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Relevant bibliographies by topics / All Saints Chapel

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Academic literature on the topic 'All Saints Chapel'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "All Saints Chapel"

1

Michalak, Michał. "Visored Bascinets in Iconography from The Teutonic Order’s State in Prussia." Porta Aurea, no. 22 (December 29, 2023): 7–29. http://dx.doi.org/10.26881/porta.2023.22.01.

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The article analyses armament presented in gothic art from the last quarter of 14th cen‑ tury and the beginning of 15th century in Teutonic Prussia, introducing late medieval visored bascinets. Among examined pieces of art are: no longer existing altar panels from the All Saints Chapel in St. Mary’s Basilica in Gdańsk; Poliptych of Grudziądz from the National Museum in Warsaw, lost Retabulum painting from Frombork and also lost Reliquary from Kwidzyn. Furthermore author of the article analyses a piece of gothic silversmithing from Gdańsk area, called ciborium. This particular piece originated

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Frankfurter, David. "Where the Spirits Dwell: Possession, Christianization, and Saints' Shrines in Late Antiquity." Harvard Theological Review 103, no. 1 (2010): 27–46. http://dx.doi.org/10.1017/s0017816009990290.

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With its clear-glass, brightly-lit, whitewashed interior, Harvard Divinity School's Andover Chapel reflects all the values of elite Protestant culture in New England history: quiet prayer, thoughtful sermons, an approach to God through the heart rather than the senses, and a minimum of iconic reminders that the space is Christian. And it was here, in April 2007, that this author beheld the Voudoun spirits Danbala and Ogoun arrive through several experienced mediums. The ceremony had not really been intended to call down the spirits, only to praise them in a kind of broad sampling of Haitian Vo

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3

Renaldi, Natanniel, and Iwan Sudradjat. "Konsep Kesakralan dalam Desain Arsitektur Peter Zumthor." ATRIUM: Jurnal Arsitektur 11, no. 1 (2025): 11–21. https://doi.org/10.21460/atrium.v11i1.276.

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Title: The Concept of Sacredness in the Architectural Design of Peter Zumthor; Case Study: Saint Benedict Chapel and Bruder Klaus Chapel The sacredness of space is crucial for Catholic worship, allowing the congregation to feel God's presence. Peter Zumthor's architecture prioritizes spatial ambiance by engaging all senses, using appropriate materials, and harmonizing buildings with their sites. His Saint Benedict Chapel and Bruder Klaus Chapel exemplify his design principles. This study uses a qualitative approach and descriptive analysis to explore Zumthor's design concepts and their impact

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Barrett, Christopher. "Roland and Crusade Imagery in an English Royal Chapel: early thirteenth-century wall paintings in Claverley church, Shropshire." Antiquaries Journal 92 (July 3, 2012): 129–68. http://dx.doi.org/10.1017/s0003581512000091.

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A frieze of mounted knights, over 15m long, dominates the nave of the church of All Saints, Claverley, Shropshire. It is part of an extensive mural scheme from the first quarter of the thirteenth century. For the first time the status of Claverley as a Royal Chapel is recognized and the royal and crusading character of the imagery is discussed. The emperors Constantine and Heraclius are identified as part of the Exaltation of the Holy Cross subject on the north wall, and the Holy Cross is suggested as the unifying theme, pre-dating the Florentine mural cycle by Agnolo Gaddi by some 170 years.

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Vinokurova, Irina. "Kabelid vepsa Šimjärve piirkonnas (19. sajandi lõpp, 20. sajandi algus)." Mäetagused 88 (April 2024): 35–52. http://dx.doi.org/10.7592/mt2024.88.vinokurova.

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In recent decades, a significant number of works have been published in Russian ethnology, devoted to the study of various forms of religiosity of the population in direct connection with certain territories in different historical periods, which has become established in science as a special concept and approach called “religious landscape”. This approach turned out to be productive in identifying the peculiarities of the spread of Orthodox traditions in a certain territory, as well as in solving modern all-Russian problems of preserving the cultural heritage of rapidly disappearing villages.

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MAHRT, WILLIAM PETER. "Responsory prosae and the post-Christmas ‘Choir Solemnities’ at Salisbury Cathedral." Plainsong and Medieval Music 25, no. 1 (2016): 27–36. http://dx.doi.org/10.1017/s0961137115000212.

