Relevant bibliographies by topics / Alma in fiction

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  2. Dissertations / Theses
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Academic literature on the topic 'Alma in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Alma in fiction"

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Robbins, Wendy, Robin Sutherland, and Shao-Pin Luo. "Searching for Our Alma Maters: Women Professors in Canadian Fiction Written by Women." Journal of Canadian Studies 42, no. 2 (2008): 43–72. http://dx.doi.org/10.3138/jcs.42.2.43.

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Cróquer-Pedrón, Eleonora. "Lesión de anatomía: Diamela Eltit o la autora sobre‐expuesta en la escritura como crítica de lo Real." Catedral Tomada. Revista de crítica literaria latinoamericana 7, no. 12 (2019): 134–58. http://dx.doi.org/10.5195/ct/2019.380.

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This essay focuses on two unclassifiable books by the Chilean storyteller Diamela Eltit: El Padre Mío (1989) and El infarto del alma (1994). From the overexposure of the author thatmanifests itself in the first person as overturned towards the unavoidable outside of an encounter with difference, embodied in the madness and the helplessness of the bodies of “vagabundage” and psychiatric isolation, respectively, as well as the responsibility that emerges as a position of discourse before the problematic act of shaping the materiality of its recovered presence, I go through the ways in which the
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Paque, Jeannine. "Les belles rencontres d’une « Belge méchante »." ALTERNATIVE FRANCOPHONE 2, no. 3 (2018): 66–74. http://dx.doi.org/10.29173/af29361.

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Dans ses œuvres de critique, mais aussi dans ses romans où les personnes réelles se muent en personnages, Françoise Lalande fait part de ses rencontres impromptues ou prolongées avec Jean-Jacques Rousseau, Arthur Rimbaud (et sa mère Vitalie Cuif), Vincent Van Gogh, Alma Mahler, Christian Dotremont, Germain Nouveau et d’autres. Loin de pratiquer l’hagiographie et particulièrement soucieuse de recréer l’atmosphère dans laquelle ils ont créé, Lalande entretient un commerce familier avec les artistes, les écrivains, les poètes surtout. Elle les piste sur tous les chemins qu’ils ont foulés, dans le
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Santos, José Douglas Alves dos. "A magia da realidade: mitos, ficção e ciência (The magic of reality: myths, fiction and science)." Revista Eletrônica de Educação 15 (February 23, 2021): e4337017. http://dx.doi.org/10.14244/198271994337.

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e4337017Review of/Resenha de:DAWKINS, Richard. A magia da realidade: como sabemos o que é verdade. Ilustrações de Dave McKean. Tradução de Laura Teixeira Motta. São Paulo: Companhia das Letras, 2012.Palavras-chave: Mitos, Ficção, Ciência, Realidade.Keywords: Myths, Fiction, Science, Reality.ReferencesADAMS, Douglas. O salmão da dúvida. São Paulo: Arqueiro, 2014.ALVES, Rubem. Filosofia da ciência: introdução ao jogo e suas regras. São Paulo: Editora Brasiliense, 1987.DAWKINS, Richard. A magia da realidade: como sabemos o que é verdade. São Paulo: Companhia das Letras, 2012.DAWKINS, Richard. Ciê
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Ezama Gil, María de los Ángeles. "Juan Ochoa: hacia una comprensión del relato breve." Estudios Humanísticos. Filología, no. 10 (December 1, 1988): 163. http://dx.doi.org/10.18002/ehf.v0i10.4349.

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<p>El relato breve, una de las formas literarias más antiguas constituye en su configuración moderna, un producto del siglo XIX; momento éste en que el desarrollo del género se vio favorecido por factores tales como el auge del periodismo. Y, sin embargo, el cuento es objeto de una marginación crítica que obedece a motivos como: la inexistencia de una definición estable del género, la confusión terminológica o la diversidad metodológica. La falta de atención crítica se hace notar en el terreno del relato breve decimonónico, no abordado sino de forma parcial y a través de sus más destacad
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Veselič, Maja. "The Allure of the Mystical." Asian Studies 9, no. 3 (2021): 259–99. http://dx.doi.org/10.4312/as.2021.9.3.259-299.

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Alma M. Karlin (1889–1950), a world traveller and German-language travel and fiction writer, cultivated a keen interest in religious beliefs and practices of the places she visited, believing in the Romantic notion of religion as the distilled soul of nations as well as in the Theosophical presumption that all religions are just particular iterations of an underlying universal truth. For this reason, the topic of religion was central to both her personal and professional identity as an explorer and writer. This article examines her attitudes to East Asian religio-philosophical traditions, by f
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Nida Ansari. "Predicament of a Woman in Manju Kapur’s Home." Creative Launcher 4, no. 6 (2020): 12–17. http://dx.doi.org/10.53032/tcl.2020.4.6.02.

