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Journal articles on the topic 'Allen Ginsberg'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Mortuza, Shamsad. "Allen Ginsberg’s Blake Vision." Crossings: A Journal of English Studies 6 (December 1, 2015): 65–69. http://dx.doi.org/10.59817/cjes.v6i.190.

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Allen Ginsberg famously had an auditory hallucination after reading William Blake’s “Ah Sunflower,” “Little Girl Lost,” and “Sick Rose.” He was at Columbia University when he had this “Blake Vision” in the 1940s. Around this time, he befriended William S. Burroughs, Neal Cassady, and Jack Kerouac and started a poetic circuit called “New Vision.” Members of this group eventually contributed to the emergence of the Beat movement. The purpose of this paper is to identify the mutual influence of these writers who eventually forged a community and looked for new poetic language and expression. Whil

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2

Buin, Yves. "Allen Ginsberg." Chimères 31, no. 1 (1997): 61–65. http://dx.doi.org/10.3406/chime.1997.2157.

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Buin, Yves. "Allen Ginsberg." Chimères N° 31, no. 2 (1997): 61–65. http://dx.doi.org/10.3917/chime.031.0061.

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4

Zhang, Yiyin. "The Analysis of the Social Origin for the death of subject in Allen Ginsbergs Howl through the Cultural turn of Fredric Jameson." Communications in Humanities Research 2, no. 1 (2023): 526–32. http://dx.doi.org/10.54254/2753-7064/2/2022601.

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The post-modernist creations after World War Two were always argumentative. The beats generation such like Allen Ginsberg who sparked ideas but lost in the chaotic social order at the same time during this post-war period, which trigger the exploration of the subjectivity in their works. Based on the claim in Jamesons theory the cultural turn, Allen Ginsberg and his generation was in a situation of death of subject which only call for the common social utopia but ignore the individualistic sense. Under this framework, this essay discusses the origins of the death of subject in Allen Ginsbergs

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5

Mackenzie, James Alexander. "Light this city: Allen Ginsberg, street art and urban intervention." Journal of Urban Cultural Studies 7, no. 2-3 (2020): 157–74. http://dx.doi.org/10.1386/jucs_00023_1.

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This article argues that Beat poet Allen Ginsberg and unauthorized street artists perform a common function in regard to urban intervention. In the first place, they respond to a shared historical context, namely the ruthless shaping of the American urban landscape to obey the logic of capitalism. They also use similar artistic methods to critique this violent process, as I show through a comparative analysis of Ginsberg’s Moloch and the Obey figure designed by street artist Shepard Fairey. In both cases, a monstrous figure is placed within the city to show the urban landscape for what it real

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6

Ward, G. "Review: Deliberate Prose: Selected Essays 1952-95. Allen Ginsberg * Allen Ginsberg: Deliberate Prose: Selected Essays 1952-95. Allen Ginsberg." Cambridge Quarterly 30, no. 4 (2001): 373–82. http://dx.doi.org/10.1093/camqtly/30.4.373-a.

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7

Amirthanayagam, Indran. "Listening to Allen Ginsberg." New England Review 41, no. 2 (2020): 43–47. http://dx.doi.org/10.1353/ner.2020.0040.

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8

Apprill, Olivier. "Prière pour Allen Ginsberg." Chimères N° 31, no. 2 (1997): 66. http://dx.doi.org/10.3917/chime.031.0066.

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9

Ali, Ali Hussein. "Howl: The Beat Generation's Battle Roar Anti Obedience and Repression." International Journal of Language and Literary Studies 7, no. 1 (2025): 289–310. https://doi.org/10.36892/ijlls.v7i1.2018.

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In 1955, Allen Ginsberg, a budding poet disillusioned by the prevailing materialism and societal conformity in post-World War II America, constructed his ground-breaking piece "Howl," a watershed moment that catalysed the emergence of the Beat movement. This paper offers a scholarly examination of "Howl," meticulously dissecting its literary merits, structural innovations, and thematic preoccupations. Drawing upon historical and cultural analyses, it probes the socio-political landscape of the 1950s, elucidating the pressures and tensions that propelled Ginsberg and his contemporaries to subve

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10

Ariel, Yaakov. "From a Jewish Communist to a Jewish Buddhist: Allen Ginsberg as a Forerunner of a New American Jew." Religions 10, no. 2 (2019): 100. http://dx.doi.org/10.3390/rel10020100.

