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Dissertations / Theses on the topic 'Allen Ginsberg'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Szendrey, Stephen P. "Queering the Literary Landscape: Allen Ginsberg and Walt Whitman." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275685833.

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2

Aublet, Anna. "L'oracle en son jardin : William Carlos Williams et Allen Ginsberg." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100083/document.

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La tension analysée par Leo Marx dans son essai The Machine in the Garden: Technology and the Pastoral ideal in America (1964), entre l’Arcadie américaine comme terre de pureté naturelle et le trope de la menace mécanique, sous-tend les œuvres des deux poètes du XXe siècle que nous nous proposons ici d’étudier, William Carlos Williams (1883-1963) et Allen Ginsberg (1926-1997). Leur abondante correspondance est la trace d’une relation poétique mais aussi filiale : Pater-Son, pour jouer sur le titre du long poème de Williams. Cet échange épistolaire vient également remettre en question la périod

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3

Rotando, Matthew Louis. "Embracing Fracture: The Buddhist Poetics of Allen Ginsberg and Norman Fischer." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/228611.

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This dissertation is an exploration of the strain of Buddhist thought and practice running through American Modernism and American Modernist Poetry. I examine the works, both poetic and critical, of two authors, Allen Ginsberg and Norman Fischer. I explore Allen Ginsberg's relationship with Buddhism, as it changed throughout his life, looking at key poems in his early career, such as "Sakyamuni Coming Out of the Mountain," and "The Change: Kyoto to Tokyo Express." I also examine "Howl" in light of Ginsberg's early experiences with Buddhism and other spiritual forms. I consider some of the poe

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4

Birt, Brad. "Howl(-ing) at America: Foucauldian confession-asresistance in Howl and America by Allen Ginsberg." Thesis, Birt, Brad (2005) Howl(-ing) at America: Foucauldian confession-asresistance in Howl and America by Allen Ginsberg. Honours thesis, Murdoch University, 2005. https://researchrepository.murdoch.edu.au/id/eprint/53847/.

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In this thesis I provide readings of the long poems Howl and America by Allen Ginsberg. Locating the poems in their social, political and cultural context, I argue that Ginsberg is oppressed for his sexuality, drug use, mental fragility, political perspectives and concern for the marginalised. By drawing on notions of power relations, confession and resistance from Foucault’s The history of sexuality, volume one: an introduction, I outline a theoretical framework for the “confession-as-resistance” and argue that through his poetry it is possible for Ginsberg to simultaneously “confess” and “re

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5

Waggoner, Eliza K. "America Singing Loud: Shifting Representations of American National Identity in Allen Ginsberg and Walt Whitman." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1336052921.

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6

Rohde-Finnicum, Robyn Renee. "Trapped between graffiti'd walls and sidewalk borders resistance, insistence and changing the shape of things /." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/rohde-finnicum/Rohde-FinnicumR0806.pdf.

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7

Bellarsi, Franca. "Confessions of a Western buddhist "Mirror-Mind": Allen Ginsberg as a Poet of the Buddhist "Void"." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211366.

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8

Carvalho, Samir Afonso de. "Vislumbres estéticos e mergulhos poéticos em On the Road e Howl: uma viagem histórico-literária por Jack Kerouac e Allen Ginsberg." Universidade Estadual do Oeste do Paraná, 2017. http://tede.unioeste.br/handle/tede/3050.

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Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2017-09-14T18:59:12Z No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5)<br>Made available in DSpace on 2017-09-14T18:59:12Z (GMT). No. of bitstreams: 1 Samir_Carvalho2017.pdf: 1168334 bytes, checksum: c557cbab9c0e473faea9ae923a224291 (MD5) Previous issue date: 2017-03-20<br>The objective of this work is to analyze the aesthetic ideals of two writers of the Beat Generation: Jack Kerouac and Allen Ginsberg. With such an objective in mind, their two main works, On the Road and H

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9

Harma, Tanguy. "From self-destruction to self-creation and back again : the paradox of Thanatos in Jack Kerouac and Allen Ginsberg." Thesis, Goldsmiths College (University of London), 2018. http://research.gold.ac.uk/23287/.

