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Journal articles on the topic 'Altai Poets'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Skokova, D. S. "THE THEME OF DESTRUCTION OF CHURCHES IN THE POEMS OF ALTAI POETS OF THE 1970–1990S." Culture and Text, no. 59 (2024): 50–62. https://doi.org/10.37386/2305-4077-2024-4-50-62.

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The article is devoted to the study of lyrical texts of Altai poets M. I. Yudalevich, N. V. Gaiduk, G. P. Panov; in particular the author analyzes the specifics of the implementation of the themes of desecration of the church and destruction of temples. The motives of breaking down the church, converting the temple (into an industrial building), throwing down bells, stealing icons appear in the poetry of Altai authors, on the one hand, in connection with oral stories about the desecration of religious buildings and symbols of religious faith that existed in Russian folk culture, on the other h

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Tozyyakova, Ekaterina, and Natalia Grebennikova. "The Concept of "Altai-Kizhi/Altaian" as a Reflection of National Identity in the Altaian Literature." Philology & Human, no. 1 (February 27, 2022): 168–76. http://dx.doi.org/10.14258/filichel(2022)1-14.

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Modern Altaian literature has a wide range of possibilities for representing ethnic and national mentality due to the fact that ethno-cultural elements are its organic part. The article examines the ethno-concept "Altai-Kizhi / Altaian", through the prism of which the specifics of the national identity of the indigenous people of the Altai Mountains are described. Based on the creative work of the Altai poets and writers (B. Bedyurov, B. Ukachin, P. Samyk, G. Kondakov), the authors have traced from which elements the ethnoconcept is formed and what meanings it represents in the Altai literatur

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Tekenova, Ulyana N. "The topic of “WW2 rear” childhood in Altai literature of the second half of the 20th century (on the example of the works of Lazar’ Kokyshev, Boris Ukachin, Dibash Kainchin, etc.)." Vestnik of Kostroma State University 27, no. 3 (2021): 210–16. http://dx.doi.org/10.34216/1998-0817-2021-27-3-210-216.

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The article is based on the works of Altai writers of the second half of the XX century. (Lazar’ Kokyshev, Boris Ukachin, Shatra Shatinov, Dibash Kainchin) The author made an attempt to investigate the theme of memory and the theme of wartime childhood. The work examines the spiritual values of the generation of poets and prose writers who began their career in the 1960s ‟thaw” years. The author's field of vision includes works united by the image of a wartime childhood in the distant rear, the article attempts to fit the material under study into the context of the main trends in the Altai li

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Самдан, З. Б. "ОБРАЗ КАМЕННОГО ИЗВАЯНИЯ В ПОЭЗИИ ТЮРКОЯЗЫЧНЫХ НАРОДОВ САЯНО-АЛТАЯ: ИСТОКИ И СОВРЕМЕННОСТЬ". SCIENTIFIC REVIEW OF SAYANO-ALTAI, № 3(43) (9 жовтня 2024): 87–95. http://dx.doi.org/10.52782/kril.2024.3.43.012.

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В данной статье автор с фольклористической и литературоведчекской точки зрения рассматривает проблему самоидентификации тюркоязычных народов Саяно-Алтая на материале фольклорных и литературных текстов. Исследование проблемы самоидентификации коренных народов Саяно-Алтая особо актуализировалось на современном этапе в связи с жизненно важными проблемами их выживания в условиях глобализации. Среди самобытных образов литературы данного региона особую консолидирующую роль играет, как полагает автор, образ каменного изваяния. Этот образ глубоко символичен, так как он основан на древних религиозно-ми

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Romanova, L. N. "Methodological foundations of comparative literature in the works by Nikolai Toburokov." Issues of National Literature, no. 2 (July 1, 2024): 30–35. http://dx.doi.org/10.25587/2782-6635-2024-2-30-35.

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The article investigates the main methodological approaches of Professor Nikolai Toburokov to the study of ethnic literatures of Siberia. The aim of the article is to evaluate the contribution of Professor, Dr. Sci. in Philology Toburokov in the formation of comparative literary studies in the ethnic literatures of Siberia. The study of the Professor's works led to the conclusion that his studies have formed a typologically verified system of comparative literary studies of the ethnic literatures of Siberia as a whole. His works on poetry, history of literature are considered as the developmen

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Тырина, Марина Петровна, Виктор Викторович Зикратов, Алла Владимировна Ковалева, and Наталья Васильевна Халина. "The 225th anniversary of Alexander Pushkin: “Above all virtues is reasoning, for every virtue without reason is empty”." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(41) (September 20, 2024): 191–203. http://dx.doi.org/10.23951/2312-7899-2024-3-191-203.