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The article examines Allen Ginsberg’s cultural and spiritual journeys, and traces the poet’s paths as foreshadowing those of many American Jews of the last generation. Ginsberg was a unique individual, whose choices were very different other men of his era. However, it was larger developments in American society that allowed him to take steps that were virtually unthinkable during his parents’ generation and were novel and daring in his time as well. In his childhood and adolescence, Ginsberg grew up in a Jewish communist home, which combined socialist outlooks with mild Jewish traditionalism.

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11

Loeb, Hannah. "“What came is gone forever every time”: Embedded Pentameter and Loss in Allen Ginsberg’s “Kaddish”." Style 58, no. 2 (2024): 171–89. http://dx.doi.org/10.5325/style.58.2.0171.

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ABSTRACT Through a reading of “embedded pentameter” in “Kaddish,” Allen Ginsberg’s profane, anguished elegy for his mother Naomi, this article asks what a scansion-forward approach to ostensibly non-metrical poetry can reveal about its emotional stakes. Ginsberg was vocal about his principled aversion to the iamb, but the article proves that, in the poem, he gains affective traction by incorporating discrete units of iambic pentameter into longer lines that intermix culturally meaningful rhythmic codes. Engaging the ghost meter metaphor in its theorization of elegy, the article explores the af

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12

Sabbadin, Elisa. "Mind, Heart, and Breath: Embodiment in Allen Ginsberg’s Long-Lined Poetry." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 32 (November 24, 2023): 53–74. http://dx.doi.org/10.35869/afial.v0i32.4500.

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This paper explores Allen Ginsberg’s poetry through the lens of embodiment and corporeality. It shows how, in Ginsberg’s poems, the relationship between the physical and the formal is incredibly tight: indeed, the two often coincide. This paper considers two remarkable examples of embodiment: Kaddish (1961) and poems from Mind Breaths (1977). In Kaddish, physical embodiment is embedded in the poetic verse through the representation of female grotesque physicality. This reflects formally, as the line itself leaks in length and unraveling, reflecting unboundedness and fluidity. In poems from Min

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13

Nascimento Carneiro, Pedro Lucas, and Manoel Barreto Júnior. "DESOBEDIÊNCIAS ESTÉTICAS E RECONFIGURAÇÕES DOS MODOS DE VIDA: NOTAS DO UIVO POÉTICO DE ALLEN GINSBERG." Missangas: Estudos em Literatura e Linguística 4, no. 7 (2023): 73–89. https://doi.org/10.53500/missangas.v3i7.16550.

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A proposição desse estudo orbita em refletir como a expressão lírica dos versos de Irwin Allen Ginsberg (1926-1997), se apropriam de desobediências estéticas, de modo a traduzir, através da potencialidade de sua poética visceral, o lento e contínuo processo de antropomorfização. Para tanto, o desenvolvimento desse projeto se fez através da metodologia de pesquisa e análise bibliográfico documental em articulação com os métodos da literatura comparada. Sob esta perspectiva, foram privilegiadas as leituras e análises contextuais dos poemas representativos de Allen Ginsberg que empenham traços qu

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14

Ridwansyah, Randy. "AMBIVALENSI DALAM PUISI “AMERICA” KARYA ALLEN GINSBERG." Metahumaniora 9, no. 3 (2019): 405. http://dx.doi.org/10.24198/metahumaniora.v9i3.26866.

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Tulisan ini bertujuan untuk memaparkan struktur yang membangun sikap penutur yang ambivalen dalam puisi berjudul “America” karya Allen Ginsberg. Pembahasan difokuskan pada analisis nada yang, menurut Scholes, merupakan unsur paling penting dalam puisi untuk menentukan sikap penutur. Analisis terhadap nada dalam puisinya melibatkan beberapa perangkat puitis yang meliputi majas, diksi, pencitraan dan struktur kalimat.

