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Dissertations / Theses on the topic 'All of poetry forms'

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1

Bond, Kellie Anne. "All things counter : the argument of forms in modern American poetry /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061932.

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2

Henriquez, Ariel F. "All My Heroes Are Broke." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3266.

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ALL MY HEROES ARE BROKE is a poetry collection written from the perspective of a first generation American coming to terms with the implicit struggles and disillusionment of the American Dream. The first section takes place in New York, both implicitly and explicitly, and serves to introduce the speaker and reveal aspects of his family’s history. The second section takes place in Florida, and continues to further exemplify the speaker’s growing cynicism towards the circumstances of his life, and the peculiar atmosphere of solitude that it creates. ALL MY HEROES ARE BROKE primarily uses two for
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Lungariello, Rocco D. "All Four Limbs." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1216671022.

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4

Fogarty, William. "Local Languages: The Forms of Speech in Contemporary Poetry." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19662.

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Robert Frost’s legendary description of “the sound of sense” to define his poetics has for decades sounded like little more than common sense. His idea is now taken to be fairly straightforward: the inflections of an utterance resulting from the tension between demotic speech and poetic form indicate its purport. However, our accepted notion of Frost’s formulation as simply the marriage of form and meaning misconstrues what is potentially revolutionary in it: if everyday speech and verse form generate tension, then Frost has described a method for mediating between reality, represented by spee
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5

Wilson, Leroy Lamar. "All-American." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/77496.

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All-American interrogates J. Hector St. John de Crevecoeur’s definition of “American" in the 1782 text, Letters from an American Farmer, which inspired the Eurocentric, sexist and heterosexist ideals girding the notion of what is now called the “American Dream." Mainstream media project narratives that suggest that the ideals in Crevecoeur’s epistles have been fully extended beyond his narrow scope in the Obama era. All-American, however, offers poetry that illuminates modern and contemporary instances in urban and rural settings of racism, colorism, gender bias, ability discrimination and hom
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Jackson, Patrick Earl. "This side of despair : forms of hopelessness in modern poetry /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604231&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 333-340). Also available for download via the World Wide Web; free to University of Oregon users.
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7

Downing, Niamh Catherine. "Stratigraphies : forms of excavation in contemporary British and Irish poetry." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/11763.

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This thesis intervenes in current critical debates about space, place and landscape in late-twentieth and twenty-first century British and Irish poetry, by examining models of excavation in selected work by Geoffrey Hill, Ciaran Carson, Geraldine Monk and Alice Oswald. It argues that the influence of the spatial turn on literary criticism over the last thirty years has led to the deployment of a limited set of spatial tropes as analytical tools for interpreting the spaces and places of poetry. By deploying excavation as a critical method it seeks to challenge existing approaches that tend to p
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8

Farmer, Gareth. "Veronica Forrest-Thomson, poetic artifice and the struggle with forms." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39713/.

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This thesis examines the poetry and critical work of Veronica Forrest-Thomson, arguing that her poetic project is characterised by her ‘struggle with forms'. Forrest-Thomson developed many formal models of poetry in her critical writing which acted as ideals to be enacted in practice. The broad struggle in Forrest-Thomson's poetic project is, then, between the formal projections of theory and a variety of forms of poetic practice; between, that is, the fixed and totalising frames of theory and the local patterns of form and meaning which exceed the logic of an ideal model. This thesis examines
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Taylor, Bruce. "All natural shapes : symbolism in the poetry of Theodore Roethke." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65327.

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10

Sakai, Masahiko, Kouji Okamoto, and Toshiki Sakabe. "Innermost Reductions Find All Normal Forms on Right-Linear Terminating Overlay TRSs." Elsevier, 2003. http://hdl.handle.net/2237/9248.

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11

Johnson, Matthew Leander. "A Classification of all Hecke Eigenform Product Identities." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/228631.

