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Relevant bibliographies by topics / All-Ukrainian Photo and Cinema Administration

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Journal articles

Academic literature on the topic 'All-Ukrainian Photo and Cinema Administration'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "All-Ukrainian Photo and Cinema Administration"

1

Myslavskyi, Volodymyr. "Interrupted Flight. Ukrainian Cinema of the All-Ukrainian Photo and Film Administration Era." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 309–13. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289316.

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Larysa Briukhovetska’s monograph “Interrupted Flight. Ukrainian Cinema of the VUFKU Era: An Attempt at Reconstruction”, based on documentary sources – 1920s periodicals, archives and memoirs of participants in the film process – reconstructs an almost unknown but extremely rich and fruitful period in the history of Ukrainian cinema, namely the activities of the All-Ukrainian Photo and Film Administration under conditions of autonomous management. This research is one of the first in Ukraine to comprehensively cover not only cinematic art but also the development of the film industry and film d

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2

Myslavskyi, Volodymyr. "Interrupted Flight. Ukrainian Cinema of the All-Ukrainian Photo and Film Administration Era." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 309–13. https://doi.org/10.31866/2617-2674.6.2.2023.289316.

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Abstract:

Larysa Briukhovetska's monograph "Interrupted Flight. Ukrainian Cinema of the VUFKU Era: An Attempt at Reconstruction", based on documentary sources – 1920s periodicals, archives and memoirs of participants in the film process – reconstructs an almost unknown but extremely rich and fruitful period in the history of Ukrainian cinema, namely the activities of the All-Ukrainian Photo and Film Administration under conditions of autonomous management. This research is one of the first in Ukraine to comprehensively cover not only cinematic art but also the development of the film industry and film d

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3

Knyzhnykova, Sofiia. "Opening Credits to the Films of the All-Ukrainian Photo and Cinema Administration: Artistic Language, Historical and Cultural Context." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 202–13. https://doi.org/10.31866/2410-1176.44.2021.235432.

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The purpose of the article is to analyse the special features of the artistic language of the opening credits in the films of the All-Ukrainian Photo and Cinema Administration. To achieve this goal, the relevant research methods were applied, in particular, historical (study of the archives of the All-Ukrainian Photo and Cinema Administration), cultural (the Administration’s influence on the development of such a field of culture as cinema) and art studies (analysis of the artistic language of the opening credits to the films of the All-Ukrainian Photo and Cinema Administration). Scienti

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4

Myslavskyi, Volodymyr, and Oleksandr Bezruchko. "Formation of the Adventure Genre in Ukrainian Cinema of the First Half of the 1920s." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 54–58. https://doi.org/10.31866/2410-1176.45.2021.247343.

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The purpose of the article is to investigate the formation of the adventure genre in Ukrainian cinema in the first half of the 1920s based on the analysis of genre and thematic features of national films about the Civil War. The research methodology is based on a system of general research principles, methods, and scientific approaches. The authors of the article apply complex and systematic methods; principles of historicism, objectivity, comprehensiveness, which provide a multipronged study of the object and subject of research, and also make it possible to consider the features of the adven

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5

Bezruchko, Oleksandr, and Volodymyr Myslavskyi. "Development of the adventure genre in Ukrainian cinema in the second half of the twenties of the twentieth century." Culturology Ideas, no. 21 (1'2022) (2021): 159–67. http://dx.doi.org/10.37627/2311-9489-21-2022-1.159-167.

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Our research is based on a wide range of little-known publications in the Ukrainian and Russian periodicals 1922–1930. In this article we analyze the development of the adventure genre in Ukrainian cinema in the second half of the twenties of the twentieth century. Winners define history. The making of adventure films about the Civil War (Soviet-Ukrainian war (1917–1921)) in Ukraine by specialists of the All-Ukrainian Cinema and Photo Administration was associated with the persistent attempts of the Soviet government to rewrite the real history of the struggle of the Ukrainian people for the d

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6

Myslavskyi, Volodymyr. "Organizational and economic processes of Ukrainian film production in the 1920’s." Culturology Ideas, no. 20 (2'2021) (2021): 143–52. http://dx.doi.org/10.37627/2311-9489-20-2021-2.143-152.

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The article examines the formation of the material and technical base of Ukrainian film production based on the wide range of little-known publications in the Ukrainian and Russian periodicals of the 1922-1930s. The influence of the technical equipment of film factories on the quality indicator of film production in the 1920s is analyzed. The All-Ukrainian Photo and Film Administration did not receive the necessary state funding for the development of film production and had to independently seek the possibility of such funding. Initially, the main investments were directed to the development

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7

Budnyk, Andrii. "THE INFLUENCE OF UKRAINIAN FILM POSTERS OF THE 1920s AND 1930s ON CONTEMPORARY GRAPHIC DESIGN." CULTURE AND ARTS IN THE MODERN WORLD, no. 22 (June 30, 2021): 185–98. http://dx.doi.org/10.31866/2410-1915.22.2021.235912.

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The purpose of the article is to analyse the influence of the system of compositional techniques and graphics of the All-Ukrainian Photo Cinema Administration Film Poster School and Ukrainafilm on domestic graphic design. Research methodology. The author has applied historical, art history, and comparative analysis. Scientific novelty. Through the similarity matching in the world and Ukrainian design and the study of the use of design schemes, techniques and tools that are permanently used in graphic design, we reason the influence of the Ukrainian Poster School of the 1920s and 1930s on conte

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8

Budnyk, Andrii. "The Influence of Ukrainian Film Posters of the 1920s and 1930s on Contemporary Graphic Design." Culture and Arts in the Modern World, no. 22 (June 30, 2021): 185–98. https://doi.org/10.31866/2410-1915.22.2021.235912.

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The purpose of the article is to analyse the influence of the system of compositional techniques and graphics of the All-Ukrainian Photo Cinema Administration Film Poster School and Ukrainafilm on domestic graphic design. Research methodology. The author has applied historical, art history, and comparative analysis. Scientific novelty. Through the similarity matching in the world and Ukrainian design and the study of the use of design schemes, techniques and tools that are permanently used in graphic design, we reason the influence of the Ukrainian Poster School of the 1920s and 1930s on conte

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9

Horevalov, Serhiy, and Natalia Zykun. "Photography and Development of Photo Industry in Ukraine: History and Modernity (to the 180th Anniversary of Photography)." Scientific notes of the Institute of Journalism, no. 1 (76) (2020): 53–65. http://dx.doi.org/10.17721/2522-1272.2020.76.4.

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In the article the multi-subject phenomenon of photography, which clearly combines the fea-tures of a document, a work of art, modern technologies and a means of communication is stud-ied in the diachronic aspects using the methods of comparative analysis, systematization and generalization. It summarizes the information about the long history of photography as a form of fixation of reality, as a way of storing and transmitting information. The changes in functional and instru-mental characteristics of photography are outlined. The rapid expansion of the direction of development of photography

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10

Menzelevskyi, Stanislav. "The “Kino” magazine and the parable of Ukrainian film criticism of the 1920s." Culture of Ukraine, no. 87 (January 22, 2025): 19–31. https://doi.org/10.31516/2410-5325.087.02.

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The article endeavours to uncover the lesser-known history of the “Kino” magazine, the principal professional film publication in Soviet Ukraine during the 1920s. As a companion to the All-Ukrainian Photo and Film Administration VUFKU, the magazine stands out as a unique emblem of Ukrainian socialist culture. It plays a crucial role in decentralising the dominant Russo-centric narratives of the era, offering valuable research sources that have been largely ignored in established film studies traditions.

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