Dissertations / Theses: 'Allegria'

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Shen, Jingzhu <1989&gt. "Allegria: proposta di traduzione e commento traduttologico alle poesie di Giuseppe Ungaretti." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6360.

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This thesis focuses on the translation of the poem chosen from the book: L'Allegria of Giuseppe Ungaretti,published in 1931. Giuseppe Ungaretti,one of the most famous Italian poets, had a high reputation in the world. His works are translated in many languages, meanwhile there are very few poems translated in Chinese. The translation literature has a long history in China and has a very important status,and the Italian literature is magnificent, but it has not been paid the corresponding attention by the Chinese readers because of many reasons, but mainly because the linguistic obstacle.

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Červíčková, Pavlína. "Balanchine technique-allegro." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96746.

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Through this Graduation theses, I would like to provide a comprehensive study of one part of the dance technique one of George Balanchine, one of the most famous neo-classical dance choreographer and founder of New York City Ballet. I focused on jump technique which enriched with new components and principles compared to Russian classical dance.

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Mocci, Michael <1991&gt. "Allegoria e figura nel commento all'Eneide di Servio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7538.

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Seitschek, Gisela. "Schöne Lüge und verhüllte Wahrheit : theologische und poetische Allegorie in mittelalterlichen Dichtungen /." Berlin : Duncker & Humblot, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783428128181.

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Králová, Barbora. "Prvky allegra střední etapy výuky osmileté taneční konzervatoře." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253938.

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In my masters thesis I would like to discuss all of Allegro's elements by providing detailed descriptions and methodical knowledge, which is an integral theory of education during 8 years within a dance academy. All information gathered is from the most known methodical books of recognized classical dance teachers. This phase of education includes development and enrichment of battu, batteries and turn about's elements a new jumps. This dissertation should therefore be used as remedial brochure for methodical teaching instruction.

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Kilefors, Jonatan. "Allegori i karaktärsdesign: Ondskans visuella kommunikation." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22293.

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Utifrån en bakgrund i karikatyrens principer, utforskas idén om karaktärsdesign och hur ondska som en allegori kommuniceras i dess visuella attribut. I huvudsak studeras den animerade tv-serien Adventure Times antagonist - The Lich. Strukturalistiskt semiotik används för att se karaktären genom en sammanflätad kontext, innehållande av seriens narrativ, karaktärsdesign och ondska som en allegori för att se vilka tecken som används för att kommunicera allegorin. Det psykologiska konceptet Jungianska arketyper används som förklaringsmodell av ondskans allegorin och The Lich kontrasteras med andra karaktärsexempel från populärfiktion. En diskussion syntetiseras om hur allegori kommuniceras i The Lich likt metaforer. Genom att sammanföra liknelser som kan tolkas utifrån tecken kan kommunikationen överskrida till en allegorisk kommunikation, där enbart kopplingen emellan andra tecken per se kan överföra ett allegoriskt budskap.
From a background in the principles of caricatures, this paper studies about how the allegory of evil is communicated in a character design’s visual attributes. Primarily the animated cartoon series Adventure Time’s antagonist - The Lich – is studied. Structural semiotics is used to view the character from within an intertwined context, containing of the series’ narrative, character design and evil as an allegory to subsequently determine what signs are used to communicate evil. The psychological concept of Jungian archetypes are used to explain the allegory of evil and The Lich is contrasted with other character examples of popular fiction. A discussion is brought fourth how allegory is communicated like metaphors through The Lich’s character design. By putting metaphors that derived from signs together, the communication can transcend to an allegorical communication where only the connection between signs per se transmits an allegorical message.

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Menke, Bettine. "Sprachfiguren : Name, Allegorie, Bild nach Benjamin /." München : W. Fink, 1991. http://catalogue.bnf.fr/ark:/12148/cb36957263x.

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Newiger, Hans-Joachim. "Metapher und Allegorie : Studien zu Aristophanes /." Stuttgart : J. B. Metzler, 2000. http://catalogue.bnf.fr/ark:/12148/cb39078868t.

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Seitschek, Gisela. "Schöne Lüge und verhüllte Wahrheit theologische und poetische Allegorie in mittelalterlichen Dichtungen." Berlin Duncker & Humblot, 2007. http://d-nb.info/99411303X/04.

