Relevant bibliographies by topics / Almudena

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Almudena'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Almudena"

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Mar López-Cabrales, María del. "Almudena Grandes, El corazón helado." Bulletin hispanique, no. 114-1 (June 1, 2012): 498–500. http://dx.doi.org/10.4000/bulletinhispanique.1974.

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Montes-Rodríguez, Ramón. "Ocaña Fernández, Almudena. (2020). La experiencia musical como mediación educativa. Barcelona: Octaedro. 174 pp." Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM 17 (July 3, 2020): 155–56. http://dx.doi.org/10.5209/reciem.70433.

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Carracedo, Almudena, Robert Bahar, and Charlotte Groult. "The Silence of Others: A conversation with the filmmakers." Violence: An International Journal 1, no. 1 (April 2020): 205–18. http://dx.doi.org/10.1177/2633002420913751.

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The Silence of Others comes back to a past that doesn’t pass: how the Franco dictatorship (1936–1975) has shaped Spain and how the period that followed, the “transition,” has led to a conflicting collective memory by silencing the victims. Seven years in the making, The Silence of Others, Almudena Carracedo and Robert Bahar’s documentary, follows an unfolding lawsuit launched by a group of victims and survivors determined to seek justice. Unable to prosecute their crimes in Spain, they decided to turn to Argentina with the hope that a judge could apply the principle of universal jurisdiction to open an investigation. Almudena Carracedo and Robert Bahar agreed to talk to Violence about their film and its reception in Spain and abroad, and about how art could pave the way to exiting violence.
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Laín Corona, Guillermo. "Revisión crítica de «Las edades de Lulú», de Almudena Grandes: Para una nueva interpretación como Bildungsroman." Castilla. Estudios de Literatura, no. 10 (March 4, 2019): 126–70. http://dx.doi.org/10.24197/cel.10.2019.126-170.

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Las edades de Lulú (1989), primera novela de Almudena Grandes, ha sido también una de las primeras obras de su trayectoria literaria en suscitar el interés de la crítica académica. Habitualmente, el foco se ha puesto sobre las cuestiones de género, y, aunque se ha hablado de su naturaleza narrativa como Bildungsroman, este aspecto ha quedado arrinconado por el debate en torno al machismo o feminismo de la historia narrada. Aquí, se hace una revisión de este debate, ajustándolo a las ideas literarias de Almudena Grandes y sus propias reflexiones en torno a Las edades de Lulú. Asimismo, se propone una nueva interpretación como Bildungsroman, de tipo narratológico y en comparación con el modelo remoto de la picaresca y, en concreto, el Lazarillo de Tormes. Este análisis permite abordar la cuestión de género en la novela de una manera más rigurosa, derivada del texto mismo.
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Hart, Anita M. "The Relational Self in Almudena Guzman's Dialogic Poetry." Rocky Mountain Review of Language and Literature 48, no. 2 (1994): 143. http://dx.doi.org/10.2307/1347904.

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Elman, Linda L. "El lector de Julio Verne by Almudena Grandes." Hispania 96, no. 3 (2013): 602–3. http://dx.doi.org/10.1353/hpn.2013.0071.

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Ryan, Lorraine. "Motherhood, Clothing and Class in Almudena Grandes’ Los aires difíciles." Bulletin of Spanish Studies 95, no. 1 (January 2, 2018): 113–31. http://dx.doi.org/10.1080/14753820.2018.1436496.

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Bravo Nieto, Antonio, Adoración Perpen Rueda, Vicente Moga Romero, and José Megías Aznar. "Reseñas." Aldaba, no. 15 (January 1, 1990): 199. http://dx.doi.org/10.5944/aldaba.15.1990.20162.