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Описаны концептуальные основания и их осуществление в ходе подготовки и проведения научной встречи, приуроченной к юбилейным торжествам. Встречей стала II Кросс-культурная ассамблея, организованная двумя дружественными университетами: Алтайским государственным университетом и Самаркандским государственным университетом. Ассамблея привлекла не только участников из стран, представленных этими университетами, но и представителей Анголы, Афганистана, Бангладеш, Боливии, Египта, Зимбабве, Ирана, Китая, Конго, Ливии, Монголии, Нигерии, Сомали, Уганды, ЮАР. География участников визуализирует концепты

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Muhammad Nazir, Zulfiqar Ali, Zulfiqar Ali, Muhammad Hasssan, and Syed Sadaqat Ali. "The Artistic and Intellectual Analysis of Zamir Masloob in Modern Urdu Poetry." GUMAN 7, no. 4 (2024): 27–38. https://doi.org/10.63075/guman.v7i4.861.

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Urdu poetry's second most celebrated genre, after ghazal, is nazm. This eloquent genre expresses various themes, with poets conveying their thoughts under a title, without adhering to traditional weight or rhyme.Nazm originated in Deccan and later flourished in North India. Initial poets included Khwaja Bande Nawaz Gisudaraz, Amir Khusrow, and Nazir Akbarabadi. The 1857 Indian Rebellion sparked modern nazm's growth, influenced by Western ideas and new emotional currents. Maulana Muhammad Hussein Azad and Altaf Hussain Hali introduced natural poetry through the Punjab Association movement in 18

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8

Abisheva, S. D., and Zh Sh Sametova. "Poetic Features of the Works of Mukagali Makatayev for Children." Iasaýı ýnıversıtetіnіń habarshysy 127, no. 1 (2023): 22–34. http://dx.doi.org/10.47526/2023-1/2664-0686.02.

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In the article, the authors analyzed a new aspect of Mukagali Makatayev creativity, which had not previously been encountered in any scientific research, not written in dissertation, monographic works. That is, the authors analyzed the poetic features of the poet Mukagali's poems, which were not studied as a separate scientific work for children. To prove the existence of nursery rhymes in the poet's work, the authors analyzed the poems based on eight different requirements for children's poetry. The authors carried out the analysis based on the works of such scientists as K. Chukovsky, Sh. Ak

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Yagovets, N. A., and V. V. Shtrak. "CURRENT LIFE OF SPIRITUAL VERSES AMONG THE OLD BELIEVERS OF THE BELOKRINITSKY CONSENT OF THE ALTAI KRAI (BASED ON THE MATERIALS OF THE 2023 EXPEDITION TO THE VILLAGE OF ZALESOVO)." Topical Issues of Culture, Art, Education 4, no. 38 (2023): 52–61. http://dx.doi.org/10.32340/2949-2912-2023-4-52-61.

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Currently, the spiritual culture of the Old Believers of the Belokrinitsky consent is one of the most important cultural phenomena involved in the formation of the regional culture of the population of the Altai Krai. Spiritual poems occupy a special place in it. Today, the tradition of spiritual poetry is a "living tradition", as this genre continues to develop in modern everyday performance. The publication summarizes the field materials collected during the 2023 expedition, as well as provides an analysis of spiritual poems recorded from the Old Believers of the Belokrinitsky consent of the

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YAGOVETS, N. A. "BEARERS OF THE SPIRITUAL SINGING TRADITIONS OF THE OLD BELIEVERS OF THE BELOKRINITSKAYA HIERARCHY (BASED ON THE MATERIALS OF FIELD RESEARCH IN ALTAI IN 2022-2024)." Ethnography of Altai and Adjacent Territories 12 (2024): 132–37. https://doi.org/10.37386/2687-0592-2024-12-132-137.

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This article is of an overview nature. It reveals the role of the bearers of the spiritual singing traditions of the Old Believers of the Belokrinitskaya Hierarchy in preserving the spiritual singing culture in Altai. For the first time, materials collected in expeditions in the period from 2022 to 2024 in Barnaul, Zalesovo village of the Altai Territory, the village of Zamulta of the Altai Republic are published. These are conversations with bearers of the spiritual singing traditions, a repertoire of spiritual poems and liturgical chants recorded from informants.

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Öznur, Şevket, and Ahmet Uçar. "Traces of Cyprus culture in contemporary Cyprus Turkish poetry." SHS Web of Conferences 150 (2022): 01004. http://dx.doi.org/10.1051/shsconf/202215001004.

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The parallelism between language and culture emerges as a reality accepted by everyone. The individual living in a certain society carries the cultural elements of the society in his own life. The poet, who is in the society in question, reflects the cultural characteristics of the society to his poetry through language. When we look at the formation of Cypriot identity in Turkish Cypriot poetry, it appears as a result of the movement initiated against Turkish nationalism by the 1974 Generation or the Red Belt. In the poems of Fikret Demirağ, Feriha Altıok, Fatma Akilhoca, Saygın Akanyeti, Gür

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12

Abdureşit, Z. "On the Hıstorıcal Place Names of East Turkıstan Passed ın Hıstorıcal Poems ın Chınese." Turkology 5, no. 103 (2020): 59–79. http://dx.doi.org/10.47526/2020/2664-3162.012.