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Steinhardt-Hirsch, Claudia. "Correggios "Notte" ein Meisterwerk der italienischen Renaissance." München Berlin Dt. Kunstverl, 2005. http://d-nb.info/979992567/04.

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Markert, Lisa Allegra [Verfasser]. "Die Forensische DNA-Phänotypisierung – die erweiterte DNA-Analyse / Lisa Allegra Markert." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1221487205/34.

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Frey, Lara Allegra [Verfasser]. "Das gebrochene Herz. Eine Metapher und ihre Krankheit. / Lara Allegra Frey." Mainz : Universitätsbibliothek der Johannes Gutenberg-Universität Mainz, 2021. http://d-nb.info/1241739552/34.

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Fröhlich, Holger. "Allegro semplice – Eine einfach notierte Nachtmusik." Dr. Holger Fröhlich, 2016. https://slub.qucosa.de/id/qucosa%3A7720.

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Thematisiert ist hier ein Body-Percussion-Arrangement zu 'Eine kleine Nachtmusik' (KV 525, 1. Satz, Ausschnitt). Die verwendete Notation stellt einen Mittelweg zwischen einer intuitiven Spielanweisung und der gebräuchlichen Notenschrift dar. Musikpädagogische Betrachtungen dienen als Untergrund.

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Käbisch, Renate. "Molto Glorioso." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-22944.

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Küster, Konrad. "Formale Aspekte des ersten Allegros in Mozarts Konzerten /." Kassel ; Basel ; London : Bärenreiter, 1991. http://catalogue.bnf.fr/ark:/12148/cb35462148r.

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Allègre, Christian. "Le sourcier de l'Éden : l'esthétique de l'idy : dans l'oeuvre romanesque de Jean Giraudoux /." Thèse, Montréal : Université de Montréal, 1998. http://www.theses.umontreal.ca/theses/pilote/allegre/these.html.

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Thèse (Ph.D.)--Université de Montréal, 1998.
Mode d'accès : Web Genre de fichier informatique: Monographie électronique en format HTML. Titre de l'écran-titre (visionné le 6 nov. 2002) Disponible à partir du catalogue en ligne des thèses soutenues à l'Université de Montréal. CaQTU CaQTU

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Wölfel, Claudia. "Mythos und politische Allegorie auf Tafelsilber der römischen Kaiserzeit." [S.l. : s.n.], 1996. http://www.diss.fu-berlin.de/2002/16/index.html.

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Banschbach, Eggen Renate. "Gleichnis, Allegorie, Metapher : zur Theorie und Praxis der Gleichnisauslegung /." Tübingen : Francke, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2970323&prov=M&dok_var=1&dok_ext=htm.

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Alt, Peter-André. "Begriffsbilder : Studien zur literarischen Allegorie zwischen Opitz und Schiller /." Tübingen : M. Niemeyer, 1995. http://catalogue.bnf.fr/ark:/12148/cb357413632.

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Westerhoff-Sebald, Ingrid. "Der moralisierte Judas : Mittelalterliche Legende, Typologie, Allegorie im Bild /." Frankfurt am Main : Copy-Haus, 1996. http://catalogue.bnf.fr/ark:/12148/cb39126628p.

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Tolley, Rebecca. "Allegra Goodman, Dona Lee Walters, Elizabeth Cook-Lynn, Elizabeth Laura Adams, Kate Simon, Linda Beatrice Brown, Opal Moore, Pearl Cleage, Ruby Dee, Sarah Elizabeth Wright, Zilpha Elaw." Digital Commons @ East Tennessee State University, 2005. https://www.amzn.com/031333059X.

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Book Summary: While other works cover individual ethnic literary traditions, this encyclopedia is the first to offer a comprehensive introduction to the spectacularly diverse range of ethnic American writing. Included are more than 1100 alphabetically arranged entries by more than 300 scholars. While most of the entries are biographical, others cover genres, ethnic stereotypes, seminal works, significant places, major historical events, key pieces of legislation, and various other topics that are part of the context of multiethnic America literature. While some of the writers profiled have international reputations, others are emerging artists. The encyclopedia is accessible to students and general readers, and numerous illustrations enhance its appeal to a broad audience.

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Reidemeister, Johann. "Superbia und Narziss Personifikation und Allegorie in Miniaturen mittelalterlicher Handschriften." Turnhout, Belgium Brepols, 2003. http://deposit.d-nb.de/cgi-bin/dokserv?id=2850401&prov=M&dok_var=1&dok_ext=htm.