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RESEÑA de : Bravo Nieto, Antonio; Sáez Cazorla, Jesús M. "Melilla en el siglo XVI a través de sus fortificaciones". Melilla : Ayuntamiento, Servicio de Publicaciones, 1988. RESEÑA de : Berenger Rodríguez, Juan. "Melilla la condiciada, los buscadores del pan : novela". Melilla : Ayuntamiento, 1989. RESEÑA de : Moga Romero, Vicente. "Catálogo sistemático de la Sección de Melilla de la Biblioteca Pública Municipal : año 1988". Melilla : Biblioteca Pública Municipal, 1989. RESEÑA de : Guzmán Almudena. "El libro de Tamar". Melilla : Ayuntamiento-UNED, 1989.
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Sherman, Alvin F. "Food, War and National Identity in Almudena Grandes'Inés y la alegría." Bulletin of Spanish Studies 93, no. 2 (January 9, 2015): 255–74. http://dx.doi.org/10.1080/14753820.2014.985113.

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Ryan, Lorraine. "The Gendered Reading Trope in Almudena Grandes’ El lector de Julio Verne." Neophilologus 99, no. 2 (November 4, 2014): 253–69. http://dx.doi.org/10.1007/s11061-014-9416-2.

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Dissertations / Theses on the topic "Almudena"

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Mambelli, Giorgia. "Tradurre il giornalismo d'autore: le columnas di Almudena Grandes." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13714/.

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Il presente elaborato si propone di approfondire la produzione di Almudena Grandes come columnista, ossia, il suo contributo nell’ambito del giornalismo d’opinione, attraverso l’analisi stilistica e contenutistica di un corpus di 40 columnas scritte dall’autrice per El País e la proposta di traduzione di tre articoli appartenenti al corpus. Infatti, mentre Almudena Grandes come romanziera è ampiamente conosciuta anche al di fuori della Spagna poiché tradotta in molte lingue, lo stesso non si può dire per la sua non meno meritevole produzione giornalistica. L’analisi pre-traduttiva degli articoli del corpus di cui si propone la traduzione per un’ipotetica pubblicazione sul settimanale Internazionale è stata realizzata sulla base del modello proposto da Christiane Nord nel 2012 e ha permesso di individuare i principali problemi di traduzione legati al giornalismo d’autore e le strategie più adatte alla risoluzione degli stessi.
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Bartl, Alexander [Verfasser], Achim [Akademischer Betreuer] Schwenk, and Segovia Almudena [Akademischer Betreuer] Arcones. "Neutrino Interactions with Supernova Matter / Alexander Bartl ; Achim Schwenk, Almudena Arcones Segovia." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://d-nb.info/1117797171/34.

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Olsson, Carina. "Palabras vacías : Amor, amistad y verosimilitud en Castillos de cartón de Almudena Grandes." Thesis, Högskolan Dalarna, Spanska, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:du-10141.

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Con esta tesina se pretende poner en relieve la importancia de escribir textos narrativos de modo que el lector pueda concebir lo que está leyendo como real. Por este motivo, el objetivo es ilustrar de qué modo un texto puede faltar a las pautas de credibilidad, haciendo que el lector ponga en cuestión la verosimilitud de lo relatado. Como objeto de estudio se ha elegido la novela Castillos de cartón de Almudena Grandes. Se ha realizado una interpretación hermenéutica del texto centrada en la relación que mantienen los tres protagonistas. Con el apoyo de la teoría aristotélica de la amistad y de la teoría triangular del amor de Stenberg principalmente, se muestra por qué el lector no puede aceptar como creíble que dicha relación sea de amor y amistad como afirma la narradora. Asimismo, se estudia la credibilidad de la narradora a través del análisis del discurso narrativo partiendo de los conceptos de narratología de Gérard Genette. La conclusión a la que se llega es que no se consigue crear una realidad fictiva creíble debido, por una parte, a que los sentimientos que la narradora afirma existen (amor y amistad) no están respaldados por lo que se relata y, por otra, a que el uso lingüístico de la narradora y sus razonamientos contrastan drásticamente con las expectativas del lector.
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Mattes, Carlos [Verfasser], Almudena [Akademischer Betreuer] Arcones, and Sean [Akademischer Betreuer] Couch. "Long-Time Simulation of Core-Collapse Supernovae / Carlos Mattes ; Almudena Arcones, Sean Couch." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2018. http://d-nb.info/1178672719/34.