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In this dissertation, we give a complete classification and list all identities of the form h = fg, where f , g and h are Hecke eigenforms of any weight with respect to Γ₁(N). This result extends the work of Ghate [Gha02] who considered this question for eigenforms with respect to Γ₁(N), with N square-free and f and g of weight 3 or greater. We remove all restrictions on the level N and the weights of f and g. For N = 1 there are only 16 eigenform identities, which are classically known. We first give a new proof of the level N = 1 case. We then give a proof which classifies all such eigenform
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12

Cook, Johnny. "We Are Here, We Are All Here." Cleveland State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=csu1546858933610382.

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Prince, Charles Weston. "Resonant forms, architecture in the poetry of Seamus Heaney and Derek Walcott." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49886.pdf.

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14

Alderson, Simon James. "Iconic forms in English poetry of the time of Dryden and Pope." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283900.

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15

Straughn, Greg. "Restructuring convention : ensemble forms in the operas of Jules Massenet." connect to online resource. Access restricted to the University of North Texas campus, 2004. http://www.unt.edu/etd/all/Dec2004/straughn%5Fgregory%5Fbrian/index.htm.

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16

Richardson, C. Scott. "Taking the repeats: Modern American poetry in imitation of eighteenth-century musical forms." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/9311.

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This dissertation surveys the various efforts by modern American poets to imitate the repetitive structures of eighteenth-century instrumental music, setting in a wider historical context some of the central achievements of the twentieth-century long poem, as well as offering readings of some lesser-known but interesting works that draw on musical structures and processes as their formal models. The introduction examines why such disparate poets have wished to organize their work through some analogue to musical form. Taking their cues from western instrumental composition, writers have let th
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Richardson, Scott. "Taking the repeats: Modern American poetry in imitation of eighteenth-century musical forms." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/20986.

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Bragg, Caleb Braxton. "Not All Forms Of Misbehavior Are Created Equal: Perpetrator Personality AndDifferential Relationships With CWBs." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1440185224.

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Kirschbaum, Robin Elizabeth. ""Thoughts all easie and sociable" : friendship and community in early modern women's poetry." Thesis, University of Newcastle upon Tyne, 2012. http://hdl.handle.net/10443/4060.

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Seventeenth century Britain was defined by political conflict and social upheaval. This period of change has led scholars to describe withdrawal from public life as a natural response for many writers. This thesis traces a trajectory of women's political engagement through textual exchange and the manipulation of the classically derived traditions of friendship and community which reforms such retreat as an enabling, rather than restrictive, condition. The intersection of personal experience and communal memory works to preserve a community set adrift without a stable political state, and soli
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Beahm, Brittany. ""To take posesion of the crown" : forms, themes, and politics in Julia Palmer's centuries /." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1771.pdf.

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Dowling, Tessa. "The forms, functions and techniques of Xhosa humour." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/17456.

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Bibliography: pages 259-274.<br>In this thesis I examine the way in which Xhosa speakers create humour, what forms (e.g. satire, irony, punning, parody) they favour in both oral and textual literature, and the genres in which these forms are delivered and executed. The functions of Xhosa humour, both during and after apartheid, are examined, as is its role in challenging, contesting and reaffirming traditional notions of society and culture. The particular techniques Xhosa comedians and comic writers use in order to elicit humour are explored with specific reference to the way in which the pho
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Rosado, Perez Wilmarie <1982&gt. "Displacement, migration and forms of encounter in European Women's Poetry between the Eighteenth and Nineteenth Century." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/9117/1/THESIS%20UNIBO%20.pdf.

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The dissertation investigates the role of women’s poetry in Britain and in other European countries, such as Spain and Italy, between the Eighteenth and the Nineteenth Century with particular reference to texts that deal with experiences of displacement and migration. The project explores women’s poetical works in relation to the historical period they were produced, and as an important element for considering literature as a cultural product promoting policy of gender equality. The research will demonstrate to what extent the literary corpus under scrutiny enabled European women poets (as tra
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Low, Alison Mary. "Forms of social and personal fulfilment and non-fulfilment in the Old French narrative lais." Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/13459.

