 12 months of outpatient treatment at the local community health centre, a 4-week inpatient admission to a private hospital in Sydney and a 16 week inpatient admission to Rivendell Adolescent Unit in Sydney. All previous treatments involved a combination of pharmacotherapy (clomipramine [up to 125mg[, sertraline [up to the 200mg], fluvoxamine [up to 200 mg], risperidone [up to 2.5 mg] and chlorpromazine [25-50 mg prn]), and attempts to administer exposure-based treatment. KP had failed to benefit from all previous treatment attempts. However, following 16 sessions of DIRT, KP experienced substantial improvement, approximating symptom-free status on all measures. Importantly, these improvements were maintained at 12-month follow-up. The DIRT package was also effective in reducing depression and anxiety scores on self-report measures over the follow-up period. There were no substantial differences between posttreatment and 12-month follow-up scores on any of the measures given.
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Schlueter, Jennifer. "THE PATIENCE WORTH COLLECTION AT THE MISSOURI HISTORY MUSEUM, ST. LOUIS." Theatre Survey 53, no. 1 (2012): 115–21. http://dx.doi.org/10.1017/s0040557411000986.

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Patience Worth, a British Puritan girl who lived and died sometime in the seventeenth century, produced a prolific four million words in the form of novels, plays, poems, prayers, and short stories. “Produced” is the best word for what she did; we certainly can't say she “wrote” them. We can't, in fact, say that Patience Worth existed at all. But neither can we comfortably say that Pearl Pollard Curran (1883–1937) wrote the material in question, though she is usually credited as its author. Between 1913 and 1937, Curran (Fig. 1), a St. Louis, Missouri, housewife, spoke these four million words aloud (often in an idiosyncratic, pseudo-Shakespearean dialect) with the aid of a Ouija board and a planchette. A series of secretaries transcribed what she said: Curran claimed that Worth was a thwarted authoress who had long been searching from beyond the grave for a suitable host and that she had selected Curran as her channel. Some of the material she (they?) generated was ultimately published with the assistance of Casper S. Yost (1863–1941), editor of the St. Louis Globe-Democrat and founder of the American Society of Newspaper Editors. Intrepid librarians have cataloged this perplexing material in ways that attempt to account for its convoluted provenance: “Hope Trueblood, by Patience Worth, communicated through Mrs. John H. Curran, edited by Casper S. Yost, published by Henry Holt and Company, 1918.” Questions of authorship, ownership, and voice are central to this perplexing body of work.
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Mathie-Heck, Janice. "Translating Gjergj Fishta's epic masterpiece, Lahuta e Malcis, into English as The Highland Lute." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 2 (2009): 140. http://dx.doi.org/10.21992/t9j04r.

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The Highland Lute, the Albanian national epic poem, contains 15,613 lines. It mirrors Albania’s difficult struggle for freedom and independence which was finally achieved in 1912. It was important for Robert Elsie and I to achieve an atmosphere similar to that of other important European epics such as Beowulf (England), The Kalevala (Finland), and the grand medieval poems of the eleventh and twelfth centuries such as The Song of Roland (France), Nibelungenlied (Germany), and Poem of the Cid (Spain). Rhythmically, The Highland Lute is very much like the American writer Henry Wadsworth Longfellow's epic poem, Hiawatha, parts of which I loved to recite as a young girl. 
 
 Our task with translating The Highland Lute into English has been to make the language relevant and understandable for the modern reader while still retaining its colloquial, archaic, majestic, and heroic feel which gives a strong sense of the past. Quite a challenge! We translated many expressions unique to Gheg, and did our best to describe symbols of Albanian mythology and legend such as oras (female spirits), zanas (protective mountain spirits), draguas (semi-human figures with supernatural powers), shtrigas (witches), lugats (vampires), and kulshedras (seven-headed dragon-like creatures). We kept the octosyllabic rhythm consistent throughout, and we captured the qualities common to all epics: alliteration, assonance, repetition, hyperbole, metaphor, archaic figures of speech, concrete descriptions, colour, drama, passion, a range of emotions, intensity, sensuality, lots of action, rhyme where possible, and an exalted, dignified tone.
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42

Aown, Najwa. "All American Yemeni Girls: Being Muslim in a Public School." Religious Education 107, no. 1 (2012): 92–96. http://dx.doi.org/10.1080/00344087.2012.641461.