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My thesis investigates the antithetical movements of self-destruction and of self-creation in a selection of works by Jack Kerouac and Allen Ginsberg. In order to shed light on this paradox, I use the mythological figure of Thanatos, which is conceptualised as a principle of death within life as well as one of life within death. The figure of Thanatos will enable me to trace the ways in which various strategies in the writings both create, and destroy, the texts on multiple levels. I work with two distinct critical methods to illuminate these paradoxical movements. In the first part of the the

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10

Reynolds, Loni Sophia. "Irrational doorways : religion and spirituality in the work of the Beat Generation." Thesis, University of Roehampton, 2011. https://pure.roehampton.ac.uk/portal/en/studentthesis/irrational-doorways(87396ee2-da59-4758-9d13-dcfefe7a6073).html.

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My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained. They also assert the

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11

Beaulieu, Pierre-Luc. "Transgressing the last frontier : media culture, consumerism, and crises of self-definition in the works of Allen Ginsberg, Don DeLillo, and Chuck Palahniuk." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/26630.

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Ce mémoire de maîtrise démontre la continuité du mythe de la frontière dans la littérature américaine produite après la Seconde Guerre mondiale et il identifie le concept d'hyperréalité de Jean Baudrillard en tant que nouvelle frontière américaine. L’hyperréalité désigne un monde produit par la simulation et le simulacre que la population perçoit comme étant réel. J’analyserai les poèmes « Howl » (1955), « A Supermarket in California » (1955) et « America » (1956) d'Allen Ginsberg ainsi que les romans Mao II de Don DeLillo (1991) et Survivor (1999) de Chuck Palahniuk afin d’expliquer de quelle

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12

Alabdullah, Nada A. A. "The Beats: The Representation of a Battered Generation." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1398678807.

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13

Pojprasat, Somboon. "The role and treatment of the mind in American Buddhist poetry as depicted in some poems by Gary Snyder, Allen Ginsberg and Philip Whalen." Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685208.

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The fact that American Buddhist poetry has a broad programme of matters and styles is more bewildering than clarifying. Although not apparently contradictory, this genre presents so wide a range of salient Buddhist teachings, such as karma, suffering, impermanence, emptiness and selflessness. In fact, a reader is not only engaged in these various abstruse teachings which intrinsically defy intellectual logic, but is also attuned into the different unconventional poetic prosodies. It is thus even more challenging to understand these poems. In order to equip the reader with pertinent knowledge a

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14

Kronenberg, Simeon Geoffrey. "Love in contemporary American gay male poetry: challenges and expansion in the works of Allen Ginsberg, Thom Gunn, Randall Mann, Eduardo C. Corral, Richard Siken and Jericho Brown." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19725.

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That the gay experience of love is profoundly different from other love experiences is the foundation of this essay and is an idea that will be tested and explored via readings of the works of a group of contemporary American, gay male poets: Allen Ginsberg, Thom Gunn, Randall Mann, Eduardo C. Corral, Richard Siken and Jericho Brown, as flag-bearers of the gay male experience. This paper will investigate the ways in which gay poets view the world, especially in relation to notions of love, and how these are expressed through an identifiable and uniquely gay-male perspective. The research paper

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15

Perrot, Mathieu. "Poésie et ethnographie : des marges du surréalisme à la Beat Generation (autour de Michaux, Césaire et Ginsberg)." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100060.

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L’ethnographie, dans la première moitié du XXe siècle, a influencé l’écriture des poètes surréalistes, ou proches du mouvement de Breton, et ceux de la Beat Generation. Comme les ethnographes, Michaux, Césaire et Ginsberg ont rejeté la tentation de l’exotisme, et ont tenté, chacun à leur façon, de décrire des phénomènes culturels, de chercher “l’âme” d’un peuple, et de “traduire le monde” par la poésie. Nourris de lectures ethnographiques, ils ont voyagé, utilisé des documents dans leurs journaux et leurs poèmes, et ils ont exploré des cultures différentes à partir des marges sociales. Inspiré

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16

Matrau, Alice. "Peuples allemand et américain des années 1945-1960 : regards croisés entre poésie et photographie. Comment toucher le nerf d’une époque ? René Burri, Les Allemands ; Hans Magnus Enzensberger, Landessprache ; Robert Frank, Les Américains ; Allen Ginsberg, Howl and other poems." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030063.