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Melin, Pia. "Fåfängans förgänglighet : allegorin som livs- och lärospegel hos Albertus Pictor /." Stockholm : Stockholmia, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1404.

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Goerlandt, Iannis. "Schulen zur Allegorie nationale Bilder in Arno Schmidts utopischer Prosa." Bielefeld Aisthesis-Verl, 2006. http://d-nb.info/987805002/04.

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Minuto, Maria Elena. "Marcel Broodthaers. Lo sguardo e la pratica allegorica nella contemporaneità." Doctoral thesis, Università degli studi di Bergamo, 2016. http://hdl.handle.net/10446/63750.

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Ravani, Alberto <1993&gt. "Ricerche sulla tradizione manoscritta delle Allegorie all'Iliade di Giovanni Tzetze." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14546.

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La tesi ha per oggetto l’esame scientifico - fin qui mai condotto in modo organico - della tradizione manoscritta delle Allegorie all’Iliade di Giovanni Tzetze. Dopo una prima parte introduttiva, destinata a collocare autore ed opera nel loro contesto storico e letterario, si passa ad un’analisi ragionata dei manoscritti che contengono il testo in questione, integralmente o in parte: collazioni mirate proveranno a fornire un’idea dei rapporti fra i testimoni e della storia della tradizione dell'opera. L’indagine sarà poi conclusa da un specimen di edizione critica di qualche gruppo di versi dell’opera, atto a mostrare i progressi che una più approfondita recensio può apportare anche sul piano squisitamente testuale.

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Fumagalli, Chiara. "Mito e allegoria nel racconto di fine millenio - Antonio Tabucchi, Pierre Michon e László Krasznahorkai." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030025.

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À la fin des années 70, lorsqu’on commence à s’interroger autour des changements historico-politiques qui intéressent les deux “moitiés” de l’Europe, la crise du bloc communiste et la fin des idéologies, la référence à la Modernité est inévitable : on discute la crise de la modernité, d’une modernité inaccomplie ou accomplie. Comment est-ce que le paradigme littéraire change en cette “période de mutation”? Comment s’exprime dans la littérature contemporaine la recherche du sens? On assiste, dans le panorama littéraire, au retour du sujet et du besoin anthropologique de la narration, à la fonction du narrateur comme témoin et médiateur d’histoires d’autrui. À travers la narration de récits de vie, des destins “fragmentés”, des biographies réinventées, on peut remarquer l’intention de ressusciter des “marginalia”, des traces oubliées par l’Histoire : on essaie de donner un sens à une vie ou de saisir une vie par le sens, de représenter la quête d’un centre métaphysique par le personnage qui revit le conflit et la dissociation entre “âme et forme”. Ce sont des récits de filiations, ils narrent des relations père-fils, de l’histoire de la faute et de l’origine du pouvoir, mais aussi des vies marginales, des traces de l’histoire et du rôle du narrateur en tant que témoin. Les auteurs ont recours au mythe : on s’interrogera alors sur le sens nouveau de la représentation du mythe dans ces récits en tant qu’interprétation allégorique du contemporain et d’une relation nouvelle au temps ; on questionnera son utilisation en tant qu’allégorie vide et énigmatique
In the late 70s, when one begins to wonder about the historical and political changes regarding the two “halves” of Europe, the crisis of the communist bloc and the end of ideology, the reference to Modernity is inevitable: the crisis of modernity is discussed – a modernity accomplished or unaccomplished. How does the literary paradigm change in this “time of mutation”? How is it expressed the search for meaning in the contemporary literature? We are the witnesses, in the literary scene, of the subject’s return and of the anthropological need of narration (the function of the narrator as a mediator of others’ stories). Through the narration of life stories, “fragmented” destinies, reinvented biographies, we can see the intention of resurrecting the “marginalia”, the traces forgotten by history: we try to give meaning to a life or to grasp a life by meaning, we try to represent the quest for a metaphysical centre through the character reliving the conflict and the dissociation between “soul and forms”. The authors use the myth: we will ask the new meaning of the representation of myth in these stories as an allegorical interpretation of contemporary and a new relationship to time; we will question its use as empty and enigmatic allegory

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Gerrits, Rogier [Verfasser], and Marc [Akademischer Betreuer] Föcking. "Allegorie und Allegorese zwischen Rhetorik und Exegese : Zur interkonfessionellen Transformation der Allegorie in der französischen geistlichen Literatur der Frühen Neuzeit / Rogier Gerrits ; Betreuer: Marc Föcking." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/1208002880/34.