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Ridwansyah, Randy. "AMBIVALENSI DALAM PUISI “AMERICA” KARYA ALLEN GINSBERG." Metahumaniora 9, no. 3 (2019): 405. http://dx.doi.org/10.24198/mh.v9i3.26866.

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Tulisan ini bertujuan untuk memaparkan struktur yang membangun sikap penutur yang ambivalen dalam puisi berjudul “America” karya Allen Ginsberg. Pembahasan difokuskan pada analisis nada yang, menurut Scholes, merupakan unsur paling penting dalam puisi untuk menentukan sikap penutur. Analisis terhadap nada dalam puisinya melibatkan beberapa perangkat puitis yang meliputi majas, diksi, pencitraan dan struktur kalimat.

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16

Kolbe, Uwe, and Tony Frazer. "For Allen Ginsberg, Died 5 April 1997." Chicago Review 48, no. 2/3 (2002): 171. http://dx.doi.org/10.2307/25304916.

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17

Kearful, Frank. "Alimentary Poetics: Robert Lowell and Allen Ginsberg." Partial Answers: Journal of Literature and the History of Ideas 11, no. 1 (2013): 87–108. http://dx.doi.org/10.1353/pan.2013.0006.

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18

Liu, Anastasia. "Drugs as Creation and Destruction to Ginsberg: Focusing on His Poetry and Life." BCP Social Sciences & Humanities 20 (October 18, 2022): 491–98. http://dx.doi.org/10.54691/bcpssh.v20i.2364.

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Drugs both heal and destroy the human body and mind. Illegal drugs such as heroin, LSD, cocaine and marijuana were often celebrated as means to literary insight. In the 1960s drugs were used by the Beat writers, notably Allen Ginsberg, who referred to them in his poetry as a means to both political and spiritual insight. However, drugs also proved to be a dangerous and destructive addiction. This paper traces the awareness of the power of drugs in Ginsberg’s poetry creation, political stance and spiritual transcendence as well as the introspection of drugs in his late years.

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19

Dash, Netrananda, and Khagendra Sethi. "Allen Ginsberg's Poetry As Criticism Against Materialism." Innovation The Research Concept 9, no. 1 (2024): E 104 — E 107. https://doi.org/10.5281/zenodo.10754387.

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This paper has been published in Peer-reviewed International Journal "Innovation The Research Concept"                  URL : https://www.socialresearchfoundation.com/new/publish-journal.php?editID=8672 Publisher : Social Research Foundation, Kanpur (SRF International)                  Abstract : The cultural revolution of the 1960s, with its sexual hedonism, ubiquitous drug use and pseudo spirituality has permanently marred the fabric of American Life. Allen Ginsbe

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20

Amir, Baradaran M. A., and Ghahreman Ph.D Omid. "The Post-Structuralist Repositioning of Allen Ginsberg's Controversial Poem "Howl": A Deconstructive Approach." International Journal of Social Science and Human Research 04, no. 05 (2021): 1028–34. https://doi.org/10.47191/ijsshr/v4-i5-17.

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Allen Ginsberg’s poems with their paradoxical language and syntax are a literary commentary on anger, hopelessness and frustration of the American society in the 1950s. His poems work on the binary concept of this culture versus counter-culture and try to portray a suitable diatribe on the cultural issues which were disgusting in Ginsberg’s mind. The present study looks for potentially malfunctioning sections of the language of his masterpiece “Howl” in order to argue that although attempted by the poet, there might be no organic unified without showing susceptibility t

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21

Ward, G. "Review: Screaming with Joy: The Life of Allen Ginsberg * Graham Caveney: Screaming with Joy: The Life of Allen Ginsberg." Cambridge Quarterly 30, no. 4 (2001): 373–82. http://dx.doi.org/10.1093/camqtly/30.4.373.

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22

Dash, Netrananda, and Khagendra Sethi. "The Blake Vision in Ginsberg." Anthology The Research 8, no. 11 (2024): E 44 — E 46. https://doi.org/10.5281/zenodo.10755231.