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43

Núnez Puente, Carolina. "Translation as metaphor in Meridel Le Sueur." Babel. Revue internationale de la traduction / International Journal of Translation 52, no. 1 (2006): 66–74. http://dx.doi.org/10.1075/babel.52.1.04nun.

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Abstract This paper was inspired by a line of Julia Kristeva, revealing the virginity attributed to Mary an effect of translation. According to Kristeva, the scribe chose “the Greek [word] parthenos’’ to translate “the Sernitic word denoting the social-legal status of an unmarried girl” ( 1986, 101). My paper deals with the theory and practical effects of translaltion. Taking translation as a metaphor of ‘rewriting,’ I evaluate the version of the biblical Annunciation by the American writer Meridel Le Sueur. The problems of manipulating texts in (non-metaphorical) translations are examined too. Most importantly, I emphasize the role of connections, such as those between the translated text and its source, the baby and its mother, etc. Hopefully, reflecting on both ‘translation’ and ‘rewriting’ will lead us to a (new) conception of the self-in-relations, with all its ethical consequences. Résumé Cet article s’inspire d’une ligne de Julia Kristeva, qui révèle que la virginité attribuée à Marie est un effet de la traduction. D’après Kristeva, l’auteur a choisi le terme grec parthenos pour traduire le terme sémite signifiant le statut socio-légal d’une fille célibataire (1986, 101). Mon article traite de la théorie et des effets pratiques de la traduction. Considérant la traduction comme une métaphore de la ‘réécriture’, j’évalue la version de l’Annonciation biblique par l’écrivain américain Meridel Le Sueur. Les problèmes de manipulation des textes dans les traductions (non-métaphoriques) sont également examinés. Plus important, je souligne le rôle des connections, comme celles entre le texte traduit et sa source, ou le bébé et sa mère. Espérons que réfléchir à la fois à la ‘traduction’ et à la réécriture’ nous conduira à une (nouvelle) conception du « soi-même en relation avec l’autre », avec toutes ses conséquences éthiques.
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Calado, Rodrigo T., Sharon A. Savage, Peter M. Lansdorp, Stephen J. Chanock, and Neal S. Young. "Genes Encoding Telomere-Binding Proteins TERF1, TERF2 and TIN2 Are mutated in Patients with Acquired Aplastic Anemia." Blood 104, no. 11 (2004): 170. http://dx.doi.org/10.1182/blood.v104.11.170.170.

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Abstract Telomere shortening is observed in some patients with acquired aplastic anemia (AA) and associates with poor response to immunosuppressive therapy. Mutations in components of the telomerase complex (RNA component, TERC, and reverse transcriptase, TERT) have been found in AA patients. As the proportion of AA patients with short telomeres is greater than the number of patients with telomerase complex component mutations, we investigated whether genetic variations in the telomere-binding proteins telomeric repeat binding factor 1 (TERF1), telomeric repeat binding factor 2 (TERF2) and TERF1-interacting nuclear factor 2 (TIN2) were also associated with AA. TERF1 is a negative regulator of telomere length; TIN2 regulates TERF1 function, and TERF2 protects telomeres from degradation and fusion. Bi-directional sequence analysis was performed across all exons and proximal promoter regions of TERF1, TERF2, and TINF2 genes in 147 patients with AA and 118 healthy subjects. Haplotypes were inferred by Phase 2.0. Telomere length of leukocytes was measured by flow cytometry fluorescent in situ hybridization (flow-FISH). A nonsynonymous mutation in TERF1, exon 9, codon 377 (Ala → Val) was found in a 15-year old African-American girl who did not respond to immunosuppressive therapy, but not in controls. A specific TERF1 haplotype was more common in patients (P=0.004), whereas another haplotype was more common in controls (P=0.02). For TERF2 , a mutation in exon 6, codon 273 (Ala→Ser) was found in a 40 year-old Caucasian female patient, but not in controls. A G/A single nucleotide polymorphism (SNP) in exon 6 was present in 15% of patients and 9% of controls (P=0.04). TINF2 was the most polymorphic gene in both patients and contorls. As these variants were found mainly in African-Americans, additional 94 healthy African-American controls were sequenced. In the proximal promoter region, two SNPs and one 16-base-pair deletion were found in patients, but not in 212 controls. The 16-base-pair deletion (−10 to −25) was found in a 31-year-old African-American female who did not respond to immunosuppression, with very short telomeres of leukocytes (Δ TRF −2.59 kb). Also, a -97G/C transition was found in a 66-year-old African-American female who partially responded to immunosupression, also tracking to short telomeres (ΔTRF, −1.22 kb). The −260G/C promoter SNP was present in 3.5% of controls and 0.4% of patients P<0.0001), and the −91C/T SNP was seen in 1.7% of controls but not in patients (P<0.0001). The most common haplotype was seen in 94% of patients and 86% of controls (P=0.003), suggesting an at risk haplotype. A rare haplotype in patients (0.4%) was more common in controls, 3.4% (P=0.01) suggesting a rare but potentially protective variant. These data suggest that mutations and specific haplotypes may confer risk for AA. In addition, we have identified novel mutations in three genes that are essential for telomere stability. In conclusion, mutations in different genes involved in telomere stability and repair appear to be hematologic genetic risk factors for bone marrow failure in adults.
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45