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There are many poems recorded East Turkestan’s place names in Chinese history poems,. In this article, poems in which the historical place names of East Turkistan, such as “Tanridag”, “Altay”, “Küsen” and “Kroran” are mentioned in Chinese historical poems are discussed. By examining the place names of East Turkestan in the historical poems of China, as Uyghur historian Turgun Almas said, these place names are philological proof that the original inhabitants of the Cungar and Tarim basin are Uyghurs. If the people living in these regions were not Uyghurs, but the people who spoke in another lan

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13

Abdureşit, Z. "On the Hıstorıcal Place Names of East Turkıstan Passed ın Hıstorıcal Poems ın Chınese." Turkology 5, no. 103 (2020): 59–79. http://dx.doi.org/10.47526/2020/2664-3162.012.

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There are many poems recorded East Turkestan’s place names in Chinese history poems,. In this article, poems in which the historical place names of East Turkistan, such as “Tanridag”, “Altay”, “Küsen” and “Kroran” are mentioned in Chinese historical poems are discussed. By examining the place names of East Turkestan in the historical poems of China, as Uyghur historian Turgun Almas said, these place names are philological proof that the original inhabitants of the Cungar and Tarim basin are Uyghurs. If the people living in these regions were not Uyghurs, but the people who spoke in another lan

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14

Dedina, Margarita. "The Аuthor's Picture of the World in the Lyrics of Karan Koshev". Philology & Human, № 1 (4 березня 2023): 39–54. http://dx.doi.org/10.14258/filichel(2023)1-03.

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. The article is devoted to the study of the artistic originality of the lyrics of the famous Altai writer Karan Koshev. The subject of the study is an individual author's picture of the world, based both on the traditional worldview and worldview, and on subjective ideas and philosophical understanding of the surrounding space, history and fate by the author. K. Koshev's lyrics often reflect real events from the writer's life, his reflection on certain episodes, and in the lyrical hero, a civil engineer, the author himself is guessed. K. Koshev's poems are the first poems in the Altai lyrics

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15

Sánchez Medina, Guillermo. "Duelo, música y poesía." Medicina 44, no. 2 (2022): 301–4. http://dx.doi.org/10.56050/01205498.1691.

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Prólogo Corría el año 1965; mi familia compuesta por mi señora y dos hijos Ivonne y Guillermo. Los niños iban a sus colegios; mi señora se había conectado, hacía pocos años, con poetas reconocidos, y yo era conocido como psiquiatra y psicoanalista, preocupado por la salud mental; escribía cortos artículos en la página editorial de El Tiempo. Entre nuestro círculo social de amigos, existía un famoso cirujano, culto, escritor de relatos, poesía y ciencia; los dos compartíamos la franja de la medicina, cada uno en su especialidad; sin embargo, para él, yo debía tener respuestas a incógnitas

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Nepomnyashchikh, N. A., and A. A. Ozonova. "Book review: Oirotia in the Mirror of literature: an anthology. E. P. Chinina, T. P. Shastina (Eds.). Gorno-Altaysk, Poligrafika, 2020, 308 p." Languages and Folklore of Indigenous Peoples of Siberia, no. 42 (2021): 131–34. http://dx.doi.org/10.25205/2312-6337-2021-2-131-134.

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The anthology under review is a collection of journalistic, literary, and academic texts in Russian and Altai that appeared in local and central periodicals and textbooks and poetic anthologies published in Moscow and various Siberian cities. The chronological period of the anthology covers the entire period of the Oyrot Autonomous Oblast existence: from 1922 to 1948. These years brought significant changes to the region: the mass spread of literacy, the Altai literature’s appearance, and the standard Altai language development. The anthology shows the formation and evolution of the image of O

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Soatova, Gulzoda. "Some remarks about the life and work of Altay." Golden Scripts 4 (December 10, 2023): 97–108. http://dx.doi.org/10.52773/tsuull.gold.2023.4/ikdb8397.

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In the article, the life and work of the poet Altay (Bois Qoriyev), who has a special place in the history of our national literature, gained importance in the literature of the 20 and 30years of the XX century, and his family (the life and work of his father Abduvahid Qoriev, brother Bosit Qoriyev ) is presented. The author’s published poems and books are dis- cussed. The main idea of his poems is analyzed and personal comments are given. Also, the creator’s newspapers such as “Qizil O‘zbekiston”, “Fer- gana”, “Turkistan”, “Ishtirokyun”, “Maarif va oqitguvchi”, “Alanga”, “Yer Yuzi”, “O‘zgaris

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18

Cottino-Jones, Marga. "Boccaccio, Petrarca e altri poeti del trecento. Armando Balduino." Speculum 62, no. 3 (1987): 643–44. http://dx.doi.org/10.2307/2846387.