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ABSTRACTThe Christmas octave in the Sarum rite included the singing of prosae on Christmas Day and on the three days following Christmas – the feasts of St Stephen, St John the Evangelist and the Holy Innocents. After the Vespers preceding each of these three days, a procession was made to an appropriate altar in the church, during which a responsory was sung with its prosa and wordless melismas after each prosa verse, with two responsory prosae based upon the melody from Christmas. These processions featured, in turn, the deacons, the priests and the choirboys, vested in silken copes and carr

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Mascarenhas, Arun, and Suvidha P. . "Catholic Art: Mangaluru, a Case Study (1878-2023)." International Journal of Arts Architecture & Design 2, no. 2 (2024): 14–48. http://dx.doi.org/10.62030/2024julypaper2.

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‘Catholic Art’ is art produced for catholic patrons, which includes iconographic works in visual arts, sculptures, architecture, and decorative and applied arts. Jesus Christ, his disciples, followers, saints, and biblical narratives have been the subject matter of Catholic art. There is an ecumenical relationship between Christian theology and Catholic Art. However, not all Christians are Catholics, but all Catholics are Christians. The Mangaluru case study centers on the prominent Italian Artist Priest, Fra. Antonio Moscheni SJ (1854-1905). He was entrusted to embellish the newly built cathe

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Duggan, Anne J. "Religious Networks in Action: The European Expansion of the Cult of St Thomas of Canterbury." Studies in Church History. Subsidia 14 (2012): 20–43. http://dx.doi.org/10.1017/s0143045900003823.

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‘Wonder not at our coming here, for unto you, Englishmen, God gave such a wondrous martyr, that he filleth nearly all the world with miracles.’ This admiring assertion, attributed to an archbishop and primate from the Nigros Monies – possibly Stephen, archbishop of Tarsus, which lies at the foot of. the Taurus Mountains in Armenia – provides a good introduction to the theme of this book, for it links Iceland, Canterbury and the eastern Mediterranean in a remarkable manner. The quotation comes from a lost life of St Thomas written in Latin by Robert of Cricklade, prior of St Frideswide in Oxfor

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Nitka, Maria. "Religious paintings as liturgical images in the oeuvre of Henryk Siemiradzki." Sacrum et Decorum 15 (2022): 8–38. http://dx.doi.org/10.15584/setde.2022.15.2.

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The 19 th century was a time when, as noted by Michael Thimann, there occurred a transition of painting from the sphere of worship to the space of art. The parting of the paths of art and the sacred sphere also affected a genre as important for connecting these spheres as altar painting. The present paper discusses Henryk Siemiradzki’s altar paintings, which constitute this outstanding academic artist’s attempts to place painting intended for worship in churches. Siemiradzki created several altar paintings: starting with a copy of "Christ on the Cross" by Johann Köler (1867), then his own vers

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Žarskienė, Rūta. "The Sound of Trumpet will Stir the World and Raise the Dead: Prayers Accompanied by Brass Instruments in the Folk Piety Tradition." Tautosakos darbai 55 (June 25, 2018): 177–97. http://dx.doi.org/10.51554/td.2018.28504.

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The article focuses on a phenomenon that has so far evaded scholarly attention and research. Apparently, in Samogitia, where brass instruments still play at traditional Catholic or even Lutheran funerals and death anniversaries, participate in the Easter morning processions and the Catholic Church feasts (Lith. atlaidai), yet another practice of folk piety involving brass instruments is thriving: i.e. prayers at the graveside in summer time, during Catholic Church feasts and All Souls’ Day (more frequently still, All Saints’ Day). During her fieldwork of 2013–2017 in various parts of Mažeikiai

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Books on the topic "All Saints Chapel"

1

Strode, William. All Saints' Chapel: In the sesquicentennial year of the University of the South, Sewanee, Tennessee. Harmony House Publishers, 2008.

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Waring, McGrady J., ed. All Saints' Chapel: In the sesquicentennial year of the University of the South, Sewanee, Tennessee. Harmony House Publishers, 2008.

