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Relevant bibliographies by topics / Allen Ginsberg

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Academic literature on the topic 'Allen Ginsberg'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Allen Ginsberg"

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Buin, Yves. "Allen Ginsberg." Chimères 31, no. 1 (1997): 61–65. http://dx.doi.org/10.3406/chime.1997.2157.

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Ward, G. "Review: Deliberate Prose: Selected Essays 1952-95. Allen Ginsberg * Allen Ginsberg: Deliberate Prose: Selected Essays 1952-95. Allen Ginsberg." Cambridge Quarterly 30, no. 4 (December 1, 2001): 373–82. http://dx.doi.org/10.1093/camqtly/30.4.373-a.

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Mackenzie, James Alexander. "Light this city: Allen Ginsberg, street art and urban intervention." Journal of Urban Cultural Studies 7, no. 2-3 (September 1, 2020): 157–74. http://dx.doi.org/10.1386/jucs_00023_1.

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This article argues that Beat poet Allen Ginsberg and unauthorized street artists perform a common function in regard to urban intervention. In the first place, they respond to a shared historical context, namely the ruthless shaping of the American urban landscape to obey the logic of capitalism. They also use similar artistic methods to critique this violent process, as I show through a comparative analysis of Ginsberg’s Moloch and the Obey figure designed by street artist Shepard Fairey. In both cases, a monstrous figure is placed within the city to show the urban landscape for what it really is. At the same time, the work of poets such as Ginsberg and various street artists suggests that the city can be redeemed from its fallen state, by representing it as a space where a vast number of potentially liberating behaviours are possible. Furthermore, I will argue that the common function performed by Ginsberg and unauthorized street artists can help explain the mutual reverence that exists between them.

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Amirthanayagam, Indran. "Listening to Allen Ginsberg." New England Review 41, no. 2 (2020): 43–47. http://dx.doi.org/10.1353/ner.2020.0040.

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Ariel, Yaakov. "From a Jewish Communist to a Jewish Buddhist: Allen Ginsberg as a Forerunner of a New American Jew." Religions 10, no. 2 (February 7, 2019): 100. http://dx.doi.org/10.3390/rel10020100.

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The article examines Allen Ginsberg’s cultural and spiritual journeys, and traces the poet’s paths as foreshadowing those of many American Jews of the last generation. Ginsberg was a unique individual, whose choices were very different other men of his era. However, it was larger developments in American society that allowed him to take steps that were virtually unthinkable during his parents’ generation and were novel and daring in his time as well. In his childhood and adolescence, Ginsberg grew up in a Jewish communist home, which combined socialist outlooks with mild Jewish traditionalism. The poet’s move from communism and his search for spirituality started already at Columbia University of the 1940s, and continued throughout his life. Identifying with many of his parents’ values and aspirations, Ginsberg wished to transcend beyond his parents’ Jewish orbit and actively sought to create an inclusive, tolerant, and permissive society where persons such as himself could live and create at ease. He chose elements from the Christian, Jewish, Native-American, Hindu, and Buddhist traditions, weaving them together into an ever-growing cultural and spiritual quilt. The poet never restricted his choices and freedoms to one all-encompassing system of faith or authority. In Ginsberg’s understanding, Buddhism was a universal, non-theistic religion that meshed well with an individualist outlook, and offered personal solace and mindfulness. He and other Jews, who followed his example, have seen no contradiction between practicing Buddhism and Jewish identity and have not sensed any guilt. Their Buddhism has been Western, American, and individualistic in its goals, meshing with other interests and affiliations. In that, Ginsberg served as a model and forerunner to a new kind of Jew, who takes pride in his heritage, but wished to live his life socially, culturally and spiritually in an open and inclusive environment, exploring and enriching herself beyond the Jewish fold. It has become an almost routine Jewish choice, reflecting the values, and aspirations of many in the Jewish community, including those who chose religious venues within the declared framework of the Jewish community.

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Ridwansyah, Randy. "AMBIVALENSI DALAM PUISI “AMERICA” KARYA ALLEN GINSBERG." Metahumaniora 9, no. 3 (December 20, 2019): 405. http://dx.doi.org/10.24198/metahumaniora.v9i3.26866.