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Witt, Maximilian Rudolf [Verfasser], Segovia Almudena [Akademischer Betreuer] Arcones, and Michael [Akademischer Betreuer] Buballa. "Long-time evolution of core-collapse supernovae / Maximilian Rudolf Witt ; Almudena Arcones Segovia, Michael Buballa." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2020. http://d-nb.info/1213907470/34.

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Yasin, Hannah [Verfasser], Segovia Almudena [Akademischer Betreuer] Arcones, and Achim [Akademischer Betreuer] Schwenk. "Core-collapse supernovae and the equation of state / Hannah Yasin ; Almudena Arcones Segovia, Achim Schwenk." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2019. http://d-nb.info/1201820405/34.

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Reichert, Moritz [Verfasser], Segovia Almudena [Akademischer Betreuer] Arcones, and Andreas [Akademischer Betreuer] Koch. "Nucleosynthesis and observational evidences of magneto-rotational driven supernovae. / Moritz Reichert ; Almudena Arcones Segovia, Andreas Koch." Darmstadt : Universitäts- und Landesbibliothek, 2021. http://d-nb.info/1225040779/34.

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Pestaña, Jañez Angélique. "Famille et valeurs dans trois romans d' Almudena Grandes : Malena es un nombre de tango, Los aires difíciles et El corazón helado." Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCH018/document.

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La famille, depuis toujours, a inspiré de grandes œuvres romanesques qui, souvent, mettent en avant le rapport entre les générations. En effet, le motif de la famille est sans cesse réinvesti par les auteurs quelle que soit leur nationalité ou l’époque qu’ils retracent. Almudena Grandes appartient à cette catégorie d’écrivains qui donne une place de premier choix à l’unité familiale. Bien que celle-ci soit récurrente dans sa trajectoire littéraire, la critique académique, qui pourtant a abordé de nombreux aspects de son œuvre, n’a jamais entrepris une réelle étude de fond à ce sujet. Cette thématique nous étant apparue comme essentielle dans l’écriture grandésienne, nous nous sommes donc intéressée à la cellule familiale dans trois de ses romans : Malena es un nombre de tango, Los aires difíciles et El corazón helado. Dans notre corpus, la famille est, avant tout, un groupe véhiculant des valeurs qui n’apparaît pas tel un simple miroir du microcosme sociétal – cette comparaison, nous semble-t-il, est l’une des plus usuelles dans le domaine littéraire. En effet, les différentes familles analysées sont non seulement le vecteur d’un système de valeurs idéologiques mais elles s’insèrent également dans une hiérarchie des personnages qui génère un deuxième système de valeurs parfois en accord ou en désaccord avec le premier.Ainsi allons-nous montrer les stratégies mises en œuvre par la romancière pour faire adhérer le lecteur à son système narratif.Afin de rendre compte de l’intention d’Almudena Grandes, nous avons appréhendé la famille sous différentes perspectives. Les modèles et contre-modèles familiaux montrent l’élaboration d’un système antagonique fondé sur des valeurs contraires : les unes patriarcales et conservatrices, les autres républicaines. Mais cette partie met aussi en avant comment des personnages cherchent à construire une famille, dépourvue du lien du sang ou de l’union maritale, lorsque leur vraie famille est totalement défaillante voire inexistante. Les différentes figures familiales, la mère, le père et la fratrie, dévoilent une hiérarchie des personnages, a priori, à sens univoque et sont traitées avec déférence ou animosité par l’instance narrative. Enfin, la partie sur le secret familial met à nu toute l’ambiguïté morale de certains personnages dont l’être et le paraître sont en conflit et qui, dans deux cas sur trois, finissent par être démasqués. La découverte du secret, quand elle a lieu – seul un personnage parvient à préserver son secret et réussit à ne jamais dévoiler qui il est réellement – oblige les personnages à se redéfinir et leur permet d’entrer dans un processus de résilience libérateur.8
Family has always inspired great novels which often highlight the relationship between the different generations. The subject of family is indeed constantly reinvested by authors regardless of their nationality or the period they depict. Almudena Grandes belongs to such category of writers and gives a paramount role to the family unit. Although a recurring topic in her literary trajectory, it has never been thoroughly studied by critics who yet analyzed many aspects of her work. Because such topic seemed crucial to us in Grandes’s writing, we focused on the family unit in three of her novels, Malena es un nombre de tango, Los aires difíciles and El corazón helado. In our corpus, family is, first and foremost, a group transmitting values which does not appear as a mere reflection of the social microcosm – such comparison being, we believe, a very common one in the field of literary theory. The families under study do not only convey a system of ideological values, but they also belong to a hierarchy of characters which creates a second system of values in turns in agreement with or in opposition to the first one. We thus intend to show the strategies used by Almudena Grandes to impose her own narrative system to the reader.In order to describe Almudena Grandes’s intentions, we decided to approach family through several prisms. Family models and alternative models show the rise of an antagonistic system based on contradictory values – patriarchal and conservative on the one hand, and republican on the other hand. But this chapter also highlights how some characters try to recreate a family outside blood ties or marriage bond, when their actual family is completely perverted or nonexistent. The different family figures – mother, father and siblings – build up an apparently unidirectional hierarchy of characters treated with deference or hostility by the narrative instance. Finally, the chapter related to family secrets unveils the moral ambiguity of some characters – torn apart between being and appearing – who, in two thirds of the cases, are eventually exposed. The discovery of the secret, if any – one character only manages to keep his secret and never confesses who he truly is – forces the characters to redefine themselves and gives them a chance to go through a liberating resilience process
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Kullberg, Elisabeth. "La relación madre-hija en tres cuentos de escritoras españolas contemporáneas." Thesis, Högskolan Dalarna, Spanska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24355.