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The Old French narrative lais offer an image of the individual in terms of both social and personal relationships. This study considers the extent to which it is possible to derive definitions of forms of social and personal fulfilment and non-fulfilment from these texts. As well as being presented in isolation, they are shown in interaction; there can never be a total divorce of the personal desires of the individual from his/her rights and obligations in society. These two aspects of human existence - love and society - appear in the lais in a state of balance or imbalance. Even in those lai
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Herd, Colin James. ""Is all Greek, grief to me" : Ancient Greek sophistry and the poetics of Charles Bernstein." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10581.

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This thesis reads the poetry and poetics of Charles Bernstein in relation to his interest in sophistry and sophistics. Taking his 1987 volume The Sophist as a central text, the influence of a sense of sophistics is developed across his wider range of published works. This involves identifying some of the many different interpretations of the sophists throughout the history of philosophy, from the early dismissals by Plato and Aristotle to the more recent reappraisals of their works. A secondary aspect of the thesis is in examining the renewal of interest in the Ancient Greek sophists and sugge
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25

Ledesma, Eduardo. "The Historic Avant-Garde, the Neo-Avant-Garde and the Digital Age: Experimental Visual-Textual Forms in the Luso-Hispanic World." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10286.

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My dissertation examines the experimental poetry of three periods, the historical avant-garde of the 1920s, the neo-avant-gardes of the 1950s, 60s, and 70s, and the digital avant-garde (from the 1990s until the present), drawing on the works of poets from the Luso-Hispanic world including the Iberian Peninsula and Latin America. Scholars such as Renato Poggioli and Peter Bürger define the avant-garde as radically new and unrepeatable, an "advanced" guard that exhausted its aesthetic and political possibilities. I challenge this view by establishing a continuity of avant-gardes that emerge dur
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26

Lyons, Alice. "All Country Roads Lead to Rome: Idealization of the Countryside in Augustan Poetry and American Country Music." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/102.

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This paper examines similarities between imagery of the countryside and the “country life” in both the poetry of Augustan Rome and contemporary American country music. It analyzes the themes of agriculture, poverty, family, and piety, and how they are used in both sets of sources to create an idealized countryside. This ideal, when contrasted with negative portrayals of urban life and non-idealized rural life, endorses an ideology that is opposed to wealth and that emphasizes the security and stability of the idyllic countryside. This ideology common to both may stem from the historical contex
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Nicholson, Chris. "The enduring wound : recontextualising Goodbye to all that, The White goddess and the poetry of Robert Graves." Thesis, University of Northampton, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517738.

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Critics usually see Robert Graves as a writer concerned with personal and private themes. Yet Goodbye to All That reflects what amounts to an experience of `modernity' in the early Twentieth Century. Graves' early life, characterised by separation, deracination, injury, guilt and fragmentation, culminated in the First World War with severe wounds. Though Graves is rarely considered to be a modernist, these traumatic experiences inculcate characteristics exemplified by modernist writers such as Eliot. Left with a need to trace his origins, Graves recapitulates, striving for integration and reco
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Parry, Abigail. "Spook and the Jewel Thief & The Polyvalent Plaything : three forms of play in 20th and 21st century poetry." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12303/.

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This thesis identifies and explores three forms of play in poetry: specifically, the ‘interred’ (or etymological) pun, the hypogram, and the manipulation of what Johnson terms discordia concors, or harmonious discord. The precise mechanics of each are scrutinized with close readings of the work of Geoffrey Hill, Paul Muldoon and Jen Hadfield. Extrapolating from these analyses, the behaviour and potential uses of play are examined more broadly in relation to formal play, sonic play, punning, and oppositional texturing. It will be shown that the more ludic a poem, the greater the risk that it wi
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O'Malley, Elizabeth. "“They All Write About Some Woman in Their Poetry”: The Heroines of Ulysses and As I Lay Dying." ScholarWorks@UNO, 2017. https://scholarworks.uno.edu/honors_theses/98.