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Börnchen, Stefan. "Kryptenhall Allegorien von Schrift, Stimme und Musik in Thomas Manns "Doktor Faustus"." München Paderborn Fink, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2801415&prov=M&dok_var=1&dok_ext=htm.

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Staneva, Inna. "The Russian Taffanel: the Significance of Vladimir Tsybin and His Concert Allegro No3." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699905/.

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The purpose of this critical essay is to introduce Vladimir Nikolaevich Tsybin to English-speaking readers and flutists, specifically to demonstrate how his Russian identity informed his career, affected his posthumous legacy, and influenced his compositions. The essay is divided into three parts: an outline of his career, a discussion of the pedagogical lineage and techniques he founded, and an analysis of "Russian" elements in one exemplary composition for solo flute, his Concert Allegro No. 3.

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Persson, Åsa. "Konstituerade kön i mytologisk allegori : En diskursiv läsning av Olof Rudbecks Atlantica." Thesis, Umeå universitet, Umeå centrum för genusstudier (UCGS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-67450.

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The intention of this essay is to inquire into the (re-)constitution of gendered/sexed identities in a gothicistic discourse. The used material is the work Atlantica, chapter 5, vol. 2, written by the Swedish historian/Medical professor Olof Rudbeck. I have chosen this chapter for its description of mythological characters relationship with the earth, the sun and the moon. A description based on a concept of strength and reproduction as gendered characteristics. How does gendered subjects positions appear in Rudbecks rewriting of mythology? How can these gendered positions transcend and what are the limits of this transcendence? How can this transcendence be understood in the text? I have used Judith Butlers theories about performativity, gender as a subjection that makes us more or less understandable as humans, constituted by structural frames. I have also used Ernesto Laclau and Chantal Mouffes discourse analysis, both as a theory and a method, to located subjects positions as “the warrior” and ”the reproduction/parenting”. The warrior is coded by a nationalistic thought of a gothic inheritance, a position that is framed with constituted masculinity. Characters described as female can take this position but will still be understood as female. Characters describes as males that fail to stay in this position transcend into a position as females. This transcendence is by Rudbeck described with the term “hermaphrodite” as an allegorical description rather than an actual position.

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De, Gruttola Raissa <1989&gt. ""And the word became Chinese" : Gabriele Allegra and the Chinese catholic Bible: history, process, and translation analysis." Doctoral thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/10304.

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The presence of Christianity in China dates back to the thirteenth century, though, the first complete Catholic Bible in Chinese was published and distributed only in 1968. This version was written by an Italian Franciscan friar, Gabriele Allegra (1907-1976) and a team of Chinese and European collaborators. It was translated between 1935 and 1968, in Beijing and Hong Kong and is known as Sigao Shengjing. Today, the Sigao Shengjing is still the Chinese version used in liturgy and in the official documents of the Chinese speaking Catholics, and it is commonly acknowledged as a good translation. Nevertheless, this translation has hardly been investigated to date. The aim of this dissertation is that of exploring the translation process of the Sigao Shengjing in the historical context in which it was set and to describe the translation method followed. Furthermore, through the textual analysis of chosen passages, the research purpose is to verify to what extent the translation principles were held, and to consider the validity of the Sigao Shengjing today. In order to explore these issues, after a brief review of the existing literature on the topic, the historical background of the first half of the twenty century is presented, taking into account both the history of the Catholic Church in China, and the different attitudes towards biblical translation adopted by the Catholic hierarchies. The life and works of Gabriele Allegra, his team, and the biblical research institute founded in 1945, are exposed through the analysis of the data collected from published and unpublished autograph documents of the friar, kept in an archive in Italy. The textual analysis considers two different editions of the Gospel of John (1957 and 1968), chosen due to the high amount of material personally written by Allegra on it. Appendices with the reproduction of the archive material and the comparison tables support the discussion and analysis of the topic. The concluding account of the contemporary scene of Catholic translations of the Bible in Chinese confirms the importance of the version analyzed and provides input for further research.

