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Dissertations / Theses on the topic 'Allegoria moderna'

Author: Grafiati

Published: 10 March 2023

Last updated: 19 July 2025

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1

Ferrari, Sarah. "Le ragioni culturali del "dipingeremoderno". Paesaggio, ritratto e allegoria a Venezia negli anni di Giorgione." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423769.

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This research project aims to gain an in-depth analysis of Venetian Humanism giving evidence to facts, institutions and individual characters playing a significant role in relation to the development of new iconographies in Venetian painting. Particular attention has been given to Neoplatonic philosophy (the debate on the immortality of the soul); the new philology introduced by Ermolao Barbaro; the fortune of pastoral poetry (Theocritus and Sannazaro); the vernacular language (Bembo’s Asolani). Specific investigation into the art of Bellini, Giorgione and the young Titian has been undertaken,

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2

Culatti, Marcella <1972&gt. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/1/culatti_tesi.pdf.

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Culatti, Marcella <1972&gt. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/.

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4

Winthrop, Emily. "Allegories of the Modern: The Female Nude in Art Nouveau." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4203.

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Modernism is a plurality, not a singular concept. This project explores examples of Art Nouveau nudes to describe the particular expressions of the modern through varied and complicated allegorical bodies. The female nude as a nexus for ideals of gender, art, and beauty, is informed by and constructs the understanding of these ideals within society. Art Nouveau thus employed the nude to represent complex manifestations of modernity. Three diverse cases provide the subjects of each chapter. All explore modernism through objects and interiors, in public and private environments, and each connec

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5

Brummer, Esther Elliott. "The development of the Nuptial Allegory in early modern Venice." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609942.

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6

Spadaro, Katrina Lucia. "Epistemologies of Play: Folly, Allegory, and Embodiment in Early Modern Literature." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25949.

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This thesis argues that the textual stylistics, and embodied forms, of Early Modern folly are complicit in constructing and maintaining networks of knowledge. This function emerges from a Menippean history that positions the Silenus Box – an interface of grotesque form and hidden knowledge – as an allegory for exegesis. In applying this allegory to the aesthetics and bodies of Early Modern folly, this thesis suggests that folly assumes an arbitrative role in epistemic networks. A prominent marker of this function is the discursive communities forming around, and through, foolery, rendering it

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7

Zlatescu, Andrei-Paul. "Prospero's planet, magic, utopian and allegorical injuctions in the rise of the modern state." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq30837.pdf.

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8

Swannack, Frank Ian. "The political allegory of lovesickness and the lovesick womb in early modern studies, with an emphasis on Spenser." Thesis, University of Salford, 2010. http://usir.salford.ac.uk/26930/.

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The Elizabethan poet Edmund Spenser published his sonnet sequence Visions of the Worlds Vanitie in a collection called Complaints in 1591, and the Amoretti and Epithalamion in 1595. I am analysing these poems and other appropriate early modern texts by using the allegorical vehicle of the Renaissance medical and philosophical notion of lovesickness. However, in the late sixteenth and early seventeenth centuries, lovesickness is either interchangeable with or replaced by love-melancholy, which is a more fashionable illness describing the courtly Lover's suffering for his Lady. I am arguing that

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9

Paiva, Juliana Zanetti de. "Os nossos antepassados, de Italo Calvino, como alegoria do sujeito moderno." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269949.

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Orientador: Eduardo Sterzi de Carvalho Júnior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-27T13:30:16Z (GMT). No. of bitstreams: 1 Paiva_JulianaZanettide_M.pdf: 24170742 bytes, checksum: 3d3f48b1a21422af2dcf63d63f7ccaa0 (MD5) Previous issue date: 2015<br>Resumo: O objetivo do nosso estudo é refletir sobre as três personagens principais da obra Os nossos antepassados como figurações alegóricas do sujeito moderno. O percurso que escolhemos percorrer foi apresentar alguns elementos sobre Calvino e a rela

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10

Temple, Camilla Isabel Eva. "Inscription, ecphrasis and allegory : the reception of the ancient Greek epigram and the Renaissance emblem in early modern English literature." Thesis, University of Bristol, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738195.

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11

Massuno, Tatiana de Freitas. "Leitura e Alegoria em Fausto de Fernando Pessoa." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2827.

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Esta dissertação busca compreender de que forma a ideia de alegoria, concebida por Walter Benjamin e desenvolvida posteriormente por Paul de Man, pode lançar luz sobre certos aspectos do poema dramático Fausto do poeta português Fernando Pessoa. Pessoa entendeu seu Fausto como sendo encerrado pelo embate entre Inteligência e Vida, do qual a Inteligência sairia sempre vencida. Portanto, o presente estudo busca entender a derrota da Inteligência em termos dos aspectos alegóricos do poema em questão. Para tal, certas conexões estabelecidas tanto por Walter Benjamin quanto por Paul de Man serão pe

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12

Loiola, Rita de Cássia Bovo de. "O mar e a beleza moderna: uma análise do pequeno poema em prosa \'O Porto\', de Charles Baudelaire." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-09122016-145502/.