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Tulisan ini bertujuan untuk memaparkan struktur yang membangun sikap penutur yang ambivalen dalam puisi berjudul “America” karya Allen Ginsberg. Pembahasan difokuskan pada analisis nada yang, menurut Scholes, merupakan unsur paling penting dalam puisi untuk menentukan sikap penutur. Analisis terhadap nada dalam puisinya melibatkan beberapa perangkat puitis yang meliputi majas, diksi, pencitraan dan struktur kalimat.

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Ridwansyah, Randy. "AMBIVALENSI DALAM PUISI “AMERICA” KARYA ALLEN GINSBERG." Metahumaniora 9, no. 3 (December 20, 2019): 405. http://dx.doi.org/10.24198/mh.v9i3.26866.

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Tulisan ini bertujuan untuk memaparkan struktur yang membangun sikap penutur yang ambivalen dalam puisi berjudul “America” karya Allen Ginsberg. Pembahasan difokuskan pada analisis nada yang, menurut Scholes, merupakan unsur paling penting dalam puisi untuk menentukan sikap penutur. Analisis terhadap nada dalam puisinya melibatkan beberapa perangkat puitis yang meliputi majas, diksi, pencitraan dan struktur kalimat.

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Kolbe, Uwe, and Tony Frazer. "For Allen Ginsberg, Died 5 April 1997." Chicago Review 48, no. 2/3 (2002): 171. http://dx.doi.org/10.2307/25304916.

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Kearful, Frank. "Alimentary Poetics: Robert Lowell and Allen Ginsberg." Partial Answers: Journal of Literature and the History of Ideas 11, no. 1 (2013): 87–108. http://dx.doi.org/10.1353/pan.2013.0006.

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Ward, G. "Review: Screaming with Joy: The Life of Allen Ginsberg * Graham Caveney: Screaming with Joy: The Life of Allen Ginsberg." Cambridge Quarterly 30, no. 4 (December 1, 2001): 373–82. http://dx.doi.org/10.1093/camqtly/30.4.373.

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Dissertations / Theses on the topic "Allen Ginsberg"

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Szendrey, Stephen P. "Queering the Literary Landscape: Allen Ginsberg and Walt Whitman." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275685833.

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Aublet, Anna. "L'oracle en son jardin : William Carlos Williams et Allen Ginsberg." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100083/document.

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La tension analysée par Leo Marx dans son essai The Machine in the Garden: Technology and the Pastoral ideal in America (1964), entre l’Arcadie américaine comme terre de pureté naturelle et le trope de la menace mécanique, sous-tend les œuvres des deux poètes du XXe siècle que nous nous proposons ici d’étudier, William Carlos Williams (1883-1963) et Allen Ginsberg (1926-1997). Leur abondante correspondance est la trace d’une relation poétique mais aussi filiale : Pater-Son, pour jouer sur le titre du long poème de Williams. Cet échange épistolaire vient également remettre en question la périodisation des mouvements littéraires trop souvent conçue comme une série de ruptures. L’état du New Jersey, Garden State, dont ils sont tous deux originaires, jardin dévasté par la révolution industrielle, apparaît comme un terrain fertile au surgissement d’une langue unique et autochtone. Cet espace commun et métamorphique offrira également une échappatoire à l’impasse de la classification des œuvres : du modernisme à la Beat Generation. Il faudra donc revenir sur les délinéaments des tracés cartographiques pour mieux dessiner à notre tour la carte poétique de leur relation littéraire et personnelle. Au gré des passions humaines, extases et tribulations, les poètes arpentent les sillons du vers qu’ils creusent à même le sol de leur New Jersey natal, pour faire sourdre le flot autochtone d’une poésie résolument américaine
The tensions analyzed by Leo Marx in his 1964 essay The Machine in the Garden: Technology and the pastoral ideal in America, between the American Arcadia as a land of original purity and the trope of industrial threat is ghostly present throughout the works of both poets at stake in this dissertation: William Carlos Williams (1883-1963) and Allen Ginsberg (1926-1997). In this research I intend to analyze the processes by which the poets manage to claim ownership of their land in spite of the lurking mechanic apocalypse. Writing, each in his own time, both poets endeavor to reclaim the original historical and spatial meaning of their continent, by devising an autochthonous language that would provide a new “point of view” and a new “point of voice”, as means to prophesy a collective future for the nation from their personal “local” anchorage in their natal New Jersey. Striving to “make a start out of particulars” they intend to escape the vastness of the continent by focusing on the minute details surrounding them in their own garden state. The correspondence between the two poets also questions the periodization of literary movements, too often conceived as a series of breaks and schisms. The Garden State, metamorphic space covered with the remnants of industrialization provides us with a way to break free from the shackles of such categorization : from modernism to the Beat Generation

