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Books on the topic 'Alt flux'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

The way of all flux. Moorhead, MN: New Rivers Press, 2012.

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2

Art & flux: Une esthétique du contemporain. Paris: L'Harmattan, 2014.

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3

The modern flux: Polish art after 1989. [Trondheim: Norwegian University of Science and Technology], 2008.

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4

1932-2004, Tawara Yūsaku, Addiss Stephen 1935-, and Rosand David, eds. Universe is flux: The art of Tawara Yūsaku. [Indianapolis, Ind.]: Indianapolis Museum of Art, 2011.

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5

Université de Saint-Etienne. Centre interdisciplinaire d'étude et de recherche sur l'expression contemporaine, ed. Art et ville contemporaine: Rythmes et flux. Saint-Etienne: Publications de l'Université de Saint-Etienne, 2012.

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6

Le flux et le fixe: Peinture et musique. Paris]: Fayard, 2012.

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7

Williams, Emmett. My life in flux and vice versa. Stuttgart: Edition Hansjörg Mayer, 1991.

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8

Williams, Emmett. My life in flux--and vice versa. London: Thames and Hudson, 1992.

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9

Farb, Hernandez Joanne, Karlstrom Paul J, and Wiegand Art Gallery, eds. Fire and flux: An undaunted vision : the art of Charles Strong. Belmont, Calif: Wiegand Gallery, College of Notre Dame, 2001.

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10

Flu chtlingsschutz als globale und lokale Herausforderung. Wiesbaden: VS Verlag fu r Sozialwissenschaften / Springer Fachmedien Wiesbaden GmbH, Wiesbaden, 2011.

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11

Cultural and visual flux at early historical Bagh in central India. Oxford: Archaeopress, 2007.

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12

Nagy, Andrew F. All ionospheres are not alike: Reports from other planets. [Washington, DC: National Aeronautics and Space Administration, 1997.

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13

Bremer, Uwe. Uwe Bremer: Aviatika : Flug + Trug, Ordnung und Entropie. Gifkendorf: Merlin, 2000.

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14

Perjovschi, Dan. Mad cow, bird flu, global village. London: Verso, 2007.

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15

Schiffer, Herb. Der Flug des Vogels: Bilder in Glas und Farbe. Tier: WVT, 1996.

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16

Pendergrast, Mick. Fun with flax: 50 projects for beginners. North Shore, N.Z: Penguin Group (NZ), 2008.

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17

Als die Jagd zu Ende war: Mein Flug in die sowjetische Gefangenschaft. München: Universitas Verlag, 1988.

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18

Canada. Parliament. House of Commons. Bill: An act to amend the General inspection act so as to provide a grade for flax seed. Ottawa: S.E. Dawson, 2003.

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19

Schwarcz, Joseph A. Let them eat flax: 70 all-new commentaries on the science of everyday food & life. Toronto: ECW Press, 2005.

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20

Grenzsteine in Deutschland: Entstehung und Geschichte der Grenzsteine als steinerne Zeugen in Wald und Flur. Bad Langensalza: Rockstuhl, 2009.

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21

Koch, Lars. Der Erste Weltkrieg als Medium der Gegenmoderne: Zu den Werken von Walter Flex und Ernst Jünger. Würzburg: Königshausen & Neumann, 2006.

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22

artists), Fluc (Group of, ed. Fluc: Tanz die Utopie! : urbaner Aktivismus als gelebtes Experiment in der Wiener Kunst-, Musik- und Clubszene. Wien: Falter Verlag, 2014.

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23

Walter, Ron. Stay at home and use me well: Flax & fleece : fiber to fabric. Hilltown, Pennsylvania: Published by Kitty Bell and Ron Walter, in cooperation with The National Museum of the American Coverlet, Bedford, Pennsylvania, 2010.

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24

Canada. Parliament. House of Commons. Special Committee on the Review of the CSIS Act and the Security Offences Act. In flux, but not in crisis: A report of the House of Commons, Special Committee on the Review of the Canadian Security Intelligence Service Act and the Security Offences Act. Ottawa: Queen's Printer for Canada, 1990.

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25

Merbold, Ulf. Flug ins All: Von Spacelab 1 bis zur D1-Mission : der persönliche Bericht des ersten Astronauten der Bundesrepublik. Bergisch Gladbach: G. Lübbe, 1986.

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26

Canada. Parliament. House of Commons. Special Committee on the Review of the Canadian Security Intelligence Service Act and the Security Offences Act. In flux but not in crisis: A report of the House of Commons Special Committee on the Review of the Canadian Security Intelligence Service Act. Ottawa, Ont: Queen's Printer, 1990.

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27

Gavenavičius, Gintautas. Lino mūka =: Flaxen mysteries. Vilnius: Vilniaus dailės akademijos leidykla, 2009.

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28

Flu Vaccine Availability Act of 2001: Report (to accompany H.R. 943) (including cost estimate of the Congressional Budget Office). [Washington, D.C: U.S. G.P.O., 2001.

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29

Commerce, United States Congress House Committee on Energy and. Flu Vaccine Availability Act of 2001: Report (to accompany H.R. 943 (including cost estimate of the Congressional Budget Office). [Washington, D.C: U.S. G.P.O., 2001.

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30

Oxy-fuel combustion for power generation and carbon dioxide (CO2) capture. Oxford: Woodhead Pub., 2011.