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This paper has been published in Peer-reviewed International Journal "Anthology The Research"                URL : https://www.socialresearchfoundation.com/new/publish-journal.php?editID=8673 Publisher : Social Research Foundation, Kanpur (SRF International)                  Abstract :  Allen Ginsberg was influenced by Blake’s ideas which subsequently guided him in his new poetic formation. Liberation of both mind and body wa

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23

Wen, Xu. "On the Historical Narrative and Satirical Language in “Wichita Vortex Sutra” by Allen Ginsberg." Journal of Literature and Arts Research 2, no. 1 (2025): 73–79. https://doi.org/10.71222/37eyx959.

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Existing scholarship usually situates Allen Ginsberg’s iconic role as a countercultural poet, while few studies have examined him as a historical chronicler of the 1950s onwards, focusing on historical interpretations and irratio focusingnal narratives that appear in his poems. This study, then, examines the historical interpretive strategies employed in the narrative discourses on irrtionalism, counterculture, anti-war, post-industrial civilization and so on involved in “Wichita Vortex Sutra”. Specifically, it investigates satirical language as a kind of interpretive emplotment function to pr

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24

Calvo Carilla, José Luis. "Sobre el "Aullido" de Ginsberg y el grito de Miguel Labordeta." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 7 (October 18, 2020): 60–74. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.202074652.

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Este artículo estudia los vínculos entre el poeta de la Beat Generation Allen Ginsberg y la poesía española de los años sesenta, atendiendo sobre todo al papel que jugaron en ella los poetas Carlos Edmundo de Ory y Miguel Labordeta.

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25

Ferrere, Alexandre. "Creative Environments: The Geo-Poetics of Allen Ginsberg." Humanities 9, no. 3 (2020): 101. http://dx.doi.org/10.3390/h9030101.

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As was the case for other writers from the Beat Generation, geography is more than simply a setting for Allen Ginsberg’s work, as his poetry also bears the imprint of the influence of the landscapes through which he traveled in his mind and poetic practice. In the 1950s, the same decade which saw the composition of Ginsberg’s Howl, Guy Debord and his followers developed the concept of “psychogeography” and “dérive” to analyze the influence of landscapes on one’s mind. The Debordian concept of psychogeography implies then that an objective world can have unknown and subjective consequences. Ins

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26

Quinn, Justin. "Coteries, Landscape and the Sublime in Allen Ginsberg." Journal of Modern Literature 27, no. 1-2 (2003): 193–206. http://dx.doi.org/10.2979/jml.2003.27.1-2.193.

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27

Hartman, Anne. "Confessional Counterpublics in Frank O'Hara and Allen Ginsberg." Journal of Modern Literature 28, no. 4 (2005): 40–56. http://dx.doi.org/10.2979/jml.2005.28.4.40.

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28

Aisyah, Aisyah, Dahlia D. Moelier, and Asyrafunnisa Asyrafunnisa. "Rebellion In The Poem Howl By Allen Ginsberg." Humaniora: Journal of Linguistics, Literature, and Education 1, no. 2 (2021): 134–39. http://dx.doi.org/10.56326/jlle.v1i2.1354.

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This research aims to analyze the types of rebellion principle used and how the rebellion portrayed used in the poem Howl by Allen Gisnberg. The data source used in this research is the poem Howl. In analyzing the data, the writer used a qualitative descriptive research method through a sociological approach. The data were obtained by using reading, collecting, and analyzing techniques and to classify the types of rebellion principle in the poem by Jhon Lewis Gillin and Jhon Philip Gillin’s theory. The result of this research were 26 data that contain types of rebellion principle where 7 data

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29

Quinn, Justin. "Coteries, Landscape and the Sublime in Allen Ginsberg." Journal of Modern Literature 27, no. 1 (2003): 193–206. http://dx.doi.org/10.1353/jml.2004.0064.

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30

Hartman, Anne. "Confessional Counterpublics in Frank O'Hara and Allen Ginsberg." Journal of Modern Literature 28, no. 4 (2005): 40–56. http://dx.doi.org/10.1353/jml.2005.0053.