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Rotando, Matthew Louis. "Embracing Fracture: The Buddhist Poetics of Allen Ginsberg and Norman Fischer." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/228611.

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This dissertation is an exploration of the strain of Buddhist thought and practice running through American Modernism and American Modernist Poetry. I examine the works, both poetic and critical, of two authors, Allen Ginsberg and Norman Fischer. I explore Allen Ginsberg's relationship with Buddhism, as it changed throughout his life, looking at key poems in his early career, such as "Sakyamuni Coming Out of the Mountain," and "The Change: Kyoto to Tokyo Express." I also examine "Howl" in light of Ginsberg's early experiences with Buddhism and other spiritual forms. I consider some of the poetics and politics of "Howl" as an example of the both the poetic space and the mind Ginsberg prepared for his later spiritual and poetic life. I also theorize the connections between the Buddhist attitude that Ginsberg cultivates and the modernism of Ezra Pound, who eschewed Buddhist ideas and terms in his re-working of Ernest Fenollosa's well-known essay, "The Chinese Written Character as a Medium for Poetry." I examine the way Ginsberg considered Pound's Cantos as a model of a mind, in the act of the real work of thinking. I end my treatment of Ginsberg's work with a reading of "Father Death Blues" which Ginsberg considered the "culmination" of his Buddhist training. Looking at Norman Fischer, I focus closely on the Zen aspects of his writing, spending special attention on notions of the koan, as well as things he says (in his Zen lectures and elsewhere) about intersections between Zen mind perception models and models of mind that come via the practices of psychoanalysis. I work to explain how Fischer situates in terms of the L=A=N=G=U=A=G=E poets and other avant-garde poetic movements. I explore how Fischer's innovative style(s) work within his poetic practices in "Praise," an extended journal/diary poem from Precisely The Point Being Made and the Cage/MacLow practices of releasing of ego and agency in writing methods. I also look at how such journal/diary poems compare to other poetic "mind models" within American Modernism. My chapters on Fischer culminate in a discussion, with significant close readings, of his book Success.

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Waggoner, Eliza K. "America Singing Loud: Shifting Representations of American National Identity in Allen Ginsberg and Walt Whitman." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1336052921.

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Bellarsi, Franca. "Confessions of a Western buddhist "Mirror-Mind": Allen Ginsberg as a Poet of the Buddhist "Void"." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211366.

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Rohde-Finnicum, Robyn Renee. "Trapped between graffiti'd walls and sidewalk borders resistance, insistence and changing the shape of things /." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/rohde-finnicum/Rohde-FinnicumR0806.pdf.

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Harma, Tanguy. "From self-destruction to self-creation and back again : the paradox of Thanatos in Jack Kerouac and Allen Ginsberg." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23287/.

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My thesis investigates the antithetical movements of self-destruction and of self-creation in a selection of works by Jack Kerouac and Allen Ginsberg. In order to shed light on this paradox, I use the mythological figure of Thanatos, which is conceptualised as a principle of death within life as well as one of life within death. The figure of Thanatos will enable me to trace the ways in which various strategies in the writings both create, and destroy, the texts on multiple levels. I work with two distinct critical methods to illuminate these paradoxical movements. In the first part of the thesis, the analysis is foregrounded in a combination of French Existentialist theory with precepts from the American Transcendentalist tradition in order to define an American variant of Existentialism. This framework allows the trope of alienation, and its impact on both self and text in Big Sur [1962], to come to the fore. Big Sur is read as a novel that plays on motifs of self-destruction in an unprecedented way in Kerouac’s writing. In ‘Ginsberg’s ‘Howl’ [1956], the figure of Moloch is interpreted as a principle of nothingness in the poem. Moloch is understood in relation to various forms of engagement both Existentialist and transcendental in essence. In Part 2, Kerouac’s Tristessa [1960] is analysed from the perspective of the Kantian Sublime. In Tristessa, the narrator’s desire for the eponymous heroine emanates from the projection of a romanticised form of deathliness that channels the Sublime, and that threatens the self and the text in return, thereby conjuring the paradox of Thanatos.