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Nas poesias do francês Charles Baudelaire a imagem marinha é recorrente, seja como duplo que reflete a subjetividade humana, espaço de fuga do árido cotidiano urbano, paralelo da amada ou ainda um espaço de incomparável beleza. Em um de seus manuscritos, o poeta afirma que o espetáculo do mar oferece uma ideia de infinito diminutivo, pois uma porção do líquido em movimento é suficiente para dar a mais elevada ideia de beleza que pode ser oferecida ao homem em sua habitação transitória. Assim, este trabalho pretende fazer uma análise crítica do pequeno poema em prosa O Porto, integrante do volu

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13

Starr, James Richard. "A liminal examination of always already meaning within language." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3211.

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This thesis juxtaposes Plato's allegory of the cave with Jacques Derrida's concept of the always already aspect of meaning, a concept derived from Ferdinand de Saussure's work. This theoretical investigation examines the implications of universal Signified forms of word meanings for postmodern composition theory.

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14

Silva, Francisca Carolina Lima da. "Homens, perdoai-lhe, porque ele nÃo sabe o que fez: a ascensÃo do homem e a queda de Deus em JosÃ Saramago, uma alegoria da religiosidade moderna." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=18477.

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coordenadoria de aperfeiÃoamento de pessoal de ensino superior<br>CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Uma das temÃticas predominantes na obra de JosÃ Saramago Ã a releitura e a intertextualidade com as escrituras sagradas que compÃem os evangelhos do judaÃsmo-cristÃo. Essa prÃtica se constrÃi a partir de uma desconstruÃÃo das narrativas bÃblicas e de uma leitura subversiva de alguns dos preceitos que fundaram o ideÃrio ocidental. Ateu convicto, nessas inversÃes antirreligiosas, Saramago, ao mesmo tempo em que questiona crenÃas inabalÃveis, apresenta-nos a desmistific

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15

Tuncer, Selda. "The Destruction Of A City Myth In Late Modern Turkish Cinema." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606019/index.pdf.

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The thesis attempts at providing a critical evaluation of the city as the mythological site of modernity. For that purpose, highlighting such special nature of the urban context as it finds expression by the cinematic medium, what is aimed at is the analysis of, first, the mythical dimensions of modern urban life as the prime site of enthusiasm and spirit with its fleeting impressions and changing images, secondly, the (re)creation of the city myth through cinema as an elaborate perceptive vehicle for a specific way of picturing and enframing the cityscape and, lastly the representation of the

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16

Antunes, Thiago [UNESP]. "Tradição e modernidade em O Senhor dos Anéis." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/88835.

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Made available in DSpace on 2014-06-11T19:23:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-05-19Bitstream added on 2014-06-13T19:06:55Z : No. of bitstreams: 1 antunes_t_me_mar.pdf: 644087 bytes, checksum: 693fe17e003d8eb7ff43354e194b461c (MD5)<br>O Senhor dos Anéis, livro de J.R.R. Tolkien, tem como componente central de sua narrativa a tensão existente entre tradição e modernidade no início do século XX. A obra termina com o desaparecimento na Terra-Média de todos os seres de fantasia (por destruição ou por abandono) uma característica que podemos atribuir ao aumento do poder da

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17

Webb, Mark. "Inscriptions : marks in the web of space and time." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/35877/1/35877_Webb_1996.pdf.

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The theory, criticism and practice of contemporary art are subject to an increasingly intertextual, interdiscursive environment. Traditional notions of being and representation, history and language, space and time are challenged by structuralist and post-structuralist concepts. Possibilities for the meaningful production of art are developed from these concepts.

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18

Silva, Francisca Carolina Lima da. "Homens, perdoai-lhe, porque ele não sabe o que fez: a ascensão do homem e a queda de Deus em José Saramago, uma alegoria da religiosidade moderna." reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/21786.

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SILVA, Francisca Carolina Lima da. Homens, perdoai-lhe, porque ele não sabe o que fez: a ascensão do homem e a queda de Deus em José Saramago, uma alegoria da religiosidade moderna. 2016. 162f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-Graduação em Letras, Fortaleza (CE), 2016.<br>Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2017-01-18T16:49:28Z No. of bitstreams: 1 2016_dis_fclsilva.pdf: 1252994 bytes, checksum: d1505247d45e6990171e75173aa37993 (MD5)<br>Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-01-25T14:

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19

Antunes, Thiago. "Tradição e modernidade em "O Senhor dos Anéis" /." Marília : [s.n.], 2009. http://hdl.handle.net/11449/88835.