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This essay will look at three short stories by three different contemporary Spanish female writers, "La buena hija" by Almudena Grandes, "Una historia de amor como otra qualquiera" by Lucía Etxebarria and "Loco con cuchillo" by Espido Freire. The essay will investigate their common theme of the relationship between mother and daughter, mainly from a feministic point of view, as well as the special situation in Spain after the end of the Civil War in 1939. The essay also intends to place the writers into their literary context and investigate the way Spanish feminist writing has developed since 1945.
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Bovard, Luke [Verfasser], Luciano [Gutachter] Rezzolla, and Almudena [Gutachter] Arcones. "Macroscopic and microscopic post-merger dynamics in binary neutron stars / Luke Bovard ; Gutachter: Luciano Rezzolla, Almudena Arcones." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2018. http://d-nb.info/1163804851/34.

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Books on the topic "Almudena"

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Almudena. Valencia: Secretaria de Cultura, Ediciones del Gobierno de Carabobo, 1991.

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Almudena. Granada: Valparaíso Ediciones, 2015.

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El nuevo mundo de Almudena. San Borja, Lima: Ediciones Altazor, 2008.

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Labordeta, Angela. La Catedral de la Almudena. [Zaragoza]: Ibercaja, 1999.

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Pedro Calderón de la Barca. El cubo de la Almudena. Pamplona: Universidad de Navarra, 2004.

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Labordeta, Ángela. La catedral de la Almudena. [Zaragoza: IberCaja], 1999.

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editor, Andres-Suárez Irene, Rivas Antonio editor, and Université de Neuchâtel. Centro de Investigación de Narrativa Española, eds. Almudena Grandes: Grand Séminaire de Neuchátel, Coloquio Internacional Almudena Grandes, 1-2 de junio de 2010. Neuchâtel (Suiza): Universidad de Neuchâtel, Centro de Investigación de Narrativa Española, 2012.

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Vega, Lope de. La Virgen de la Almudena: Poema histórico. Madrid: Instituto de Estudios Madrileños, 1993.

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Navarro, Martín Bravo. La Almudena: Historia de la Iglesia de Santa María la Real y de sus imágenes. Madrid: Editora Mundial, 1993.