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Morriss, Richard K. The Church of All Saints: Hereford : NGR: SO 518 461 : an analysis of the roof of the South Chapel. City of Hereford Archaeology Unit, 1995.

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J, Jones Aidan C., Martin Janet D, and Lancashire Parish Register Society, eds. The registers of Egton, Finsthwaite & Satterthwaite. Lancashire Parish Register Society, 1993.

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Huneck, Stephen. The Dog chapel: All creeds, all breeds. No dogmas allowed. H.N. Abrams, 2002.

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Bazhenov, Grigoriy, Igor' Belyakov, Ol'ga Biryukova, et al. Macroeconomics. Country analysis workshop. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2135822.

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The textbook is a collection of country examples illustrating macroeconomic models, as well as the conditions and practice of applying macroeconomic policy measures. Examples are provided on all key topics, from basic macroeconomic concepts to the current sustainable development agenda. At the end of each chapter, there is a list of questions for discussion in the seminar sessions, and at the end of the book there are sample test tasks for control. The authors of the manual include staff from the National Research University Higher School of Economics and other universities, researchers from t

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Rossi, Mary K. Spatial perception, memory, and meaning: Utilizing cognitive maps to understand the gothic elements of All Saints' Chapel in Sewanee, Tennessee. 1998.

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8

Stone, Richard. The Church of All Saints, Hereford: Archival report on a survey and analysis of the roof of the South Chapel. 1995.

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9

Godfrey, Laura Christine. Creating a Nonpatriarchal Lineage in Bertha Harris’s Lover. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039805.003.0010.

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Bertha Harris' 1976 novel Lover garnered critical attention for its postmodern style, its commentary on lesbian identity, its use of nonlinear time in narration, and its redefinition of familial relations. Yet, one stylistic choice that is most apparent in reading the novel is absent from most critical investigation. Throughout the novel, Harris prefaces each chapter with an epigraph about a female saint, usually consisting of a few sentences on her life and death, yet these prominent pieces have been overlooked by all but one critic in the small pantheon of Lover criticism. This chapter propo

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Collier, Jay T. Perseverance, Augustine, and England’s Struggling Identity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190858520.003.0007.

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This chapter reflects on three major findings from the several debates surveyed. First, it considers the existence of a minority opinion on the doctrine of perseverance in the Reformed tradition and how its presence in England left an abiding uneasiness regarding the confessional reception of the perseverance of all saints. Second, it ponders how two different readings of Augustine on perseverance played a key role in the way English theologians approached confessional documents and made the formal reception of perseverance of the saints so difficult for the Church of England. Third, it contem

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Book chapters on the topic "All Saints Chapel"

1

Crossley, Paul. "Our Lady in Nuremberg, All Saints Chapel in Prague, and the High Choir of Prague Cathedral." In Prague and Bohemia: Medieval Art, Architecture and Cultural Exchange in Central Europe: Volume 32. Routledge, 2024. http://dx.doi.org/10.4324/9781003580317-6.

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Henry II. "33. Ailly, All Saints Chapel." In The Letters and Charters of Henry II, King of England 1154–1189, Vol. 1: Nos. 1–740, Beneficiaries A–C, edited by Nicholas Vincent. Oxford University Press, 2020. http://dx.doi.org/10.1093/oseo/instance.00275460.

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Varnam, Laura. "Epilogue." In The church as sacred space in Middle English literature and culture. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781784994174.003.0006.

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The epilogue discusses the depiction of the church as a sacred space in the Middle English carol By a chapel as I came. The chapel has a multisensory, dynamic sanctity, and is presented as the house of God and all his saints. The epilogue concludes by showing how this mode of sanctity can still be experienced in the modern world by describing a visit to the church of St Botolph’s, Slapton, to examine the wall paintings and by discussing modern material replicas of church architecture, including the Lego Durham cathedral and the ‘Woolly Spires’ knitted churches project.

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van Henten, Jan Willem. "Commemorating World War I Soldiers as Martyrs." In Martyrdom. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988187_ch06.