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Motta, Leda Tenório da. "Um altar para o deus desconhecido." Revista Limiar 5, no. 10 (2019): 25–36. http://dx.doi.org/10.34024/limiar.2018.v5.9787.

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Perguntava-se Mallarmé, em "Os deuses antigos" se, acaso, algum espírito imbuído de preconceito acreditaria que as divindades já não têm mais lugar na terra. Contra tal prevenção respondia acenando com a poesia: a leitura das mais belas páginas das letras francesas mostra que nada morreu de tudo aquilo que foi um dia o culto espiritual da raça. O intento do presente artigo é destacar que a pergunta e a resposta do poeta estão no centro vivo da argumentação de Olgária Matos. Que, para ela, lendas fazem todo o sentido, aqui e agora, na situação moderna. Que a embriaguez com que se cumpre o trato

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20

García Meza, Norma Esther. "La muerte en las letras y en otros escenarios...Necrología del 2014." Balajú. Revista de Cultura y Comunicación de la Universidad Veracruzana. 2015, no. 3 (2015): 122–36. http://dx.doi.org/10.25009/blj.v0i3.1990.

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La presente necrología se elaboró porque nunca antes la muerte había rondado, tan insistente y dolorosamente, por las letras y otros escenarios, como en este 2014. Nunca antes habíamos tenido a tantos poetas, escritores, pensadores, luchadores sociales, pintores, fotógrafos, periodistas, músicos, cantantes, coreógrafos, bailarines, actores, actrices y, reciente y lamentablemente, estudiantes, a quienes dedicar nuestro altar.

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Hernández Sautto, Circe. "Manuel Quiroz y Campo Sagrado: el juego del ingenio y la agudeza." Acta poética 43, no. 2 (2022): 33–55. http://dx.doi.org/10.19130/iifl.ap.2022.2.178x270s3.

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Silent poems was a visual poetic genre practiced in Italy, Spain and their colonies during the 17th and 18th centuries. Being occasional texts, presented at contests and poetry fairs, they were not printed, but handwritten. In the case of New Spain, one of the few representatives of the genre that have been reached so far is Manuel Quiroz Campo Sagrado (ca. 1751-1821). This communication makes a reading of three silent poems contained in the manuscript Afectos tiernos al santísimo sacramento de el Altar. The document is in the Biblioteca Franciscana (Cholula) has recently been included in the

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Orlitsky, Yu B. "Siberian Free Verse of the 1920s – 1930s: General and Special in a New Poetic Form." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 129–55. http://dx.doi.org/10.25205/2410-7883-2020-2-129-155.

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Since the beginning of the twentieth century, free verse (vers libre) begins an active penetration into Russian poetry, decisively moving from the category of a marginal poetic phenomenon into the most active forms of national verse. Since the end of the 1910s Russian free verse also appears in the thriving Siberian poetry. First of all, this occurs in the works of authors who work with verse in line with the main currents of the general Russian poetic tradition – relatively speaking, among the Siberian futurists, acmeists, and imagists. The article examines the process of the emergence of fre

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Carle, Barbara. "Book Review: Terra del tempo e altri poemetti, the Transparent Life and other Poems." Forum Italicum: A Journal of Italian Studies 34, no. 2 (2000): 592–94. http://dx.doi.org/10.1177/001458580003400230.

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Sana Liaqat та Sadaf Naqvi. "حالی کی نظمیں سید تقی عابدی کی نظر میں". Taṣdīq 6, № 1 (2024): 156–68. https://doi.org/10.56276/mty6q809.

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Syed Taqi Abedi emerges as a significant contributor to the literary landscape. Despite his medical profession, Abedi’s passion for Urdu literature has been a constant thread throughout his life, originating from his student days. The Urdu literary realm is fortunate to have someone of Abedi’s caliber, who has consistently nurtured the growth of this rich tradition. This abstract delves into Abedi’s profound admiration for Khawaja Altaf Hussain Hali, a prominent poet, and explores the depth of his connection to Hali’s works. Abedi meticulously examines Hali’s poetry, ghazals, criticism, and pr

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Serra, Deuzimar Costa, Andreia Alves Almeida, and Raina Winny Da Silva Bezerra Rodrigues. "ARTE E CULTURA NO CONTEXTO DAS MATAS DE JATOBÁ EM MEMÓRIA AO BICENTENÁRIO DE GONÇALVES DIAS." REVISTA DE LETRAS - JUÇARA 7, no. 3 (2023): 106–17. http://dx.doi.org/10.18817/rlj.v7i3.3471.

