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1

Miller, Claxton Mae, ed. Conversations with Dorothy Allison. Jackson: University Press of Mississippi, 2012.

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2

Library, Mount Allison University. The Edgar and Dorothy Davidson Collection of Canadiana at Mount Allison University. Sackville, N.B: Centre for Canadian Studies, Mount Allison University, 1991.

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3

Library, Mount Allison University. The Edgar and Dorothy Davidson Collection of Canadiana at Mount Allison University. Sackville, N.B: Centre for Canadian Studies, Mount Allison University, 1991.

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4

Library, Ralph Pickard Bell. The Edgar and Dorothy Davidson collection of Canadiana at Mount Allison University. Sackville: Centre for Canadian Studies, Mount Allison Library, 1991.

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5

Edgar and Dorothy Davidson Collection of Canadiana (Mount Allison University). The Edgar and Dorothy Davidson Collection of Canadiana at Mount Allison University. Sackville, N.B: Centre for Canadian Studies, Mount Allison University, 1991.

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6

Class definitions: On the lives and writings of Maxine Hong Kingston, Sandra Cisneros, and Dorothy Allison. Selinsgrove, [Pa.]: Susquehanna University Press, 2008.

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7

Eagleton, Terry. 18:Beckett: Work by Martin Arnold, Dorothy Cross, Stan Douglas, Gary Hill, Bruce Nauman, Gregor Schneider, Ann-Sofi Sidén, Zin Taylor & Allison Hrabluik : Blackwood Gallery, University of Toronto at Mississauga. Mississauga, ON: Blackwood Gallery, 2006.

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8

Claxton, Mae Miller. Conversations with Dorothy Allison. University Press of Mississippi, 2019.

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9

Christine, Blouch, and Vickroy Laurie 1954-, eds. Critical essays on the works of American author Dorothy Allison. Lewiston, N.Y: Edwin Mellen Press, 2004.

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10

A Reader's Guide to the Works of Dorothy Allison: Cavedweller, Bastard Out of Carolina, Two or Three Things I Know for Sure. Plume/Dutton, 2000.

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11

Harker, Jaime. The Lesbian South. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469643359.001.0001.

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In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women’s liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors—like Dorothy Allison and Alice Walker—as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.
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Robertson, Sarah. Poverty Politics. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824325.001.0001.

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Representations of southern poor whites have long shifted between romanticization and demonization. At worst, poor southern whites are aligned with racism, bigotry, and right-wing extremism, and at best, regarded as the passive victims of wider, socio-economic policies. Poverty Politics: Poor Whites in Contemporary Southern Writing pushes beyond these stereotypes and explores the impact of neoliberalism and welfare reform on depictions of poverty. The book examines representations of southern poor whites across various types of literature, including travel-writing, photo-narratives, life-writing, and eco-literature, and reveals a common interest in communitarianism that crosses the boundaries of the US South and regionalism, moving past ideas about the culture of poverty to examine the economics of poverty. Included are critical examinations of the writings of southern writers such as Dorothy Allison, Rick Bragg, Barbara Kingsolver, Tim McLaurin, Toni Morrison, and Ann Pancake. Poverty Politics: Poor Whites in Contemporary Southern Writing includes critical engagement with identity politics as well as reflecting on issues including Hurricane Katrina, the 2008 financial crisis, and mountaintop removal. It interrogates the presumed opposition between the Global North and the Global South and engages with micro-regions through case studies on Appalachian photo-narratives and eco-literature. Importantly, it focuses not merely on representations of southern poor whites, but also on writing that calls for alternative ways of re-conceptualizing not just the poor, but societal measures of time, value, and worth.
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13

Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels (Novels for Students). Gale Cengage, 2001.

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Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels (Novels for Students). Gale Cengage, 2001.

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Thomason, Elizabeth. Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Movels (Novels for Students). Gale Cengage, 2001.

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