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Manju Kapur is an Indian novelist. She was born on 25th October 1948. She is an archetypal representative of the postcolonial women novelists. She was a professor of English Literature at her alma mater at Miranda House College, Delhi. But she is retired from there. She joined the growing number of Indian women novelists, who have contributed to the progression of Indian fiction i.e. Shashi Deshpande, Arundhati Roy, Kamla Das, Geetha Hariharan, Anita Nair, Shobha De. Her novels reflect the position of women in the patriarchal society and the problems of women for their longing struggle in esta
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Van der Merwe, C. N. "Verhale oor die Anglo-Boereoorlog." Literator 19, no. 3 (1998): 85–98. http://dx.doi.org/10.4102/lit.v19i3.559.

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Fiction on the Anglo-Boer War This article gives an overview of fictional prose about the Anglo-Boer War of 1899-1902. In contrast to the desire of many people to “forgive and forget" this past war, some authors for example Gustav Preller and D.F. Malherbe, told stories to remind the reader of the suffering of the past. Stereotypical patterns in a number of conventional war stories are mentioned in the article, followed by a discussion of fictional texts deviating from these conventional patterns - inter alia, works by Johannes van Melle and J.R.L. van Bruggen. In conclusion, texts are analyse
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Murad, Rimun. "Resisting the Allure: The West as Fiction in the Arab Immigrant Novel." Journal of Ethnic and Cultural Studies 11, no. 5 (2024): 48–67. https://doi.org/10.29333/ejecs/2042.

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This article investigates the resemblance between the Arab immigrant experience in the Arab immigrant novel, on the one hand, and the experience of fiction reading, on the other one. The article analyzes Tayeb Salih’s Season of migration to the north (1966), Waguih Ghali’s Beer in the snooker club (1964), Walid Al Hajjar’s trilogy The search for the self (published privately in 1973, 1979, and 1984), Leila Aboulela’s The translator (1999), and Alaa Al Aswany’s Chicago: A novel (2007) to demonstrate the presence of a pattern depicting the experience of Arab immigrants as akin to fiction reading
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Fernandes, Fábio Júlio, and Raquel Discini. "O cuidado de si como perspectiva ética em Machado de Assis." Educação e Filosofia 37, no. 79 (2023): 657–86. http://dx.doi.org/10.14393/revedfil.v37n79a2023-67604.

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Resumo: Por intermédio da análise dos gêneros carta e conto escritos por Machado de Assis, procuramos oferecer uma resposta à questão do horizonte ético e moral que opera nos textos do autor. Trabalhamos numa perspectiva interdisciplinar, pois dialogamos com filósofos, historiadores e críticos literários procurando, num primeiro momento, demonstrar que a noção de cuidado de si se mostra na correspondência machadiana a partir da perspectiva de cura de si, isto é, um tipo de sabedoria dos antigos gregos e romanos que o autor lança mão para realizar e organizar o pensamento literário, seu e de se
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Dissertations / Theses on the topic "Alma in fiction"

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Terrasa, Torres Mateo. "El alma oscura del juego: Teoría y motivos recurrentes de la dificultad como estética ludoficcional." Doctoral thesis, Universitat de les Illes Balears, 2021. http://hdl.handle.net/10803/673118.

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[spa] La presente tesis aborda el reto como un elemento intrínseco del lenguaje del juego y el videojuego. Además del reto de habilidad o intelectual, proponemos que la dificultad es también un elemento clave en la construcción e interpretación del videojuego desde la estética. El reto es un conjunto de obstáculos que se oponen al avance del jugador y que, al mismo tiempo, ejercen de motivación para alcanzar el triunfo personal. En este sentido, la dominación del sistema lúdico está vinculado a las reglas que les dan forma y las mecánicas que dan agencia al jugador. Pero el reto, en tanto que
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Morini, Emanuela <1961&gt. "Dalle ambivalenze della Storia alla “cosmopolitical fiction”: la rappresentazione dell'alterità nel romanzo di Anita Desai." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5496/1/Morini_Emanuela_Tesi.pdf.

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Varcare le frontiere della Storia attraverso le storie personali dei suoi personaggi ha sempre affascinato la sensibilità creatrice di Anita Desai, i cui romanzi possono essere considerati un interessante esempio di letteratura di confine, che riesce nel difficile compito di misurarsi, con eleganza e sensibilità, nella rappresentazione delle più feroci forme di marginalizzazione. Proponendo un dialogo tra alterità, che apre alle complessità storico-culturali in maniera del tutto a-ideologica e imparziale, la scrittrice indoinglese procede alla “provincializzazione” dell’India attraverso le num
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Morini, Emanuela <1961&gt. "Dalle ambivalenze della Storia alla “cosmopolitical fiction”: la rappresentazione dell'alterità nel romanzo di Anita Desai." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5496/.