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Este artigo focaliza-se “Arte e Cultura no contexto das matas de Jatobá voltado para produção de atividades artísticas, culturais e literárias alusivas e comemorativas ao Bicentenário de nascimento de Gonçalves Dias”, tendo como objetivo, promover arte e cultura sobre a vida e obra do poeta Antônio Gonçalves Dias em alusão ao seu bicentenário com estudantes e professores das escolas no Polo Crioly do Sistema Municipal de Ensino: a) Escola Municipal Antônio Gonçalves Dias do povoado quilombola Laranjeiras (local que encontram-se as ruínas da casa que nasceu Gonçalves Dias e a edificação do memo

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Yarashov, Sharif Jumaevich. "SEMANTIC FEA TIC FEATURES OF THE WORD " TURES OF THE WORD "ABRO" (EYEBROW ABRO" (EYEBROW) IN THE ) IN THE POEMS OF AMIR KHUSRA POEMS OF AMIR KHUSRAV DEHLAVI "TOHFAT-US-SIG' -US-SIG'AR"." Scientific Reports of Bukhara State University 4, no. 5 (2020): 221–25. http://dx.doi.org/10.52297/2181-1466/2020/4/5/11.

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Background. This article discusses the level of use of the word "abro" (eyebrow) in the dictionary of ghazals of Amir Khusrav Dehlavi "Tohfat-us-sig'ar" and the range of lexical, semantic, figurative and mystical meanings. Methods. In Persian-Tajik dictionaries and ghazals of the first divan of the poet, the symbols of the term "abro" (eyebrow), a series of epistemological meanings, artistic and lexical interpretation, historical formation and lingopoetic interpretation of lexical interpretations are analyzed as a separate issue. And the new and unconventional meanings of this word in the poet

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Milyukova, Anna. "Narrative analysis of media discourse of a special event (on the example of Robert Rozhdestvensky Altai Regional Literary Festival)." Litera, no. 1 (January 2021): 74–83. http://dx.doi.org/10.25136/2409-8698.2021.1.34780.

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Leaning on the narrative analysis of media materials, this articled examines the peculiarities of the narrative of regional literary festival of Robert Rozhdestvensky. Research methodology employs narrative analysis, which being a variety of qualitative content analysis, implies characteristics of the following textual elements: narrator: hero/narrator / author; characters, their types; events (plot functions); type of narrative strategy; time; space; intertext, precedent texts, metanarrative; dichotomies, presuppositions, ideologemes. The object of this analysis is media article dedicated to

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Milyukova, Anna. "Discourse of a special event in mass media (on the example of Robert Rozhdestvensky Altai Regional Literary Festival)." Филология: научные исследования, no. 12 (December 2020): 208–21. http://dx.doi.org/10.7256/2454-0749.2020.12.34773.

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The subject of this article is the components of media discourse of a cultural event. Based on the quantitative content analysis and critical discourse analysis of media materials, the author examines peculiarities of the discourse of Robert Rozhdestvensky Altai Regional Literary Festival held since 2007. Analysis is conducted on the quantitative characteristics of publication dynamics (distribution of the material by type of media; by tone i.e. the context of mentioning &ndash; positive, negative, or neutral). Characteristic to these media texts is given from the perspective of organizati

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Махова, Л. П. "Songs and Rituals of the Altai Mounting District from the Stepan Gulyaev’s Collection." OPERA MUSICOLOGICA, no. 1 (March 26, 2020): 70–100. http://dx.doi.org/10.26156/om.2020.12.1.005.

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В Институте русской литературы Российской академии наук (г.Санкт-Петербург) хранится рукопись С.И.Гуляева, которая состоит из пяти тетрадей: Песни обрядные, Свадебные обряды, Песни круговые, Песни девичьи, женские и юнацкие, Знахарство. В совокупности они составляют самый ранний сборник народной поэзии Алтайского горного округа. Некоторые тексты народных песен и заговоров, а также фрагменты описания свадебного обряда Гуляев записал на Алтае еще в 1820-е годы. Частично материалы сборника были опубликованы в 1848 году в статье Этнографические очерки Южной Сибири . Затем до 1881 года автор вносил

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Smarr, Janet L. "Armando Balduino. Boccaccio, Petrarca e altri poeti del trecento. Florence: Leo S. Olschki, 1984. 341 pp. L. 42,000." Renaissance Quarterly 39, no. 3 (1986): 515–18. http://dx.doi.org/10.2307/2862046.

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Santini, Giovanna. "Le fonti provenzali dei poeti della Scuola siciliana. I postillati di Torraca e altri contributi, by Aniello Fratta." Romance Philology 52, no. 1 (1998): 204–11. http://dx.doi.org/10.1484/j.rph.2.304291.