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03/08: Premios de creación artística de la Comunidad de Madrid : [Paula Anta, Almudena Armenta, Tamara Arroyo ...]. [Madrid]: Consejería de Cultura y Turismo de la Comunidad de Madrid, 2009.

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Book chapters on the topic "Almudena"

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Wild, Gerhard. "Grandes, Almudena." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3879-1.

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Wild, Gerhard. "Grandes, Almudena: Las edades de Lulú." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3880-1.

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Keim, Ingeborg A. "Grandes, Almudena: Malena es un nombre de tango." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3881-1.

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Santaemilia, J. "Chapter 14. The Translation of Sexually Explicit Language: Almudena Grandes’ Las edades de Lulú (1989) in English." In Translation and Opposition, edited by Dimitris Asimakoulas and Margaret Rogers, 265–82. Bristol, Blue Ridge Summit: Multilingual Matters, 2011. http://dx.doi.org/10.21832/9781847694324-015.

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Cipoletta, Martín, Pedro M. Cabezos Bernal, and Daniel Martín Fuentes. "Virtual Tours for the Dissemination of Architectural Heritage. The Almudín of Valencia." In Graphic Imprints, 1325–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93749-6_110.

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"María Almudena." In Un directivo bañado en oro, 13–24. Universidad de La Sabana, 2013. http://dx.doi.org/10.2307/j.ctvn5tvrf.4.

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"5 Cuzqueiiismo, Respeto, and Discrimination The Mayordomias of Almudena." In Indigenous Mestizos, 231–71. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397021-008.

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"Memory and masculinity in Almudena Grandes’s El corazón helado." In The Dynamics of Masculinity in Contemporary Spanish Culture, 98–114. Routledge, 2016. http://dx.doi.org/10.4324/9781315302676-14.

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"DIE ALMUDENA-KATHEDRALE ZU MADRID – ABBILD FUNKTIONALER UND HISTORISCHER DIVERSITÄT?" In Neugotik global – kolonial – postkolonial, 141–58. Vervuert Verlagsgesellschaft, 2020. http://dx.doi.org/10.31819/9783964569363-011.

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Perriam, Chris, and Darren Waldron. "Introduction." In French and Spanish Queer Film. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748699193.003.0001.

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The opening shot of Michèle Massé’s 2014 documentary about ageing among four lesbians, Las ventanas abiertas (Open Windows), shows two instantly recognisable cityscape images, one above the other. The familiar smooth grey tiles and windows of Parisian mansard roofs fill the top half of the screen; in the bottom half, a panorama of Madrid’s Palacio Real and the Almudena Cathedral, lit by the setting sun. Two cities, which serve internationally as metonyms for the countries of which they are capitals, countries that have played pivotal roles in the historical evolution of Western Europe, are brought together in a film that examines the experiences of four older lesbians, two in France and two in Spain....
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Conference papers on the topic "Almudena"

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Iborra Bernad, Federico. "El Alcázar musulmán de Valencia: una hipótesis funcional." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11336.

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The Muslim Alcazar of Valencia: a functional hypothesisBetween the 1980s and 1990s, the Almoina site in Valencia was excavated by the SIAM (Municipal Service of Archeological Research) and also, in the following decade, the subsoil of the Almudín and the San Luis Beltrán square. In these surveys, remains of the fortifications of the Alcazar were found, as well the royal cemetery and the palatine dwellings that were presumably inside the enclosure. However, the excavation has been partial and not allowed us to understand the functioning of the complex. The work presented here is our interpretation of the organization and evolution of the Alcazar from the Caliphate period to the Christian conquest. It is the mature fruit of a long personal reflection based on the analysis of the plans of the excavations, the confrontation with the original sources of the eleventh (Cidian chronicles) and thirteenth centuries (Llibre del Repartiment and episcopal acquisitions) and some medieval representations, as well as the comparison with other similar structures. The result must be taken with caution and is subject to all kinds of revisions, but we hope that it will help to understand better this fragment of the history of the city of Valencia.
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Journal articles Dissertations / Theses Books
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