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Jan Willem van Henten takes a speech by the English Bishop Arthur Winnington Ingram from 1914 for the bereaved families of fallen soldiers as point of departure for a survey of the commemoration of soldiers who died in World War 1 as martyrs. Winnington Ingram characterises the soldiers whom he commemorates as martyrs and links them to Stephen, the proto-martyr of the Church (Acts 7). Van Henten explores whether Winnington Ingram’s speech is an isolated case or if others also commemorated soldiers who were killed during the Great War as martyrs, indirectly or explicitly. Van Henten concentrate

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Brace, C. Loring. "Modern human origins and the dynamics of regional continuity." In Prehistoric Mongoloid Dispersals. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198523185.003.0005.

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Abstract Paleoanthropology has long operated ‘in the complacent mold of medieval Neoplatonic essentialism as though Darwin had never existed’ (Brace 199le, p. 884; see also Brace 1964). Not only has Homo erectus been conceptualized as an invariant typological entity throughout its existence (Rightmire 1990), but Neanderthals also continue to be regarded as though all were clones of the single robust male specimen found at La Chapelle-aux-Saints in 1908 (Stringer 1984, 1990; Stringer eta/. 1984; Tattersall 1986; Brace 1991b).

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Shcherbakova, Marina I. "Hieromonk Arseniy (Worldly Aleksandr Minin) — Founder of the New Athos Monastery Named After Simon the Canaanean." In Abkhazia in Russian Literature of the 19th — 20th Centuries: in 3 vols. Vol. 1. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/arl-2021-1-234-272.

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The article presents an outline of the life of Hieromonk Arseniy (worldly Aleksandr Minin) — founder and first builder of the New Athos Monastery named after Simon the Canaanean. According to the preserved sources, his path is traced, which preceded the trip to Athos. Upon arrival at the Holy Mountain of Athos, Aleksandr Minin carried out various assignments of the elders in the monastery. The return to Russia was associated with a new taking of God’s orders by collecting donations for Panteleimon Russian Monastery on Athos. Vigorous activity about Arseny consisted in the arrangement of a perm

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Lane, Belden C. "Justice: The Meramec River at Times Beach and Mohandas Gandhi." In Backpacking with the Saints. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780199927814.003.0025.

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The spring-fed Meramec River wanders for 218 miles through six Missouri counties before it flows into the Mississippi eighteen miles south of St. Louis. It cuts across the northeastern corner of the Ozark Plateau, carving out bluffs of white dolomite limestone along its way. The stream passes by Onondaga Cave, Meramec State Park, and Meramec Caverns, becoming a lazy river fed by smaller tributaries and floated by weekend adventurers. Overhanging sycamores and cottonwoods crowd its banks. Springs and caves invite floaters to tie up their canoes and explore. Mussel beds are plentiful, as are cra

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Drąg, Marcin. "Rozwój przestrzeni liturgicznej kościołów franciszkańskich od XIII do XVIII wieku." In Przestrzeń liturgiczna. Uniwersytet Papieski Jana Pawła II w Krakowie. Wydawnictwo Naukowe, 2019. http://dx.doi.org/10.15633/9788374387828.05.

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Development of liturgical space in Franciscan churches between 13thand 18th centuries The aim of this writing is to show changes which took place in sacral space of Fran-ciscan temples. At first Friars Minor Conventual were occupying small, abandoned churches. There they found their space for prayer. However, the first generation of Marcin Drąg OFMConv98 the followers of St. Francis did not possess their own sacral area. Instead, they were only its users.Letters of the order’s founder are clearly defining sensitivity connected with cult which all members of the order should possess. Therefore

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Goff, James, and Walter Dudley. "1755, Lisbon." In Tsunami. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197546123.003.0013.

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Most Europeans do not worry about tsunami waves as much as those who live around the rim of the Pacific Ocean, but they should. On All Saint’s Day, 1755, a huge earthquake struck Lisbon, Portugal, causing most stone buildings to collapse, including churches, monasteries, nunneries, and chapels, trapping the faithful inside the ruins, which votive candles quickly turned into burning pyres. Voltaire would write, “The sole consolation is that the Jesuit Inquisitors of Lisbon will have disappeared.” To add to the irony, among the few buildings safely left standing following the disaster were the l

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Cretescu, Igor, Zsofia Kovacs, Liliana Lazar, et al. "Danube Delta: Water Management on the Sulina Channel in the Frame of Environmental Sustainability." In River Deltas - Recent Advances [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.97877.