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31

Ann K. Hoff. "The Letters of Allen Ginsberg (review)." Biography 32, no. 3 (2009): 553–56. http://dx.doi.org/10.1353/bio.0.0119.

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32

Steel, Conrad. "Standard Forms: Modernism, Market Research, and “Howl”." Twentieth Century Literature 69, no. 3 (2023): 245–70. http://dx.doi.org/10.1215/0041462x-10814800.

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Before he was a famous poet, Allen Ginsberg was a market researcher. He stopped only when he managed to persuade his employer to automate his job out of existence (using one of the commercial computers that had first become available four years earlier); the resultant unemployment benefits enabled him to write “Howl.” This article reconsiders this iconic text of the nascent US counterculture as a product of the postwar structures of informatics, automation, and precarity that are sometimes now referred to as surveillance capitalism. But it also asks what relation those structures had and have

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33

Mortenson, Erik. "High Off the Page." Janus Head 7, no. 1 (2004): 54–72. http://dx.doi.org/10.5840/jh20047137.

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This article explores attempts by Jack Kerouac and Allen Ginsberg to transcribe their drug experiences onto the written page. Utilizing both Maurice Merleau-Ponty’s work on intersubjective communication and Gilles Deleuze and Felix Guattari’s conception of the “Body Without Organs,” it argues that by writing “through the body,” Kerouac and Ginsberg are able to transmit the physical and emotional effects of the drug experience to the reader via the medium of the text. The reader thus receives not just an objective account of the drug experience, but becomes privy to the alterations in temporal

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34

Das, Arunav. "Migration and Refugee Crisis in Poetry: Birth of Bangladesh." International Journal of English Literature and Social Sciences 8, no. 2 (2023): 041–45. http://dx.doi.org/10.22161/ijels.82.6.

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This study will focus on the refugee crisis and migration due to the idea of nationalism in the poetry of Jibanananda Das’s “1946-47” and Allen Ginsberg’s “September on Jessore Road.”. There is an affinity between the experiences of the two poets. Das’s “1946-47” theme focuses on the refugee crisis and communal violence during the subcontinent's partition in 1947. On the other hand, Ginsberg experienced the refugee crisis on his travels to India during the liberation war of Bangladesh in 1971. His famous poem “September on Jessore Road” describes the suffering of the refugees due to the genoci

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35

Ferris, William R. "Trading Verses: James "Son Ford" Thomas and Allen Ginsberg." Southern Cultures 19, no. 1 (2013): 53–60. http://dx.doi.org/10.1353/scu.2013.0005.

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36

Liu, Anastasia. "Off with Fictional Persona: Confessional Strain of Allen Ginsberg." Education Journal 6, no. 2 (2023): 127. http://dx.doi.org/10.31058/j.edu.2023.62014.

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37

Xu, Wen. "Tropological Modes and Projected Images in The Fall of America." BCP Social Sciences & Humanities 23 (December 31, 2024): 74–80. https://doi.org/10.54691/70s8s510.

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The Fall of America: Poems of These States, 1965–1971 (1973) is a collection of poems composed by Allen Ginsberg during his drive cross-country tour of America, for which he shared the U.S. National Book Award for Poetry. In these lines, the American landscapes, situation and his experiences and observations of the social and political turmoil during the 1960s and early 1970s are described with vivid and striking details in the projected images in the poems. This study aims to investigate tropological modes involved in the poetic images in The Fall of America, exploring Ginsberg’s encoded cogn

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38

Huq, A. B. M. Monirul, and Md Firoz Mahmud Ahsan. "Text and Context:." Crossings: A Journal of English Studies 7 (December 1, 2016): 63–71. http://dx.doi.org/10.59817/cjes.v7i.162.

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The poor living conditions of the internally displaced people of Bangladesh at the Indian refugee camps during the months of the war of liberation in 1971 struck a deep chord with the philanthropic western minds, a handful of whom came in person to visit these camps. One of these people was the poet Allen Ginsberg, who, unlike a typical social worker, felt compelled within to address the global consciousness in an idiosyncratic way. Ginsberg’s “September on Jessore Road” was recited and sung by the poet himself in the tradition of the blues; but it counts more for its detailed account of the s

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39

Catlett, Mallory. "Madness and Method in This Room Is Moving." Canadian Theatre Review 119 (June 2004): 35–39. http://dx.doi.org/10.3138/ctr.119.008.