Apple, Michael W. "Book Review: All American Yemeni Girls: Being Muslim in a Public School." Critique of Anthropology 26, no. 2 (2006): 245–46. http://dx.doi.org/10.1177/0308275x06066551.

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46

Weiller, Karen H., and Catriona T. Higgs. "The All American Girls Professional Baseball League, 1943–1954: Gender Conflict in Sport?" Sociology of Sport Journal 11, no. 3 (1994): 289–97. http://dx.doi.org/10.1123/ssj.11.3.289.

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The increase of women workers in industry during World War II coincided with an increase in sport participation and competition. From 1943 to 1954, the All American Girls Professional Baseball League (AAGPBL) allowed talented women athletes a chance to play professional baseball. The purpose of this study was to examine the nature of women’s professional baseball and its connection with the social, cultural, and economic roles for women in society. An open-ended questionnaire allowed former players to respond to the social and cultural forces that impacted on women in society and sport during this era. The players of the AAGPBL were respected and admired professional women athletes in a male-dominated sport.
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Kemp-Graham, Kriss Y. "#BlackGirlsMatter: A Case Study Examining the Intersectionality of Race, Gender, and School Discipline." Journal of Cases in Educational Leadership 21, no. 3 (2017): 21–35. http://dx.doi.org/10.1177/1555458917741171.

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Nationwide, African American girls have the highest suspension rates among all racial and ethnic groups. Furthermore, they are the most severely, disproportionately affected by school discipline policies and practices when compared with other girls. This case study was developed for use in education leadership programs to critically analyze school discipline policies and practices that disproportionately affect African American girls.
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48

Gildea, Spike, and Antoine Guillaume. "The evolution of argument coding patterns in South American languages." Journal of Historical Linguistics 8, no. 1 (2018): 1–6. http://dx.doi.org/10.1075/jhl.00002.gil.

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Abstract This special issue of JHL reconstructs the diachrony of a number of innovations in the coding of argument structure, particularly in the domain of verbal indexation, in four Amazonian language families (Chapacuran, Sáliban, Tukanoan and Tupi). It is one result of an international workshop on “Diachronic Morphosyntax in South American Languages” held in Lyon (France) in 2015, with financial support from the Collegium de Lyon (Institute for Advanced Study) and the LabEx ASLAN of the Université de Lyon. The goal was to encourage methodologically innovative (and more rigorous) historical studies of morphosyntactic patterns in languages or language families of South America. The five papers that comprise this collection all demonstrate the viability of syntactic reconstruction, even in languages with little or no written history.
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HEMMINGS, ANNETTE. "All American Yemeni Girls: Being Muslim in a Public School by Loukia K. Sarroub." American Anthropologist 110, no. 1 (2008): 140–41. http://dx.doi.org/10.1111/j.1548-1433.2008.00018_67.x.

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50

Neshyba, Monica Vasquez. "All American Yemeni Girls: Being Muslim in a Public School - By Loukia K. Sarroub." Anthropology & Education Quarterly 40, no. 3 (2009): 325–26. http://dx.doi.org/10.1111/j.1548-1492.2009.01052.x.

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