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Resumo: O Senhor dos Anéis, livro de J.R.R. Tolkien, tem como componente central de sua narrativa a tensão existente entre tradição e modernidade no início do século XX. A obra termina com o desaparecimento na Terra-Média de todos os seres de fantasia (por destruição ou por abandono) uma característica que podemos atribuir ao aumento do poder da racionalidade instrumental e da organização social da modernidade vinculada a ela. Ao mesmo tempo, durante o desenvolvimento da narrativa surgem características tradicionais com uma força devastadora: a preeminência da sacralidade, por exemplo, impõe u

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20

Carneiro, Fernanda Maria Trentini. "Sobre anjos e suas asas na arte." Universidade do Estado de Santa Catarina, 2010. http://tede.udesc.br/handle/handle/769.

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Made available in DSpace on 2016-12-08T16:19:06Z (GMT). No. of bitstreams: 1 fernanda.pdf: 6042607 bytes, checksum: 46f5cc3029097ea28cff18fa54860526 (MD5) Previous issue date: 2010-09-21<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work proposes to investigate aspects about the potentialities revealed by the winged figure, especially in the angel s affinity with thematic as allegory, modernity and contemporanity. To analyze its resurging infinite significations and how angel s image survives and lives with time to contemporanity, in contemporary art. In the first

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21

Caporiccio, Elisa. ""Allegorie in prosa. Forme dell’allegorismo narrativo nel secondo Novecento letterario italiano"." Doctoral thesis, 2021. http://hdl.handle.net/2158/1239411.

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Lo studio, come dichiarato nel sintagma d'apertura del titolo, nasce dal proposito d’indagare la presenza di un’istanza allegorica nelle strutture in prosa. A tal fine, la ricerca condotta si svincola da una definizione dell’allegoria come mera figura retorica, per rivendicarne, sulla scia della lezione benjaminiana, lo statuto di ‘forma artistica’ attraverso cui trovano espressione le contraddizioni e le aporie dell’età moderna. Adottando una declinazione storicamente e culturalmente determinata di tale forma espressiva, il raggio d’analisi dello studio è circoscritto a una ben precisa area

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22

Jeon, Seenhwa. "Allegories of Modernity, Geographies of Memory." Thesis, 2012. http://hdl.handle.net/1969.1/ETD-TAMU-2012-08-11586.

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This dissertation examines how postmodernist narratives of memory in Graham Swift's Waterland, Salman Rushdie's Midnight's Children, and Amitav Ghosh's The Shadow Lines retrieve the stories of those who have been lost or forgotten in official history and refigure the temporal and spatial imaginary in intertwining personal stories of crisis with public history through acts of remembering. Questioning the modernist ideology of progress based on the idea of linear sequence of time, the novels not only retrace the heterogeneous and discontinuous layers of stories overlooked or repressed in officia

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23

Wang, Lanfei, and 王蘭斐. "A Study on Modern Allegorg Picture Book from the Perspective of Life Ethnics." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/2n77wh.

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碩士<br>國立臺東大學<br>兒童文學研究所<br>100<br>A Study on Modern Allegory Picture Book from the Perspective of Life Ethnics Wang Lan-Fei Graduate Institute of Children's Literature, National Taitung University Abstract Allegory is a kind of advisory or ironic short story which visually elaborates an inspiring truth and meaning with simple words in an implicit and profound way. Allegory picture book is to add pictures to assist in telling stories together with characters so as to convey more information and make implied meanings thought-provoking. Being an artistic pattern close to children life experie

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24

Roy, Brinda. "Allegory and the imperial imaginary: Narratives of racial, sexual and national becoming the fin-de-siecle." Thesis, 2001. http://hdl.handle.net/1911/18016.

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I draw upon theories of postcoloniality, narratology, and the new historicism to read turn-of-the-century British literary and cultural texts. I situate these texts in their particular moments of historical production in order to comment upon the elaborate fabrication of an "allegorical" narrative of nationhood, imperial identity and empire-building in fin-de-siecle Britain. As the British colonial theater at the turn-of-the-century is a vast one, my study for the most part concerns the allegorical legacies of fin de-siecle British metropolitan and imperial strategies of power and control in I

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25

Karumanchiri, Arun. "Responding to Alienating Trends in Modern Education and Civilization by Remembering our Responsibility to Metaphysics and Ontological Education: Answering to the Platonic Essence of Education." Thesis, 2010. http://hdl.handle.net/1807/25655.

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This thesis explores the most basic purpose of education and how it can be advanced. To begin to analyze this fundamental area of concern, this thesis associates notions of education with notions and experiences of truth and authenticity, which vary historically and culturally. A phenomenological analysis, featuring the philosophy of Heidegger, uncovers the basic conditions of human experience and discourse, which have become bent upon technology and jargon in the West. He draws on Plato's account of the 'essence of education' in the Cave Allegory, which underscores human agency in light of tr

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26

Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.

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In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthu

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