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Earles, Kristofer. "Mutation in blossom: an antithetical reading of the poetry of Anne Sexton through the aesthetics of D. H. Lawrence." Thesis, Boston University, 2009. https://hdl.handle.net/2144/28563.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Holloway, Tamara C. ""All Is Well": Victorian Mourning Aesthetics and the Poetics of Consolation." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12141.

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viii, 214 p.<br>In this study, I examine the various techniques used by poets to provide consolation. With Tennyson's In Memoriam, I explore the relationship between formal and thematic consolation, i.e., the ways in which the use of formal elements of the poem, particularly rhyme scheme, is an attempt by the poet to attain and offer consolation. Early in his laureateship after the Duke of Wellington's funeral, Tennyson wrote "Ode on the Death of the Duke of Wellington," but this poem failed to meet his reading audience`s needs, as did the first major work published after Tennyson was named Po
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Adduci, Kathryn James. "An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2006. http://www.unt.edu/etd/all/Aug2006/adduci%5Fkathryn/index.htm.

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Lynch, Éadaoín. "'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.

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This research aims to illuminate how and why war challenges the limits of poetic representation, through an analysis of non-combatant poetry of the Second World War. It is motivated by the question: how can one portray, represent, or talk about war? Literature on war poetry tends to concentrate on the combatant poets of the First World War, or their influence, while literature on the Second World War tends to focus on prose as the only expression of literary war experience. With a historicist approach, this thesis advances our understanding of both the Second World War, and our inherited notio
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Hale, Harris Kimberly Coulter. "Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710." Thesis, Connect to online resource, 2005. http://www.unt.edu/etd/all/May2005/Open/hale%5Fharris%5Fkimberly/index.htm.

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McEvoy, Caitlin. "One-Size-(does not)-Fit-All : Adult immigrant students' understanding of the determinants for success in learning Swedish as a second language." Thesis, Uppsala universitet, Institutionen för kulturantropologi och etnologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276538.

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This thesis explores the experiences of adult immigrant students within four different classes of the course Swedish as a second language (svenska som andraspråk :SAS), which is a standardized course offered around Sweden.  This course is structured by the national school board in Sweden and is aimed as a social policy for integration through language acquisition and learning to navigate Swedish society.  By conducting anthropological research among these students, I sought to uncover more regarding the determinants for success within the course and how students mediate and experience the one-
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Ash, Mary. "Integration in the teaching of the arts : a study of the role of metaphor across four forms - music, movement, poetry and visual art." Thesis, Institute of Education (University of London), 1986. http://eprints.ioe.ac.uk/6537/.

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37

Levin, Isabella. "All Roads Lead to the Fair: How a 2022 Los Angeles World's Fair Would Accelerate the Implementation of Sustainable and Innovative Forms of Transportation." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/943.

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This thesis explores the potential impact of a World’s Fair on urban mobility in Los Angeles County by 2022. A brief historical account of World’s Fairs, and their impact on technological innovations in transportation will be given in conjunction with the development of transportation in Los Angeles. These accounts will help to contextualize an analysis of current plans to provide Los Angeles with transportation solutions, in light of the oversaturated automobile landscape in place today. Specifically, my research has revealed that the further development of light-speed rail systems paired alo
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Andersson, Elin, and Linn Togelius. "Women oppressed in the name of culture and religion, Saudi Arabia and the Convention on the Elimination of All Forms of Discrimination Against Women." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23219.

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In Saudi Arabia women are legal minors who need permission from a male guardian in, among others, matters concerning education, employment and health care. Despite the obvious subordination of women in the country, Saudi Arabia has ratified the Convention on the Elimination of All Forms of Discrimination Against Women, with a reservation saying that in cases of contradiction between the Convention and Islamic law they do not obligate themselves to follow the rules of the Convention. Respecting the culture, tradition and religion of non-western societies is important in the work with implementi
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Wiechmann, Natalia Helena [UNESP]. "Tell all the truth but tell it slant: subtexto e subversão na poesia de Emily Dickinson." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/145002.