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Carvalho, Samir Afonso de. "Vislumbres estéticos e mergulhos poéticos em On the Road e Howl: uma viagem histórico-literária por Jack Kerouac e Allen Ginsberg." Universidade Estadual do Oeste do Paraná, 2017. http://tede.unioeste.br/handle/tede/3050.

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Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2017-09-14T18:59:12Z No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5)
Made available in DSpace on 2017-09-14T18:59:12Z (GMT). No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5) Previous issue date: 2017-03-20
The objective of this work is to analyze the aesthetic ideals of two writers of the Beat Generation: Jack Kerouac and Allen Ginsberg. With such an objective in mind, their two main works, On the Road and Howl, respectively, were studied comparatively. Through this study, we tried to delineate the interpretation that each author gives to these ideals they share, showing the divergences of understanding and materialization of such ideals in these two works. Besides, there is a historical trajectory. Firstly, building a strong base for the work, we analyze the historical period in America during the moment of formation of the generation. The historical focus then shifts to the private lives of each author, their cultural and linguistic influences, their intellectual itineraries. From that knowledge, it is also possible to understand the process of formation of the ideals themselves, central theme of this dissertation. We also tried to show how the next generations got hold of the ideals studied here, how the readers interpreted those artistic works in an individual way. From that, the authors’ reaction to this reinterpretation is reflected upon. In other words, this work is a deep survey of the aesthetic ideals of two artists, their formation and perpetuation. The main documents and texts used in the development of the analysis described above were: private journals to trace in time the transition of thoughts on their own artistic practices, letters exchanged between the two artists to demonstrate how their thoughts communicated and diverged in certain aspects, articles from newspapers and magazines to show the reception they had at the time and what others thought of the texts we studied, and biographies to base the text with history fundamentals.
O objetivo do presente trabalho é o de fazer uma análise dos ideais estéticos de dois autores da Beat Generation: Jack Kerouac e Allen Ginsberg. Para tal, empreendeu-se um estudo comparativo das principais obras de cada autor, a saber, On the Road (1957) e “Howl” (1956), respectivamente. Através de tal estudo, pretende-se delinear a interpretação que cada autor dá aos ideais que os dois compartilham, demonstrar as divergências de compreensão e a efetivação dos ideais nessas duas obras. Além do mais, uma trajetória histórica é traçada em alguns sentidos. Primeiramente, com o objetivo de oferecer base para o trabalho, mostra-se o momento histórico vivido nos Estados Unidos durante o período de formação da geração da qual fazer parte os autores. Também é foco de análise histórica a vida particular de cada autor, suas influências culturais e linguísticas, sua trajetória intelectual. A partir de tal conhecimento, é possível compreender também o processo de formação dos ideais estéticos, tema central dessa dissertação. Também se busca demonstrar a apropriação dos ideais estudados pela geração seguinte à dos escritores analisados: a geração leitora que interpretou as obras de maneira particular. A partir disso deseja-se investigar a reação de cada um dos autores para tal reinterpretação. Em outras palavras, trata-se de uma sondagem profunda dos ideais estéticos de dois artistas, sua formação e sua perpetuação. Os principais documentos e textos utilizados para o desenvolvimento da análise acima descrita foram: diários particulares para delinear no tempo as nuances de pensamento sobre suas próprias práticas artísticas, correspondências trocadas entre os autores para demonstrar como os pensamentos dos dois dialogavam e confrontavam um com o outro, artigos de jornais e revistas da época para desvelar a recepção que os autores tiveram e elucubrações diversas sobre os textos estudados, além de biografias para embasar os demais estudos com fundamentação histórica.