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le, Clercq Anton, and Kristoffer Almroth. "Comparison of Rendering Performance Between Multimedia Libraries Allegro, SDL and SFML." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-259756.

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In this report the rendering performances of the multimedia libraries Allegro, SDL and SFML have been compared. Highest performance is achieved by writing code directly to the low level graphical APIs, though it requires much more work than using the multimedia libraries graphical functions built on one of these graphical APIs. Thus it is common to use a multimedia library or similar for visualization tasks. The total number of frames rendered in one second was counted for static, alpha blended, rotating, and moving images in each library. Every test was run with few to very many images, and the programs were tested on six different computers: three laptops with integrated GPUs and low power dual core CPUs, and three desktop computers with external GPUs and quad core CPUs with unlocked clock rate. Allegro performed best of the three on laptops when the image load was very high, but fell behind by up to 50% in all other cases. SDL had the strongest performance on desktop computers, especially when rendering very many images, making it a prime candidate for high load graphical applications on desktops. SFML performed best overall, making it the best choice when targeting a wide range of different machines.
I denna rapport jämförs renderingsprestandan mellan multimediabiblioteken Allegro, SDL och SFML. Den högsta prestandan uppnås genom att skriva kod direkt till en lågnivå-API för grafik, men det kräver mycket mer kod än att använda ett multimediabibliotek. Därför är det vanligt att använda ett multimediabibliotek eller något med liknande funktioner för visualiseringsarbeten. Jämförelsen bestod av att räkna det totala antalet skärmbilder som renderades under en sekund för statiska, semitransparanta, rotarande och rörliga bilder. Varje test kördes med 50 till 10 000 bilder som renderades samtidigt, och programmen testades på sex olika datorer, tre bärbara med integrerade GPUs och tvåkärniga energieffektiva CPUs, och tre stationära med externa GPUs och fyrkärniga CPUs med upplåst klockfrekvens. Allegro presterade bäst på bärbara datorer under en hög belastning, men var upp till 50% sämre i alla övriga tester. SDL presterade bäst på stationära datorer, därför är det ett bra val för krävande grafiska program på stationära datorer. SFML presterade bäst överlag, vilket gör det till det bästa valet för att skapa grafiska program som är tänkta att köras på olika starka datorer.

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Berndtsson, Tim. ""över de märkta i muren inlagda" : En begrundan över språket i Katarina Frostensons Berättelser från dom." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-155411.

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Kopp, Marcus. "En musikalisk djupdykning." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3294.

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När jag första gången hörde Eric Ewazens sonat för trombon och piano blev jag enormt berörd. Jag fascinerades av den vackra harmoniken och tonspråket som Ewazen använder i stycket. Ungefär ett år senare bestämde jag mig för att själv ta mig an sonaten i övningsrummet och min förtjusning till stycket växte ännu mer. Jag blev också intresserad av att undersöka vad det är som gör att jag berörs så mycket av det här stycket. Jag har därför valt att i det här arbetet analysera första satsen ur Ewazens sonat för trombon och piano ur ett musikteoretiskt perspektiv. Jag har valt att analysera den första utav tre satser, då den berört mig mest. I arbetet beskriver jag inlärningsprocessen av stycket, samt de utmaningar det ställt mig inför. Jag vill även ge läsaren en kort beskrivning av vilka uttrycksmöjligheter en trombon har. Det är väsentligt då jag delvis beskriver instuderingsprocessen utifrån instrumentets möjligheter och svårigheter. I min analys har jag använt mig av kunskaper som jag fått från min nuvarande och från tidigare utbildningar. Analysen bygger till stor del på mina personliga upplevelser och skulle därför kunna tolkas annorlunda av andra analytiker. Jag har brutit ner stycket i olika beståndsdelar: teman/ motiv, harmonik och tempon/taktarter. Det jag har kommit fram till efter att ha arbetat med sonatens första sats är att Ewazen ofta överaskar lyssnaren med oväntade harmoniska kast. Detta gör musiken spännande och intressant att lyssna på.

Marcus Kopp - Trombon

Katarina Stöm-Harg - Piano

Sonata för Trombon & Piano - Eric Ewazen

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Neumann, Stepanka. "Stefan Heym - Literat und Dissident auf Lebenszeit biblische Allegorie und der ewige Schriftsteller." Hamburg Kovač, 2008. http://d-nb.info/995048657/04.