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Submitted by NATALIA HELENA Wiechmann (nataliahw@hotmail.com) on 2016-11-29T12:53:35Z No. of bitstreams: 1 merged_document tese final.pdf: 1278323 bytes, checksum: bd3a385e94c7d4d3def8e7a2f3dbf147 (MD5)<br>Rejected by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br), reason: Solicitamos que realize uma nova submissão seguindo a orientação abaixo: O arquivo submetido está sem a ficha catalográfica. A versão submetida por você é considerada a versão final da dissertação/tese, portanto não poderá ocorrer qualquer alteração em seu conteúdo após a aprovação. Corrija esta informaç
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Malamis, Daniel Scott Christos. "The justice of Dikê on the forms and significance of dispute settlement by arbitration in the Iliad." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002162.

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This thesis explores the forms and significance of dispute settlement by arbitration, or ‘δίκη’, in the Iliad. I take as my focus the ‘storm simile’ of Iliad XVI: 384-393, which describes Zeus’ theodical reaction to corruption within the δίκη-court, and the ‘shield trial’ of Iliad XVIII: 498-508, which presents a detailed picture of such a court in action, and compare the forms and conception of arbitration that emerge from these two ecphrastic passages with those found in the narrative body of the poem. Analysing the terminology and procedures associated with dispute settlement in the Iliad,
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Sato-Nilsson, Maja. "Japan and the Convention on the Elimination of All Forms of Discrimination against Women: Implementation and Enforcement pertaining to Sex Discrimination in the Labour Market." Thesis, Stockholms universitet, Juridiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-175429.

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The present study examines the status of the UN Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW) in Japan, with due regard to the status of treaties in general as sources of rights and obligations in the country. Further, the study aims to ascertain whether the said Convention has been properly implemented and enforced, and to demonstrate obstacles causing deficiencies and shortcomings in regards to combating discrimination against women in the labour market. In theory, treaties enjoy a high status in Japan, however, human rights treaties are rarely directly a
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Johnson, Kris Erin. "All these rivers (a collection of poetry), &, Beyond the temple, beyond the pond : deep ecology and contemporary writing of the American West." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3378.

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This thesis comprises a collection of poetry, All These Rivers, and a critical dissertation Beyond the Temple, Beyond the Pond: Deep Ecology and Contemporary Literature of the American West, which collectively explore the relationship between the literature of the American West and Deep Ecology. All These Rivers engages with the themes and tenets of Deep Ecology in its methods and principles of construction. It considers my relationship to the landscape of home, the Pacific Northwest, and how it is maintained and intensified by the process of writing my experiences into existence during a peri
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Meitz, Stephanie Frances. "Canada’s non-compliance with the Convention on Elimination of all forms of Discrimination Against Women (CEDAW) : neo-liberal policy and the suppression of women’s rights in Canada." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54876.

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In 1981, Canada ratified the Convention of Elimination of Discrimination Against Women (CEDAW) in what would be perceived as an attempt to create a more just and equal society for women. However, with the implementation of harsh neo-liberal policies that emphasize privatization and minimal government intervention, women in Canada, particularly those most disadvantaged, are facing human rights violations. The past decade has been especially damaging as Canada’s conservative government led by Stephen Harper made drastic funding cuts to women’s organizations and serious cutbacks to social service
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Campbell, Meghan. "Gender-based poverty and CEDAW : a study on the relationship between gender-based poverty and the Convention on the Elimination of All Forms of Discrimination Against Women." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:eb32f593-70ed-4691-96f2-aaba05911a80.