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Reynolds, Loni Sophia. "Irrational doorways : religion and spirituality in the work of the Beat Generation." Thesis, University of Roehampton, 2011. https://pure.roehampton.ac.uk/portal/en/studentthesis/irrational-doorways(87396ee2-da59-4758-9d13-dcfefe7a6073).html.

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My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained. They also assert the primacy of the individual—a major American value—in a society which the authors believed to encroach upon individual agency. Ginsberg, Kerouac, and Corso are also strongly influenced by established religious traditions: an aspect of their work that is currently overlooked in Beat criticism. Burroughs’ belief in a magical universe shapes his work. Ginsberg is heavily influenced by the Jewish exegetical tradition. Kerouac and Corso’s work contains Catholic themes. My study rectifies some tendencies in current criticism which I find problematic: a dismissal of the Beats as a countercultural phenomenon rather than a literary movement, a tendency to frame Beat religion and spirituality in vague language, and a tendency to focus solely on Buddhism within the movement. My study illustrates that the Beat authors’ work contains serious religious and spiritual content, that they take part in American religious and literary traditions, and that the authors engage with major social issues of the post-war period.

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Beaulieu, Pierre-Luc. "Transgressing the last frontier : media culture, consumerism, and crises of self-definition in the works of Allen Ginsberg, Don DeLillo, and Chuck Palahniuk." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/26630.

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Ce mémoire de maîtrise démontre la continuité du mythe de la frontière dans la littérature américaine produite après la Seconde Guerre mondiale et il identifie le concept d'hyperréalité de Jean Baudrillard en tant que nouvelle frontière américaine. L’hyperréalité désigne un monde produit par la simulation et le simulacre que la population perçoit comme étant réel. J’analyserai les poèmes « Howl » (1955), « A Supermarket in California » (1955) et « America » (1956) d'Allen Ginsberg ainsi que les romans Mao II de Don DeLillo (1991) et Survivor (1999) de Chuck Palahniuk afin d’expliquer de quelles manières chacune de ces œuvres dénonce le climat socio-culturel qui produit l’hyperréalité et comment, du même coup, celles-ci récupèrent des éléments du mythe de la frontière. L’organisation chronologique des chapitres me permet d’établir que l’hyperréalité a joué le rôle de nouvelle frontière dans la psyché américaine à partir des années 50 jusqu’à la fin des années 90. L’opposition dialectique entre un Ancien Monde corrompu et un Nouveau Monde utopique, un élément fondamental du mythe de la frontière, est au cœur de chacune des œuvres étudiées. De plus, dans chacune d'elles, le ou la protagoniste parvient à redéfinir le sens de sa réalité en traversant la frontière entre l’Ancien et le Nouveau Monde ce qui évoque la fonction d’autodétermination attachée à la frontière. L’argumentaire de ce mémoire repose sur la notion que l'hyperréalité correspond à l’Ancien Monde et que celle-ci voile l’existence possible d’un Nouveau Monde. Dans les œuvres de Ginsberg, DeLillo et Palahniuk que j’ai choisi d’analyser, la société américaine est assujettie à une hyperréalité qui est omniprésente. Dans cet Ancien Monde, la population s’identifie et se définie par rapport à des images et des produits à la fois fabriqués et célébrés par les médias et la culture de masse. Les protagonistes de ces auteurs s’opposent tous à l’idéologie conformiste et déshumanisante de la société de consommation. Je définis ce rejet comme une réactualisation du mythe de la frontière puisqu’il symbolise le passage entre un Vieux Monde hyperréel et un Nouveau Monde. Dans ce nouveau paradigme, les protagonistes de Ginsberg, DeLillo et Palahniuk sont en mesure d’affirmer leur individualité.
This thesis demonstrates the persistence of frontier mythology in post-WWII American literature and identifies Jean Baudrillard’s concept of hyperreality as the new American frontier. Hyperreality designates a world fabricated through simulation and simulacra that people have accepted as real. Through close-reading analyses of Allen Ginsberg’s poems “Howl” (1955), “A Supermarket in California” (1955), and “America” (1956) as well as Don DeLillo’s Mao II (1991) and Chuck Palahniuk`s Survivor (1999), I explain how the critiques of the socio-cultural climate that produces hyperreality present in each of these works recuperate elements of frontier mythology. My chapter organization allows me to establish the persistence of hyperreality as the new frontier in American consciousness from the 1950s to the late 1990s. The dialectical opposition between a corrupt Old World and a utopian New World, which is fundamental to frontier mythology, is central in each the studied works. Also, in each of them, crossing the frontier between the Old and the New World allows the protagonist to re-define the meaning of his/her reality according to his/her vision, which is evocative of the empowering function the frontier. This thesis is founded upon the idea that hyperreality corresponds to the Old World and, as such, that it veils the existence of a possible New World. The American society depicted in Ginsberg’s, DeLillo’s, and Palahniuk’s chosen works is one where hyperreality is omnipresent; in this Old World, individuals identify with images and products both fabricated and celebrated by media and consumer cultures. These authors’ protagonists all oppose the conformist and dehumanizing ideology such cultures endorse. This thesis conceptualizes their rejection as a re-actualization of frontier mythology that symbolizes their passage from the hyperreal Old World to the New World. In this new paradigm, the protagonists can then re-define themselves and their realities based on their own self-determined visions and ideals rather than on those disseminated in media and consumer cultures.