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Pogorelaya, E. A. "Ilya Kochergin: Between the city and the world." Voprosy literatury, no. 3 (June 12, 2025): 28–41. https://doi.org/10.31425/0042-8795-2025-3-28-41.

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The article discusses the contemporary prose writer and essayist Ilya Kochergin against the background of his main works — from the earlier (Assistant to a Chinese [Pomoshchnik kitaytsa], 2007) to the more recent (Appropriation of Space [Prisvoenie prostranstva], 2022; Emergency Exit [Zapasniy vykhod], 2024]) oeuvre. According to Kochergin, emotional interaction with space has as much impact on an individual as their relationship with their closest circle of people. The critic examines Kochergin’s identity as a writer in various capacities, already mythologized in the contemporary literary pro

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Bird, Amber. "‘something understood’: Spiritual Experience and George Herbert’s Sonnets." Religions 16, no. 4 (2025): 434. https://doi.org/10.3390/rel16040434.

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Drawing from The Temple, a seventeenth-century volume of devotional poems written by George Herbert, this essay sets out to unfold how deliberately choosing constraint can lead to a spiritual experience. Beginning with a formal analysis of Herbert’s shape poem “The Altar” to demonstrate how form and content simultaneously create meaning in lyric poetry, the remainder of the essay focuses on Herbert’s most formally constrained poems: the sonnets. Using Herbert’s treatment of the sonnet form as evidence of deliberately choosing constraint, Herbert’s poetics transform our conceptual understanding

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Oesterheld, Christina. "Campaigning for a community: Urdu literature of mobilisation and identity." Indian Economic & Social History Review 54, no. 1 (2017): 43–66. http://dx.doi.org/10.1177/0019464616683475.

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After the defeat of the rebellion of 1857–58, and the final loss of the last semblance of political power in the subcontinent, Muslims attempted to analyse the reason for their ‘descent, decay or degradation’ ( tanazzul). Inspired by Sir Saiyid Ahmad Khan’s reformist movement, Urdu prose writers and poets started to create a new kind of literature with the aim to ‘awaken’, revitalise and mobilise the Muslim community. As a means to this end, they evoked images of the glorious Islamic past, but also warned about the negative impact of the schisms within Islam. As perfect examples for the new ro

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Palmeira, Naduska Mário. "O útero da casa:." Scripta 28, no. 64 (2024): 344–72. https://doi.org/10.5752/p.2358-3428.2024v28n64p344-372.

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A partir da obra O útero da casa, de Conceição Lima, poeta são-tomense, é possível observar o início de um projeto poético de reconstrução individual, coletivo, nacional, que perpassa, como uma obsessão, toda a obra, e cresce em desejo a cada verso. No seio (ou no útero) da casa, pode-se habitar uma sala que metaforiza a luta, a praça, pode-se locomover pela obra, sem obstáculos, no caminho plano e redondo. No entanto, tal casa é, também e ainda, sonhada, alta, sagrada, narrada fio a fio e, como poderia se esperar, inacabada – “Sonho ainda o pilar - / uma rectidão de torre, de altar/(...)/ E r

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Dr Mukhtar Ahmad Azmi and Haider Ali. "The Lament of the Decline of the Ummah in Modern Urdu Naat." Noor e Tahqeeq 9, no. 01 (2025): 40–49. https://doi.org/10.54692/nooretahqeeq.2025.09012317.

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Time is a mysterious and divine secret, explored by philosophers for centuries without a definitive answer. According to Allama Iqbal, the cycle of day and night defines life and death. The golden era of history was the time of the Holy Prophet (PBUH), followed by the Rightly Guided Caliphate. However, decline set in with monarchy and dynastic rule. For the past two centuries, Muslims have faced continuous downfall. In Naat poetry, alongside praising the Prophet (PBUH), poets have expressed sorrow over the Ummah’s decline. Hali’s Musaddas laments, "O special messenger, it is time for prayer."

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Galvao, Cassia Bomer, Amir Gharehgozli, and Joan Mileski. "Being left at the altar: A content analysis of the Ports of Houston and Galveston merger case that never happened." Research in Transportation Business & Management 26 (March 2018): 34–44. http://dx.doi.org/10.1016/j.rtbm.2018.02.002.

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У. Н., Текенова,. "THE MOTIF OF THE RUINED NEST IN BRONTOY BEDYUROV’S POETRY." SCIENTIFIC REVIEW OF SAYANO-ALTAI, no. 2(34) (October 26, 2022): 72–76. http://dx.doi.org/10.52782/kril.2022.2.34.014.