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Dans une Allemagne détruite et divisée qui tente de faire face à son passé nazi, et dans une Amérique aux prises avec le maccarthysme et la guerre froide, quatre jeunes poètes et photographes scrutent les soubresauts de l’histoire. René Burri dans Les Allemands, Hans Magnus Enzensberger dans Landessprache, Robert Frank dans Les Américains, et Allen Ginsberg dans Howl and other poems se font les consciences de leur époque. Ils conçoivent leur pratique artistique comme l’exercice d’une essentielle critique face à un ordre social établi qui ne l’autorise guère. A travers mots et images, ils passe

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17

Rumsey, Lacy Martin. "Rhythm & intonation in free verse form : an assessment of the contributions of phonetics, focus-to-accent theory and literary history to the understanding of nonmetrical poetry, with readings in the work of William Carlos Williams, Allen Ginsberg and Jack Kerouac." Thesis, King's College London (University of London), 2000. https://kclpure.kcl.ac.uk/portal/en/theses/rhythm-and-intonation-in-free-verse-form--an-assessment-of-the-contributions-of-phonetics-focustoaccent-theory-and-literary-history-to-the-understanding-of-nonmetrical-poetry-with-readings-in-the-work-of-william-carlos-williams-allen-ginsberg-and-ja(0a9e2904-206d-46ab-86da-8249cec90fc2).html.

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18

Dufourg, Frédéric. "Le voyage comme quête d'absolu chez quelques autres contemporains." Bordeaux 3, 1995. http://www.theses.fr/1995BOR30028.

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Des auteurs representatifs chacun d'une tendance et tous de la meme generation, francois-rene daillie, allen ginsberg, claude pelieu et kenneth white ecrivent des oeuvres ou le voyage tient une grande part. Si ces auteurs expriment des tendances distinctes, ils s'apparentent neanmoins par leurs influences en rejetant le rationalisme productiviste gerant notre vision de l'espace. Les oeuvres de certains refletent le malaise des annees 60 et 70 qui predispose au voyage et repandent des idees sur l'ecologie, la liberation sexuelle, sur la societe de consommation et critiquent une politique qu'ils

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19

Brito, João Luiz Teixeira de. "Poética beat no cinema: “Howl” e On the road." www.teses.ufc.br, 2015. http://www.repositorio.ufc.br/handle/riufc/12650.

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BRITO, João Luiz Teixeira de. Poética beat no cinema: “Howl” e On the road. 2015. 228f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2015.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-06-08T11:16:58Z No. of bitstreams: 1 2015_dis_jltbrito.pdf: 3466253 bytes, checksum: 20edd3103d946df889c4ffe55c09431e (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-06-08T12:59:14Z (GMT) No. of bitstreams: 1 2015_dis_jltbrito.pdf: 3466253 bytes, checksum: 20edd3103d946df8

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20

Walker, Luke. "William Blake in the 1960s : counterculture and radical reception." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53244/.

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The study begins with an account of Blake, as voiced by Allen Ginsberg, taking part in a key Sixties anti-war protest, and goes on to examine some theoretical aspects of Blake's relationship with the Sixties. In Chapter One, I explore the relationship between ‘popular Blake', ‘academic Blake', and ‘countercultural Blake'. The chapter seeks to provide a revisionist account of the relationship between Blake's Sixties popularity and his earlier reception, suggesting that all three elements of Blake's Sixties reception – popular, academic and countercultural – have long been intertwined, and conti

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21

Jacob, François. "La beat generation : à la croisée des chemins de l'art et de la littérature (1944-1975)." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10149.

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Cette étude explore les relations entre la "Beat Generation" et l'art. Elle se penche principalement sur les oeuvres plastiques de William S. Burroughs (1914-1997), Jack Kerouac (1922-1969) et Allen Ginsberg (1926-1997). La période choisie pour cette recherche débute en 1944 et se poursuit jusqu'en 1975, c'est-à-dire de la formation du groupe à la fin de l'idée de contre-culture. L'analyse ne se limite pas à la constatation d'un va-et-vient entre le mot et l'image, mais démontre que les écrivains de la "Beat Generation" sont en prise direct avec l'art de l'époque et vont explorer toutes les te

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22

"Visões da América: A política Beat de Allen Ginsberg." Tese, Biblioteca Digital da PUC-SP, 2005. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=1808.

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23

Kotze, Haidee. "Beat poetry and the twentieth century, Allen Ginsberg / Haidee Kotze." Thesis, 1999. http://hdl.handle.net/10394/16307.