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Books on the topic "Allen Ginsberg"

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Allen Ginsberg. Philadelphia: Chelsea House Publishers, 2005.

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Merrill, Thomas F. Allen Ginsberg. Boston: Twayne Publishers, 1988.

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Allen Ginsberg. London: Reaktion Books, 2012.

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Allen Ginsberg photographs. Altadena, Calif: Twelvetrees Press, 1990.

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Gunn, Thom. Allen Ginsberg: A record. [London: Verlaine-Rimbaud, 1989.

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Allen, Ginsberg. Allen Ginsberg: 108 images. Turin: Umberto Allemandi for Fred Hoffman Fine Art, Santa Monica, California, 1995.

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Portante, Jean. Allen Ginsberg: L'autre Amérique. Bordeaux: Castor astral, 1999.

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Miles, Barry. Allen Ginsberg: Beat poet. London: Virgin, 2010.

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Allen, Ginsberg. The letters of Allen Ginsberg. New York: DaCapo Press, 2008.

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Vono, Augusta. Allen Ginsberg, portais da tradição. São Paulo, Brasil: Massao Ohno, 1986.

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Book chapters on the topic "Allen Ginsberg"

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Rodenberg, Hans-Peter. "Ginsberg, Allen." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5372-1.

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Rodenberg, Hans-Peter. "Allen Ginsberg." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 123–27. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_26.

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Docherty, Brian. "Allen Ginsberg." In American Poetry: The Modernist Ideal, 199–217. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_13.

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Linck, Dirck. "Allen Ginsberg (1926–1997)." In Frauenliebe Männerliebe, 193–97. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_43.

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Diggory, Terence. "Ginsberg, Allen (1926–1997)." In The Palgrave Encyclopedia of Urban Literary Studies, 1–10. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_181-1.

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Rodenberg, Hans-Peter. "Ginsberg, Allen: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5373-1.

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Shechner, Mark. "The Survival of Allen Ginsberg." In The Conversion of the Jews and Other Essays, 60–69. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21020-6_5.

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Eörsi, István. "Howl und Kaddish von Allen Ginsberg." In Mein Jahrhundertbuch, 79–82. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02728-3_26.

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Stevenson, Guy. "Jack Kerouac, Allen Ginsberg and Their Transcendentalist Gloom." In Anti-Humanism in the Counterculture, 59–105. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47760-8_3.

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Larrissy, Edward. "Two American Disciples of Blake: Robert Duncan and Allen Ginsberg." In Blake and Modern Literature, 108–24. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230627444_9.

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Conference papers on the topic "Allen Ginsberg"

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Joko Yulianto, Henrikus. "Performing Ancient Relics as An Evocation of Spiritual and Ecological Awareness in Allen Ginsberg’s “Plutonian Ode” and Gary Snyder’s “Logging 12” & “Logging 14”." In Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.59.

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