Academic literature on the topic 'Allan Pettersson'

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Journal articles on the topic "Allan Pettersson"

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Schlüren, Christoph. "Anders Eliasson: Dancer on the Volcano." Tempo, no. 202 (October 1997): 16–20. http://dx.doi.org/10.1017/s0040298200048890.

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The Swedish compser Anders Eliasson is a dancer on the volcano of desperation and in this respect the successor of Allan Pettersson. On the other hand his structures are extremely vital and concentrated, without resorting to lengths dictated by atmosphere. The trembling density and shivering complexity of his elaborated architectonics are always emotionally accessible, and the incessantly contrasting rhythmic obsessions never fall into additive isolation; the tearing, torturing tension is under constant formal control, due to the absolute singlemindedness in focussing harmonic development. Eli
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"Record Review." Tempo, no. 189 (June 1994): 39–60. http://dx.doi.org/10.1017/s004029820003744x.

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‘Gloriana’ and ‘The Beggar's Opera’ Robin Holloway‘The Rape of Lucretia’ Michael OliverGoldschmidt's ‘Der gewaltige Hahnrei’ Ronald WeitzmanMalipiero's Symphonies Bret JohnsonHavergal Brian's Violin Concerto John PickardTwo new Allan Pettersson series Guy RickardsMorton Feldman Nicolas HodgesNancarrow for live performers John WarnabyIrving Fine and other Americans Bret JohnsonStefan Wolpe Nicolas HodgesPhilip Glass Mike SeabrookIcelandic orchestral music Guy RickardsKorngold Martin AndersonKoechlin Calum MacDonald
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Kostinniemi, Peter. "Monstret, barnet och disciplineringens konsekvens: Intermedial dialog i Allan Rune Petterssons berättelser om Frankensteins faster." Barnboken 41 (2018). http://dx.doi.org/10.14811/clr.v41i0.347.

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Dissertations / Theses on the topic "Allan Pettersson"

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Davis, Colin. "Toward a unified whole, Allan Pettersson's Symphony no. 5." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3983.

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Barkefors, Laila. "Gallret och stjärnan : Allan Petterssons väg genom Barfotasånger till Symfoni /." [S.l.] : L. Barkefors, 1995. http://catalogue.bnf.fr/ark:/12148/cb369598961.

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Selin, Håkan. "Allan Petterssons personarkiv : Digitalt eller i pappersform?" Thesis, Mittuniversitetet, Avdelningen för arkiv- och datavetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-19563.

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Digitization is a concept that has become popular in terms of collections of old heritage-related material such as books, photographs and paper documents. This work is a study of the Swedish composer Allan Pettersson (1911–1980) and his personal archive stored at Section for Manuscripts and Music at Uppsala University Library. My issues are What happens to the archive of the digitized? Will there be a "new" archive of the digitized? What guidelines are Uppsala University Library using for their digitizing and how do they look? What will be the result after digitization? What about copyright an
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Olsson, Per-Henning. "Petterssons sjunde symfoni : en jämförelse mellan formen i Allan Petterssons symfoni nr 7 och Gustav Mahlers symfoni nr 9, sats 1." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-188814.

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Olsson, Per-Henning: Petterssons sjunde symfoni. En jämförelse mellan formen i Allan Petterssons Symfoni nr 7 och Gustav Mahlers Symfoni nr 9, sats I. D-uppsats i musikvetenskap, ht 2001. Institutionen för musikvetenskap, Uppsala universitet. Uppsatsen syftar till att belysa Allan Petterssons symfonikomponerande, med avseende på form. Detta görs genom en jämförelse mellan Pettersson och Gustav Mahler. Mahler tas ofta upp i samband med Pettersson, varför jag har funnit det intressant att undersöka relationen mellan tonsättarnas musik. I uppsatsen jämförs formen i Petterssons Symfoni nr 7 med fo
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Kwak, Anna. "A performer's analysis of Allan Pettersson's Concerto No. 2 for Violin and Orchestra /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487849696966575.

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Books on the topic "Allan Pettersson"

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Michael P. Kube-McDowell. Allan Pettersson, Symphonie Nr. 8. F. Noetzel Verlag, "Heinrichshofen-Bücher,", 1996.

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Caron, Jean-Luc. Allan Pettersson, 1911-1980: [le musicien de la doleur et de l'angoisse existentielle]. J.-L. Caron, 1997.

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Barkefors, Laila. Allan Pettersson, det brinner en sol inom oss: En tonsättares liv och verk. Sveriges radios förlag, 1999.

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Olsson, Per-Henning. En symfonisk särling: En studie i Allan Petterssons symfonikomponerande. Uppsala Universitet, 2013.

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5

Barkefors, Laila. Gallret och stjärnan: Allan Petterssons väg genom Barfotasånger till symfoni. L. Barkefors, 1995.

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Allan Pettersson Jahrbuch 1986. A.Peterson Gesellschaft, 1986.

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Michael, Kube, and Internationale Allan Pettersson Gesellschaft, eds. Allan Pettersson (1911-1980): Texte, Materialien, Analysen. von Bockel Verlag, 1994.

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Gimbel, Allen. Broken Facture. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.43.

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Allan Pettersson (1911–1980) was a Swedish composer of distinction who had extensive experience of trauma and disability in his life (physical abuse, rheumatoid arthritis, manic depression, nephritis). His compositions are deeply engaged with the exploration of disability as an expressivetopos, and in his symphonies (the focus of this essay) representations of disability play a central role. The secondary literature on Pettersson is largely skeptical of analytical consideration of “extramusical” features, especially those that bear on Pettersson’s experiences of disability. This essay argues,
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Book chapters on the topic "Allan Pettersson"

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Kube, Michael. "Pettersson, Gustav Allan." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_228.

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