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Данная статья посвящена исследованию образного мира поэзии известного алтайского поэта Бронтоя Бедюрова. В работе кратко изложены основные этапы творческого пути поэта, называются поэтические сборники, изданные на алтайском и русском языках. Автор обращает внимание на основные тематические направления его лирики (философская, гражданская, пейзажная и любовная). В статье ставится задача рассмотрения понятия мотива разоренного гнезда и его интерпретации в некоторых произведениях поэта. Гнездо является символом родины, родного очага, семьи, вызывает ассоциации с теплом, светом, уютом. Прослежен п

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McCluskey, Stephen C. "Wordsworth's 'Rydal Chapel' and the Orientation of Churches." Culture and Cosmos 08, no. 0102 (2004): 209–26. http://dx.doi.org/10.46472/cc.01208.0235.

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In the winter of 1822/23, William Wordsworth wrote a pair of poems on the foundation of Rydal Chapel. The second of these poems focused on the solar symbolism of the orientation of churches. Wordsworth's romantic medievalism is manifest in his description of how ‘in the antique age of bow and spear’ the founders of the Mother Church of Rydal Chapel had performed a nocturnal vigil before the feast of the church's patron saint, waiting for the Sun to rise, a practice which was neglected by his contemporaries. For him, this divinely ordained rising was a sign of where to place the church's high a

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TIGNOL, EVE. "Genealogy, authority and Muslim political representation in British India." Journal of the Royal Asiatic Society 30, no. 3 (2020): 449–65. http://dx.doi.org/10.1017/s1356186320000243.

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AbstractThis article reflects on the significance of genealogy for Sayyids and other Muslim elites in British North India by exploring some literary productions and political endeavours of the Aligarh movement. At the end of the nineteenth century, poems recalling the extra-Indian origins of Muslim elites became increasingly popular, as Altaf Husain Hali's Musaddas best exemplified. Translating an anxiety of seeing their power and influence reduced in the colonial world, such nostalgic discourse, intertwining representations of lineage and authority, promptly entered the political realm. The g

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O, Demchigmaa. "Choijamts’s translation of “Subhashita” commentaries." Translation Studies 11, no. 1 (2023): 206–18. http://dx.doi.org/10.22353/ts20230121.

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As far as we know, four works explained the meaning of the crucial poem of the Subhashita by stories in Tibetan and two in Mongolian. Here, we compared the two different scriptures of Tibetan commentaries’ translation by Choijamts and tried to clarify not only the similarities and differences in the content, structure, and peculiarities of the original recording but also aimed to make predictions about the sources, in which period was the source, translators and initiator related, by looking for other sources based on the relevant information. For text A, the complete poem was translated with

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Starikovsky, Grigory G. "PINDAR’S SEVEN NEMEAN ODE: FOREWORD, TRANSLATION, AND COMMENT." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 3 (2020): 95–112. http://dx.doi.org/10.18522/2415-8852-2020-3-95-112.

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In the victory odes written for the Aeginetan athletes, Pindar constantly draws upon mythological characters associated with Aegina. Th ese are: Aeacus, fi rst king of Aegina, and the Aeacidae, his descendants (Peleus, Telamon, Ajax, Achilles, and Neoptolemos). Nemean 7, dedicated to Sogenes, winner in boys’ pentathlon, is no exception: the mythological segment incorporated into the epinikion deals with Neoptolemos. At the time of Pindar, Neoptolemos was commonly known for his bloodthirsty escapades during the fi nal stage of the Trojan war: according to the Cyclic poets, he murders Priam at t

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Queixas Zas, Mercedes. "Por unha canonización (que non beatificación) da obra de Lois Pereiro." Boletín da Real Academia Galega, no. 372 (November 9, 2011): 183–97. http://dx.doi.org/10.32766/brag.372.387.

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O obxectivo desta comunicación quere promover unha reflexiva chamada de atención a respecto da importancia / necesidade de non deixarmos morrer a Lois Pereiro definitivamente. Agora que tivemos a oportunidade de (re)descubrírmolo como poeta, de coñecérmolo como narrador e ensaísta, sería mágoa imperdoábel renunciarmos para sempre á súa obra, máxime cando a súa conexión coa sociedade, ao longo de 2011, acadou cotas tan altas de recoñecemento popular.Cada un, cada unha de nós ten a súa chave persoal para evitar que esta porta por fin aberta, desde a Real Academia Galega, sexa ferreamente trancad

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Strashkova, Olga K., and Anastasiya D. Alexenko. "The “Temple Cycle” in the Book of Poems by the Emigrant Poet Georgiy Golokhvastov as a Text in a Text." Tekst. Kniga. Knigoizdanie, no. 27 (2021): 5–17. http://dx.doi.org/10.17223/23062061/27/1.