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31

(Editor), Heng-Gil Han, and Christopher Ho (Editor), eds. Jamaica Flux. Jamaica Center for Arts & Learning, 2005.

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32

Crafted: Objects in Flux. MFA Publications, 2015.

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33

Avant-Garde Museology: E-flux classics. e-flux, 2015.

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34

E-flux Journal: What Is Contemporary Art? Sternberg Press, 2010.

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35

Wright, A. G. Measurement of low light flux. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199565092.003.0007.

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There are three experimental methods for quantifying the flux of light incident on a photocathode: counting the anode output pulses initiated by photoelectrons—known as photon counting; measuring the DC current flowing at the anode—referred to as analogue detection, or charge integration; and determining the rms noise in the anode current—known as shot noise power detection. The statistical performances of the three methods, based on weighting factors, are compared, revealing the theoretical superiority of the photon-counting method. Optimal time allocation between signal and background measurement is derived for photon counting. An amplifier discriminator is the simplest and preferred instrumentation for photon counting, but setting the optimal counting threshold is ultimately a matter of judgement. This is because the plateau has a different slope for signal, background, and afterpulses. Rudiments of signal recovery instrumentation covering boxcar integrators, lock-in detection, and synchronous signal averaging are given.

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36

How Artists Use Shape (Flux, Paul, Seeing and Feeling Art.). Heinemann, 2001.

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37

Now-Tomorrow-Flux: An Anthology on the Museum of Contemporary Art. JRP Ringier Kunstverlag AG, 2017.

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38

Fun with Flax. Reed New Zealand, 1998.

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39

Hernandez, Jo Farb, and Paul J. Karlstrom. Fire and Flux: An Undaunted Vision : The Art of Charles Strong. University of New Mexico Press, 2001.

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40

How Artists Use Color (Flux, Paul, Seeing and Feeling Art.). Heinemann, 2001.

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41

How Artists Use Line and Tone (Flux, Paul, Seeing and Feeling Art.). Heinemann, 2001.

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42

Lopez, Victor. Flex-Ability Pops -- Solo-Duet-Trio-Quartet with Optional Accompaniment: For All Instruments (Flex-Ability). Alfred Publishing Company, 2002.

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43

How Artists Use Pattern and Texture (Flux, Paul, Seeing and Feeling Art.). Heinemann, 2001.

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44

Deitzer, Dawn, and Ulrich Schaffer. Sammle mir Kiesel am Fluß. Mehr als eine Liebesgeschichte. Herder, Freiburg, 1998.

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45

Vaez-Zadeh, Sadegh. Direct Torque Control. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198742968.003.0004.

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The fundamental principles of direct torque control (DTC) of permanent magnet synchronous (PMS) motors are presented in this chapter. The basic DTC system is then described. The operating limits of PMS machines under DTC are presented in terms of current limit, voltage limit, and flux linkage limit. Also, flux linkage control, including maximum torque per ampere (MTPA), unity power factor, and flux weakening at high speed, is derived. Then, alternative DTC schemes, including different SVM-DTC schemes, are presented. In line with the increasing energy-saving tendency in industrial applications, major emphasis is placed on the loss minimization of DTC. Finally, a comprehensive comparison was made between the basic DTC and vector control, emphasizing the pros and cons of DTC with respect to vector control.

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46

Heng-Gil, Han, and Jamaica Center for Arts & Learning (Jamaica, New York, N.Y.), eds. Jamaica flux: Workspaces & windows 2007 : September 29, 2007 through November 17, 2007. Jamaica, NY: Jamaica Center for Arts & Learning, 2008.

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47

Liz, Linden, ed. The best surprise is no surprise. Zürich: JRP/Ringier, 2006.

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48

Hext, Kate. Burning with a ‘hard, gem-like flame’. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0012.

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This chapter spans Oscar Wilde’s career in order to consider how he uses Heraclitus’ philosophy of flux to underpin his conception of the pleasure-seeking, hedonistic individual. By the late 1870s, when Wilde arrived at Oxford, Heraclitus had acquired a new significance through Benjamin Jowett’s reforms to the Literæ Humaniores syllabus and the work Wilde famously referred to as ‘my golden book’, Walter Pater’s Studies in the History of the Renaissance (1873). With an epigraph from Plato’s Cratylus, its ‘Conclusion’ presented the modern world as the epitome of Heraclitean flux, and counselled that, in consequence, ‘to burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life’. Exactly how Wilde takes up—and indeed, fundamentally challenges—this assertion’s hedonistic implications and the Heraclitean flux that underpins it in ‘The Critic as Artist’, The Picture of Dorian Gray, and De Profundis is the focus of this chapter.

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49

Bond, W. Soil Physical Methods for Estimating Recharge - Part 3. CSIRO Publishing, 1998. http://dx.doi.org/10.1071/9780643105355.

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Measurements in and just below the plant root zone, using principles of soil physics, can be used to estimate recharge. This booklet describes the Zero Flux Plane Method, Methods Based on Darchy's law, and Lysimetry for making such estimates. The work presents the basic concepts of soil water physics that will be referred to in this and other booklets in the series. Another method, the Soil Water Flux Meter, is discussed briefly, but as this is not sufficiently well developed for routine use readers are referred elsewhere for full details. All these methods require that consideration be given to interpolation over time and spatial extrapolation or averaging. A brief discussion of this is given.

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50

Herrmann, Hajo. Als die Jagd zu Ende war. Mein Flug in die sowjetische Gefangenschaft. Universitas Verlag, 2003.

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