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The Danube Delta is the newest land formed by both transporting sediments brought by Danube River, which flows into the Black Sea and by traversing an inland region where water spreads and deposits sediments. Diurnal tidal action is low (only 8–9 cm), therefore the sediments would wash out into the water body faster than the river deposits it. However, a seasonal fluctuation of water level of 20 cm was observed in the Black Sea, contributing to alluvial landscape evolution in the Danube Delta. The Danube Delta is a very low flat plain, lying 0.52 m above Mean Black Sea Level with a general gra

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Conference papers on the topic "All Saints Chapel"

1

Pavlík, Zbyšek, Lukáš Balík, Lucie Kudrnáčová, Jiří Maděra, and Robert Černý. "Chapel of cemetery church of all saints in Sedlec – Long-term analysis of hygrothermal conditions." In INTERNATIONAL CONFERENCE OF NUMERICAL ANALYSIS AND APPLIED MATHEMATICS (ICNAAM 2016). Author(s), 2017. http://dx.doi.org/10.1063/1.4994509.

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Panchenko, Oleg V. "On the Literary Work of Chudovsky Deacon Job, a Student of the Leichoudis Brothers, during His Exile to the Solovki in 1701-1703." In Лихудовские чтения — 2022. НовГУ им. Ярослава Мудрого, 2023. http://dx.doi.org/10.34680/978-5-89896-832-8/2023.readings.05.

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e article recounts a little-known episode in the biography of the Chudov deacon Job, a disciple of the Leichoudis brothers, who was exiled to Solovki in 1701. Having witnessed Peter the Great's visit to the Solovetsky monastery in 1702, he compiled a text about this and the previous visit of the Tsar to Solovki (in 1694 and 1702), placed in the Peter's Chapel. Aerwards this story was included in the Solovetsky Chronicle of the 1st Extended redaction. Another product of Job's literary work was the book e Salvation Garden (1703) which is a collection of lives, services and panegyrics for the f

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Ceriachi, Melissa. "RECOVERY OF A SEVERELY DETERIORATED PAINTING: THE MARTYRDOM OF SAINT SEBASTIAN BY GIOVANNI SANTI (15TH CENTURY). INTEGRATIVE PROPOSAL." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13492.

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This contribution examines a painting on wood: The Martyrdom of Saint Sebastian, by Giovanni Santi. This work of art is the altarpiece of the chapel dedicated to the saint, located in Urbino's Church of San Bartolomeo. The history of this work of art is inextricably linked to that of its conservation: initially, the artwork was difficult to read due to the serious state of deterioration of the paint layer, with a loss of significant portions of the painting, including pictorial parts that played a decisive role in the rendering of the image. This had significant implications when it came to ch

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4

Doğan Turay, Esra. "Nesebnâme-i Şâh-ı Alempenah Şâh Tahmasb Safevi adlı divanda Şâh İsmail." In 1st International Shah Ismail Khatai Symposium. Namiq Musalı, 2024. https://doi.org/10.59402/ees02202404.

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Nesebnāme-i Shāh-i Alempenah Shāh Tahmasb Safavid, written during the Safavid period, was written by a poet of Shiraz origin. Unfortunately, we do not have any information about the author of this work, which was recorded during the reign of Shāh Tahmasb I (930-984), except for his name tag, which he expresses as oppressed in his work, and the information that he wrote his work at an advanced age. The work is a menaqibnāme of Imamzāde Ali bin Hamza, one of the sons of Hazrat Ali in Shiraz. This work is also a velayatnâmed on the lineage of Shah Tahmasb I. Apart from being a literary text, the

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Zhang, Wei, and Jialing Hao. "Human Impacts on the Hydrology in Pearl River Delta, China." In ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-57122.

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The Pearl River Delta (PRD) lies in the south of GuangDong province in China. It is the river networks area of the lower reaches of MaKou of West River, Sanshui of North River and ShiLong of Dongjiang River. Over the last 20 years, in order to keep sustainable development of economy, many regulations engineering to improve grade of channel from river networks to estuary was implemented in 1990’s. At the same time, artificial sand excavation reached the peak level. These human activities impacted the hydrodynamic greatly than natural evolution. As a result, the morphology and hydrology of the P

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