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The article examines the artistic system of the book of poems Polusonety [Half- Sonnets] by Georgiy Golohvastov, the ideological leader of a group of poets of the first wave of emigrants (E.V. Khristiani, D.A. Magula, V.S. Ilyashenko) that originated in the 1920s–1930s in New York. The article deals with the specific phenomenon of a “temple cycle” as a text in the text of Polusonety. The cycle can be specified by the author as a structural unit of the book, or it can “stand out” as a united text space based on thematic or figurative unity. The latter is our case. The object of the research is

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Kuzmina, Aitalina A. "Perception of the Creation Myth in Yakut Epic Folklore." Studia Litterarum 7, no. 2 (2022): 248–63. http://dx.doi.org/10.22455/2500-4247-2022-7-2-248-263.

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The article is devoted to the ideas about the Creation myth in the Yakut epic folklore. This topic is little-known in Yakut folklore studies, which indicates the relevance if the research. The author of the article identifies and examines traditional ideas about the creation of the world, using the folklore recordings. The novelty of the research lies in the fact that it reveals this issue with involvement of a wide range of materials on mythology and folklore, and also presents a comparison with the oral tradition of other peoples, for the first time. The author identifies motifs about the cr

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Isakov, A. V., and A. P. Modorova. "The theme of joining Russia in the literature of the peoples of Siberia in the 1950s–1980s." Vestnik of North-Eastern Federal University History Political Science Law 21, no. 2 (2024): 124–36. http://dx.doi.org/10.25587/2222-5404-2024-21-2-124-136.

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The article examines the features of the embodiment of the theme of joining Russia in the literature of the peoples of Siberia in the 1950s–1980s in the context of state memory policy of this period. The research materials are the works of Altai, Buryat, Khakass and Yakut literature. The research is based on the theory and methodology of comparative literature, as well as on the theory of cultural and historical memory. It has been established that the appearance of the theme of joining Russia in the literature of the peoples of Siberia in the 1950s–1980s was associated with the memory politic

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DR. SYEDA TAYYABA RUBAB. "Moulana Hali’s Reformic Thought and Iqbab’s Poetry: Analytical Study." DARYAFT 17, no. 01 (2025): 50–56. https://doi.org/10.52015/daryaft.v17i01.417.

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Moulana Altaf Hussain Hali was a legend literary person. He freed the Urdu ghazal from old themes and introduced it to the larger scope of the diverse segments of life. He was a reformer, who pioneered modern literary attitude in Urdu literature. His poetic vision guided him about the literary revolution in Urdu. He recalled the religious, political and cultural history of Muslims and compared it to present. He wanted to aware the Muslims of subcontinent. Being the companion of Sir Syed Hali was diplomatic but after all he felt the serious and miserable condition of Muslim community in subcont

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Jeong, Eun-joo. "The Aims of National Management of King Sukjong through the Poems Inspired by Paintings." Korean Society of the History of Historiography 45 (June 30, 2022): 123–68. http://dx.doi.org/10.29186/kjhh.2022.45.123.

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This paper analyzed the loyalty to Ming and the management style to run the country of King Sukjong pursued in the poem written by himself, during his reign. It tried to analyzed that the multi-layered meaning of pome written by King Sukjong of the paintings by the emperor of the Ming Dynasty, the portraits of loyalists representing the allegiance, and the maps and astronomical maps from the following three aspects. First, Daebodan Altar was built as a strategy for the king to monopolize ritual control over the Ming emperor in relation to the construction of the Mandongmyo Shrine by Song

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Dr Muhammad Qasim. "مدوجزر اسلام“کا ایک مکمل منظوم انگریزی ترجمہ:چند معروضات”". Taṣdīq 6, № 1 (2024): 186–209. https://doi.org/10.56276/gfm2bh58.

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Maddo Jazre Islam written by Altaf Hussain Hali is an internationally renowned Urdu poem. It is a great example of versified historiography. The subcontinent is an eyewitness to the decline of Muslims. It bore the verse outcomes of colonialism as well. Muslims in such a situation became pessimist and inactive. To get rid of Muslims from such situations, educational, religious, and political institutes became active. Contemporary writers played a vital role in this regard too. Hali is amongst the top writers. Hali has delivered many beautiful poems of such content, but Maddo Jazre Islam has a d

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Kenzhalin, K. K., and D. A. Baltabay. "Semantics of Mongolian words found in the work “Shezhire-i terakime”." Bulletin of L.N. Gumilyov Eurasian National University. Political Science. Regional Studies. Oriental Studies. Turkology Series 149, no. 4 (2024): 302–13. https://doi.org/10.32523/2616-6887-2024-149-4-302-313.

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The study of the lexical layer of historical works and poems in the linguistic aspect plays an important role in determining the history of the formation and development of a language. Taking into account this significance, the work of Abulgazy Bahadur Khan “Shezhire-i terakime”, written in the 17th century, was considered as the object of study. During the study, Mongolian elements were analyzed from a comparative historical point of view, semantic commonalities and differences between the Turkic and Mongolian languages were identified. In addition to Turkic and Mongolian elements, Arabic and

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