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Varcare le frontiere della Storia attraverso le storie personali dei suoi personaggi ha sempre affascinato la sensibilità creatrice di Anita Desai, i cui romanzi possono essere considerati un interessante esempio di letteratura di confine, che riesce nel difficile compito di misurarsi, con eleganza e sensibilità, nella rappresentazione delle più feroci forme di marginalizzazione. Proponendo un dialogo tra alterità, che apre alle complessità storico-culturali in maniera del tutto a-ideologica e imparziale, la scrittrice indoinglese procede alla “provincializzazione” dell’India attraverso le num
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Dalsasso, Paola. "Dal teatro al foro : tragedia, commedia e mimo nell orazioni di Cicerone anteriori alla pretura." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30020.

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Mon travail, consacré aux intersections entre l’art oratoire et le théâtre en Cicéron, débute par un compte rendu des nombreuses études publiées sur ce sujet et par une synthèse des diverses modalités par lesquelles le renvoi au théâtre se réalise. Ma recherche se concentre en particulier sur l’analyse des premiers discours cicéroniens, dès son début dans le forum jusqu’au 68 av. J.-C., quand Cicéron recouvre le rôle de préteur: Pro Quinctio; Pro Roscio Amerino; Pro Roscio comoedo; les sept discours In Verrem; Pro Fonteio; Pro Caecina. Ce travail a produit des nouvelles contributions à l’inter
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Franzén, Karl, Nicklas Tält, and Morgan Westerlund. "Alla individer är delaktiga i en maktrelation : Skönlitteratur och lärarhandledningar i ett kritiskt litteracitetsperspektiv." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96079.

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I den föreliggande studien undersöks hur makt manifesteras i tre skönlitterära verk och hur bokförlagens lärarhandledningar till respektive verk beaktar de frågor om makt som manifesteras. De skönlitterära verken är anpassade för mellanstadiet och har uppmärksammats ute i verksamheten av oss skribenter. Studien tar avstamp i Janks (2010) teoretiska modell om kritisk litteracitet för att undersöka hur makt manifesteras genom att granska omslag och bilder och genom att granska variationer i texten. De mönster som uppdagas i resultatet visar att fysiska förutsättningar och kön är återkommande var
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Галкова, Н. Е., та N. Y. Galkova. "Особенности перевода документальных фильмов (на материале: «The Hero», «Один день» и «ALMA – A Window into the Mysteries of the Universe») : магистерская диссертация". Master's thesis, 2016. http://hdl.handle.net/10995/43986.

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Данная научная работа выполнена в рамках транслятологического анализа документальных, или неигровых кинофильмов и их заголовков с английского языка на русский и с русского языка на английский. Цель исследования заключается в определении и изучении основных переводческих стратегий и приёмов при пеpеводе документального кинo. Основной метод, используемый в работе, -- сопоставительный, на базе которого подготовлена практическая часть магистерской диссертации. В научном исследовании уделяется внимание переводу при помощи субтитров как одному из самых востребованных способов перевода. Также в раб
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Books on the topic "Alma in fiction"

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photographer, Dewever-Plana Miquel 1961, ed. Alma. Le Bec en l'air éditions, 2012.

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Forbes, Edith. Alma Rose. Seal Press, 1993.

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Higginbotham, Jay. Alma. Xlibris Corp., 2002.

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Forbes, Edith, and Edith Forbes. Alma Rose. Seal Press, 1993.

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Acuña, Daniel. Alma es +. RiL Editores, 2015.

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Burn, Gordon. Alma: A novel. Houghton Mifflin (T), 1992.

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Qaraldina, Danabike. Alma aghashtar gu̇ldegende. Ȯner, 1991.

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Aguirre, Juan Manuel Muñoz. Un alma aparte. Editorial Castalia, 2009.

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Little, Jean. Alma mater. Ballantine Books, 2001.

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Tafur, Pilar. María del alma. Plaza & Janés Editores, 2003.

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Book chapters on the topic "Alma in fiction"

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Gaba-van Dongen, Alexandra. "alma, where Art meets Artefacts: A case study of a Syrian jar inThe Three Marys at the Tombby Jan van Eyck." In Medieval and Post-Medieval Ceramics in the Eastern Mediterranean - Fact and Fiction. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.mpmas-eb.5.108560.

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Bartolini, Stefano. "Sudate carte. Uno sguardo alla letteratura del lavoro." In Idee di lavoro e di ozio per la nostra civiltà. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0319-7.174.