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This Room Is Moving is a double bill that features Harold Pinter’s first play, The Dwarfs, and a new play, Beat, compiled by Screaming Flea Theatre from the writings of Jack Kerouac, Allen Ginsberg and William Burroughs. Both plays are inspired by the formative years of their authors and the rooms they moved through.

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40

Fayzullayeva, Nigina. "WALT WHITMAN AND HIS POEM ABOUT AMERICA." MODERN SCIENCE AND RESEARCH 3, no. 2 (2024): 35–39. https://doi.org/10.5281/zenodo.10627972.

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<em>Walt Whitman's impact on American literature is immeasurable. His free verse style and thematic explorations influenced generations of poets, including Allen Ginsberg, Langston Hughes, and even contemporary writers. His work transcends national borders, inspiring poets worldwide. "Song of Myself," a central poem in "Leaves of Grass," remains an anthem of individualism and self-discovery.</em>

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41

Belletto, Steven. "The Beat Generation Meets the Hungry Generation: U.S.—Calcutta Networks and the 1960s “Revolt of the Personal”." Humanities 8, no. 1 (2019): 3. http://dx.doi.org/10.3390/h8010003.

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This essay explores the relationship between the U.S.-based Beat literary movement and the Hungry Generation literary movement centered in and around Calcutta, India, in the early 1960s. It discusses a trip Allen Ginsberg and Peter Orlovsky took to India in 1962, where they met writers associated with the Hungry Generation. It further explains how Lawrence Ferlinghetti, owner of City Lights Books in San Francisco, was inspired to start a new literary magazine, City Lights Journal, by Ginsberg’s letters from India, which included work by Hungry Generation writers. The essay shows how City Light

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42

Renaux, S. "Dialogismo Textual: Os Girassóis de William Blake e Allen Ginsberg." Revista Scripta Uniandrade, no. 3 (December 30, 2005): 93–104. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.n3p93-104.

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43

TRIGILIO, TONY. "Reconsidering Allen Ginsberg at the End of an Epistolary Era." Resources for American Literary Study 34, no. 1 (2009): 231–37. http://dx.doi.org/10.2307/26367247.

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손준혁. "A Study on the Anti-establishment Poetry of Allen Ginsberg." Institute for Humanities and Social Sciences 15, no. 3 (2014): 135–63. http://dx.doi.org/10.15818/ihss.2014.15.3.135.

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TRIGILIO, TONY. "Reconsidering Allen Ginsberg at the End of an Epistolary Era." Resources for American Literary Study 34, no. 1 (2009): 231–37. http://dx.doi.org/10.2307/resoamerlitestud.34.2009.0231.

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46

Bhattacharya, Rima. "The Rebellion against God: Emily Dickinson’s Influence on Allen Ginsberg." IOSR Journal of Humanities and Social Science 19, no. 4 (2014): 71–79. http://dx.doi.org/10.9790/0837-19467179.

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47

Brian Jackson. "Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg." Texas Studies in Literature and Language 52, no. 3 (2010): 298–323. http://dx.doi.org/10.1353/tsl.2010.0003.

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48

Gatto, Ezequiel. "La palabra sensible: Herbert Marcuse, James Baldwin y Allen Ginsberg." El Hilo de la Fabula, no. 12 (May 5, 2015): 143–55. http://dx.doi.org/10.14409/hf.v0i12.4702.

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49

Hishmeh, Richard E. "Marketing Genius: The Friendship of Allen Ginsberg and Bob Dylan." Journal of American Culture 29, no. 4 (2006): 395–405. http://dx.doi.org/10.1111/j.1542-734x.2006.00418.x.

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Trigilio, Tony. "Reconsidering Allen Ginsberg at the End of an Epistolary Era." Resources for American Literary Study 34, no. 1 (2011): 231–37. http://dx.doi.org/10.7756/rals.034.011.231-237.

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