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Keating, Corland G. "Validating the OCTAVE Allegro Information Systems Risk Assessment Methodology| A Case Study." Thesis, Nova Southeastern University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3611814.

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An information system (IS) risk assessment is an important part of any successful security management strategy. Risk assessments help organizations to identify mission-critical IS assets and prioritize risk mitigation efforts. Many risk assessment methodologies, however, are complex and can only be completed successfully by highly qualified and experienced security experts. Small-sized organizations, including small-sized colleges and universities, due to their financial constraints and lack of IS security expertise, are challenged to conduct a risk assessment. Therefore, most small-sized colleges and universities do not perform IS risk assessments, which leaves the institution's data vulnerable to security incursions. The negative consequences of a security breach at these institutions can include a decline in the institution's reputation, loss of financial revenue, and exposure to lawsuits.

The goal of this research is to address the challenge of conducting IS risk assessments in small-sized colleges and universities by validating the use of the Operationally Critical Threat, Asset, and Vulnerability Evaluation (OCTAVE) Allegro risk assessment methodology at a small-sized university. OCTAVE Allegro is a streamlined risk assessment method created by Carnegie Mellon University's Software Engineering Institute. OCTAVE Allegro has the ability to provide robust risk assessment results, with a relatively small investment in time and resources, even for those organizations that do not have extensive risk management expertise.

The successful use of OCTAVE Allegro was validated using a case study that documented the process and outcome of conducting a risk assessment at George Fox University (GFU), a small-sized, private university located in Newberg, Oregon. GFU has the typical constraints of other small-sized universities; it has a relatively small information technology staff with limited expertise in conducting IS risk assessments and lacks a dedicated IS risk manager. Nevertheless, OCTAVE Allegro was relatively easy for GFU staff to understand, provided GFU with the ability to document the security requirements of their IS assets, helped to identify and evaluate IS security concerns, and provided an objective way to prioritize IS security projects. Thus, this research validates that OCTAVE Allegro is an appropriate and effective IS risk assessment method for small-sized colleges and universities.

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Keating, Corland Gordon. "Validating the OCTAVE Allegro Information Systems Risk Assessment Methodology: A Case Study." NSUWorks, 2014. http://nsuworks.nova.edu/gscis_etd/192.

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An information system (IS) risk assessment is an important part of any successful security management strategy. Risk assessments help organizations to identify mission-critical IS assets and prioritize risk mitigation efforts. Many risk assessment methodologies, however, are complex and can only be completed successfully by highly qualified and experienced security experts. Small-sized organizations, including small-sized colleges and universities, due to their financial constraints and lack of IS security expertise, are challenged to conduct a risk assessment. Therefore, most small-sized colleges and universities do not perform IS risk assessments, which leaves the institution's data vulnerable to security incursions. The negative consequences of a security breach at these institutions can include a decline in the institution's reputation, loss of financial revenue, and exposure to lawsuits. The goal of this research is to address the challenge of conducting IS risk assessments in small-sized colleges and universities by validating the use of the Operationally Critical Threat, Asset, and Vulnerability Evaluation (OCTAVE) Allegro risk assessment methodology at a small-sized university. OCTAVE Allegro is a streamlined risk assessment method created by Carnegie Mellon University's Software Engineering Institute. OCTAVE Allegro has the ability to provide robust risk assessment results, with a relatively small investment in time and resources, even for those organizations that do not have extensive risk management expertise. The successful use of OCTAVE Allegro was validated using a case study that documented the process and outcome of conducting a risk assessment at George Fox University (GFU), a small-sized, private university located in Newberg, Oregon. GFU has the typical constraints of other small-sized universities; it has a relatively small information technology staff with limited expertise in conducting IS risk assessments and lacks a dedicated IS risk manager. Nevertheless, OCTAVE Allegro was relatively easy for GFU staff to understand, provided GFU with the ability to document the security requirements of their IS assets, helped to identify and evaluate IS security concerns, and provided an objective way to prioritize IS security projects. Thus, this research validates that OCTAVE Allegro is an appropriate and effective IS risk assessment method for small-sized colleges and universities.

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Oliveira, Fernanda Gomes de. "Análise de sinais monocromáticos utilizando dados do detector de ondas gravitacionais ALLEGRO." Instituto Tecnológico de Aeronáutica, 2010. http://www.bd.bibl.ita.br/tde_busca/arquivo.php?codArquivo=1003.