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This thesis makes a unique contribution in exploring the relationship between international legal commitments and women's poverty. Three normative arguments underpin this thesis. First, that poverty is a gender-based phenomenon. Second, that gender-based poverty is a obstacle to human rights. Third, if the promise of human rights is to be realised for all people it is necessary to move gender-based poverty into the realm of international human rights law. The ideal place to theorise on the relationship between human rights and gender-based poverty is CEDAW. Notwithstanding that CEDAW addresses
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Attakora, Kofi Sefa. "Complying with Articles 1 and 2 of the UN Convention on the Elimination of All Forms of Discrimination Against Women : the case of Ghana and the United Kingdom." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/39277/.

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This is a comparative legal study of compliance with UN Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) by Ghana and the United Kingdom. The 30 articles of the CEDAW cover many aspects of discrimination against women and the need for State Parties to take concrete steps to eliminate the menace of all forms of discrimination against women. This research is about the conceptual understanding of the law of discrimination (article 1) and states' responsibilities to take appropriate measures to comply with the law and ensure practical realisation of the enjoyments
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Gonçalves, Murilo de Almeida. "A poética de Paulo Henriques Britto: tensões entre subjetividade e forma." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-17072018-131338/.

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A presente dissertação tem como objetivo examinar alguns poemas que compõem a obra do escritor carioca Paulo Henriques Britto, a fim de que identifiquemos características que constituem sua poética. As análises irão recair sobre temáticas mais saliente de sua obra, como a questão do fazer poético, e as possibilidades de constituição de uma subjetividade. Acreditamos que observar cuidadosamente essa obsessão do autor por determinados temas nos ajudará a compreender características que constituem a lírica sua lírica.<br>The present dissertation aims at examining some poems that compose the work
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Kreuser, Carla Louise. "The meandering narrative : poetry and illustration engage in a moment of indiscipline : demonstrated in an analysis of Sara Fanelli’s illuminated poem - And all men kill the thing they love." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86503.

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Thesis (MPhil)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This is a study about the inner workings of an illuminated poem – about the dialogue that develops between poetry and illustration when they encounter each other on the page. However, the illuminated poem is more than just a relation between words and images, it is also a composite art in its own right. This study explores the dynamic of this particular type of imagetext by firstly claiming that the illuminated poem embodies a moment of indiscipline an
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Kellett, Lucy. ""Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686.

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My thesis explores the potential and the peril of Romantic literature's increasingly complex forms through a close comparative study of the works of William Blake, William Wordsworth, Samuel Taylor Coleridge and Thomas De Quincey. These writers exemplify the Romantic predicament of how to make vision manifest – how to communicate one's imaginative and intellectual expansiveness without diminishing it. They sought different strategies for increasing the capacity of literary form, ostensibly in the hope of communicating more: clarifying meaning, increasing accessibility and intensifying original
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Pirolla, Patricia Rocha. "Humor em poemas : um estudo do cômico em Carlos Drummond de Andrade /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/102369.

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Orientador: Guacira Marcondes Machado Leite<br>Banca: Maria Adelia Menegazzo<br>Banca: Adalberto Luis Vicente<br>Banca: Fabiane Renata Borsato<br>Banca: Fani Miranda Tabak<br>Resumo: O objetivo desta tese de doutorado é a análise das categorias do cômico na obra do poeta mineiro Carlos Drummond de Andrade. Como sua produção é acima de tudo cerebral e não busca sentimentalismos ou provocar a emoção através das palavras, o poeta trata do cômico de uma maneira muito particular. Usando um trabalho minucioso com as palavras que se deixa transparecer nos versos cuidadosamente escritos, Drummond cons
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Pirolla, Patrícia Rocha [UNESP]. "Humor em poemas: um estudo do cômico em Carlos Drummond de Andrade." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/102369.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-06Bitstream added on 2014-06-13T19:02:23Z : No. of bitstreams: 1 pirolla_pr_dr_arafcl.pdf: 861587 bytes, checksum: b40cd948dbccd46172d8ce375a929c45 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O objetivo desta tese de doutorado é a análise das categorias do cômico na obra do poeta mineiro Carlos Drummond de Andrade. Como sua produção é acima de tudo cerebral e não busca sentimentalismos ou provocar a emoção através das palavras, o poeta trata do cômico
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