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This dissertation investigates Allen Ginsberg's Beat poetry within the framework of twentieth-century literary developments, from modernism to postmodernism. It is argued that Beat writing is founded on a rejection of the detached, intellectual and formal nature of the high modernism which came to be institutionalised in the American literary practice of the 1950s. Beat poetry rejects this tradition in favour of an eclectic assemblage of ideas which may, either through direct influence or through parallel development, be linked to certain avant-garde modernist movements. All of these movements

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24

"Visions of enlightenment: aspects of Buddhism in Jack Kerouac, Allen Ginsberg and Gary Snyder." 2011. http://library.cuhk.edu.hk/record=b5894698.

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Chan, Tsz Shan.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2011.<br>Includes bibliographical references (leaves 100-102).<br>Abstracts in English and Chinese.<br>Introduction --- p.1<br>Chapter 1. --- Jack Kerouac and the Concept of Emptiness --- p.20<br>Chapter 2. --- Gary Snyder and Autonomous Nature --- p.43<br>Chapter 3. --- Ginsberg and the Sunyata Consciousness --- p.70<br>Conclusion --- p.95<br>Bibliography --- p.100

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25

Grenier, Philippe. "Le cri poétique : "Howl" d’Allen Ginsberg dans le contexte de la révolution Beat." Thèse, 2014. http://hdl.handle.net/1866/11964.

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Ce mémoire s’intéresse aux transformations littéraires et poétiques mises en œuvre par le mouvement de la Beat Generation au milieu du vingtième siècle en Amérique du Nord. En me penchant sur le recueil de poésie « Howl and Other Poems » du poète Allen Ginsberg, le texte emblématique de cette révolution littéraire, je montre comment le mouvement des Beats représente une transformation dans la tradition littéraire et poétique américaine, occidentale, en ce qui concerne à la fois la forme, les sujets abordés et la pratique d’écriture. Dans un premier temps, j’étudie l’histoire de ces changements

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26

Eliáš, Petr. "Jan Zábrana - překladatel a básník. Inspirace beatnckou poezií a její překlady." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-311126.

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The diploma thesis Jan Zábrana, translator and poet - translating poetry while inspired by it? examines the relationship between the original works of Jan Zábrana and his translations, taking into account the similar thematic and formal inclinations of all the authors and the sociocultural context, preventing Jan Zábrana from publishing his own poetry. Based on the analysis of three variants of Zábrana's poem collections Utkvělé černé ikony, Stránky z deníku and Samosoud and his translations of poems by Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso and Kenneth Patchen, the thesis aims a

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27

Jen, Chien Shu, and 錢淑真. "Postmodernism in Allen Ginsberg's Poetry." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/42764509557727369780.

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碩士<br>中國文化大學<br>英國語文學研究所<br>88<br>ABSTRACT This thesis attempts to present and discuss the Postmodernism in the poetry of Allen Ginsberg (1926-1997) and his avant-garde poetics. These postmodern characteristics are reflected in the theories of twenty postmodern critics. Among the thirty postmodern characteristics of Allen Ginsberg’s poetry, eleven of them are deconstructive. The deconstructive postmodern characteristics include qualities that are indeterminate, discontinued, negative, exhausted and depthless; while the nineteen reconstructive ones include qualities that are

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28

Longo, Maria Luisa. "L`India nell`immaginario occidentale." Thèse, 2010. http://hdl.handle.net/1866/4575.

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L`Inde a constitué un lieu de voyage pour beaucoup d`écrivains occidentaux, en particulier, pendant les années 60-70, pour cinq intelllectuels éuropéens et americains, qui ont voyagé et écrit différents textes. Pasolini, Moravia, Paz, Ginsberg et Duras ont parlé de l`Inde en utilisant différents languages pour décrire leur réncontre avec l`Autre au délà des catégories binaires occidentales.<br>India in the 60 and 70 has been the destination of the journey of five European and American writers who have stayed and wrote about it. Pasolini, Moravia, Ginsberg, Paz and Duras wrote of India using di

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Longo, Maria Luisa. "L'India nell'immaginario occidentale." Thèse, 2010. http://hdl.handle.net/1866/4575.

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L'Inde a constitué un lieu de voyage pour beaucoup d`écrivains occidentaux, en particulier, pendant les années 60-70, pour cinq intelllectuels éuropéens et americains, qui ont voyagé et écrit différents textes. Pasolini, Moravia, Paz, Ginsberg et Duras ont parlé de l'Inde en utilisant différents languages pour décrire leur réncontre avec l'Autre au délà des catégories binaires occidentales.<br>India in the 60 and 70 has been the destination of the journey of five European and American writers who have stayed and wrote about it. Pasolini, Moravia, Ginsberg, Paz and Duras wrote of India using di

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