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O presente trabalho foi desenvolvido na busca pela detecção de sinais de ondas gravitacionais monocromáticos utilizando dados do detector ALLEGRO. Fizemos dois procedimentos para análise de dados baseados no método do periodograma de Welch, o qual é um método para detecção de sinais monocromáticos imersos em ruídos. Este método basicamente faz estimativas do espectro de potências utilizando médias dos periodogramas. Dessa forma é possível obter um espectro de potências o qual reforça a presença de picos devidos a sinais monocromáticos. Os dois procedimentos para análise dos dados dos anos 1997 e 1999, focaram em monitorar um pico que aparece na densidade espectral do detector ALLEGRO, chamado de "pico misterioso" (próximo a 887,5 Hz). Procuramos por variações na frequência do pico misterioso que concordassem com a variação devida ao efeito Doppler. Na primeira análise utilizamos os desvios Doppler diário e anual. Para a segunda análise, buscamos somente pela variação do desvio Doppler anual. Aplicamos o periodograma de Welch em ambas análises para os dados crus do detector em busca de um sinal real de onda gravitacional (O.G.), mas somente na segunda análise encontramos alguns picos que podem ser candidatos a radiação gravitacional. Com objetivo de testar o método utilizado nas duas análises, simulamos um sinal de onda gravitacional com modulação Doppler, injetamos nos dados do detector ALLEGRO e recuperamos o sinal artificial com os dois procedimentos para análise dos dados. Portanto, concluímos que ambos os procedimentos são eficientes na procura por sinais monocromáticos.

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Stevens, Daniel Brent. "Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30513/.

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Throughout centuries of great classical music, many viola compositions have been crafted from a wealth of literature for instruments of similar range. Clarinet, violin, and cello concerti and ensemble literature often adapt into challenging literature for the viola. In November 2009, Oxford Music Publishing gave me permission to transcribe and perform the Prelude, Allegro, and Pastorale by Rebecca Clarke in New York's famed Carnegie Hall - Weill Recital Hall. This dissertation explains the process by which I transcribed the Prelude, Allegro, and Pastorale from an original Bb-clarinet/viola duo, to a new arrangement for two violas (approved by Oxford Music Press arrangement license #7007940), and discusses challenges faced throughout the transcription process.

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Zorn, Carsten. "Der Zettelkasten der Gesellschaft : Medientheorie als Gesellschaftstheorie: eine Luhmann-Relektüre." kostenfrei, 2003. http://d-nb.info/989482936/34.

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COUTURIER, STOREY FRANCOISE. ""l'allegorie dans l'oeuvre de margaret atwood et d'angela carter"." Nice, 1997. http://www.theses.fr/1997NICE2019.

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Ce travail de recherche a pour but d'etudier l'allegorie dans l'oeuvre de deux ecrivains anglo-saxons, celle de la canadienne margaret atwood et celle de l'anglaise angela carter (decedee en 1992). Je definit le terme d'allegorie de la facon suivante: il s'agit d'un equilibre de deux forces, du didactique et de la fantaisie (terme qui regroupe tous les discours de l'imaginaire, comme le fantastique, le merveilleux, la science-fiction, l'utopie/dystopie, le gothique, etc. ). La premiere partie de la these analyse l'allegorie comme discours ambivalent, souvent rejete par la critique mais pourtant bien present dans une grande partie de la litterature. Dans cette partie est egalement soulevee la question du rapport entre allegorie et feminisme. La seconde partie analyse l'oeuvre de margaret atwood en relation a l'allegorie, en particulier a travers deux de ses romans, surfacing et the handmaid's tale. Son oeuvre poetique est egalement prise en consideration. La troisieme et derniere partie se penche sur l'oeuvre d'angela carter, en particulier a travers les nouvelles et cinq romans qui illustrent bien l'evolution de la pensee de carter autour de la notion d'allegorie
This piece of research aims at analysing the notion of allegory in the work of two anglo-saxon writers, margaret atwood, a canadian, and angela carter, an englishwoman (who died in 1990). I define the term of allegory as follows: it consists in the balance of two forces, the didactic (the most dogmatic part of a work, the teaching that the author wishes to transmit to the reader through his work of fiction), and fantasy (a notion that brings together all imaginary discourses, such as the fantastic, the marvellous, science-fiction, utopia/dystopia, the gothic, etc. ). The first part of the dissertation analyses allegory as an ambivalent discourse, often rejected by critics but truly present in most works of literature. In this part the link between allegory and feminism is also put under scrutiny. Indeed, we may wonder why a great majority of texts written by women often has an allegorical dimension, dissimulating behind fantasy a polemical discourse of a political, sexual or social nature. The second part analyses the work of margaret atwood in relation to allegory, in particular through two novels, surfacing and the handmaid's tale. Her poems are also taken in consideration. The third and last part studies the work of angela carter, in particular through her short stories and five novels that illustrate the evolution of her thought around allegory: the infernal desire machines of doctor hoffman, the passion of new eve, nights at the circus, heroes and villains, and her last novel wise children