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The text examines some social and labourist fiction books released between 2006 and 2022, from the historical novel to autobiographical writing together with a collective writing workshop. The analysis traces the characterizing and salient themes trying to understand what type of work is described in these books, what is the spirit of the time they express and the characteristic recurring themes. What emerges is a vision of labour that strongly claims the historicity and existence of the working classes, in a society where their presence and their imagination is mostly denied, marked by the th
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Pereira, António dos Santos. "Da Antero de Quental a Mário Soares: dal pensiero alla politica sociale nella vertigine della democrazia portoghese." In Libere carte. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0100-1.24.

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The future has always been the destiny of men of action. We note the roots of the thought and fiction of the Portuguese socialist leader, Mário Soares, in the references of the political thought of Antero de Quental and the pedagogical of António Sérgio for the economic, social, cultural and mental well-being of the Portuguese people that we make coincide with humanity because western humanism movesus.
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Gamerschlag, Thomas, and Wiebke Petersen. "On the Fictive Reading of German Steigen ‘Climb, Rise’: A Frame Account." In Language, Cognition, and Mind. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50200-3_12.

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AbstractFictive motion, i.e., the figurative stative use of verbs of motion, has attracted much attention in cognitive linguistics as a paradigm case for how basic dynamic concepts are exploited figuratively in concept formation (Langacker 1986; Matsumoto 1996; Talmy 2000; Matlock 2004a, b inter alia). In this paper, we present a case study of the fictive motion reading of the German movement verb steigen ‘climb, rise’ and explore how it can be related to the various dynamic readings of the verb. In our account of steigen, which builds on Gamerschlag, Geuder &amp; Petersen’s (2014) analysis of
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Prizel, Natalie. "The Genre of Blindness." In Victorian Ethical Optics. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192888563.003.0006.

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Abstract This chapter looks at genre painting and domestic fiction to show how aberrance is nearly normalized in the period through representations of blindness. Blindness becomes a signifier of the generic, domestic, or quotidian itself. The chapter includes discussions of genre paintings and historical genre paintings and drawings by Michael Halliday, Lawrence Alma-Tadema, David Wilkie, William Holman Hunt, and John Everett Millais. In these works, blindness becomes a site through which to articulate the boundaries of genre itself. The chapter then turns to Wilkie Collins’s 1872 novel, Poor
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McCracken-Flesher, Caroline. "Alba Newton and Alasdair Gray." In Scotland As Science Fiction. Lexington Books, 2011. https://doi.org/10.5771/9781611483758-171.

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"Auguste Anicet-Bourgeois and Prosper Saint-Alme." In Haitian Revolutionary Fictions. University of Virginia Press, 2022. https://doi.org/10.2307/jj.26526654.25.

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"Fiction and History in Apuleius’ Milesian Prologue." In A Companion to the Prologue of Apuleius’ Metamorphoses, edited by Anton Eitel. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198152385.003.0014.

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Abstract In this chapter I shall argue that while Apuleius’ text is clearly marked for its readers as fiction, the Prologue’s phrases variae fabulae and sermo iste Milesius equivocate between introducing fiction or history to its addressee. This equivocation confronts Apuleius’ readers with the possibility that their own text differs radically from that of the Prologue’s addressee, even though both texts consist of the same words. In the ninth speech of the Florida, Apuleius claims to write works in every genre (omnigenus): epic, lyric, comedy, tragedy, satire, riddles, histories, speeches, ph
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Greenspan, Charlotte. "Rhapsody in Blue: A Study in Hollywood Hagiography." In The Gershwin Style New Looks at the Music of George Gershwin. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195090208.003.0007.

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Abstract Rhapsody in Blue: The Story of George Gershwin was made at the Warner Brothers studios in 1945, eight years after the composer’s death. Produced by Jesse Lasky and directed by Irving Rapper, the film starred Robert Alda as George Gershwin, Herbert Rudley as Ira Gershwin, and Charles Coburn as Max Dreyfus; the female leads were taken by Joan Leslie and Alexis Smith, both playing fictional characters invented for the film.
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parijs, philippe van. "Just Health Care in a Pluri-National Country." In Public Health, Ethics, and Equity. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199276363.003.0009.

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Abstract Justice in health care is an important issue for a number of reasons. Some of these are obvious, others less so. I shall here illustrate one of the less obvious ones by showing how the choice of a conception of justice in health care can crucially affect the conquest of a city and the survival of a country. This is not science fiction of a sort philosophers relish in concocting. This is about the fate of my own country in the last few years, today, and in the difficult years to come. Nor is it a parochial issue whose relevance is confined to a handful of anomalous corners of the world
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