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Seitschek, Gisela [Verfasser]. "Schöne Lüge und verhüllte Wahrheit. : Theologische und poetische Allegorie in mittelalterlichen Dichtungen. / Gisela Seitschek." Berlin : Duncker & Humblot, 2010. http://d-nb.info/1238360505/34.

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Gandolfo, Michela <1976&gt. "Riscritture e canone nel romanzo irlandese contemporaneo. Allegorie della Storia: metanarrative “storiche”, “trasformative” e “globali”." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1137/1/Tesi_Gandolfo_Michela.pdf.

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Gandolfo, Michela <1976&gt. "Riscritture e canone nel romanzo irlandese contemporaneo. Allegorie della Storia: metanarrative “storiche”, “trasformative” e “globali”." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1137/.

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Björgvinsson, Ida. "Metaforiskt narrativ i religiös didaktisk litteratur : - en studie av en religiös föreställningsvärlds struktur och övertygande moment." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-23299.

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Uppsatsen undersöker hur en religiös föreställningsvärld framställs och vill övertyga i den moderna berättelsen Ödehuset av William Paul Young. Detta kontrasteras mot en klassisk berättelse från 1678, Kristens resa av John Bunyan. Analysen utgår från ett narrativt perspektiv där handling, karaktärer och miljö är viktigaste begrepp för att ge metaforerna kontext. I narrativet finns peripetier – vändpunkter – som utgör undervisningen om föreställningsvärlden. Metaforerna kring dessa analyseras utifrån en trestegsmetod som innehåller sortering, generell och kontextuell analys. Metaforerna analyseras också med hjälp av metaforteori om riktningar, jämförelse med objekt, och kulturell prioritering. Resultatet visar en förskjutning i det metaforiska språket som betonar miljön, ”kvinnliga” uttryckssätt, och individualism. Metaforerna kategoriseras i natur och riktning och vill anknyta till det jordnära och till ett positivt växande som har med kärlek och inre mognad att göra. Till skillnad från det äldre metaforspråket är de inte heller så explicit knutna till Bibeln.

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Vetter, Isolde. "Mozarts Nachschrift des Allegrischen «Miserere»: Ein Gedächtnis-‘wunder’?" Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37083.

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Laukka, Lucas, and Carl Fransson. "Cloud risk analysis using OCTAVE Allegro : Identifying and analysing risks of a cloud service." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-176731.

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Cybersecurity is currently an important and relevant issue, as more and more industries are taking advantage of the accessibility of storing information online. To create a secure system one must know the potential risks and attacks on that system, making risk analysis a very potent tool. In this study, we performed such an analysis using the risk analysis method OCTAVE Allegro on a company providing a cloud-based service to find out what risks a cloud service provider might be exposed to, and the usefulness of said risk analysis method in this circumstance. We found that OCTAVE Allegro is suitable to use on smaller companies and applicable to cloud services, and the most severe risks identified were connected to leakage of client data with a consequence of damaging the company's reputation. Common areas of concern for these risks were third parties hacking the cloud server or other company systems to gain access to sensitive information. Such risks will likely be found at any company providing a cloud service that manages sensitive data, increasing the importance of risk analysis at these companies.

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Tax, Ursula [Verfasser]. "Pier Paolo Pasolini und die Allegorie im Film: "Accattone", "Uccellacci e Uccellini" und "Porcile" / Ursula Tax." Berlin : Freie Universität Berlin, 2019. http://d-nb.info/1176631853/34.

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Culatti, Marcella <1972&gt. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/1/culatti_tesi.pdf.

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Dissertations / Theses on the topic 'Allegria'

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